Gorp

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[Laughter]
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Thinking of meat, we'd like you to meet the gang from Gorp.
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There’s Slovenly Solowitz.
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We think that you're fat and ugly..
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Easy Edie. I'm just here to have fun.
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Sex and fun. No commitment.
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Bible Louie.
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And the Lord said, “Let there be orgies"
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Bragging Bergman. "So was I legendary?"
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"A minor epic."
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The Walrus
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“Now what?"
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"Dorkhead."
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[Groans]
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And “Mad" Bobby Grossman. “The atomic bomb, which they got
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attached to the toilet,””Grossman, you’re a mutant."
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So join them with Big Bertha, Lobster Newburg,
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Crazy Cabelli. Virtuouss Vicky, and that grossest guys and girls
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who ever tried broke and grabbed their way through
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Gork, the movie that mows off from American international,
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Rted R under 17, not admitted without parents.
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We're not talking about actors.
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We mean a real monster.
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I brought her back.
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She'll live and I'll get her another body.
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I know they're gonna catch me, but don't let anyone see me like that.
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Please, Doctor, help me!
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Biologically speaking, it's a primary important
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that man should want to mate.
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Hey, that's for sure!
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You don't get all your kicks from surfing, do you?
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We want to be free to ride our machines without being hassled by the man.
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[Groans]
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And we want to get loaded.
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You think you're gonna make a slave of the world?
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I'll see you in hell first!
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The American International Podcast.
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Are you ready?
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Hello and welcome to the American International Podcast.
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I'm Cheryl Lightfoot.
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I'm Jeff Markin.
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And in this episode, we board the bus to spend a long summer
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at an unhygienic camp, populated by a bunch of youthful offenders
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in Gorp from 1980.
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Gorp was directed by Joseph Ruben and written by Jeffrey Konvitz
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and & Martin Zweiback.
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It was produced by Lou Arkoff and Jeffrey Konvitz
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for Jeffrey Konvitz Productions and released by American
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International Pictures vis Filmways.
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Gorp Starrs, Michael Lembeck as Kavell,
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Dennis Quaid as "Mad” Bobby Grossman,
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Fran Drescher as Evie, Rosanna Arquette as Judy,
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Philip Casnoff as Bergman, Lisa Shure as Vicki,
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David Huddleston as "Walrus" Wallman .
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Robert Trebor as Rabbi Blowitz, Lou Wagner as Federman,
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John Reilly as Don Sharpe.
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Also appearing our Julius Harris as Fred the Chef,
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Richard Beauchamp as Ramirez, Debi Richter as Barbara,
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Dale Robinette as Irvington, Mark R. Deming as Lobster Newburg,
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James Greenleaf as Fat Solowitz, Curt Ayers as Duffo Weiss,
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Steve Bonino as Batshit, Vincent Bufano as DeNeckio,
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Bill Kirchenbauer as Wino Willie, Douglas Dirkson as Bible Looie,
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and DeWayne Jessie, who at the time was better known as Otis Day,
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and now he's made that legal as Sweet Mo.
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Gorp opens with a Samuel Z. Archive Presents Credit.
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It also opens with the 70s version of the American International logo
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for the very last time until MGM's Revival of the Name in the 2020s.
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We're looking at a cabin sitting by a lake.
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Morning mood by Greeg is playing,
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which then segues into the theme song.
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The theme song is "Come on Get Ready," and it was actually first used
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as a theme song to California Dreaming, a movie we have yet to cover
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on the podcast, but we'll get to it.
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We see a bunch of unkempt teenage boys piling out of a van
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and entering the cabin.
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One of them shall set that the second year is "Get the second floor,"
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and the cabin supervisor Don Sharp folks his face out
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to make a brief appearance and then he vanishes as the kids choose their bunks.
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One of the fellows, Mad Bobby Grossman, pushes his way up the stairs
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past Kovell and Bergman, then he stops at the top of the stairs to moon them.
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So we already know what this movie is going to be like.
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And just to reiterate, Mad Grossman is played by Dennis Quaid.
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I wanted to see a few recognizable faces in this movie, but there are more.
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Bergman goes to the laboratory where Steinberg is camped out in a stall
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and brushing his teeth.
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Bergman tells Steinberg that he's claimed the upper bunk
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and then Bergman goes to rejoin his friend Kovell.
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Then we see Grossman showing off some kind of rocket/explosive device
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that he's concocted.
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He plans to shoot it off by the end of the movie because he's 100% unhinged.
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The whole place is dirty and unhygenic.
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You see one guy finding a dead rat in his mattress roll.
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And then we see two characters named Duffo and Dinecchio, bantering.
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They're from Brooklyn and Dinecchio says he doesn't like it here.
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The air's too fresh.
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There's noise coming from a locker where it seems to be shaking.
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Bergman and Kovell and Grossman go to investigate and inside his capello,
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furiously masturbating.
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When judging from his complexion, this is an activity he partakes in often.
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So now you really know what this movie is about.
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And then we're outside where Kovell and Bergman are lecturing fat solowats
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and lobster newberg.
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They have just given them those names on how to be sexual predators this summer.
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Lobster newberg looks like Eddie Deason if he had flaming red hair.
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And of course fat solowats is pudgy.
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Lobster and fats are being sent on a reconnaissance mission
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and they're to take pictures of the girls as they arrive
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so the guys can see what they're working with.
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Ugh.
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It's in general terms but you get the idea.
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And the other campers are watching from the cabin cheering in solidarity.
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The bus has arrived and the owner of the camp,
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Walman, here to for to be known as Walbrice,
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is there to greet the newcomers.
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We see the female counselors in training getting off the bus.
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A lot gets frandrassure and Rosanna are cut.
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And then we see fats and lobster try to get some photos
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with their old timey camera, but only exposed their lack of photographic skill.
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I don't think it's old timey because it develops right away
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so it's like a polaroid.
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Well it's old timey to me.
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That spills his film onto the ground and lobster looks as if he's having trouble
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even holding his camera.
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And now we meet Petermint, second banana at Camposquimo,
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and he's taking the way staff to see the mess hall.
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They follow him into the kitchen where they meet Fred the chef.
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He's the boss of the kitchen.
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And he threatens to cut off their testes with a meat cleaver
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if the guys are too slow.
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Other notable staff members include Andy, the salad sneezer,
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Indian Joe, sweet moe looking fetching in a pink shoffs hat and apron,
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Mike the Pimp and Wino Willie on beverages.
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And Bible Louis handles the freezer, but he hasn't seemed to be around now.
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And I just want to know, they have a large kitchen staff at this camp.
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They have somebody who just handles the freezer.
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They have someone who's just in charge of salads.
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Unfortunately.
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Someone who's just in charge of beverages.
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Yeah, and the person in charge of beverages is named Wino Willie,
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so that can't be good.
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And he's currently washing his feet in the sink right now.
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But they have someone to wash and someone to dry the dishes.
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Well, once we see the service going on,
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we can see why there's so many people involved.
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But this is an utterly revolting scene with people
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adultering the food with their bodily fluids, et cetera.
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Federman tells the guys that they'll get the hang of it,
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and that they start now.
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Then Federman leaves them to their jobs.
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Kavella and Bergman walk over to the table where Fred the chef is,
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Kavella picks up the cleaver and pounds it into the table.
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Fred, too big black mother, he says.
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And then he and Bergman both lay their hands on Fred's bald head.
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How you doing?
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Fred smiles and he and Kavella and Bergman embrace their old friends.
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Ah.
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And then we see Fats and Lobster rushing back into the dining hall.
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The other guys are occupying space in the kitchen,
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but they're not doing very much.
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Somehow Fats and Lobster did manage to snap some pictures of the girls arriving.
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And they pass them to Kavella, who quickly assigns them a numerical rating.
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And then and the picture to the guy who's assigned them to.
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For example, the plump girl is deemed a one and goes to Fats.
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We'll see in his extremely gross.
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There's another, this one's an eight, nice face, nice body.
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And this one goes to Grossman, but the next picture stops him cold.
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She's a 12, the girl of Kavella's dreams.
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He's keeping this one for himself.
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Bergman jumps on to his back trying to grab the picture for himself.
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And everyone in the room just starts howling.
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There's a lot of howling and screaming throughout this entire movie.
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And then the dickering over women is interrupted by the hippie-esque Bible Louie.
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He's out of the freezer and he's spouting scripture at the guys.
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That'll show walk among the masses and that'll show say unto them, "Fuck you, you assholes."
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I guess it's not so much scripture is just whatever is in his diseased brain right now.
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Now Walrus and Federman are walking through the camp, specifically the shooting range.
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It seems the campus brain just to get started on this activity because there's a bunch of kids there.
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Walrus says he doesn't like people, including Federman, but he likes his camp and he likes money.
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So he's going to find the staff whenever they screw up and they will.
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Yeah, Walrus hates the counselors, but he needs them.
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So he tells Federman to catch them breaking the rules.
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Walrus will find them out of their pay and Federman's cut is 10% of whatever he recovers.
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And now it's dinner time.
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Rabbi Blowitz is singing a prayer before the meal.
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And then the guys are delivering unappetizing trays of food to the tables.
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It looks like pure chaos.
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I guess the advantage of having such a large staff that every table can be served at the same time and thereby minimizing riots.
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And then we see Bible Louis motorboding a pinup of a topless woman pinned to the wall.
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Then we see Grossman trying to serve food to one of the tables, but instead he gets in a physical fight with one of the children.
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Federman runs into the kitchen trying to catch someone at doing something, but all he sees is Bible Louis chewing on that magazine pinup.
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Okay, there's a lot of short scenes in this movie.
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Very little of it is essential to the plot.
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So we're just going to try and get through it.
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And the next scene, Rabbi Blowitz is trying to talk to the walrus about not serving pork on parents day.
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Apparently that this Jewish camp pork is on the menu, but they cover it with some kind of brown sauce.
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Walrus tells Blowitz not to worry about it.
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Walrus is in charge of the food.
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And when we go in the room, Kaval still carrying a tray speaks with Irvington, who is seated with some of the kids.
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Irvington is the athletic director at the camp.
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And Kaval has heard that Irvington has been recruited to coach basketball at the college, but Irvington informs him that he turned down that job.
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Kaval tells Irvington that he and Bergman want to shoot hoops with him later.
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And as they're walking around, we see Bergman wiping out on the floor, dropping his tray.
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In the kitchen, Duffo wins the bet as to who would wipe out first and he's delighted.
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He won the pool.
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Back in the kitchen, Grossman bumps into a guy who dumps a pitcher of chocolate milk on himself.
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Then Bergman does a bat shit.
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There must be a logical reason for this nickname based upon the occurrence, but I can't fathom what it might be.
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It doesn't matter.
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Yet evening, everyone is back in the cabinet and cleaning up.
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Kaval was popping his sits while looking in the mirror.
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Bergman opens Steinberg's stall and asks if he's seen his watch.
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I think the scene was very integral to the plot.
