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A great geometric tattoo doesn’t just look clean in a photo, it has to move with the person wearing it. We’re spotlighting Mitch Koch from Sleepy Reaper Tattoo in Madison, Wisconsin, and the reason his large scale blackwork and dotwork feels so intentional: he designs with body composition in mind. Think of it less like drawing a pattern and more like mapping a structure across real anatomy, from the neck and throat to the back and spine.
We dig into a neck piece that threads the needle between mixed existing styles like lettering, realism, and color, then lands everything into crisp geometric linework that still feels seamless. The details matter here: how the design cuts around the "adam’s-apple" area, how the mandala-like forms sit on the throat, and how following the jawline can make the whole tattoo look deeper and cleaner from every angle. If you’re planning a neck tattoo, this is a practical look at what “flow” actually means.
Then we shift to a favorite back piece and talk about contrast, saturation, and why bold black can still show nuance. From big fields of black to intricate ornamental sections, the design reads like a single system rather than separate ideas, and it reinforces the value of patience, planning, and genuine care for how the client feels during the process.
If you’re into blackwork tattoos, geometric tattoos, ornamental design, or simply want to understand what makes placement elite, hit play. Subscribe for more, share this with a tattoo friend, and leave a review telling us what body placement you want us to break down next.
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Alright, guys, welcome to another day of discovery.
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Uh got someone really, really talented today.
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His name is Mitch Koch out of Madison, Wisconsin, from Sleepy Reaper Tattoo, which he also owns.
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His focus is large scale, black work, dot work, ornamental, geometric, basically everything I freaking love.
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Everything I have on my body.
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That's all I have on my body.
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So the way he structures his tattoo pieces is like an architect.
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He looks at the person or the client's composition, how their body flowed, basically how large or small they are.
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Um, and he basically maps out that tattoo based on that person's body's composition, which is really, really like it takes a lot of talent to do something like that because not everyone everyone can draw a pattern, everyone can stencil and do this and that and that.
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But when you get the I enough IQ or enough years of experience to really think about how this tattoo is going to be placed on the body by looking at that person's body composition, size, weight, and everything like that, that's when we get into the upper leaks.
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And that's why he's on Discovery today.
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He uses bold black precision line work, dot work, and body flow to create the geometrical pattern that will move with someone's anatomy.
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Uh, the best way to contact him is through his Instagram.
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Uh, he has got his sleeky reaper tattoo on there, also tagged, so you can uh hit up the Sleepy Reaper page or Mitch.
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Um, but yeah, this is Mitch Cosh and come back next time for our favorite pieces.
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Alright, guys, if you made it here for this discovery series, obviously you know we're covering Mitch again.
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At this point, I think everybody knows I'm sucker for like sick ass neck pieces.
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When the word tactician is brought up, you definitely think of Mitch.
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Now, this neck piece, you have to like applaud this man because obviously Homeboy has a lot of other tattoos mixed and range between color, realism, lettering, and somehow Mitch blended this connection, which you'll see at the bottom.
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I think I'm most amazed about, but we'll talk about one other between the lettering and his geometric work.
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He almost like bumps the lettering into his geometric winner.
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What he all he had to do was blend it, and he wouldn't even have to, but he takes it a step further to give it almost that like embedded look, that flush, clean look.
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And you could see it down if you look by the collarbone, I think it is.
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You'll see where the lettering and the geometric connect will almost like give it more depth by pushing those those little points a little bit further.
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And then the other thing that I love about this piece, besides his connection between the side of the neck coming into the throat and cutting the Adam's apple area, that like mandala looking piece, is gonna be the jawbone.
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The way he flushes around and does these lines up on the jaw and then brings it around the back of the jawbone, is so clean.
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Obviously, I tried to also do this in my neck work, and I think when you're doing these neck pieces, when you bring it all the way up to the chin, and then you follow that jawline up and around, it just adds so much more depth into the tattoo, and it you get a cleaner look all the way around, especially if you have a good jawline, you know.
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Obviously, that helps a little bit, but again, this is Mitch, and this is my favorite piece.
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Alright, guys, we're back with Mitch Koch from Sleepy Reaper.
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This is gonna be my favorite back piece that he's done recently.
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Can't even really say it's my favorite because there's so many tattoo pieces I love by this guy.
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I mean, this back piece is insane because you could see the what I talked about in the intro is up the bold black that he uses.
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It looks like there's maybe seven different shades of black in there, and I love how he goes from big piece to like some more intricate design little pieces, and then he has that mandala on the neck.
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Uh, it just blends beautifully, just like I said, about the body composition.
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He literally has those two streaking lines coming down right through the middle on the bottom of his spine down to his butt crack, which I'm sorry we can't show because uh we get taken down for showing butts lately.
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Um, but this is this is just really just intricate work.
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Like you can tell he takes his time when he's doing this.
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He really, really, really fucking cares about what it's gonna look like, how the client's gonna feel, and just putting it into straight, beautiful, intricate tattoo pieces.
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Love this guy.
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I hoped one day get tattooed by him, maybe my back or stomach.
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We'll see.