OM DENNE EPISODE
James Laxton, ASC is the Academy Award nominated cinematographer of Moonlight. His latest project is Season 2 of Beef, the acclaimed Netflix series created by Lee Sung Jin. This season explores themes of love, class, and generational cycles.
Key Podcast Highlights:
-How James and Lee built a color palette of spring, summer, autumn, and winter that stays continuous through lighting, costume, and production design to give each couple their own visual world.
-Why shooting on the large-format ARRI 265 was a thematic decision, presenting characters as larger than life symbols of forces far bigger than themselves.
-How light and framing portray the power dynamics, from a harsh, undiffused backlit golf course confrontation to wide symmetrical frames of opulence that trap characters inside the class structures surrounding them.
-How James and Lee established a shared visual language, honoring the DNA of Season 1 while pushing the show somewhere entirely new.
Find James Laxton: http://jameslaxton.com/
Instagram: @mrjameslaxton
See Beef s. 2 on Netflix
Hear our previous episode with James Laxton on Moonlight and If Beale Street Could Talk: https://www.camnoir.com/ep63/
SHOW RUNDOWN:
02:09 Close Focus
14:17-55:08 James Laxton interview
55:54 Short ends
01:07:09 Wrap up/Credits
The Cinematography Podcast website: www.camnoir.com
YouTube: @TheCinematographyPodcast
Facebook: @cinepod
Instagram: @thecinepod
Blue Sky: @thecinepod.bsky.social
Key Podcast Highlights:
-How James and Lee built a color palette of spring, summer, autumn, and winter that stays continuous through lighting, costume, and production design to give each couple their own visual world.
-Why shooting on the large-format ARRI 265 was a thematic decision, presenting characters as larger than life symbols of forces far bigger than themselves.
-How light and framing portray the power dynamics, from a harsh, undiffused backlit golf course confrontation to wide symmetrical frames of opulence that trap characters inside the class structures surrounding them.
-How James and Lee established a shared visual language, honoring the DNA of Season 1 while pushing the show somewhere entirely new.
Find James Laxton: http://jameslaxton.com/
Instagram: @mrjameslaxton
See Beef s. 2 on Netflix
Hear our previous episode with James Laxton on Moonlight and If Beale Street Could Talk: https://www.camnoir.com/ep63/
SHOW RUNDOWN:
02:09 Close Focus
14:17-55:08 James Laxton interview
55:54 Short ends
01:07:09 Wrap up/Credits
The Cinematography Podcast website: www.camnoir.com
YouTube: @TheCinematographyPodcast
Facebook: @cinepod
Instagram: @thecinepod
Blue Sky: @thecinepod.bsky.social
Engelsk
USA
eksplicit indhold
I DENNE EPISODE
UDSKRIFT 🔗
Are you the producer of this podcast?
Add a podcast transcript
Need Audio-to-Text?
Transcribe with Listen411 in Just 60 Seconds
SØG BLANDT TIDLIGERE EPISODER
Søg efter gamle afsnit af The Cinematography Podcast.
ANDRE EPISODE I DENNE PODCAST
DP Julia Swain on faking the Golden Gate Bridge, rigging a real tour bus, and bringing indie instincts to Netflix's Voicemails for Isabelle
Podcast highlights include:
-How Julia shot the film's pivotal Golden Gate Bridge overlook scenes without using a stage. The team scouted the real Marin Head…
DP Matt Ball on shooting Tucci in Italy Season 2, the challenges of journeying to remote regions over tourist spots, and capturing emotional moments on camera.
Podcast highlights include:
-How the show featured lesser-traveled regions like Sardinia, Le Marche, and rural Abruzzo to capture authent…
DP Michael Bauman, ASC on shooting Monster: The Ed Gein Story, building a visual language with period lenses, and lighting with just reflectors and flashlights.
Podcast highlights include:
-How Michael built a distinct visual language for each era with lensing shifting from period to period. Colo…
Cinematographer John Matysiak on shooting Motor City's nearly dialogue-free story, real in-camera stunts, and building its 1970s Detroit look from film tests.
Podcast highlights include:
-Why Motor City tells its story with almost no dialogue, and how that shaped everything from frame rate to nee…
DOP Gustav Danielsson, FSF on shooting HBO's A Knight of the Seven Kingdoms with naturalistic firelight, practical battlefield fog, and in-camera POV shots
Podcast highlights include:
-How Gustav and director Owen Harris planned the show's night time, fire-light-driven look.
-Beginning their sho…
Ansvarsfraskrivelse: Podcasten og kunstværket, der er indlejret på denne side, er fra The Cinematography Podcast, som tilhører dens ejer og ikke er tilknyttet eller godkendt af Listen Notes, Inc.
REDIG
Tak fordi du hjælper med at holde podcast-databasen opdateret.