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No, well, this part is Kaval wonders how bat shit got to serve the counselor and training table instead of them.
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I guess it really was that important, but it does come up later.
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I think we should note that the counselors in training are all female.
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Maybe they're the only ones that can be trusted.
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Guys are pretty sketchy.
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Yeah, guys are wait staff in kitchen.
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The older ones.
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The counselors are all women.
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Yeah, but the camp is really for children.
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So the guys are getting ready to go out and we see Ramirez Bergman and Kaval going to the canteen or some after hours fun.
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They see a girl and call her Judy, but her name is Barbara.
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She's on her way out anyways.
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So Ramirez goes to find the actual Judy and they dance.
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Judy is Rosanna Arquette.
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So while Ramirez and Judy are dancing, Kaval and Bergman go to the table where Vicki, the 12 of those in that photograph is sitting with Evie to harass them.
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They're not really harassing Evie though. They're only focused on Vicki and Evie calls their attention to the slight.
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Back on the dance floor, Ramirez and Judy are bonding.
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She's from a very wealthy family.
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So it's sort of a Romeo and Juliet thing getting set up here minus the tragedy and good writing, of course.
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She's from Scar's Tale and her father makes the owner of pads so her family has money.
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And Ramirez takes a huge sniff from her armpit which she finds hilarious.
234
00:11:39,000 --> 00:11:43,000
And another table, Danekio, Duffo and Lobster are pestering some girl.
235
00:11:43,000 --> 00:11:49,000
Danekio uses Lobster's teeth as a bottle opener and Duffo has three to seven to zero pops jammed in his mouth.
236
00:11:49,000 --> 00:11:58,000
Lobster holds his mouth in pain after being used as a bottle opener and is screaming throughout the rest of the scene, which goes on for quite a while with no payoff.
237
00:11:58,000 --> 00:12:04,000
No payoff is the tagline to this movie and there is lots of screaming throughout.
238
00:12:04,000 --> 00:12:08,000
And now we're back with Bergman and Kaval and we're still trying to hit on Vicki.
239
00:12:08,000 --> 00:12:13,000
They introduce themselves to her and she introduces herself as Vicki and adding that she doesn't fuck.
240
00:12:13,000 --> 00:12:20,000
The guy is being shocked expressions who said anything about fucking Vicki says she doesn't want to be blamed if they end up playing with themselves.
241
00:12:20,000 --> 00:12:21,000
She warned them.
242
00:12:21,000 --> 00:12:24,000
But Evie takes this opportunity to introduce herself.
243
00:12:24,000 --> 00:12:26,000
She's Evie and she does fuck.
244
00:12:26,000 --> 00:12:30,000
Kaval and Bergman look at her like she's a piece of gum stuck to their shoes.
245
00:12:30,000 --> 00:12:37,000
A combination of disgusted and annoyed, which surprises me because the friend dresser looks really cute in this movie.
246
00:12:37,000 --> 00:12:38,000
It doesn't make sense.
247
00:12:38,000 --> 00:12:41,000
Later Bergman and Kaval are returning to their cabin.
248
00:12:41,000 --> 00:12:45,000
They're arguing over what had just transpired because they're both interested in the same girl.
249
00:12:45,000 --> 00:12:50,000
But they're delusional because each of them thinks that Vicki is into them and not the other one.
250
00:12:50,000 --> 00:12:52,000
When in reality she showed no interest in either.
251
00:12:52,000 --> 00:12:57,000
They continue to argue in their rooms and they both start blasting music to annoy one another.
252
00:12:57,000 --> 00:13:02,000
Dinekeo goes upstairs to Bergman's room, complains about the noise he can't sleep and destroys the record.
253
00:13:02,000 --> 00:13:07,000
Then he goes into Kaval's room and repeats the process, mashing the record on the wall and over his own head.
254
00:13:07,000 --> 00:13:11,000
Terrible waste of music, but I kinda get where he's coming from.
255
00:13:11,000 --> 00:13:12,000
These guys are loud.
256
00:13:12,000 --> 00:13:14,000
And now we're back in the kitchen.
257
00:13:14,000 --> 00:13:17,000
It's dinner time again and there's more grossness going on.
258
00:13:17,000 --> 00:13:21,000
Speaking of gross, at Grossman's table, a bunch of the little kids shoot rubber darts at him.
259
00:13:21,000 --> 00:13:26,000
That shit comes by with his tray and Kaval throws a note on it telling him to give that pole of salad to Vicki.
260
00:13:26,000 --> 00:13:28,000
Then Bergman does the same.
261
00:13:28,000 --> 00:13:31,000
The two guys watch as Batchett places the bowls on the table.
262
00:13:31,000 --> 00:13:37,000
The notes get passed around and the girls at the table start giggling causing Bergman and Kaval to retreat into the kitchen in embarrassment.
263
00:13:37,000 --> 00:13:38,000
*laughs*
264
00:13:38,000 --> 00:13:45,000
*music*
265
00:13:45,000 --> 00:13:48,000
Later, Evie finds Kaval by the lake.
266
00:13:48,000 --> 00:13:51,000
She says he made a nasph himself in the lunchroom today.
267
00:13:51,000 --> 00:13:53,000
Legend shouldn't do that.
268
00:13:53,000 --> 00:13:54,000
He asks, am I a legend?
269
00:13:54,000 --> 00:13:58,000
And I ask, why is she pumping up his already overinflated ego?
270
00:13:58,000 --> 00:14:00,000
But she seems to like him?
271
00:14:00,000 --> 00:14:03,000
So they have bug-infested sex on the shore.
272
00:14:03,000 --> 00:14:07,000
They're riding around together on the ground and the flies and mosquitoes are buzzing around them.
273
00:14:07,000 --> 00:14:09,000
It's really unsexy.
274
00:14:09,000 --> 00:14:14,000
Later, Kaval asks, if the sex was indeed legendary, she quips that it was a minor epic.
275
00:14:14,000 --> 00:14:17,000
Kaval is worried that she's going to win a relationship now, but she puts some at ease.
276
00:14:17,000 --> 00:14:20,000
She's just there for sex and fun, like a guy would be.
277
00:14:20,000 --> 00:14:22,000
Find them, feel them, fuck them and forget them, am I right?
278
00:14:22,000 --> 00:14:24,000
Then she twigs his nipple and leaves.
279
00:14:24,000 --> 00:14:27,000
Now we see the campers doing jumping jacks with Irvington.
280
00:14:27,000 --> 00:14:29,000
Callostinate, sweet.
281
00:14:29,000 --> 00:14:33,000
Well, rather he's having them to join jacks because he's busy talking to Kaval and Bergman.
282
00:14:33,000 --> 00:14:35,000
Irvington asked if they're getting late.
283
00:14:35,000 --> 00:14:39,000
Kaval and Bergman are not committed about whether or not they're getting late, and Irvington is baffled.
284
00:14:39,000 --> 00:14:42,000
This year has brought the best-looking CITs he's ever seen.
285
00:14:42,000 --> 00:14:45,000
If they weren't off limits to the counselors, he'd be all over them and himself.
286
00:14:45,000 --> 00:14:52,000
Bergman and Kaval tell him that they're planning on raiding the CITs cabin, and Irvington tells them to do that on Wednesday.
287
00:14:52,000 --> 00:14:55,000
Because he is banging their counselor, he tells them.
288
00:14:55,000 --> 00:14:57,000
They're happy for him.
289
00:14:57,000 --> 00:14:59,000
And themselves, I think.
290
00:14:59,000 --> 00:15:04,000
And now we see Evie rolling around in the ground again, but this time it's with Bergman as the mosquitoes and flies fly around them.
291
00:15:04,000 --> 00:15:07,000
Afterwards, Evie says she wanted to lay a legend.
292
00:15:07,000 --> 00:15:09,000
Was I legendary as Bergman?
293
00:15:09,000 --> 00:15:11,000
A minor epic says Evie.
294
00:15:11,000 --> 00:15:13,000
She's running to her diary right now.
295
00:15:13,000 --> 00:15:17,000
She is probably the only one with good lines in this movie.
296
00:15:17,000 --> 00:15:20,000
Then we see Kaval and Bergman sneaking out of their cabin.
297
00:15:20,000 --> 00:15:22,000
They're talking about having the cards and the money with them.
298
00:15:22,000 --> 00:15:25,000
It's their poker night and lobster and bats want to go to.
299
00:15:25,000 --> 00:15:28,000
And they're allowed to stay their case, but Bergman tells them that they're not ready for that yet.
300
00:15:28,000 --> 00:15:31,000
So he and Kaval leave them behind.
301
00:15:31,000 --> 00:15:33,000
The next time we see them, they're still in the cabin.
302
00:15:33,000 --> 00:15:35,000
But they're on the first floor.
303
00:15:35,000 --> 00:15:37,000
They drop a barbell on the floor, waking everybody up.
304
00:15:37,000 --> 00:15:40,000
Kaval says that they just got back from playing poker.
305
00:15:40,000 --> 00:15:43,000
And now they want to tell them about the waiter's tradition here at camp.
306
00:15:43,000 --> 00:15:44,000
It's the great war.
307
00:15:44,000 --> 00:15:47,000
The battle between the upstairs and the downstairs.
308
00:15:47,000 --> 00:15:49,000
The prize is the Walrus trophy.
309
00:15:49,000 --> 00:15:51,000
A bust of camp owner, a woman.
310
00:15:51,000 --> 00:15:52,000
We'll that in.
311
00:15:52,000 --> 00:15:54,000
It's not a flattering bust.
312
00:15:54,000 --> 00:15:56,000
You shirtless and lobby.
313
00:15:56,000 --> 00:15:57,000
Yes.
314
00:15:57,000 --> 00:16:00,000
There are no rules and no defined goals to pursue.
315
00:16:00,000 --> 00:16:02,000
And everyone needs to keep it on the down low.
316
00:16:02,000 --> 00:16:07,000
Even we the audience of the film aren't privy as to the objective of this war.
317
00:16:07,000 --> 00:16:11,000
Now we're back in the kitchen and Fred the chef pulls a piece of tart meat off the grill.
318
00:16:11,000 --> 00:16:12,000
Kaval hits it with a hammer.
319
00:16:12,000 --> 00:16:14,000
It remains intact.
320
00:16:14,000 --> 00:16:15,000
So they're ready.
321
00:16:15,000 --> 00:16:16,000
Is this the great war?
322
00:16:16,000 --> 00:16:17,000
No.
323
00:16:17,000 --> 00:16:19,000
Is this a skirmish in the great war?
324
00:16:19,000 --> 00:16:20,000
No.
325
00:16:20,000 --> 00:16:26,000
Anyway, some of the staff are facing off Kaval and Bergman and the other waiters.
326
00:16:26,000 --> 00:16:28,000
This is Bush broom hockey.
327
00:16:28,000 --> 00:16:30,000
Sweet Moe is announcing the rules.
328
00:16:30,000 --> 00:16:33,000
And after the fellows whistle the national anthem hits time to play.
