ABOUT THIS PODCAST 🔗
Podcasts & interviews created by first-year students in their first semester of coursework, from two sections of Dr. Sophie Abramowitz’s fall 2019 “American Roots Music” Writing & Rhetoric course at the University of Virginia (UVa). In the fall and winter of 2019, students in the Writing & Rhetoric course “American Roots Music” spent weeks researching, writing, narrating, producing, editing, and publishing original podcasts that told a story about a 20th century song of their choice. The parameters of the project were loose: any kind of song, and any kind of story. In response, students produced a diverse and brilliant array of stories about the sounds and histories of different kinds of songs. Each podcast is searching and exploratory, putting deft sonic descriptions into conversation with analyses that are creative and careful, historical and cultural, political and personal. Appended to the end of ten of these ten to fifteen-minute podcasts are interviews with each podcaster, conducted by Dr. Abramowitz. Interviews were recorded in February 2020, in-studio, by Mary Garner McGehee, the Project & Communications Coordinator at WTJU 91.1 FM Charlottesville. In these interviews, podcasters discuss their processes, dig deeper into their research and conclusions, and propose future directions for their skills in research, writing, and production. In alphabetical order, the podcasters are: Sharon Ahn, Carina Anderson, Grace Bassett, Jasmine Cao, Ana Cordova, Lukas Esser, Zoë Fields, Riley Fitzmaurice, Megan Hack, Danyele Heier, Rebecca Herzog, Daeja Hopkins, Bogdan Ion, Payton Jager, Maia Kantorowski, Miriam Mindel, and Ahana Rosha. The “Song Stories” podcast project is indebted to former UVa Music Research Librarian Abby Flanigan’s interactive research demonstrations; to WTJU 91.1 FM Station Manager Nathan Moore’s guest lecture on “writing for the ear”; and to UVa Multimedia Teaching & Learning Librarian Josh Thorud and UVa Educational Technologist Fang Yi, for their collaboration and their guidance with production technology. Sophie Abramowitz adapted the podcast assignment from a prompt written by Dr. Annie Galvin. The ten accompanying interviews with student podcasters were produced by Sophie Abramowitz, Aaryan Balu, Sarah Howorth, Mary Garner McGehee, and WTJU 91.1 FM. Mary Garner McGehee produced the on-air radio promos for the project. Sophie Abramowitz introduced the program in the recordings and wrote the individual podcast descriptions. Our logo was designed by the talented Zoë Fields, whose podcast is also a part of this project.
Average audio length:
17 minutes
English
United States
17 episodes
since Aug. 31, 2020
episodic
LATEST EPISODE 🔗
In focusing on U2’s “Red Hill Mining Town,” Miriam Mindel’s rigorous and exploratory podcast integrates two mutually-informing analysis: in it, Miriam builds the history of labor abuse in Appalachia alongside her granular sonic and lyrical analysis of the song itself. Listening to what she calls “U…
PREVIOUS EPISODES 🔗
In her podcast, Grace Bassett places “Gimme Shelter” at the center of the anti-war and Civil Rights movements as a song that, in her words, “somehow captured the feelings of impending doom felt by many Americans” in 1969. Using the lens of apocalypse to analyze the song’s lyrical and sonic chaos, t…
Ana Cordova is interested in the relationship between music and emotions, and spends the duration of her podcast discussing these connections through the intersecting and diverging lenses of listener and artist. Strikingly, she does this through a mix of personal anecdote, close-listening, and scie…
In her podcast, Payton Jager gives a brilliant and encompassing listen not just to Pete Seeger’s version of “We Shall Overcome,” but to the folk song in its myriad versions from slavery through labor strikes, the Highlander Folk School, the Civil Rights Era, and into the present. Asking what made t…
Daeja Hopkins’s podcast on Mariah Carey’s mega-hit “All I Want For Christmas Is You” is generous and upbeat, honing in on the sounds of Carey’s “Christmas-y chords” and “cozy core sequence” as well as on her masterful vocal style. Beginning by asking why the song has had such enduring success, Daej…
Where biographical writing often follows a chronological progression, Carina Anderson’s brilliant podcast approaches the question of how Jackson expresses himself through his music by focusing closely on specific lyrics, sounds, and instruments as vehicles for her complex and engaging discussions o…
With caressing care and striking depth of description, Ahana Rosha creates her podcast in order to describe the sonic, lyrical, social, and personal value that she believes makes Elvis Presley’s “Can’t Help Falling In Love” so enduring.
In her podcast, Maia Kantorowski melds biographical elements with scientific and ethnomusicological research to tie together the nonsense sounds, joyful lyrics, and endless cyclicality of Earth, Wind & Fire’s “September.” Maia takes an exploratory approach to what she calls the song’s “timeless…
In response to the question of why Eminem’s “Lose Yourself” evokes such intense emotions from its listeners, Bogdan’s answer brings his listener into his own physical and psychological responses to the song. In a podcast that grapples with experiential listening through intimate and thoughtful inst…
Rebecca Herzog’s podcast on The Spice Girls’ “Wannabe” puts the song into rigorous and expansive conversation with the third-wave feminist movement (which overlapped with the 1996 hit). Beginning with the premise that both song and movement pushed to redefine social standards, Rebecca guides the li…
Disclaimer: The podcast and artwork embedded on this page are from American Roots Music, UVa Fall 2019, which is the property of its owner and not affiliated with or endorsed by Listen Notes, Inc.
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