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Zombies have roots most fans have never heard of. In Haitian Vodou, being zombified meant being enslaved even in death. B.A. Parker talks to Maya Annik Bedward, director of the new documentary Black Zombie, about how a spiritual metaphor for slavery was repackaged by Hollywood and sold back to the world, all while Haitian culture keeps getting cast as something to fear.
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Support public media with NPR+ and enjoy perks for over 25 podcasts like this one. This show’s perks include sponsor-free listening. Learn more at plus.npr.org.
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Clarksdale, Mississippi, the birthplace of the blues, has been losing people, jobs, and businesses for years. Now land there has been rezoned to make room for a hyperscale data center, a process that got underway before anyone even put the words “data center” in writing. Capital B reporter Aallyah …
The Lindsay Clancy trial captured the nation this summer, and reactions toward Clancy have been split. The case brought much needed attention to postpartum psychosis, but some question the support Clancy received from the public. This week, we speak with writer Myriam Gurba about why some cases of …
Why do Black contestants on reality TV keep getting voted out first? Like a lot of people, B.A. Parker watches reality TV to escape. But seeing contestants of color on the receiving end of microaggressions keeps pulling her back to reality. Parker talks with Xavier Prather, Big Brother’s first Blac…
Seventy years after Brown v. Board of Education, Black parents still face an impossible choice about where to send their kids. Gene talks with his twin sister about the different choices they’ve made for their kids, and with historian Noliwe Rooks about why Black families are still stuck choosing b…
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