329
00:16:33,000 --> 00:16:35,000
And the match commences.
330
00:16:35,000 --> 00:16:37,000
It's kitchen staff versus servers.
331
00:16:37,000 --> 00:16:40,000
When a Willie Indian Joe face off against Bergman and Kaval.
332
00:16:40,000 --> 00:16:43,000
But several members of the kitchen and wait staffs are on the floor.
333
00:16:43,000 --> 00:16:44,000
With brooms.
334
00:16:44,000 --> 00:16:45,000
It is stupid and pointless.
335
00:16:45,000 --> 00:16:48,000
They play kind of a high contact hockey.
336
00:16:48,000 --> 00:16:49,000
High sticking.
337
00:16:49,000 --> 00:16:55,000
Feb and walks by and hears the noise from the kitchen and runs into try and catch them at doing something.
338
00:16:55,000 --> 00:16:58,000
He bursts in and everyone is quietly working.
339
00:16:58,000 --> 00:17:02,000
After Fedman walks out, Kaval declares waiters for kitchen help three.
340
00:17:02,000 --> 00:17:04,000
The waiters won and they take the pot.
341
00:17:04,000 --> 00:17:07,000
And now it's movie night with a familiar film.
342
00:17:07,000 --> 00:17:09,000
I was a teenage werewolf is playing.
343
00:17:09,000 --> 00:17:10,000
It looks great.
344
00:17:10,000 --> 00:17:11,000
It does.
345
00:17:11,000 --> 00:17:14,000
I wish I could stay here watching this movie for the rest of this movie.
346
00:17:14,000 --> 00:17:18,000
Everyone gets really scared when Michael Landon becomes a werewolf and attacks the girl in the gym.
347
00:17:18,000 --> 00:17:20,000
Even the wall was screamed.
348
00:17:20,000 --> 00:17:23,000
This is in fact the best part of this movie.
349
00:17:23,000 --> 00:17:27,000
That night Grossman dresses up as a werewolf and terrorizes his bunk mates.
350
00:17:27,000 --> 00:17:29,000
Kaval goes into the other room to see what the wreck is.
351
00:17:29,000 --> 00:17:32,000
Grossman charges at him and Kaval retreats back into his room.
352
00:17:32,000 --> 00:17:34,000
Then backs himself out the window.
353
00:17:34,000 --> 00:17:38,000
Grossman looks down and tells Kaval he probably shouldn't be hanging from that branch.
354
00:17:38,000 --> 00:17:43,000
Kaval has time to call Grossman a fucking idiot before the branch snaps and Kaval crashes to the ground.
355
00:17:43,000 --> 00:17:44,000
Now we're in the infirmary.
356
00:17:44,000 --> 00:17:47,000
Kaval and Vicki are both leaving.
357
00:17:47,000 --> 00:17:50,000
She kicks his injured leg and tells him never to touch her again.
358
00:17:50,000 --> 00:17:52,000
He says he was just checking her for breast cancer.
359
00:17:52,000 --> 00:17:53,000
Har har.
360
00:17:53,000 --> 00:17:55,000
And then nurse Bertha comes out.
361
00:17:55,000 --> 00:17:57,000
She forces Kaval to eat a sucret.
362
00:17:57,000 --> 00:18:01,000
For a bad ankle he asks and she responds by shoving a town's throat.
363
00:18:01,000 --> 00:18:03,000
I guess that's the only medical treatment this can't provide.
364
00:18:03,000 --> 00:18:05,000
Now we see Kaval and Bertha walking together.
365
00:18:05,000 --> 00:18:08,000
Kaval is on crutches and Kaval is telling him how he went to the infirmary.
366
00:18:08,000 --> 00:18:11,000
And Vicki came in and he got the chance to be alone with her.
367
00:18:11,000 --> 00:18:13,000
He's bringing that he sexually assaulted Vicki.
368
00:18:13,000 --> 00:18:18,000
And he also tells Bergman that he's been excused from waiting tables for a week while his foot heals.
369
00:18:18,000 --> 00:18:21,000
Bergman says Kaval must have mistaken him for someone who gives his shit.
370
00:18:21,000 --> 00:18:28,000
They walked by the rabbi who was instructing force and my interested campers and a lot of empty seats on the 10 commandments.
371
00:18:28,000 --> 00:18:29,000
Somebody's got to do it.
372
00:18:29,000 --> 00:18:34,000
Now we're in the guys cabin where Grossman is on a horse just like Napoleon.
373
00:18:34,000 --> 00:18:37,000
He's rallying his troops for something.
374
00:18:37,000 --> 00:18:39,000
How do you get a horse on the second floor?
375
00:18:39,000 --> 00:18:40,000
I know.
376
00:18:40,000 --> 00:18:45,000
But oh, he must be on the first floor, but no, he's up with his second floor gang.
377
00:18:45,000 --> 00:18:49,000
Alistair's Denechio is doing the same with his campers, but no horse.
378
00:18:49,000 --> 00:18:53,000
And now Kaval is in Irvington's office looking at the trophies on the mantle.
379
00:18:53,000 --> 00:18:57,000
Kaval asks Irvington why he's never turned pro and Irvington says it never really interested him.
380
00:18:57,000 --> 00:19:00,000
What he really wants is to turn this camp into a basketball camp.
381
00:19:00,000 --> 00:19:02,000
Kaval asks if he's talked to Walrus about it.
382
00:19:02,000 --> 00:19:06,000
Irvington says yes and surprisingly he's considering it for next season.
383
00:19:06,000 --> 00:19:10,000
The NBA stars as coaches, so this could be big money.
384
00:19:10,000 --> 00:19:14,000
In the mess hall, the fourth annual kitchen Olympics is commencing.
385
00:19:14,000 --> 00:19:18,000
For the first event, Winowilly will suck down for consecutive bottles of wine.
386
00:19:18,000 --> 00:19:19,000
None stop.
387
00:19:19,000 --> 00:19:24,000
It's speeded up for our benefit, I guess, but it's still pretty nauseating to watch this.
388
00:19:24,000 --> 00:19:28,000
He does this in fast motion to a syncopated version of the William Tull overture.
389
00:19:28,000 --> 00:19:32,000
And there's a banner on the wall behind him actually declaring the kitchen Olympics.
390
00:19:32,000 --> 00:19:36,000
Now it's night and we see Grossman sneaking along the ground.
391
00:19:36,000 --> 00:19:37,000
There are me crawling.
392
00:19:37,000 --> 00:19:43,000
He enters a cabin and we see Bergman Kaval, the Nekio Lopsiper and Miris are there with him during the CITs cabin.
393
00:19:43,000 --> 00:19:46,000
They're all wearing pantyhose on their head.
394
00:19:46,000 --> 00:19:49,000
Ramirez goes to wake up Judy and the two of them slink off together.
395
00:19:49,000 --> 00:19:51,000
Bergman, Kaval and Grossman find Vicki.
396
00:19:51,000 --> 00:19:55,000
She's still asleep, so they lift up her blanket so that they can look at her underpants.
397
00:19:55,000 --> 00:19:56,000
Guys are vile.
398
00:19:56,000 --> 00:20:01,000
Outside Ramirez and Judy talk about how illfated the romances are.
399
00:20:01,000 --> 00:20:04,000
A rich Jewish girl and a poverty-stricken Puerto Rican.
400
00:20:04,000 --> 00:20:08,000
And their dissimilar class status turns out to be kind of a turn on to each of them.
401
00:20:08,000 --> 00:20:13,000
Inside the cabin, Vicki wakes up and she's not pleased to see Bergman and Kaval looking at her.
402
00:20:13,000 --> 00:20:16,000
Bergman says he should go. She'd probably like to be alone with Kaval.
403
00:20:16,000 --> 00:20:19,000
And he tells her he heard all about what happened at the Affirmary.
404
00:20:19,000 --> 00:20:25,000
She asks what he's talking about and he repeats what Kaval had told him as Kaval hides his face in shame.
405
00:20:25,000 --> 00:20:29,000
Vicki is a gas when she hears how Kaval described his assault of her to Bergman.
406
00:20:29,000 --> 00:20:32,000
In the background, the other guys are pestering some of the other girls.
407
00:20:32,000 --> 00:20:35,000
And Grossman makes a girl scream and everybody wakes up.
408
00:20:35,000 --> 00:20:38,000
Grossman threatens to shoot anyone who rats on them.
409
00:20:38,000 --> 00:20:41,000
The other guy's dragged Grossman on the door. He's still screaming.
410
00:20:41,000 --> 00:20:43,000
And he gets up to slam the door behind them.
411
00:20:43,000 --> 00:20:50,000
Outside, as the guys are walking back to their old cabin, Grossman shows them the grenade he would have used to have given the chance.
412
00:20:50,000 --> 00:20:54,000
He pulls the pain and starts yelling. Bergman grabs it from him and throws it.
413
00:20:54,000 --> 00:20:55,000
Then they all hit the dirt.
414
00:20:55,000 --> 00:20:58,000
After a moment Grossman starts laughing, it was a dud.
415
00:20:58,000 --> 00:21:00,000
Scared the hell out of you, jerkos?
416
00:21:00,000 --> 00:21:04,000
As soon as they get up, predictably the grenade goes off and everyone runs for it.
417
00:21:04,000 --> 00:21:06,000
The guys chase Grossman into their cabin.
418
00:21:06,000 --> 00:21:09,000
And Don Sharp grabs Bergman and Kaval as they come in.
419
00:21:09,000 --> 00:21:12,000
Sharp notes that Kaval's leg is healed miraculously.
420
00:21:12,000 --> 00:21:14,000
Now it's the next day.
421
00:21:14,000 --> 00:21:18,000
Walrus is addressing the waiters in the mess hall, telling them the consequences of the raid.
422
00:21:18,000 --> 00:21:21,000
The six ring leaders are fined $50 each.
423
00:21:21,000 --> 00:21:23,000
And the others have to pay $25 of their wages.
424
00:21:23,000 --> 00:21:26,000
Kaval gets an extra $50 fine for faking the leg injury.
425
00:21:26,000 --> 00:21:29,000
And he has to resume waiting tables immediately.
426
00:21:29,000 --> 00:21:34,000
Kaval says he can't even carry a tray, which Walrus tells him that if he can't carry a tray, then he should get out and can't.
427
00:21:34,000 --> 00:21:39,000
Then Walrus says that he invited Kaval and Bergman back to work here against his better judgment.
428
00:21:39,000 --> 00:21:44,000
He leaves and Kaval and Bergman figured that Sharp must have been the one who's niche on them, so they'll have to get revenge.
429
00:21:44,000 --> 00:21:46,000
They'll show him.
430
00:21:46,000 --> 00:21:47,000
Now it's night time.
431
00:21:47,000 --> 00:21:49,000
Grossman parks his truck next to Walrus's cabin.
432
00:21:49,000 --> 00:21:54,000
Kaval and Bergman pull a ramp down from the truck into the window of the cabin.
