Eli Roth, "Thanksgiving"

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dot com. Oh Broadcasting live from
Houston, Texas and around the world and
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around the world. TV host,
best selling author and radio personality Brad Gilmour
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brings you a collection of conversations with
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Gilmore, Mark Wohlberg, Hey,
how are you the legendary mister Christopher Lloyd
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Christopher? How are we doing?
I'm too good? Very introduction Television.
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Jimmy Fallon joins us this morning.
Jimmy, how you doing, my friend?
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Good morning? Thank you so much
Forrad for having me. I appreciate
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this. Bud Kelly Rippert, thank
you for having me. Jay Leno joins
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us, Jay, how you doing? Hey? Chris Tucker is in the
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bill that Chris Tusher. Good morning
to you, Hey, good morning to
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you. How are you, Gabriel
Fluffy Iglesias, Good morning music, Lola
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men Bro, thank you, thank
you for having me. The legendary front
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man of ac DC. Brian Johnson
joins us right now, Brian, how
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you doing, Good morning, Brad
looking men. Grammy Award winner Maya joins
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us, and more and more.
This is the collection. Now your hosts
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the vote. Brad Gilmore. I'm
so excited to talk to this guy.
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I'm such a fan of him.
His movie Thanksgiving is now on digital and
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Blu ray and dvd. The director
himself joins us, mister Eli Roth Eli,
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good morning to you, Hey,
good morning, hey man. First
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off, this movie, I know
it's out for now everyone can see.
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If they didn't get into theater,
they can get it on digital, they
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can get it on Blu ray and
DVD. It was such a fun movie.
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And this is somebody who I'm not
saying that horror isn't my my normal
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bag, if you will, but
I do enjoy a nice slasher movie from
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time to time, and this one
kind of hit me on all the fields.
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It was firing on all cylinders,
and I'm sure that's something you've heard
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a lot about. Has the feedback
for Thanksgiving been what you wanted it to
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be. Oh, it's incredible.
I mean, look, you know,
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you never you know, making movies
just faith based system. You just hope
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to God it all worked out,
like you never know, and mean what
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people looking to think. But you
know, I have a pretty good understanding
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of audiences and as I just think
approached it like a fan myself, Like
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if I had been waiting all these
years to see this movie and I've been
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waiting to see a slasher film based
and Thanksgiving, what would I want to
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see? And yeah, it's been
incredible. If you never know, I'm
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very, very grateful that fans came
out to support it and to support new
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mythology. You know, right now, it's hard to get a new movie
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out there. Everyone wants sequels,
they want and you know, first studios
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to take a chance and put the
money out there to advertise something new in
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theaters only it's pretty wild. And
the fans came out and supported it,
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and I'm forever grateful. And look
now I'm in a situation where it's not
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only out on Blu ray, DVD
and digital, it's back in theaters,
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which I didn't even expect. I
thought maybe they'll do a Thanksgiving you release,
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but to have it out there already
is pretty wild. So you know,
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the fan demand was high and I'm
very grateful for it. Yeah,
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it's been much more successful, you
know, just I guess had legs and
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it's continued to I think, find
new viewership. And even though it just
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came out, you're right, people
are attached to this new mythology. And
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you're right, man, Marvel has
dominated, DC has dominated, the remakes
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have dominated, and that's all well
and good. There's a place for that.
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But I think that to have new
movies out there and have new stories
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and have what a talented cast,
especially the young cast when we talk about
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Noel and Milo and Addison, Yeah, it's it's it's really great. I
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mean I feel very, very lucky. And that's the great thing about a
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slasher film is you can make that
discovery. And you know, Johnny Depp
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started in the maren elm Street.
You know, when you start with with
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these movies, you can The great
thing is you don't you don't know who's
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going to live, you know,
and who's going to die, and you
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don't have you associations from other things. So we got very lucky and look,
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Patrick Dempsey. You're anchoring with these
amazing veteran actors Patrick Dempsy, Gina
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Gershawn, Rick Hoffman. And then
you have other you know, actors like
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Tim Dillon that come in for a
part that are so fun. But really
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the joy is in finding someone like
a nel Ver Lack who's the lead but
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you just don't know it, you
just and she's like a young Julia Roberts.
