ОТНОСТНО ТОЗИ ЕПИЗОД
"My great-grandfather was a glassblower. He was gone long before my time, but I grew up feeling his presence in my grandmother's house. Hearing this field recording felt like a way back to him, and to something older. Molten glass has always reminded me of primordial earth and creation myths. I built the piece from fragments of the recording, layered with synthesizers. I hope you find something cosmic in here.
"Thus created were the islands,
Rocks were fastened in the ocean,
Pillars of the sky were planted,
Fields and forests were created,
Checkered stones of many colors,
Gleaming in the silver sunlight"
— Kalevala, Rune I, translated by John Martin Crawford (1888)
St Helen's glassblowing reimagined by Anni Roenkae.
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ТЪРСЕНЕ на МИНАЛИ ЕПИЗОДИ
Търсене в минали епизоди на Cities and Memory - remixing the world.
ДРУГИ ЕПИЗОДИ В ТОЗИ ПОДКАСТ
"The piece represents a busy few minutes on Track 9 of Oslo station. All the sounds are made up from sections of the original field recording - sampled, sequenced, pitched, grained, wave-tabled and just generally mashed up whilst the original recording runs in parallel."
Oslo train station sounds…
Platforms 9 and 10 at Oslo central station, waiting for a train to depart, we hear arrivals and departures, loud train sounds, trolley bags, announcements and the general hum of a major railway station.
Recorded in 2025 by Cities and Memory.
"I always thought that the waves have their own grooves. My piece follows, complements and builds upon the rhythm of the waves in the recording I have chosen. It aims to be straightforward and slightly hypnotic like the waves of an ocean. Incantations is based on a live jam and it was recorded wi…
The sound of the ocean on the beaches of Cabo Frio, Brazil - a cloudy day with little wind.
Recorded by Patricio Lerma.
In Vilnius we were grateful that the Black Ceramics Centre welcomed us into their studio for a behind the scenes close recording session of their manufacturing processes. Here, Ieva Paukstyte is kneading together a blend of wet and dry clay until it becomes usable for moulding her work, with the …
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