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In writing about Sara Teasdale last time over at the Parlando Project blog I mentioned that she has been grouped with a set of 20th century female poets as a "Songbird Poet." The implied charge here is that these poets are less concerned with the deep meaning of poetry and are content to just make …

Yes, I Am Experienced

This is the shorter ("single-length") version of my annual Jimi Hendrix memorial observance. As such, it celebrates loud, expressive, electric guitar, but scattered in there are a few words I remembered from Eric Burdon's 1967 LP cut "Yes, I Am Experienced" praising Hendrix. The Parlando Project…
Longtime followers of this Project will know that I'm a proponent of early 20th century Chicago Afro-American poet Fenton Johnson. The "elevator pitch" for Johnson is that he slots in between Paul Laurence Dunbar and the slightly later Harlem Renaissance. Back then, prominent contemporary Black cri…

Habitude

Concluding our series of musical performances of fresh English translations early poems by French Surrealist Paul Éluard, I present this short Dada piece made up of outrageous statements. The Parlando Project takes various words (mostly literary poetry) and combines them with original music in dif…

September Midnight

Here's a sensuous poem for the season written by Sara Teasdale. In it she gets as close in as Emily Dickinson might while listening to the more subtle nature's chorus of Autumn. The Parlando Project takes various words (mostly literary poetry) and combines them with original music in differing sty…
Ansvarsfraskrivelse: Podcasten og kunstværket, der er indlejret på denne side, er fra Parlando featuring Frank Hudson and Dave Moore, poets and musicians, som tilhører dens ejer og ikke er tilknyttet eller godkendt af Listen Notes, Inc.