ÜBER DIESE EPISODE
In this episode percussionist, artistic director and documentarist Ross Karre talks about his education from the Oberlin Conservatory and the University of California San Diego; about his work with The International Contemporary Ensemble in NYC, about how the idea of musical taste is a social construct, about the lack of social awareness in his own education, and about issues that engages him as as a curator.
The musical excerpts are taken from his recording 10.67 cycles, which you may purchase here.
In an episode of Soundmaking Ross talks about the making of this recording.
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Englisch
Vereinigte Staaten
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VERGANGENE FOLGEN SUCHEN
Vorhandene Folgen von Percussion Perspectives Podcast durchsuchen.
WEITERE EPISODEN IN DIESEM PODCAST
In this Episode Henrik talks with percussionist and performer Aiyun Huang. Aiyun enjoys a musical life as soloist, chamber musician, researcher, teacher, and producer, and is also the Head of the Percussion Program at the University of Toronto.An expert in Percussion Theatre, her work on the subje…
Christian Windfeld, b.1983, is a Danish improviser, composer, percussionist and educated soloist from The Royal Academy of Music in Aarhus, Denmark. Since the age of 19 he has build an international career touring all over Europe, North America and Australia and lived in Stockholm, New York and Ber…
This episode features LA-based musician Jonathan Hepfer, who runs the concert series Monday Evening Concerts. In the first part of our talk, Jonathan speaks about his studies at the SUNY Buffalo, the Oberlin Conservatory, UCSD, and Musikhochschule Freiburg, and what his different mentors have meant…
Composer and percussionist Arnold Marinissen (*1966) Has been a principal subject teacher at the Conservatorium van Amsterdam since 2008. He was artistic leader of Slagwerk Den Haag, and enjoys the classic percussion works of John Cage etc, parallel to exploring and composing new music for percuss…
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