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House Explained.
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The people running the show had one rule early on:
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the lead had to be American.
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They were looking at Denis Leary, David Cross,
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Rob Morrow. Meanwhile, Hugh Laurie was in Namibia shooting Flight of the Phoenix.
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He found a hotel bathroom,
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propped an umbrella against the wall as a stand-in cane,
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and filmed an audition tape in the worst lighting imaginable.
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Bryan Singer watched it and told everyone in the room he'd found the perfect American actor.
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Laurie is from Oxford.
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Singer described the tape quality as looking like a bin Laden video,
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his words. And Laurie had no idea he was auditioning for the lead;
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he expected a supporting role,
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thought the audition was for Wilson.
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His father was a physician and a gold medalist rower at the 1948 Olympics.
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Laurie has described the role as playing a fake version of his own father,
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and that lands differently once you know that background.
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Robert Sean Leonard came into this in almost the opposite way.
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He had two shows on the table at the same time,
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House and Numb3rs. Numb3rs wanted him for the lead, Charlie Eppes.
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He turned it down because the character was in too many scenes.
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His actual quote is "the less I work, the happier I am." His audition for Wilson wasn't particularly strong by his own account,
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but he and Singer had a prior relationship and that carried him through.
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Leonard had been doing theater for years by that point.
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Dead Poets Society came out in 1989 when he was twenty,
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and he parlayed that into stage work,
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Stoppard on Broadway, an acclaimed run in Long Day's Journey alongside Philip Seymour Hoffman.
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He'd co-founded a theater company in New York with Ethan Hawke,
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Steve Zahn, and Frank Whaley back in the early nineties.
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Television was always the thing he kept at arm's length,
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deliberately.
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Lisa Edelstein's path in was almost entirely Singer's memory.
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He'd seen her in The West Wing,
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a one-episode guest appearance as a high-priced call girl putting herself through law school,
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and when he was building House he sent her the pilot script directly,
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without her going through the normal process.
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One guest spot, out of probably two hundred she'd done by that point,
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is what got her in the room.
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She'd been in New York since the mid-eighties,
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part of that downtown arts and club scene before it dispersed.
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She put together an original musical about the AIDS crisis and staged it at La MaMa in the Village.
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Then years of television, Seinfeld, ER,
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Ally McBeal, The West Wing, all guest work,
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nothing that stuck. Singer caught her on one of those and filed it away long enough to matter.
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Jennifer Morrison says her audition was a complete disaster.
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She froze, lost lines, left thinking it was over.
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Singer had already made up his mind before she walked in,
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he'd screened her in Dawson's Creek and decided.
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She'd been building a career since childhood;
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there's a Sports Illustrated for Kids cover with her and Michael Jordan from 1992.
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She trained at the Steppenwolf theater in Chicago,
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went to Loyola, and then moved steadily through film and TV through the nineties and early 2000s.
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Her credits before House were scattered,
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Urban Legends: Final Cut, Stir of Echoes,
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a recurring run on Dawson's Creek.
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This was the first role where she was asked to carry something for more than a season.
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She went on to play Kirk's mother in the 2009 Star Trek reboot and then spent years as the lead on ABC's Once Upon a Time.
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House was the pivot point.
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Omar Epps had already played a doctor before,
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a recurring arc on ER as a troubled surgical intern,
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and he's said that experience directly shaped how he approached Foreman.
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He came out of LaGuardia High School in New York,
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the school the movie Fame was based on.
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Marlon Wayans came out of the same school.
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Not many actors come into a medical drama having already spent time inside one.
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He came out of a specific tradition in nineties American film,
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Juice in 1992 opposite Tupac Shakur,
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Higher Learning, Love and Basketball.
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And then there's this detail that I find genuinely funny:
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the character's name is Eric Foreman.
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That '70s Show had a character named Eric Forman,
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different spelling, but same sound,
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and both shows were on Fox at the same time for two full seasons.
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Jesse Spencer's agent suggested he audition assuming it would be like General Hospital,
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Spencer had been in Neighbours for years.
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He read the scripts and changed his mind immediately.
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What's unusual is that Chase was not written as Australian.
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Spencer got the part first and then persuaded the producers to rewrite the character's background,
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he made Chase Australian after the fact.
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Patrick Dempsey auditioned specifically for Chase.
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He also came up in the wider conversation about the House lead,
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alongside Leary and Cross and Morrow.
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He ended up on Grey's Anatomy the same year.
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It's one of those moments where two enormous medical dramas were pulling from the same pool at essentially the same time,
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and the people who didn't get one got the other.
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Spencer and Laurie both ended up in a charity music ensemble called Band From TV,
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Spencer on violin, Laurie on piano.
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Laurie's background before this was British sketch comedy:
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A Bit of Fry and Laurie with Stephen Fry,
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Blackadder with Rowan Atkinson, Jeeves and Wooster,
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years of work that shares almost nothing with playing a misanthropic American doctor on Fox.
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David Shore came to the show from Canadian television,
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Due South, NYPD Blue.
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The pitch he developed with Paul Attanasio was Sherlock Holmes applied to medicine.
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The working title was "Chasing Zebras, Circling the Drain." Fox had a specific condition going in:
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no scenes of white coats walking down a hospital hallway.
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Shore built the Holmes parallel into the architecture from the start.
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House lives at 221B Baker Street,
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the name itself is a deliberate homage.
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Leonard described Wilson as the Watson figure,
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though the diagnostic team absorbed portions of that role too.
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Both characters play instruments,
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Holmes the violin, House the piano and guitar.
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Shore's framing was that medicine gave him what crime gives detective fiction:
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a puzzle structure where the symptoms are the suspects.
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The mystery format was the whole point of using a doctor instead of a cop.
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The two major recurring players in season one came from very different directions.
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Chi McBride had spent four years as the lead of Boston Public on Fox right before this,
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same network, completely different kind of role.
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Sela Ward also joined the first season,
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and she had been offered the leads on CSI:
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Miami and Desperate Housewives before this and passed on both.
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McBride's move from carrying a Fox drama to a season-long arc is the kind of lateral step that usually means something about what the writing offered.
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Ward had built her name on Sisters in the nineties and Once and Again in the early 2000s.
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Choosing a recurring part over two series leads suggests she read something that made it worth the smaller commitment.
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Almost every principal hire in that first season traces back to something personal.
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Singer's friendship with Leonard,
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his memory of one Edelstein guest spot three years earlier,
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a British comedian with a bathroom tape in Namibia,
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Morrison screened in Dawson's Creek footage months before she auditioned.
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The casting process looks less like a formal search and more like a series of recalled impressions that happened to click at the right moment.
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And then there's this:
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Spencer changed his character's nationality after the job was already his.
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Morrison and Spencer started dating the same month the show premiered,
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July 2004. He proposed in Paris in 2006.
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They called it off in 2007.
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The distance between on-screen and off-screen was thinner on this show than most.
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So you end up with eight seasons that started in a hotel bathroom in Namibia.
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A Broadway stage actor who wanted the lightest possible television commitment.
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An Australian who rewrote his own character from scratch once he had the part.
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A British comedian who'd spent a decade in sketch television with Stephen Fry and Rowan Atkinson.
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A director who filed away one West Wing guest spot long enough to build a core cast around it.
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There's no clean version of how this show got made,
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it was an accumulation of accidents that happened to hold together.