ОТНОСТНО ТОЗИ ЕПИЗОД
The Mitchell Algus Gallery opened in 1992 with an exhibition of Harold Stevenson's monumental 1962 painting of a male nude, The New Adam. Since opening the gallery has shown the work of Anita Steckel, Rosalyn Drexler, Agustin Fernandez, Magalie Comeau, Joan Semmel, Barkley L. Hendrix, Charles Henri Ford, Judith Bernstein, Steve Keister, Dan Burkhart, Neke Carson, Alan Turner, Juanita Mcneely, Colette, George Ortman, E'wao Kagoshima, Gene Beery, Jack Smith, Bill Bollinger, Martha Wilson, Betty Tompkins, Morgan O'Hara, Bill Rice, Deborah Remington, Raphael Montanez Ortiz and others.
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В ТОЗИ ЕПИЗОД
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ТЪРСЕНЕ на МИНАЛИ ЕПИЗОДИ
Търсене в минали епизоди на More Light.
ДРУГИ ЕПИЗОДИ В ТОЗИ ПОДКАСТ
Jerry Blackman (b.1984, Brooklyn) is an interdisciplinary artist who lives and works in Brooklyn, New York. He has had several solo shows of his work in New York City and is looking forward to his forthcoming exhibition at Peninsula where he is represented. Blackman has also participated in numerou…
James Hyde is a practicing painter who has worked in New York City since the late 1970s. His recent book, The Trouble with Space in Painting: A Critical History (Bloomsbury Academic, 2026), is the first critical study of “pictorial space” as a historical construction. Hyde’s paintings are held in t…
Deeply rooted in a conceptual framework, Tony Oursler conjures multimedia and immersive experiences which combine traditional art making tools with new technologies. Oursler is known for his work with moving images, installation and projection. He draws inspiration from wide ranging pop cultural ph…
Deeply rooted in a conceptual framework, Tony Oursler conjures multimedia and immersive experiences which combine traditional art making tools with new technologies. Oursler is known for his work with moving images, installation and projection. He draws inspiration from wide ranging pop cultural ph…
Claire Downes Whitehurst is a painter, printmaker, and ceramicist based in New Orleans, Louisiana. Her work explores the intersections of botanical form, religious iconography, and the abstract relationship between image and object.
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