433
00:21:54,000 --> 00:21:57,000
Grossman lights firecrackers and throws them into the back of the truck from the cab.
434
00:21:57,000 --> 00:22:03,000
And then farm animals file out and Kaval and Bergman direct them into Walrus's bedroom where he and his wife are sleeping.
435
00:22:03,000 --> 00:22:05,000
There is a really cute goat in this way.
436
00:22:05,000 --> 00:22:08,000
And then we see it cuddled up with walrus and bed.
437
00:22:08,000 --> 00:22:12,000
But walrus eventually wakes up, starts screaming because there's animals there.
438
00:22:12,000 --> 00:22:14,000
And his wife is screaming too.
439
00:22:14,000 --> 00:22:18,000
They're trying to maneuver through the room of goats and cows and chickens.
440
00:22:18,000 --> 00:22:20,000
I think I'm planning about those kids again.
441
00:22:20,000 --> 00:22:24,000
And this is just hilarious.
442
00:22:24,000 --> 00:22:29,000
Not the next day workers are cleaning copious amounts of manure out of walrus's cabin.
443
00:22:29,000 --> 00:22:32,000
They're just shoveling it up and tossing it out the window.
444
00:22:32,000 --> 00:22:34,000
I guess that's probably the best they can do.
445
00:22:34,000 --> 00:22:41,000
Man, there's a lot of shit outside walrus is having a walk and talk with Federman who gets a face full of shit as he's walking past walrus's bedroom window.
446
00:22:41,000 --> 00:22:44,000
The hilarity never stops.
447
00:22:44,000 --> 00:22:46,000
And now kitchen wino willy.
448
00:22:46,000 --> 00:22:48,000
Russell's a rooster or a hen.
449
00:22:48,000 --> 00:22:50,000
I think it was a hen.
450
00:22:50,000 --> 00:22:52,000
He's holding a cleaver so I guess he was supposed to slaughter it.
451
00:22:52,000 --> 00:22:54,000
So he's not just on beverages.
452
00:22:54,000 --> 00:22:58,000
By the Louis comes out and declares that the lords said let there be orgies.
453
00:22:58,000 --> 00:23:00,000
He runs on side buck naked.
454
00:23:00,000 --> 00:23:02,000
Who was that masked man?
455
00:23:02,000 --> 00:23:05,000
Someone asks when he wasn't wearing anything little on a mask.
456
00:23:05,000 --> 00:23:09,000
And inside the dining hall, Grossman's feud with the children continues.
457
00:23:09,000 --> 00:23:15,000
In the cabin, Denikio plots out a war game plan as Grossman listens through his stethoscope placed on the floor above.
458
00:23:15,000 --> 00:23:17,000
Denikio blows a trumpet at the ceiling.
459
00:23:17,000 --> 00:23:22,000
Kavell and Bergman tell lobster and fads that they can come observe the poker game as Grossman staggers pass them.
460
00:23:22,000 --> 00:23:25,000
Loster and fads were allowed to come, but they're not allowed to play.
461
00:23:25,000 --> 00:23:26,000
They can just watch.
462
00:23:26,000 --> 00:23:29,000
Fats leans over a Kavell's shoulder to get a look at his cards.
463
00:23:29,000 --> 00:23:33,000
He shoving tada chips into his mouth and Kavell grabs the bag and dumps it down. Fats a shirt.
464
00:23:33,000 --> 00:23:34,000
Now we're back at the cabin.
465
00:23:34,000 --> 00:23:38,000
As Denikio continues his pep dog, a bat flies in the window.
466
00:23:38,000 --> 00:23:39,000
Once again, he blows the horn.
467
00:23:39,000 --> 00:23:44,000
This time against the outer wall, making Grossman take a flying leap into a mud puddle.
468
00:23:44,000 --> 00:23:48,000
Now back at the poker game, Wynne Willey is having a conversation with himself.
469
00:23:48,000 --> 00:23:53,000
He's playing two parts and it doesn't make any sense, but he's trying to convince himself of something.
470
00:23:53,000 --> 00:23:57,000
Let's just write it up as unfunny and keep going.
471
00:23:57,000 --> 00:24:02,000
Back at the poker table Bergman tries to bluff, but lobster standing behind him starts pointing and cackling.
472
00:24:02,000 --> 00:24:06,000
He's got a full house, I think, like Jacksonville, right?
473
00:24:06,000 --> 00:24:07,000
So everyone else folds.
474
00:24:07,000 --> 00:24:10,000
And now it's the next day and we're outside by the lake.
475
00:24:10,000 --> 00:24:15,000
Evie finds Kavell and Bergman sitting on the dock fishing. She razzles them for being losers.
476
00:24:15,000 --> 00:24:17,000
They struck out with Vicki again.
477
00:24:17,000 --> 00:24:20,000
They're knocking themselves out over a girl who's clearly not interested in them.
478
00:24:20,000 --> 00:24:23,000
Oh, if they're such losers, why did Evie ball both of them?
479
00:24:23,000 --> 00:24:28,000
She says it's none of their BI business, but if they must know, she saw it as a challenge,
480
00:24:28,000 --> 00:24:34,000
as they were so hot for snow white and she can screw anyone she wants at any time.
481
00:24:34,000 --> 00:24:38,000
Bergman says big deal so can they, so they decide to make this interesting.
482
00:24:38,000 --> 00:24:41,000
$50 if Evie can lay rabbi blowets.
483
00:24:41,000 --> 00:24:45,000
Evie says that's fine. She'll take the rabbi and she'll even make it easy for them.
484
00:24:45,000 --> 00:24:48,000
She won't name Vicki. Instead, they have to lay big nurse Bertha.
485
00:24:48,000 --> 00:24:50,000
The secret dealer.
486
00:24:50,000 --> 00:24:55,000
Ha, she says creepos. She leaves and the guys are quiet. Bergman is very depressed.
487
00:24:55,000 --> 00:24:57,000
They're going to need a forklift, says Kavell.
488
00:24:57,000 --> 00:24:59,000
Oh, God. So gross.
489
00:24:59,000 --> 00:25:07,000
And now Evie goes to see rabbi blowets, where she respectfully goes about her mission by asking if she could talk to him before trying to seduce him.
490
00:25:07,000 --> 00:25:12,000
She tells him she has a problem and she feels it's of a rabbinical nature and he invites her in.
491
00:25:12,000 --> 00:25:17,000
Meanwhile, Kavell and Bergman break into Bertha's room to drug her water so they can rape her later.
492
00:25:17,000 --> 00:25:20,000
Then we see there are some girls outside rabbi blowets window.
493
00:25:20,000 --> 00:25:24,000
We need to get a picture as Evie and the rabbi sip some wine.
494
00:25:24,000 --> 00:25:27,000
They discuss how they both suffer from shyness around the opposite sex.
495
00:25:27,000 --> 00:25:33,000
The rabbi has Evie if she thinks it might be caused by lack of breast milk as a child. Both were bottle-fried.
496
00:25:33,000 --> 00:25:39,000
We have so much in common. We see Bertha drinking the adulterated water. In the next scene, Evie is sincerely flirting with the rabbi.
497
00:25:39,000 --> 00:25:43,000
Nurse Bertha is snoring so Kavell and Bergman re-enter through the window.
498
00:25:43,000 --> 00:25:46,000
They decide once she'd stay high, the other low and they'll meet in the middle.
499
00:25:46,000 --> 00:25:51,000
And Fats and Lobster are outside the window to take pictures and to provide encouragement for this assault.
500
00:25:51,000 --> 00:25:57,000
So Bergman grabs Bertha's foot and starts kissing up her leg. Nurse Bertha wakes up and starts to put up a fight.
501
00:25:57,000 --> 00:26:01,000
But when Bergman starts sucking on her toes, she seems to get into it.
502
00:26:01,000 --> 00:26:06,000
Maybe they're all rolling around and she seems to be as much the aggressor as the attack-e.
503
00:26:06,000 --> 00:26:07,000
Maybe the drugs.
504
00:26:07,000 --> 00:26:10,000
Within the bedclapses of Bertha and Kavell retreat out the window.
505
00:26:10,000 --> 00:26:12,000
Thankfully that's over.
506
00:26:12,000 --> 00:26:16,000
The next day, Evie comes into the mess hall to give Kavell and Bergman an envelope.
507
00:26:16,000 --> 00:26:20,000
Inside is photographic evidence that she balled the rabbi.
508
00:26:20,000 --> 00:26:22,000
Also inside the envelope is a rabbi's Yamaka.
509
00:26:22,000 --> 00:26:25,000
They were back in the cabin and Bospin is working on his bomb.
510
00:26:25,000 --> 00:26:29,000
Kavell and Bergman ask what he's doing. And Grossman says it's an atomic bomb.
511
00:26:29,000 --> 00:26:33,000
Bergman goes into the bathroom where he's going on a rant against some guy combing his hair.
512
00:26:33,000 --> 00:26:37,000
Bergman goes back to Steinberg's bunk and grabs all his bedding, etc.
513
00:26:37,000 --> 00:26:39,000
Then throws it into the stall with Steinberg.
514
00:26:39,000 --> 00:26:45,000
Bergman flops onto his bunk and Kavell tells him and Ramirez, who's also there, that they need to think about Vicki.
515
00:26:45,000 --> 00:26:47,000
They're going to go back to the CIT cabin for another raid.
516
00:26:47,000 --> 00:26:49,000
But this time, just the three of them.
517
00:26:49,000 --> 00:26:51,000
No Grossman this time.
518
00:26:51,000 --> 00:26:54,000
Grossman overhears them and says he wants to come too. No way says Kavell.
519
00:26:54,000 --> 00:27:01,000
He said he told the CITs they were coming and Grossman jacked the ripper would be coming with them and they said Grossman, no way, so he's not coming.
520
00:27:01,000 --> 00:27:05,000
A Grossman declares that they're not going anywhere without him, thus setting up the next scene.
521
00:27:05,000 --> 00:27:10,000
And the girls cabin that night Ramirez, Kavell and Bergman are sculking around as the girls sleep.
522
00:27:10,000 --> 00:27:12,000
Then they hear a scratching sound and open the door.
523
00:27:12,000 --> 00:27:15,000
It's Grossman growling in his werewolf mask.
524
00:27:15,000 --> 00:27:19,000
The other guys run out but Grossman runs over to Evie's bed to try to wrestle a stuffed animal away from her.
525
00:27:19,000 --> 00:27:21,000
Because I don't know.
526
00:27:21,000 --> 00:27:26,000
He's a dick. In the next day in the kitchen, it's breakfast service.
527
00:27:26,000 --> 00:27:30,000
Duffo is stuffing his face. He's fat. Get it.
528
00:27:30,000 --> 00:27:32,000
As the other waiter slot food onto plates.
529
00:27:32,000 --> 00:27:34,000
Food and plates fall into the floor.
530
00:27:34,000 --> 00:27:37,000
Why no Willie goes into the freezer but Kavell is already using it.
