ÜBER DIESE EPISODE
Sk(in) is a two-part sculptural installation—the first, massive yet delicate, suggests tree branches and occupies the courtyard; the second extends indoors, to rupture the "skin" of the gallery walls.
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VERGANGENE FOLGEN SUCHEN
Vorhandene Folgen von Intersections Contemporary Art Projects durchsuchen.
WEITERE EPISODEN IN DIESEM PODCAST
Intersections artist John F. Simon Jr. discusses his installation at the Phillips, Points, Lines, and Colors in Succession, on view October 17, 2013 through February 9, 2014.
Inspired by the progression of movement in the natural world, Simon's four-part installation in the Phillips house stairwel…
Composed of intricate ink and acrylic drawings on canvas that cover the café walls, One Day, After the Rain follows the movement of sunrise to nightfall, paying homage to Arthur Dove’s landscapes in The Phillips Collection.
Sandra Cinto creates dreamlike environments with her art. “I am interested …
Using images of El Greco’s The Repentant St. Peter(c. 1600–1605 or later) from the collection, Baltimore-based artist Hildebrandt explores baroque themes of high drama, spectacle, and spatial movement. By converting a series of images into a video sequence, the artist connects painting, photography…
Intersections artist Xavier Veilhan discusses his exhibition (IN)balance, on view at the Phillips November 3, 2012 through February 10, 2013.
The first major museum presentation of Veilhan's work in the U.S. and the most extensive Intersections project to date features 18 recent pieces in several …
Silverthorne uses rubber to create floral reliefs and objects typically found in an artist’s studio. Her sculptures, along with the modernist still lifes from the collection with which they are interspersed, are vanitas—meditations on the brevity of life.
Rechtliche Hinweise: Der auf dieser Seite eingebettete Podcast und das Bildmaterial stammen von The Phillips Collection, das Eigentum seines Eigentümers ist und nicht mit Listen Notes, Inc. verbunden ist oder von diesen unterstützt wird.
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