ÜBER DIESE EPISODE
In this interview, Broadway actress Eden Espinosa shares her journey from childhood inspirations to her experiences on Broadway, workshopping shows, and voiceover work. Discover insights into the audition process, the evolution of theater workshops, and her advice for aspiring performers. She discusses her time playing Elphaba in Wicked, her Tony nominated performance in Lempicka and having fun with the range of characters you can play in voiceover.
Englisch
Vereinigte Staaten
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VERGANGENE FOLGEN SUCHEN
Vorhandene Folgen von Broadway Unexpected : Chronicles of their journey durchsuchen.
WEITERE EPISODEN IN DIESEM PODCAST
In this conversation with Martin Callaghan, a renowned actor whose career spans more than 30 years on the stage, he said something very interesting to me. Theatre should mean something, not just be a gimmick. When a revival like Glengarry Glen Ross flips the casting, it can change the meaning of t…
Bryson Jacobi Kai thought he was going to be an architect. All he could think about was building structures for anyone who would listen to him but one middle school role changed everything. The first time people reacted to him, he knew he wanted the feeling again.What I love most in this conversa…
We had a great conversation with Buna McCreery-Njie. He was not a sports kid - unless you count roller hockey, and gymnastics.What actually made him stick with theatre was getting handed a sheet of colleges at 12 and realizing - oh, this can be a real career.Before that, He just knew he loved perf…
Charlotte Hanna-Williams said the most relatable thing about getting into theater: it was never one big moment. It was just tiny yeses that kept adding up.Have you ever had a slow-burn path to something you love? In this conversation, Charlotte talks about growing up in the Middle East and slowly f…
Timothy H. Lee said the thing a lot of us need to hear:Your joy cannot depend on booking, applause, or being “enough.” If other people can take it away, it was never fully yours.He talked about coming to theater as a survival space, not a spotlight chase—and honestly, that changes everything. When …
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BEARBEITEN
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