531
00:27:37,000 --> 00:27:40,000
Willie backs off and takes a swing from his bottle.
532
00:27:40,000 --> 00:27:42,000
And not one second of this is funny.
533
00:27:42,000 --> 00:27:49,000
[Music]
534
00:27:49,000 --> 00:27:56,000
I know that's evening I guess Errington, Kavell and Bergman are in a dive bar populated by some motorcycle gang types.
535
00:27:56,000 --> 00:28:01,000
And Errington tells the guys that walrus is starting to like his athletic camp idea.
536
00:28:01,000 --> 00:28:05,000
That sharp comes in and he's not happy to see Bergman and Kavell are out breaking crew view.
537
00:28:05,000 --> 00:28:10,000
Then a fight breaks out and absolutely no discernible conversation happens during the rest of the scene.
538
00:28:10,000 --> 00:28:14,000
He's sharp hustles the guys out of there over Errington's objections.
539
00:28:14,000 --> 00:28:19,000
Now stay laid again and Kavell and Bergman are sitting outside their cabin with reflective screens sending themselves.
540
00:28:19,000 --> 00:28:24,000
Walrus comes up followed by Federman. Walrus asked them who the fuck do they think they are and who are they kidding.
541
00:28:24,000 --> 00:28:26,000
The sun isn't even out.
542
00:28:26,000 --> 00:28:28,000
Are they trying to make a full of them?
543
00:28:28,000 --> 00:28:30,000
Yes sir, they say. Walrus is yelling now.
544
00:28:30,000 --> 00:28:34,000
They know and they broke curfew last night so he's going to love you the biggest spines ever.
545
00:28:34,000 --> 00:28:38,000
$200 a piece. The end he gives them a warning. It's time to shape up.
546
00:28:38,000 --> 00:28:42,000
Federman's back there gloting like a man who just made $40 but it's not going to go to him.
547
00:28:42,000 --> 00:28:52,000
Is it he didn't turn them in after Walrus and Federman leave Kavell and Bergman vowed to get $200 worth of retribution and they're going to hit him where it hurts on parents day.
548
00:28:52,000 --> 00:29:00,000
And now it's parents day and the parents are arriving at the camp to visit their young campers except the only parents we see are the parents of the staff.
549
00:29:00,000 --> 00:29:04,000
Well, everyone's got parents apparently in a chauffeur driven car.
550
00:29:04,000 --> 00:29:11,000
Judy's parents are let out and Judy wins over to greet them now with Kavell and Bergman and Grossman who tell fats and lobster that they are going to achieve glory.
551
00:29:11,000 --> 00:29:18,000
By sneaking into the kitchen, taking a jar off the stove and dosing every cereal bowl with one em Federman tablet.
552
00:29:18,000 --> 00:29:20,000
It's for the parents apparently.
553
00:29:20,000 --> 00:29:22,000
To make them feel better.
554
00:29:22,000 --> 00:29:31,000
We see the Walrus throw past and he tells Bergman and Kavell to watch out and then we see Judy Kavell its parents are not happy with their Puerto Rican Romeo.
555
00:29:31,000 --> 00:29:37,000
They seem to have already heard about him and Judy's mother says he's a monkey and a poor monkey at that.
556
00:29:37,000 --> 00:29:44,000
Remeer is over here's this so he goes into full upset the potential in-laws mode and laying it on thick with the Puerto Rican accent.
557
00:29:44,000 --> 00:29:46,000
He tells Mrs. Kramer she looks good.
558
00:29:46,000 --> 00:29:51,000
We Judy talked about her. He thought she was really fat with a boil on her neck but no she looks okay.
559
00:29:51,000 --> 00:29:54,000
I love the backhanded compliment.
560
00:29:54,000 --> 00:29:59,000
I'm wonder what Judy thought about this performance because Remeer wasn't really doing her any favors with it.
561
00:29:59,000 --> 00:30:05,000
No, I don't think Judy cares. Remeer has even planted a kiss on Judy's mom to her disgust.
562
00:30:05,000 --> 00:30:07,000
But to the late of her son.
563
00:30:07,000 --> 00:30:11,000
Yeah. He doesn't get a line but you can hear what he's thinking.
564
00:30:11,000 --> 00:30:14,000
And now it's evening service and the rabbi sings a prayer.
565
00:30:14,000 --> 00:30:19,000
Then he breaks to the parents that he's been giving their kids quality religious training all four of them.
566
00:30:19,000 --> 00:30:23,000
Now he's going to show example of the films that they've been using as educational materials.
567
00:30:23,000 --> 00:30:30,000
He tells them to roll the film and the film does proceed but this is an adult film and they just leave it rolling nobody tries to sell it.
568
00:30:30,000 --> 00:30:36,000
No, it's a naked woman, breasts a Kimbo.
569
00:30:36,000 --> 00:30:38,000
A guy sucking on them.
570
00:30:38,000 --> 00:30:42,000
The parents get agitated and leave the hall since no one ever stops the film.
571
00:30:42,000 --> 00:30:48,000
And as they do a flatbed truck drives past dragging a giant sculpture of a hand middle finger raised on a trailer.
572
00:30:48,000 --> 00:30:51,000
And the parents are offended all over again.
573
00:30:51,000 --> 00:30:54,000
What kind of place is this? But wait, there's more.
574
00:30:54,000 --> 00:30:59,000
The next day in the kitchen, fats and laps are replacing the pills and the cereal bowls according to the plan.
575
00:30:59,000 --> 00:31:08,000
That's places the jar of pills on the ledge over the stove and he enlaps her leave the bottle tips over and starts to roll dumping its entire contents into the cooking cereal.
576
00:31:08,000 --> 00:31:10,000
Like, guess it's oatmeal.
577
00:31:10,000 --> 00:31:12,000
Yeah, it's a gruel pots on the stove top.
578
00:31:12,000 --> 00:31:14,000
And now we see the waiters eating first.
579
00:31:14,000 --> 00:31:18,000
They lick their bowls clean and then they start to serve the campers and parents.
580
00:31:18,000 --> 00:31:23,000
Services messier and more frantic than usual because of the speed starting to kick in.
581
00:31:23,000 --> 00:31:30,000
You're splashing milk everywhere and throwing bowls around. There's a lot of screaming in chaos, but that just kind of goes for the entire movie.
582
00:31:30,000 --> 00:31:33,000
And the campers and parents alike are sucking down their oatmeal.
583
00:31:33,000 --> 00:31:36,000
As the wait staff gets even more chaotic.
584
00:31:36,000 --> 00:31:39,000
And seconds later, the inevitable food fight breaks out.
585
00:31:39,000 --> 00:31:42,000
The veteran goes into the kitchen where everyone is bouncing off the walls and screaming.
586
00:31:42,000 --> 00:31:45,000
And that basically goes for the entire dining hall.
587
00:31:45,000 --> 00:31:51,000
And everyone's doing something stupid in the kitchen, but lobster is actually assaulting a girl by grabbing your breasts.
588
00:31:51,000 --> 00:31:54,000
I think this is Barb who is not Judy.
589
00:31:54,000 --> 00:31:58,000
So once again, it's time for Walrus to dish out some consequences.
590
00:31:58,000 --> 00:32:01,000
He's lined up the perpetrators and he's lecturing them.
591
00:32:01,000 --> 00:32:04,000
Never in all of his years has he seen such hooligans and rapists.
592
00:32:04,000 --> 00:32:08,000
He's going to find them like no one has ever been fined before.
593
00:32:08,000 --> 00:32:11,000
Just one more incident and they're out of there.
594
00:32:11,000 --> 00:32:13,000
Everyone gets a $25 fine in general principle.
595
00:32:13,000 --> 00:32:18,000
And as for Bergman and Convelle, he threatens them with the usual one more stunt in their out.
596
00:32:18,000 --> 00:32:21,000
He looks like he's about to stroke out here.
597
00:32:21,000 --> 00:32:26,000
And how many times can you threaten somebody with a one more stunt in your out before the camp season is over?
598
00:32:26,000 --> 00:32:28,000
And they just go home like they normally would.
599
00:32:28,000 --> 00:32:33,000
Outside the cabin, the first floor guys are training for the upcoming war practicing throwing punches.
600
00:32:33,000 --> 00:32:36,000
Upstairs, Grossman is talking to his team.
601
00:32:36,000 --> 00:32:40,000
He tells them that he's been listening to their plans, but the first floor has been listening to them too.
602
00:32:40,000 --> 00:32:42,000
But they've got a secret weapon.
603
00:32:42,000 --> 00:32:44,000
He opens a closet to reveal its contents.
604
00:32:44,000 --> 00:32:46,000
It's full of fireworks.
605
00:32:46,000 --> 00:32:49,000
And Arsenal of rockets, etc. think Wiley Coyote is here.
606
00:32:49,000 --> 00:32:51,000
And now it's pokernate again.
607
00:32:51,000 --> 00:32:53,000
And this time, Fats and Lops are allowed to play.
608
00:32:53,000 --> 00:32:56,000
Lops are throws down his hand and yells flush reaching for the pot.
609
00:32:56,000 --> 00:32:57,000
They're all red, he says.
610
00:32:57,000 --> 00:32:59,000
Yeah, they're all red, but they're diamonds and hearts.
611
00:32:59,000 --> 00:33:01,000
And Convelle rightly calls them an idiot.
612
00:33:01,000 --> 00:33:04,000
A little while later, Fats tries to win with three pair.
613
00:33:04,000 --> 00:33:07,000
The two of them get cut out of the game, which continues without them.
614
00:33:07,000 --> 00:33:12,000
So instead, Lops, you're in Fats, Bressel, one another on a bed, while the others continue to play.
615
00:33:12,000 --> 00:33:17,000
And now it's nighttime again and Grossman, here's a bed frame speaking.
616
00:33:17,000 --> 00:33:19,000
It's Cappello, the chronic masturbator.
617
00:33:19,000 --> 00:33:21,000
Grossman throws something at him.
618
00:33:21,000 --> 00:33:26,000
Next day, Covell and Bergen's top patch it and ask him to put in a good word for them with Vicki.
619
00:33:26,000 --> 00:33:28,000
And to find out what he can about her.
620
00:33:28,000 --> 00:33:33,000
He's the server for the CITs and so he has access that Bergen and Covell don't.
621
00:33:33,000 --> 00:33:38,000
Vatchet says he'll go there, but I just have to ask, are these guys seriously that delusional?
622
00:33:38,000 --> 00:33:42,000
They really think that Vicki's into one or the both of them.
623
00:33:42,000 --> 00:33:43,000
Is that what we're supposed to think?
624
00:33:43,000 --> 00:33:47,000
I don't know, because Vicki is hardly in this movie, so he can't really get a good read on her.
625
00:33:47,000 --> 00:33:49,000
She doesn't seem to be interested in any of them though.
626
00:33:49,000 --> 00:33:51,000
No, she's really as barely in this movie.
