ОТНОСТНО ТОЗИ ЕПИЗОД
In this episode, host Ana-Maria Carabelea is joined by researcher and lecturer Alex Damianos and architect John Palmesino of Territorial Agency. Two years after the Subcommission on Quaternary Stratigraphy's decision to reject the proposal to recognise the Anthropocene as a geological unit, they discuss where the Anthropocene is today and where the debates are heading.
Host: Ana-Maria Carabelea
Producers: Ana-Maria Carabelea, Christopher Sonnleitner, Marlene Grinner
Editing: Ana-Maria Carabelea
Music: Karl Julian Schmidinger
Ars Electronica:
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ТЪРСЕНЕ на МИНАЛИ ЕПИЗОДИ
Търсене в минали епизоди на Art Is Not a Thing.
ДРУГИ ЕПИЗОДИ В ТОЗИ ПОДКАСТ
In this episode, Hannah talks to members of the Kairos Futura collective from Nairobi, Ajax Axe, Abdul Rop and Willie Ng'ang'a. Their project, The Wild Future Lab, won this year's S+T+ARTS Prize Africa, an initiative of the European Commission, recognising pioneering projects in Afri…
In this episode, Hanna Balber talks with architect Marina Otero Verzier about the environmental cost of data centres. Challenging the image of the 'cloud' as an immaterial entity, her project, Computational Compost, uses heat from computer servers to power a vermi-composting machine, thus…
In this episode, Hannah talks to German media artist Simon Weckert about the societal impacts of digitalisation and his artistic strategies to disrupt, redirect, or reduce the logic of systems to absurdity. His work points to the vulnerability of allegedly infallible digital systems and the risks o…
Using both the conditions and limitations of the photographic medium, Trevor Paglen's investigations into state surveillance, military operations, and data collection raise questions about truth, deception, and imagination. In this episode, Hannah Balber talks to the American photographer, aut…
In this episode, Hannah Balber talks to German-Iraqi artist Nora Al-Badri about the colonial inscriptions borne by Europe’s cultural heritage. Her work, The Post-truth Museum, reignites seemingly irresolvable debates about restitution. In glitchy deepfakes, the artist puts postcolonial theory in th…
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