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Starting some time in the last decade or so, we’ve all run into the dreaded phrase “elevated horror.” Sometimes it meant A24. Sometimes it meant horror movies too-obvious in their treatment of grief, trauma, race, motherhood, or family dysfunction. Sometimes it just meant horror movies that critics decided to gush about after looking down on horror for …
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This is part two of a video series analyzing Carol J. Clover’s Men, Women, and Chainsaws: Gender in the Modern Horror Film. You can catch up on part one here, or you can jump right into this one.
Part one focused on Clover’s classic reading of the slasher film and her coining of the term Final Girl…
Russ Meyer once claimed that his films dealt in female archetypes that went “beyond women.” This video attempts to understand what he meant by that.
I’m reposting this one from the Gutter Studies vault in honor of Tura Satana’s birthday last week. Tura is best remembered today as the star of Faster…
This is video takes a close look at the nunsploitation work of Italian trash-cinema legend Bruno Mattei. Filmed at the same time, with the same cast, and the same set, these two movies provide a useful contrast when it comes to the variations on nunsploitation. Both are atmospheric and provocative …
I’m proud to give you the first in a two-part video series covering Japanese nunsploitation film. This first video provides a thorough introduction to the wild and perverse world of pinku eiga, providing key context we’ll need to even begin to understand strange, surprising phenomenon of Japanese n…
This is part two of my investigation into Japanese nunsploitation. Building on the foundation built in part one—which featured a brief history of pink film and a close reading of School of the Holy Beast, the foundational Japanese nunsploitation film—this video explores six additional pink nunsploi…
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