627
00:33:51,000 --> 00:33:54,000
She's more of a figment of their imagination.
628
00:33:54,000 --> 00:33:58,000
Lops, her and a guy who looks like Dracula are trying to get Fats off the toilet.
629
00:33:58,000 --> 00:34:01,000
Yeah, this guy doesn't really do anything in this movie.
630
00:34:01,000 --> 00:34:06,000
His character name is Dracula and he has a hand-wrong widow's peek on his forehead.
631
00:34:06,000 --> 00:34:10,000
And in one scene we see him wearing fake fangs, fighting Barb's neck.
632
00:34:10,000 --> 00:34:12,000
Oh, no, he's just a background player.
633
00:34:12,000 --> 00:34:13,000
There's a lot of those.
634
00:34:13,000 --> 00:34:17,000
Vatchet comes into the laboratory to report to Covell and Bergman what he's learned.
635
00:34:17,000 --> 00:34:21,000
Vicki values modesty, openness, gentleness, kindness and sensitivity.
636
00:34:21,000 --> 00:34:26,000
I guess that leaves you out, Covell says to Bergman, he's as modest and sensitive as a moose and heat.
637
00:34:26,000 --> 00:34:31,000
They start bickering again and D'Nicchio comes upstairs with a baseball bat to break up the fight.
638
00:34:31,000 --> 00:34:33,000
He can't sleep with this going on.
639
00:34:33,000 --> 00:34:38,000
That night as the fellows are laying in their bunks, Capello is added again.
640
00:34:38,000 --> 00:34:42,000
In this time, instead of doing anything about the squeaky mattress, the others just join in.
641
00:34:42,000 --> 00:34:44,000
And I guess it's Casino Day.
642
00:34:44,000 --> 00:34:49,000
There's Gecko races, roulette, craps, etc. for the waiters and the kitchen staff.
643
00:34:49,000 --> 00:34:51,000
Well, it's like a lizard race or something, isn't it?
644
00:34:51,000 --> 00:34:53,000
Gecko's lizards, whatever. They're just racing.
645
00:34:53,000 --> 00:34:56,000
They just put bats on whoever makes it to the end of the race track first.
646
00:34:56,000 --> 00:34:58,000
Has everything else in this movie?
647
00:34:58,000 --> 00:35:01,000
It means nothing and goes nowhere and has no punch line.
648
00:35:01,000 --> 00:35:02,000
Or payoff.
649
00:35:02,000 --> 00:35:07,000
I have a Louis corner's lobster to tell them how the smell of pussy changed his life.
650
00:35:07,000 --> 00:35:09,000
From outside, Federman hears the noise.
651
00:35:09,000 --> 00:35:12,000
But again, when he comes busting in the kitchen, there's nothing to report.
652
00:35:12,000 --> 00:35:14,000
Just Steinberg and a couple others cleaning up.
653
00:35:14,000 --> 00:35:16,000
Sleeping the floor and munching on an apple.
654
00:35:16,000 --> 00:35:20,000
Yeah, another running gag with no payoff whatsoever.
655
00:35:20,000 --> 00:35:22,000
Next we see Kendall and Bergman walking by the lake.
656
00:35:22,000 --> 00:35:26,000
They're discussing their lack of Vicky, who may or may not even still be in this movie.
657
00:35:26,000 --> 00:35:29,000
They're ready to give up on her and each says that the other can have her.
658
00:35:29,000 --> 00:35:33,000
They come upon Grossman, who shows them his pickup truck full of fireworks.
659
00:35:33,000 --> 00:35:36,000
And he tells them that this is going to end the war once and for all.
660
00:35:36,000 --> 00:35:41,000
I don't think it's just fireworks because he has a band of lero of large caliber bullets
661
00:35:41,000 --> 00:35:43,000
that he straps across his chest.
662
00:35:43,000 --> 00:35:47,000
Seems to be a little bit more than just the typical teenage prank fireworks.
663
00:35:47,000 --> 00:35:51,000
He says there will be blood on the building's death destruction and radiation.
664
00:35:51,000 --> 00:35:53,000
Things they can all be proud of.
665
00:35:53,000 --> 00:35:54,000
Are they with him?
666
00:35:54,000 --> 00:35:56,000
Sure, they say reluctantly.
667
00:35:56,000 --> 00:35:59,000
Well, that's a lot better than being against me says Grossman.
668
00:35:59,000 --> 00:36:00,000
I think they're scared.
669
00:36:00,000 --> 00:36:02,000
They said anything else now.
670
00:36:02,000 --> 00:36:04,000
It probably be the target for the fireworks.
671
00:36:04,000 --> 00:36:06,000
Now with Irvington and his cabin.
672
00:36:06,000 --> 00:36:09,000
He and Kavela and Bergman are jumping on the bed celebrating.
673
00:36:09,000 --> 00:36:12,000
Walrus agreed to the athletic camp for next year.
674
00:36:12,000 --> 00:36:15,000
He's spraying them with champagne as they hop up and down.
675
00:36:15,000 --> 00:36:19,000
Irvington starts playing wads of cash on his pocket and throws it into the air,
676
00:36:19,000 --> 00:36:21,000
telling Kavela and Bergman to take it.
677
00:36:21,000 --> 00:36:22,000
It's theirs anyway.
678
00:36:22,000 --> 00:36:25,000
Turns out that Irvington has been the one snitching on them for the waiter fire relations.
679
00:36:25,000 --> 00:36:28,000
And he's received a 10% cut of all their fines.
680
00:36:28,000 --> 00:36:31,000
Unlike Federman, he actually had something to report.
681
00:36:31,000 --> 00:36:32,000
The guys are confused.
682
00:36:32,000 --> 00:36:34,000
They thought sharp had ratted them out.
683
00:36:34,000 --> 00:36:37,000
Irvington is still laughing and jumping up and down.
684
00:36:37,000 --> 00:36:39,000
Says he did what he had to do.
685
00:36:39,000 --> 00:36:40,000
Bergman and Kavela feel betrayed.
686
00:36:40,000 --> 00:36:43,000
But Irvington tries to explain by turning them in.
687
00:36:43,000 --> 00:36:46,000
Walrus saw his proposal in a favorable light.
688
00:36:46,000 --> 00:36:47,000
The guys still can't believe it.
689
00:36:47,000 --> 00:36:50,000
They've been hanging around with Irvington all summer and they trusted him.
690
00:36:50,000 --> 00:36:52,000
They were friends, weren't they?
691
00:36:52,000 --> 00:36:54,000
Businesses business says Irvington.
692
00:36:54,000 --> 00:36:58,000
And business comes first before friendship, before anything.
693
00:36:58,000 --> 00:37:00,000
He tells them that they of course are coming with him.
694
00:37:00,000 --> 00:37:03,000
Sure they say without any joy in their voices.
695
00:37:03,000 --> 00:37:05,000
But maybe they can work something out.
696
00:37:05,000 --> 00:37:09,000
Now we're back at dinner service in the mess and Rabbi Blowitz is singing the pre-dinner prayer.
697
00:37:09,000 --> 00:37:14,000
In this scene, Kavela and Bergman enact revenge on an unsuspecting Irvington.
698
00:37:14,000 --> 00:37:17,000
Bergman hooks a pair of beaners tied to a line to Irvington's belt.
699
00:37:17,000 --> 00:37:22,000
Then Groose and activates a device and then hoist Irvington up into the rafters where a banner falls
700
00:37:22,000 --> 00:37:25,000
with Irvington's name and depiction of a large ass.
701
00:37:25,000 --> 00:37:29,000
This is a professionally made sign, studied with Christmas lights.
702
00:37:29,000 --> 00:37:32,000
And Groose and Shouts God bless America.
703
00:37:32,000 --> 00:37:36,000
Irvington is spinning and pouting as Kavela and Bergman cheer.
704
00:37:36,000 --> 00:37:37,000
I guess they got him back.
705
00:37:37,000 --> 00:37:40,000
That's just good business there, yells Kavela.
706
00:37:40,000 --> 00:37:41,000
We're in the boys cabin.
707
00:37:41,000 --> 00:37:44,000
Whatever this war is hasn't quite started yet.
708
00:37:44,000 --> 00:37:47,000
But the opposing sides are sitting at a table to discuss terms.
709
00:37:47,000 --> 00:37:52,000
Tinekeo is facing off against Kavela who is sadly shirtless for this scene.
710
00:37:52,000 --> 00:37:55,000
As is the warress trophy, which is on display.
711
00:37:55,000 --> 00:37:57,000
Well, you've seen that before.
712
00:37:57,000 --> 00:37:59,000
They see the time for training is done.
713
00:37:59,000 --> 00:38:01,000
It's time to signal the actual start of the war.
714
00:38:01,000 --> 00:38:03,000
As always, the second floor starts the initiative.
715
00:38:03,000 --> 00:38:07,000
When the barbell drops, that is the signal and the war begins.
716
00:38:07,000 --> 00:38:10,000
Lobster teases Tinekeo with a slur against his mother.
717
00:38:10,000 --> 00:38:12,000
Something that no one with any kind of sense would believe.
718
00:38:12,000 --> 00:38:14,000
But Tinekeo is held back.
719
00:38:14,000 --> 00:38:16,000
He needs to save it for the real war.
720
00:38:16,000 --> 00:38:18,000
With lobster and fats in the toilets.
721
00:38:18,000 --> 00:38:21,000
Discussing Kavela and Bergman's failure to bag Vicki.
722
00:38:21,000 --> 00:38:24,000
They're in adjoining stalls and in laxures reading how to channel woman.
723
00:38:24,000 --> 00:38:26,000
He tells fast that they ought to get a hooker.
724
00:38:26,000 --> 00:38:28,000
That's things that's a good idea.
725
00:38:28,000 --> 00:38:33,000
They reach for the toilet paper, which begins unspooling itself and fly across the stall.
726
00:38:33,000 --> 00:38:39,000
That night Bergman sleeps into the sleeping girls cabin.
727
00:38:39,000 --> 00:38:41,000
He stands next to Vicki's bed.
728
00:38:41,000 --> 00:38:43,000
And then from underneath Kavela appears.
729
00:38:43,000 --> 00:38:45,000
Bergman lies that he has an appointment with Vicki.
730
00:38:45,000 --> 00:38:48,000
Kavela lies that Vicki finds him enchanting.
731
00:38:48,000 --> 00:38:51,000
And then the two of them start to get undressed.
732
00:38:51,000 --> 00:38:53,000
What are you doing, Ask Kavela?
733
00:38:53,000 --> 00:38:56,000
I'm going to show her something she's going to see for a long time.
734
00:38:56,000 --> 00:38:59,000
Kavela takes the same initiative and their arguing makes up Vicki.
735
00:38:59,000 --> 00:39:01,000
What are you guys doing here, she asks?
736
00:39:01,000 --> 00:39:04,000
They shush her telling that this doesn't concern her.
