DJ Sir Daniel and Jay Ray examine Chaka Khan's standing as a rock and roll artist, tracing her genre-crossing career from her 1973 arrival as Rufus's lead singer through her celebrated 1986 stretch working alongside David Bowie, Robert Palmer, and Steve Winwood. The conversation centers on Chaka Khan's voice as an instrument—a framing like a trumpet credited to Miles Davis—and how that approach shaped her work across rock, funk, and jazz. The hosts also revisit her third solo album, What'cha Gonna Do for Me, on its 45th anniversary, and unpack her uncredited vocal arrangement work on Palmer's "Addicted to Love."
The Breakdown (Topics Discussed)
- How Chaka Khan uses her voice as an instrument, a lesson traced back to Miles Davis and reinforced through her range and control decades later
- The 45th anniversary of What'cha Gonna Do for Me, including its jazz influences and the Ned Doheny-penned title track
- Chaka Khan's 1986 run with David Bowie's Labyrinth soundtrack, Robert Palmer's "Addicted to Love," and Steve Winwood's "Higher Love"
- Her recognition as VH1's 17th Greatest Woman in Rock and her under-discussed rock credits from the 1970s, including work with Ry Cooder and Chicago
Chapter Markers
00:00 Intro Theme
00:16 Welcome to the Show
01:01 Chaka Khan as Fire — Voice as an Instrument
04:21 45 Years of What'cha Gonna Do
09:20 What You're Gonna Do For Me — The Ned Doheny Story
12:08 Transition
12:08 VH1 Voted Chaka Khan #17 Greatest Woman In Rock
14:36 1986 — Chaka's Rock Star Year
19:05 Reflecting on an Era of Black Women in Rock
21:09 Quick Transition
21:11 Chaka Khan Appears On 1970's Rock Songs
23:19 The Peter Cetera Duet
24:25 The Voice as an Instrument — The Colors Performance
26:16 The 1987 B.B. King & Friends Performance
36:53 Closing Thoughts
38:03 Outro Theme
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