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I think she's an amazing, amazing
actor with such an incredible future ahead
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of her. You know. Part
of the fun is finding someone like now
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and then pairing her with you know, Addison Ray, who most people you
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know from social media, but it's
really really focused in studying acting and really
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serious about acting, and it's terrific
in the film. And then other actor
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is like Milon Mannheim, who everybody
knows from Disney's Zombies, finally breaking out
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and doing something all raised and adults, is a superb actor. And Jamaza
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Sineli and Gabriel Davenport, it's Jenna
Warren. It's just a fantastic, fantastic
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group. I got really lucky,
and there was certainly the nicest bunch of
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kids I've never worked with I mean, everyone worked as a past been great,
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but this is a this is a
really special group, and I think
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audiences responded to it. There's insane
amounts of tiktoks and social media just about
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the young cast. And that's the
fun of all r film, that you
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can bring new faces to the screen
and keep them innovating. You're actually right,
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and as much as you launch a
new mythology, you know you're right,
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this can be the launch of a
whole new generation of actors that we're
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going to see in movies going on
forward. I agree with you about now.
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By the way, I saw her
in a Disney Plus show called Big
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Shot or The Big Shot Big Shot. Yeah, and she was fantastic in
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there as a leade, just fantastic, stole every scene she was in.
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She's she's a real deal. I
mean, she's a serious trained New York
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actor. Her her father's an acting
teacher. As an actor, I mean
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she comes to like an acting family, went to high school performing arts.
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Like, she's a real deal.
And her performance was so grounded and so
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real. And she is, you
know, beautiful, like a young Julia
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Roberts. But she's all she's just
got this like incredible natural beauty, almost
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like she's not aware of it.
And that's what it said in it said.
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The way I described her in the
script was, this is the most
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beautiful girl in school who doesn't realize
she's the most beautiful. She doesn't realize
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it yet, she's no aware of
how no idea like awareness about pretty she
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is. And and she just is
just a naturally sweet person and a great
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actor. So anyone you pair her
with the scene's going to be better.
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So you put her with, you
know, with Patrick Dempsey they were so
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fantastic, and Rick Hoffman and you
know, Tamansa Samli and my own Mannheim.
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I mean, we had a really
really terrific cap and everybody just went
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for it. And that was when
I'm when I'm prepping the actors for the
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movie, they go, what should
we watch Friday the thirteen? To my
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bloody Valentine? I was like,
no, no, no, for now.
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I was like, watch Betty Blue
with batres Dahl, Watch for the
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guys, Watch watch Sorcerer, a
freaking watch five easy pieces. And they're
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like, what they didn't expect those
to be the recommendation to go, but
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these are great, inspiring performances.
You watch Jack Wilklsson five these pieces,
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look how much he does without saying
a word, just to look on his
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face. And suddenly they're like,
oh, yeah, wait, we can
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put that style. That can be
in this movie. I can do that.
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So it's just sort of opening their
minds up to the possibility of what
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you can do in a slasher film. It's like the acting doesn't have to
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be bad. It should be great, but it doesn't have to be overdone.
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It should just be real. You
and these kids do not know they're
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in a horror film. They're not
aware of that. They're not making jokes.
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You just have to play it all. You can have fun and you
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can do stupid things, but you
got to play it real, like this
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is really happening. So I got
very lucky with the cat I love them.
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I think they're all going to have, you know, great futures ahead
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of them. Actually, that Patrick's
Dempsey kid. He's got something. Man,
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he's got something. I can't put
my finger on it, but he
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gives me try romantic comedy. It's
not hard film. I think he might
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be I think he might thrive in
that. You know, when you make
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slasher movies or horror films, however
you want to characterize it typically as opposed
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to a superhero film. You know, the budgets aren't the same, right,
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you have typically a smaller budget with
horror films. But I wanted to
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ask you, with that smaller budget, does it breed more creativity? Because
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I feel like if you have limitless
money, you just you know, feel
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like you can do whatever, and
when you have constraints, it kind of
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breeds some more innovative thinking. Well, more money is more eyeball, you
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know, unless you're at the Christopher
Nolan level, and then there's no pressure.
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You know, when you as soon
as you start getting into that level
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of money, people start going it
has to make that money back, which
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means it has to appeal to a
wide audience, which means you got to
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kind of cut the edges off,
and you can't kind of take those risks
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you could, you know, if
a movie most of these movies are being
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made for I mean the moves are
two hundred and fifty million, three hundred
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millions, which runs for fifteen so
you know where you'd have weeks to shoot
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a scene. You don't have to
make any decisions. You can shoot it
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this way, you can shoot it
that way. I think it's a great
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luxury to have. But for me, like that opening Black Friday riot with
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four nights, the whole thing from
the moment they pull up to the store
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through the gunshot at the end of
the sequence. So it's two nights outside
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in the cars in the parking lot, two nights inside for the riot.
