Listen Score
LS 28
Global Rank
TOP 10%

ABOUT THIS PODCAST 🔗

Update frequency:
every 11 days
Average audio length:
47 minutes
Guest interviews
English
United States
182 episodes
since Jan. 17, 2022
episodic

LATEST EPISODE 🔗

"One way for me to work through things like gun violence and civil rights issues, things I really struggle with, is to set it to music and build a community around it. I found that this really speaks to singers, which is healing and affirming for me. What's more therapeutic when you'…

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PREVIOUS EPISODES

"Working with the MTC Women’s Prison Glee Club was life-changing, taking women who had never been in a choir, teaching them about head voice, consonants, vowels, and diction and all the musical things that we talk about all the time in choir. We went down to the very basics and that was remark…
“Transitions are key to all of the rehearsals that I run. We lose a lot of very valuable rehearsal time when we switch from one task to the next, whether they’re taking their music out or they start talking to a neighbor. Every time we switch tasks, there’s a ‘switch cost,’ which is the time it tak…
“The work that we do as choral people matters. The art matters. The music is the engine that drives the experience for everybody. In community organizations, they yearn for high level artistry. They don’t want it to be a hobby. They want to be challenged and fulfilled. I want the experience for the…
“My predecessor is very, very well-known, an amazing choral director, and he’s still in the area. I’m trying to establish myself as the new director following such a well-loved choral director. My colleagues and he himself set me up really well for that. How do I establish myself as somebody who kn…
"The most important advice I ever received is that you cannot call a piece 'done' until you have sung through every part, beginning to end, and 90% of the time changed at least one thing because of that sing-through. I think I'm a good music reader, but I'm going to falter …
"What I do with the high school choirs is important. I always tell them, 'I'm really just trying to convince you to do what you already know you can do, to give yourself to it, to create this big whole beautiful experience for yourselves. Then your audience is privileged to get to se…
“I tell composers to collaborate with a poet who takes their craft as seriously as they take their craft. It’s a very rare creative who can do both well. What most often happens is a really good composer isn’t a very good poet, or a very good poet is a mediocre composer. One side of that creative p…
"Secondary trauma is when you experience trauma second-hand. The trauma might not have happened to you specifically, but somebody shares with you their firsthand trauma and it impacts you emotionally, maybe physically. We don’t realize that we are very compassionate, empathic people, and we so…
"For years, I felt that there was no connection with my hands and the sound. My perception of conducting at the time was that everything needs to be free and relaxed, no tension - and no tension when you sing. There has to be tension when you sing and conduct, because if there's no tensio…
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