# Max Eastman
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Max Forrester Eastman (January 4, 1883 – March 25, 1969) was an American writer on literature, philosophy and society, a poet and a prominent political activist. Moving to New York City for graduate school, Eastman became involved with radical circles in Greenwich Village. He supported socialism and became a leading patron of the Harlem Renaissance and an activist for a number of liberal and radical causes.
Lenin, Trotsky, Stalin – Part Two – Power
• See Origin Story LIVE at The Tabernacle, London on Thur Nov 13. Buy tickets here.
Welcome back to Origin Story: The Story of Socialism as we resume the story of Lenin, Trotsky and Stalin in part two: Power.
It’s 1917. The Bolsheviks have seized control of Russia, the world’s first socialist st…
Lenin, Trotsky, Stalin – Part Three – Terror
• See Origin Story LIVE at The Tabernacle on Thur Nov 13. Buy tickets here.
Welcome to the third and final part of the story of Lenin, Trotsky and Stalin: Terror.
It’s 1929 and the age of Stalin has begun. His mission to revolutionise the Soviet economy succeeds at the price of millions of live…
Thomas Doherty, "How Film Became History: The Rise of the Archival Documentary in 1930s America" (Columbia UP, 2026)
By the 1930s, filmmakers had access to a backlog of footage from nearly forty years of motion pictures, allowing them to create a new kind of film stitched together from the raw material of older films. At around the same time, the transition to synchronous sound added a transformative new element …
Thomas Doherty, "How Film Became History: The Rise of the Archival Documentary in 1930s America" (Columbia UP, 2026)
By the 1930s, filmmakers had access to a backlog of footage from nearly forty years of motion pictures, allowing them to create a new kind of film stitched together from the raw material of older films. At around the same time, the transition to synchronous sound added a transformative new element …
Thomas Doherty, "How Film Became History: The Rise of the Archival Documentary in 1930s America" (Columbia UP, 2026)
By the 1930s, filmmakers had access to a backlog of footage from nearly forty years of motion pictures, allowing them to create a new kind of film stitched together from the raw material of older films. At around the same time, the transition to synchronous sound added a transformative new element …
Thomas Doherty, "How Film Became History: The Rise of the Archival Documentary in 1930s America" (Columbia UP, 2026)
By the 1930s, filmmakers had access to a backlog of footage from nearly forty years of motion pictures, allowing them to create a new kind of film stitched together from the raw material of older films. At around the same time, the transition to synchronous sound added a transformative new element …
Thomas Doherty, "How Film Became History: The Rise of the Archival Documentary in 1930s America" (Columbia UP, 2026)
By the 1930s, filmmakers had access to a backlog of footage from nearly forty years of motion pictures, allowing them to create a new kind of film stitched together from the raw material of older films. At around the same time, the transition to synchronous sound added a transformative new element …
Thomas Doherty, "How Film Became History: The Rise of the Archival Documentary in 1930s America" (Columbia UP, 2026)
By the 1930s, filmmakers had access to a backlog of footage from nearly forty years of motion pictures, allowing them to create a new kind of film stitched together from the raw material of older films. At around the same time, the transition to synchronous sound added a transformative new element …
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