737
00:39:04,000 --> 00:39:09,000
The other girls wake up and turn on the lights, causing Kavela and Bergman to have to hop out of the room
738
00:39:09,000 --> 00:39:12,000
with their pants around their ankles and stuffed animals covering their crutches.
739
00:39:12,000 --> 00:39:14,000
Ask the girls to freak at them.
740
00:39:14,000 --> 00:39:17,000
Okay, we're getting there.
741
00:39:17,000 --> 00:39:20,000
At the dive bar, lobster and fats go in and search of a sex worker.
742
00:39:20,000 --> 00:39:25,000
There's no music playing here so you can plainly hear people shuffling around pretending to fight.
743
00:39:25,000 --> 00:39:30,000
Fats goes up to an ordinary looking woman at the bar to inquire whether or not she has sex for money.
744
00:39:30,000 --> 00:39:34,000
She's offended, as is every guy in earshot of this request.
745
00:39:34,000 --> 00:39:37,000
Fats and lobster are dispensed and liquor is thrown down their throats.
746
00:39:37,000 --> 00:39:40,000
And then they're thrown outside and they're underwear.
747
00:39:40,000 --> 00:39:42,000
Where are the hookers, cries fats?
748
00:39:42,000 --> 00:39:45,000
Where are the girls, Kavin, no?
749
00:39:45,000 --> 00:39:47,000
They're all having a conference.
750
00:39:47,000 --> 00:39:51,000
They need to give the guys a dose of their own medicine and the other girls agree.
751
00:39:51,000 --> 00:39:53,000
And that's all the time they get.
752
00:39:53,000 --> 00:39:55,000
Bergman and Kavela return to their Kavin.
753
00:39:55,000 --> 00:39:57,000
Kavela tells Bergman they really screwed up this time.
754
00:39:57,000 --> 00:40:01,000
Vicki chose batshit over either of them, so they must be too good for her.
755
00:40:01,000 --> 00:40:04,000
They're saying all this was sitting on one of the sleeping waiters.
756
00:40:04,000 --> 00:40:06,000
I don't know who this one is, just some blonde guy.
757
00:40:06,000 --> 00:40:07,000
They're too good for Vicki.
758
00:40:07,000 --> 00:40:10,000
And now we see a gaggle of nuns fleeing the church.
759
00:40:10,000 --> 00:40:14,000
Chasing them as bats and lobster still in an underwear and still shouting about hookers.
760
00:40:14,000 --> 00:40:19,000
At the waitstaff cabin upstairs, Don Sharp comes in to see what Kavela and Bergman are celebrating.
761
00:40:19,000 --> 00:40:20,000
Independence says Bergman.
762
00:40:20,000 --> 00:40:25,000
And next we see the scantily clad lobster and fats running down a deserted city street.
763
00:40:25,000 --> 00:40:28,000
They turn the corner around to an alley and lo and behold, they find a hooker.
764
00:40:28,000 --> 00:40:30,000
Batts collapses into her bosom.
765
00:40:30,000 --> 00:40:34,000
And now they're driving her back to the camp and Grossman's camp oscimo pickup truck.
766
00:40:34,000 --> 00:40:38,000
They are still drunk and everyone's fondling each other in the front seat.
767
00:40:38,000 --> 00:40:39,000
So it's very reckless driving.
768
00:40:39,000 --> 00:40:45,000
As they arrive at the camp, the fireworks ignite in the back causing them to crash into a tree and they all run from the vehicle.
769
00:40:45,000 --> 00:40:48,000
The Nekioe here's the crash and tells his men it's time to go to war.
770
00:40:48,000 --> 00:40:52,000
Upstairs Grossman dressed like a world war two general starts to rally his troops.
771
00:40:52,000 --> 00:40:55,000
They use the firepower they still have against each other.
772
00:40:55,000 --> 00:40:59,000
Everyone starts shooting up, downing football helmets and time blankets around themselves like capes.
773
00:40:59,000 --> 00:41:02,000
And several barricaded door with their beds.
774
00:41:02,000 --> 00:41:06,000
Meanwhile, fireworks are flying everywhere, blowing out walls and generally creating havoc.
775
00:41:06,000 --> 00:41:09,000
Some of the downstairs fraction tries to sneak upstairs.
776
00:41:09,000 --> 00:41:14,000
More fireworks go off in Wyne and Willie and Bible Louis find themselves in line of fire in the kitchen staff cabin.
777
00:41:14,000 --> 00:41:16,000
Armageddon shots Bible Louis.
778
00:41:16,000 --> 00:41:20,000
If it's a conventional war they want, it's a conventional war they'll get.
779
00:41:20,000 --> 00:41:24,000
Says Matt Grossman as he swings down the stairs giving a tarz hand call.
780
00:41:24,000 --> 00:41:28,000
Just in the girls arrive with a fire extinguisher, which they start spraying over the guys.
781
00:41:28,000 --> 00:41:32,000
At the same time, lobster, fats and the hooker arrive there.
782
00:41:32,000 --> 00:41:36,000
Oh, looks like a party, they say. And there's a lot of stuff happening at once here.
783
00:41:36,000 --> 00:41:38,000
So we might get it out of order. We're trying.
784
00:41:38,000 --> 00:41:41,000
Stars and stripes forever is playing on the soundtrack.
785
00:41:41,000 --> 00:41:43,000
People burst through walls and through floors.
786
00:41:43,000 --> 00:41:46,000
Denikio throws Evee into a locker to stop her nagging.
787
00:41:46,000 --> 00:41:49,000
When she continues yapping, he throws the locker out the window.
788
00:41:49,000 --> 00:41:52,000
Oh my god, I got my period, she cries out.
789
00:41:52,000 --> 00:41:56,000
Or Steinberg tries to remain a top is thrown while chaos reigns around him.
790
00:41:56,000 --> 00:41:58,000
Meanwhile, Denikio is trying to pick up the hooker.
791
00:41:58,000 --> 00:42:00,000
He tells her that he's a sensitive guy.
792
00:42:00,000 --> 00:42:02,000
And he says this while strangling Kapelo.
793
00:42:02,000 --> 00:42:06,000
Grossman does return driving a tank.
794
00:42:06,000 --> 00:42:10,000
You see lobster violating a girl who's lost her top.
795
00:42:10,000 --> 00:42:14,000
Bats is tied to a chair covered in shaving cream and he loves it.
796
00:42:14,000 --> 00:42:17,000
And then Grossman rolls in the tank through the cabin destroying it.
797
00:42:17,000 --> 00:42:20,000
And now the war is over and everyone is leaving.
798
00:42:20,000 --> 00:42:22,000
The waitstaff says goodbye to the kitchen staff.
799
00:42:22,000 --> 00:42:26,000
Fred asks what about the next two weeks and Kapel says that's walrus' problem.
800
00:42:26,000 --> 00:42:29,000
Yeah, they're leaving early and apparently no one's under arrest yet.
801
00:42:29,000 --> 00:42:31,000
But some of the guys look like they've been injured.
802
00:42:31,000 --> 00:42:35,000
Just in a comical kind of way that bandages around their heads.
803
00:42:35,000 --> 00:42:37,000
Then Kapel goes to speak with walrus.
804
00:42:37,000 --> 00:42:42,000
Keeping a safe distance, he tells walrus that he's been enlisted by the waitstaff to tell him that he's fat and ugly.
805
00:42:42,000 --> 00:42:44,000
And his wife is fat and ugly.
806
00:42:44,000 --> 00:42:46,000
And they think this camp sucks.
807
00:42:46,000 --> 00:42:47,000
So they quit.
808
00:42:47,000 --> 00:42:49,000
You can even take what's left of their wages and fines.
809
00:42:49,000 --> 00:42:52,000
The bus rolls buy and stops and Kapel gets on it.
810
00:42:52,000 --> 00:42:55,000
All the waiters are there and so are the CITs.
811
00:42:55,000 --> 00:43:00,000
And they all cheer at flash and moon walrus is the bus rolls away.
812
00:43:00,000 --> 00:43:04,000
Federman drags walrus out to see the now dilapidated waitstaff cabin.
813
00:43:04,000 --> 00:43:06,000
Apparently he didn't know about it yet.
814
00:43:06,000 --> 00:43:09,000
Walrus blows a gasket as we see the bus reaching the gates.
815
00:43:09,000 --> 00:43:14,000
There's a freeze frame, a credits roll, we hear the theme song again, and that's the end.
816
00:43:14,000 --> 00:43:23,000
Welcome back to the American International Podcast.
817
00:43:23,000 --> 00:43:25,000
We're talking about Gorp from 1980.
818
00:43:25,000 --> 00:43:31,000
According to an article in the Hack and Sack record, Jeffrey Convitz, author of books like The Sentinel and The Guardian,
819
00:43:31,000 --> 00:43:36,000
didn't want his work ruined by movie makers again, so he became a movie maker himself.
820
00:43:36,000 --> 00:43:40,000
I wrote Gorp for American International, which I'm producing now, he said in the article.
821
00:43:40,000 --> 00:43:45,000
On the picture, I'm on the set every day talking to the director and executive producer Lewis Arkov.
822
00:43:45,000 --> 00:43:51,000
I see to it that I have as much creative input as possible by talking things over, providing ideas, making compromises.
823
00:43:51,000 --> 00:44:00,000
He says he was a producer and name only for the movie made from the Sentinel, which flocked, but that he planned to get the sequel book The Guardian made using what he learned from the making of Gorp.
824
00:44:00,000 --> 00:44:03,000
I may be wrong, but I'm going to be heard, he said.
825
00:44:03,000 --> 00:44:12,000
According to a March 1979 article by Eleanor Ringel in the Atlanta Constitution, Convitz based the movie on his own experience as a waiter at a Borscht belt summer camp.
826
00:44:12,000 --> 00:44:19,000
Convitz also told Roderick Man of the LA Times that while he was there, quote, "we reduce the place to rubble."
827
00:44:19,000 --> 00:44:27,000
Though Gorp setting Camp Askimo was supposed to be in the Catskill Mountains in New York State, the film was shot at A.H. Steven State Park near Crawford'sville, Georgia.
828
00:44:27,000 --> 00:44:39,000
In an article published in January of 1979, Convitz told Scott Cain in the Atlanta Journal that he checked a wide range of parks across the southeastern US for sites, and the Crawford'sville campsite was far and way the nicest.
829
00:44:39,000 --> 00:44:46,000
In the same article, Convitz also said Gorp would be a big wild crazy comedy in the Hills of Pop and Tradition.
830
00:44:46,000 --> 00:44:52,000
Convitz planned that most of the action would take place in the camps kitchen because the kitchen is like Dante's in Fair No.
831
00:44:52,000 --> 00:44:58,000
Principal photography was set to begin on February 6 of 1979 with a 7.5 week shooting schedule.
832
00:44:58,000 --> 00:45:01,000
The budget was estimated at $2 million.
833
00:45:01,000 --> 00:45:10,000
In another article in the journal, this one published in April of 1979, Scott Cain talked to LA actor Pete Robinson, the served as a production assistant on Gorp.
