The Missing Episode w/Arielle Zakowski & Austin Keeling - Just Shoot It 367
This week, Matt & Oren chatted with Arielle and Austin, the editors of the new thriller 'Missing', about editing a screenlife feature film using After Effects & Premiere.
Matt's Endorsement: Cold War Soundtrack
Oren's Endorsement: Daniel Kwan's Oscar Speech
Arielle's Endorsement: Getting a Dog
Aust…
Missing (2023) with Editors Arielle Zakowski and Austin Keeling
Editors Arielle Zakowski and Austin Keeling join us to talk about their work on Missing.
Missing Trailer: https://www.youtube.com/watch?v=seBixtcx19E
Executive Produced by Daniel Miller and Monika Ditton
Artwork Designed by Piotr Motyka
Music by ELPHNT
Contact: creativeindustryinsight@gmai…
The $45 Million Movie Made With Only Screenshots
#filmmaking #editing #filmediting #storytelling #creative #videoessay #missingmovie #movie
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00:56 R…
The Terrordome Podcast Episode 24: NOLA Horror Film Fest
This time on The Terrordome Podcast: it’s all about the 2015 NOLA Horror Film Fest! Dane and his buddy Jon share their thoughts about the weekend’s most memorable features and shorts! The House on Pine Street, Bloodsucking Bastards, The Smiling Man, El Gigante, Containment and much, much more! Plus…
Episode 138: (Not So) Bitter at the End
Aaron and Austin Keeling of E3W Productions join Noah to talk about their new show Bitter at the End and how their surprise debut -- the absolutely wonderful In Another Room -- came together in the first place.
Keep an eye on these guys, they're got the touch.
Plus: the first part of our NoPro G…
Editing the AI Mind: Inside Mercy with Editors Lam T. Nguyen & Austin Keeling
Award-winning editors Lam T. Nguyen and Austin Keeling join Filmmaker Mixer to break down their work on Amazon’s sci-fi thriller Mercy, starring Chris Pratt and Rebecca Ferguson.
They dive deep into building previs in the edit, animating every on-screen graphic, shaping immersive AI POVs, and conde…
How to Edit for a Screen Life Film: Insights from the Team Behind Mercy
GG Hawkins speaks with editors Lam T. Nguyen and Austin Keeling about building the visual language of Mercy, a hybrid screen life thriller directed by Timur Bekmambetov. They break down how editorial shaped not just pacing and performance, but also the film’s digital camera moves, interface design,…
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