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So you have to plan and make
decisions and basically pre edit the movie in
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your head, and then you just
got to hope it all goes right when
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you're shooting it. You know,
it's this organic process where you're staging it
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and running people around and you have
stunned people. You don't know if it's
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going to work. You just have
to believe it's going to work and prepare
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for it. And it was a
very complex scene to do, but you
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know, thankfully it all came together. It was a lot of planning and
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a great seam around me. So
I like it. I mean, I
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like those scenes where sometimes you only
have one night shoot at a kill scene
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and you're like, I wish more
time it, she could have got more
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shot. And then the other time, you know, all you need is
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a corn holder in the years.
It's the simple thing I shot at rehearse
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and rehearse the footage and the stats
in the here took seven takes to do
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it right, but we got it. And then adding the sound effect.
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It's like you don't need to blow
up a planet, you don't need these
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elaborate giant space and it just needs
like a crazy idea and that's the front
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of horror. Is that the best
idea wins? Oh? That really just
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does. Sometimes the creativity the best
idea wins. I love that. Now,
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a couple last things for you here
again we're talking to Eli Roth.
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You can get Thanksgiving on digital,
Blu ray, DVD and back in theaters
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as well. As he pointed out
to us, Now I want to I
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want to ask you this, Eli, This kind of concept came from a
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trailer that was shot for The Grindhouse
all those years ago with Quentin Tarantino Rober
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Rodriguez. More so than did you
ever think this would come to fruition?
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What did you learn by continually working
with like those two did kind of impacted
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your own directing style? Well that's
a great question. I mean, first,
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you know, the idea for this
is Jeff Brendela I wrote. We
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were twelve years old and when we
came up with the idea of doing it,
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thanks people Stature Film, And it
was just because we were in Massachusetts
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watching every other holiday and get done
thinking when are they going to do Thanksgiving?
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Why not Thanksgiving? So it really
was kind of out of necessity.
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And then when Quinton and Robert asked
me if I wanted to do a fake
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trailer, you know, I was
like, of course, I got it.
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It's Thanksgiving. Men already had it
written. So in terms of what
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I learned from those guys, I
mean, Robert is a difference, you
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know. He talked kind of the
relationship with art and fear and creativity and
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the importance of you know, momentum
and not overthinking things and just like you
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have an idea, you write it, you do it, you don't stop,
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don't let fear paralyze you. That
was a really, really great,
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great lesson I learned from Robert and
from Quinton. It's he really really his
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shots come from the you rehearse it
with your actors, get it so it's
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running like a real scene, like
a play, and then you start to
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figure out where the camera goes.
That it's the camera moves have to be
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motivated by the actors, and the
actors have to know their backstory and that
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every minor character, he said,
as he told me, he's like Mia
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Wallace doesn't know she's really in the
movie. For twenty minutes. She thinks
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she's in the Mean Whiles movie.
She thinks she's the star of the film.
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And that's why the performance is great. And that's how every actor has
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to be. They have to think
that they are the center of the movie.
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So you have to know who they
are, know the backstory, know
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who their friends are, and have
the actor play it that way, and
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that's how you get it to all
feel like a real universe. But he
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would clear the set, have everyone
walk in, rehearsal, rehearsal, rehears
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it. Then he brings in his
dpeep out Richardson. They're looking at through
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the lenses. They're figuring out the
camera moves. But it all comes from
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the actors. And that's one thing
I try to do, is that go
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to the location with the actor.
We rehearse it, we run it.
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Would you walk in here and stand
here, I lookay, once you've got
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that down, you take the time
to really figure that out. Everything goes
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fast, Oh man, I have
I love that answer, and Eli,
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I'm running out of time with you, but I have about thirty forty seconds
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left, and I have to ask
you this because your movie house with a
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clock in its walls love that one
as well. But what I wanted to
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point out about that is when I
saw the trailer, I looked at the
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marquee on that movie theater and it
said spaceman from Pluto. That spoke to
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me. I knew exactly what it
was in reference to the Back to the
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Future original title was why did you
wanted to throw that Easter egg in?
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And how big of a Back to
the Future fan are you? I love
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Back to the Future, and I
also loved you know, I was making
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a movie for Ambler, right,
so I did that for Spielberg, you
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know, I wanted them to see
it, and then doing the movie for
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his company, and I like it
felt right, It felt right, you
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know, for the time period of
the movie. But yeah, Back to
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the Future is just one of those
classes. And I loved I loved the
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fake title. I loved the idea
that they did it underve title, and
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I just loved the lure of that
and I wanted to, you know,
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just give a little nod out to
the grade, especially movie that takes place
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in that time period, made a
lot of sense. Man well again thanksgiving
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out digital Blu Ray DVD back in
theaters. Eli wrote the director, congrats
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on the movie success Man, and
we can't wait for the sequel. Thank
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you. I appreciate it working on
it. Now, have a good one,
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Eli Eli rothed everyone assass