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This episode is being republished during this year's Aldeburgh Festiva. This episode was first published 1 June. Fifty years after Britten's death, Aldeburgh and Snape still carry his fingerprints — and still provoke the same question: what is this place actually for? In this special episode, contr…
Composer Laura Bowler on leading the Cheltenham Music Festival's Composer Academy, recorded on-site during the week of workshops in Gloucestershire. She talks about what conservatoire didn't teach her — pitching, funding applications, resilience — plus a look back at Houses Slide, her 2021 piece fo…
Beatrice Nicholas is a British concert pianist and composer. She performs the traditional classical canon, and she composes and arranges, fusing classical and jazz together. She's also a member of the Chineke! Chamber Ensemble, drawn from principal players of the Chineke! Orchestra. On the seventee…
Élisabeth Jacquet de la Guerre isn’t a name many will recognise — despite an opera that reached the Paris stage in 1694, two books of biblical cantatas published three years apart, in 1708 and 1711, and a career that ran for decades either side of those dates.  The point this episode seeks to highl…
Cellist Adrian Brendel on Tree of Strings, his new Dorset festival — the Harrison Birtwistle story behind its name, genre-mixing, and watching his father Alfred's final tour from the audience, occasionally incognito.
Ansvarsfraskrivelse: Podcasten og kunstværket, der er indlejret på denne side, er fra Thoroughly Good Classical Music Podcast, som tilhører dens ejer og ikke er tilknyttet eller godkendt af Listen Notes, Inc.