OM DENNE EPISODE
We hear from Sally how insiders, consultants and advisers are used to enable programme makers to portray situations realistically, while Hilary explains how Silk benefits from lead writer Peter Moffat's experience as a criminal barrister. We explore the balance between overuse and over-exposition of technical jargon and hear how too much research can 'tip the boat over'.
Hilary Salmon is executive producer of legal drama Silk. Her list of credits have recently included Inside Men and One Night, whilst she’s also been responsible for Criminal Justice, Silent Witness and Babyfather.
Justin Young is head writer and consultant series producer of Holby City. Justin was a playwright until taking part in the BBC Writers Academy in 2007, before going on to write for Doctors, EastEnders, Casualty and Holby.
Sally Wainwright is writer, co-creator and executive producer of ITV’s Scott and Bailey. Her other credits include Last Tango in Halifax, The Amazing Mrs. Pritchard, Unforgiven and At Home With The Braithwaites.
Hilary Salmon is executive producer of legal drama Silk. Her list of credits have recently included Inside Men and One Night, whilst she’s also been responsible for Criminal Justice, Silent Witness and Babyfather.
Justin Young is head writer and consultant series producer of Holby City. Justin was a playwright until taking part in the BBC Writers Academy in 2007, before going on to write for Doctors, EastEnders, Casualty and Holby.
Sally Wainwright is writer, co-creator and executive producer of ITV’s Scott and Bailey. Her other credits include Last Tango in Halifax, The Amazing Mrs. Pritchard, Unforgiven and At Home With The Braithwaites.
Engelsk
USA
UDSKRIFT 🔗
Are you the producer of this podcast?
Add a podcast transcript
Need Audio-to-Text?
Transcribe with Listen411 in Just 60 Seconds
SØG BLANDT TIDLIGERE EPISODER
Søg efter gamle afsnit af Drama.
ANDRE EPISODE I DENNE PODCAST
Multiplatform guru Jon Aird, senior producer of the Psychoville website, talks about extending the characters out of this dark comedy and into their own websites.
Keri Davies, scriptwriter and web producer, tells us of his experiences of The Archers and the Archers spin-off Ambridge Extra on BBC R…
Interested in writing medical drama? The team behind Holby City, Casualty and Doctors gave some tips for writers in this CoP Talk recorded by BBC Writersroom.
On the panel chaired by Kate Rowland, Creative Director, New Writing was writer Lucia Haynes, Holby City series producer Simon Harper, Casu…
From William Blake to Charles Dickens, authors have written or talked about experiencing auditory verbal hallucinations when writing fiction or hearing voices that others cannot hear. So is this the same when writing for radio or television? And if so, do writers hear characters as clearly as if a …
It’s not possible to just transcribe the novel directly onto the screen as there are constraints of both time and medium. So the writer has to adapt the work knowing the changes they make can be the cause of much heated debate.
Joining Hazel Marshall in the CoP Show studio to discuss what makes a …
Ansvarsfraskrivelse: Podcasten og kunstværket, der er indlejret på denne side, er fra BBC Academy , som tilhører dens ejer og ikke er tilknyttet eller godkendt af Listen Notes, Inc.
REDIG
Tak fordi du hjælper med at holde podcast-databasen opdateret.