834
00:45:10,000 --> 00:45:13,000
Robinson told Cain that the first thing we got into was a snowstorm.
835
00:45:13,000 --> 00:45:20,000
As the film was wrapping, the cast and crew of the movie Little Barlings, another summer camp comedy that was filmed in Georgia, visited the set.
836
00:45:20,000 --> 00:45:24,000
Robinson said he enjoyed working with Convitz and said he would most likely work with him again.
837
00:45:24,000 --> 00:45:35,000
Convitz told Scott Cain that he hoped to use 10 to 12 Georgians in the cast of 52 principals, and that several of the key roles would be taken by fairly well-known actors, but that no deals were settled yet.
838
00:45:35,000 --> 00:45:46,000
There's also a 70% technical crew planned. Ringel wrote in her article that local actors Mary Ann Hurn and Shirley Gunther had quote "sizable parts in Gorp" as did nine-year-old Fred Hines.
839
00:45:46,000 --> 00:45:49,000
Of the three, Hurn's name was not in the cast.
840
00:45:49,000 --> 00:45:57,000
Local casting director Carol Scott said that the real files were men she plucked from the fraternities at the University of Georgia, Emory and Georgia Tech.
841
00:45:57,000 --> 00:46:01,000
I went over to the University of Georgia on Thursday, she told Ringel, and they were unbelievable.
842
00:46:01,000 --> 00:46:08,000
They had a whole act prepared, everything from the Blues Brothers to stand up comics to Saturday Night Live to crushing beer cans on their heads.
843
00:46:08,000 --> 00:46:13,000
I brought the director back a few weeks later, and he couldn't believe it. He hired them all.
844
00:46:13,000 --> 00:46:19,000
According to the article, this included 19-year-old Lewis Kamras, who planned to become a rabbi and had a 4.0 average.
845
00:46:19,000 --> 00:46:24,000
He dropped out of school to work on the film, but his name is not listed in the credits anywhere.
846
00:46:24,000 --> 00:46:33,000
Dick Liner, an assindicated article published in May of 1980, interviewed Michael Lemberck, who played Kabel, who said of Gorp, "It's our rated and makes animal house look like lassie come home."
847
00:46:33,000 --> 00:46:41,000
Veteran character actor David Huddleston, who played Walrus, said in the AIP press book that Gorp was quote "structured insanity."
848
00:46:41,000 --> 00:46:47,000
And he said the same thing in an interview with Carol Cass for the Richmond Times Dispatch that came out in March of 1980.
849
00:46:47,000 --> 00:46:50,000
Huddleston said that he saw the film eight months prior to the interview.
850
00:46:50,000 --> 00:46:57,000
It was a work print and has since been recut, so I can't really tell you how good it is, but the whole concept is funny.
851
00:46:57,000 --> 00:47:02,000
It has all the earmarks of a comedy for older teens and those older with a teenage sense of humor.
852
00:47:02,000 --> 00:47:05,000
Sounds like he was playing it pretty safe with that assessment there.
853
00:47:05,000 --> 00:47:09,000
Sounds like he was insulting your sense of humor if you don't like it.
854
00:47:09,000 --> 00:47:18,000
Fran Drescher, in the LA Times, talked about how she had lost 30 pounds prior to shooting Gorp, but while on set, the meals were catered and the food was heavy and greasy.
855
00:47:18,000 --> 00:47:26,000
I didn't like not having a choice, so I gained. But as soon as I returned to Los Angeles, I got back on my way of eating and within a very short time I was back to normal.
856
00:47:26,000 --> 00:47:29,000
So sad, and whole article about her weight.
857
00:47:29,000 --> 00:47:36,000
In Scott Keynes article published in January of 1979, kind of it's tried to get ahead of critics by saying that Gorp was not an animal house ripoff.
858
00:47:36,000 --> 00:47:45,000
He said the success of animal house had made it easier for these types of projects to get financing, but that discussions about Gorp had been underway for a year and a half, which would have been before.
859
00:47:45,000 --> 00:47:49,000
Animal Houses July 1978 release.
860
00:47:49,000 --> 00:47:59,000
Gorp was weighted R and released a theaters on May 1st, 1980, but it had a major Hollywood studio sneak preview in Atlanta, Georgia and St. Louis, Missouri on February 1st, 1980.
861
00:47:59,000 --> 00:48:05,000
A week later, there were more sneak previews in other cities like Indianapolis, Cleveland, Philadelphia and Jackson, Florida.
862
00:48:05,000 --> 00:48:09,000
It opened in Toronto, Canada on February 15th and Los Angeles on April 18th.
863
00:48:09,000 --> 00:48:12,000
So official opening dates were pretty flexible.
864
00:48:12,000 --> 00:48:17,000
Louis Palace and Charlottesville, Virginia showed Gorp and only charged 99 cents for all showings.
865
00:48:17,000 --> 00:48:23,000
They add for the movie set of Gorp, quote, "Not since animal houses have been a more crazy, outrageously funny movie as Gorp.
866
00:48:23,000 --> 00:48:27,000
Put all of your problems and frustrations away and fill your heart with laughter.
867
00:48:27,000 --> 00:48:30,000
You owe it to yourself to not miss this movie."
868
00:48:30,000 --> 00:48:35,000
Gorp was last movie made under the American International Pictures banner before it was taken over by film ways.
869
00:48:35,000 --> 00:48:42,000
Samuelsie Arcoff told Al-Jean Armits in the Lakeland Florida ledger that audiences are buying energy.
870
00:48:42,000 --> 00:48:44,000
That's what animal house had. Energy.
871
00:48:44,000 --> 00:48:48,000
Taglines for Gorp include a bunch of fruits, nuts and flakes.
872
00:48:48,000 --> 00:48:53,000
It's the war of the waiters. They capture the kitchen to demolish the dining room and leave Camp Oscar Moe in ruins.
873
00:48:53,000 --> 00:48:55,000
Gorp, the ultimate four-letter word.
874
00:48:55,000 --> 00:48:58,000
Not recommended for anyone over 25 years old.
875
00:48:58,000 --> 00:49:00,000
Why didn't we see that before we did this?
876
00:49:00,000 --> 00:49:09,000
Ron Pennington and the Hollywood reporter called Gorp, quote, "Exceedingly gross, singularly unfunny, and with no redeeming values whatsoever."
877
00:49:09,000 --> 00:49:18,000
Lucidrone in the Baltimore evening sun called Gorp, a comedy that takes place at a summer resort where the waiters engage in food fights and put speed in food meant for children.
878
00:49:18,000 --> 00:49:29,000
The preview in the Syracuse Herald Journal, said Gorp, quote, "has a camp setting in which writer Jeffrey Convitt's deals with food fights, adolescent sex, and drugging an overweight nurse for the purpose of sexual assault."
879
00:49:29,000 --> 00:49:34,000
The Ann Arbor news called Gorp, one more in what seems an endless line of summer camp movies.
880
00:49:34,000 --> 00:49:46,000
Bruce McCabe in the Boston Journal wrote, "This afternoon I shall be looking at a movie titled Gorp. I know a very little about Gorp, except that it should not be confused with the novel written by John Irving about someone named Gorp.
881
00:49:46,000 --> 00:49:54,000
Gorp is less literary than Gorp. This shouldn't imply inferiority. Gorp may turn out better than Gorp, slim though that possibility may seem.
882
00:49:54,000 --> 00:50:03,000
On such slender threads does the critics hope angle." McCabe then said that the sound of Gorp suggests belching, and belching isn't one of life's more felicitous practices.
883
00:50:03,000 --> 00:50:09,000
The implication of Gorp's title is that the picture will be what it sounds like. To contemplate this prospect is depressing.
884
00:50:09,000 --> 00:50:14,000
McCabe found his hopes dashed after seeing Gorp. In his review he called Gorp "the pits."
885
00:50:14,000 --> 00:50:22,000
Saying to say the movie is vulgar only plays into its hands. It confuses vulgarity with humor, a problem of epidemic proportions these days.
886
00:50:22,000 --> 00:50:30,000
Billy Saunders in the Louisville Times said that Gorp was "a gob of goop." Being more explicit than that is invisible and impossible in a family newspaper.
887
00:50:30,000 --> 00:50:41,000
He called Gorp "the spawn of a cynical producer who has a mighty low opinion of the taste and intelligence of most movie goers" and said that the boy girl capers are about as exciting as a pair of dirty underwear.
888
00:50:41,000 --> 00:50:48,000
Greg Swim in the Louisville Courier Journal said, "Gorp may have set the record for the greatest number of expletives in one movie.
889
00:50:48,000 --> 00:50:54,000
And it's a continuous blatant use of vulgarity that tends to numb the viewer into a kind of indifference to the proceedings."
890
00:50:54,000 --> 00:51:03,000
The review blurb in the Arizona Republic said Gorp takes the worst elements of animal house and combines them with the worst elements of meatballs to create one of the worst stories ever screened.
891
00:51:03,000 --> 00:51:06,000
Then it squads the only recognizable name.
892
00:51:06,000 --> 00:51:13,000
Dave Chenowith in the Montreal Gazette said Gorp made last year's Canadian made camp comedy meatballs look like Oscar-winning entertainment.
893
00:51:13,000 --> 00:51:19,000
As a filmmaker, the comedy is still good material. He's not just minor league, he's right out of the ballgame.
894
00:51:19,000 --> 00:51:22,000
The only thing missing from Gorp are characters with any human charisma.
895
00:51:22,000 --> 00:51:28,000
The actors appear a little more than jerks, but you put them on par with any viewer who waste time on this pathetic piece of trash.
896
00:51:28,000 --> 00:51:42,000
Out. Mike Mayo in the RONOC Times made written the only slightly positive review of Gorp saying, "Even though Gorp is composed almost entirely of cliches, it handles those cliches with such a high level of manic energy and food."
897
00:51:42,000 --> 00:51:45,000
"You're not going to see anything you haven't seen before and haven't seen done better."
898
00:51:45,000 --> 00:51:51,000
Still, if you're in the mood, Gorp does have its very own crude charm.
899
00:51:51,000 --> 00:51:56,000
So, Gorp does have its very own crude charm?
900
00:51:56,000 --> 00:52:00,000
I don't think I would say this film is charming in any way.
901
00:52:00,000 --> 00:52:02,000
It's crude, though.
902
00:52:02,000 --> 00:52:06,000
I think it's a bit of a shame that Gorp is a bit of a bad singer.
903
00:52:06,000 --> 00:52:11,000
Have its very own crude charm?
904
00:52:11,000 --> 00:52:14,000
I don't think I would say this film is charming in any way.
905
00:52:14,000 --> 00:52:16,000
It's crude, though.
906
00:52:16,000 --> 00:52:18,000
Definitely crude.
907
00:52:18,000 --> 00:52:24,000
This was a difficult one to do because the story, such as it is, in this film is very disjointed.
908
00:52:24,000 --> 00:52:27,000
I found it much easier because of that.
909
00:52:27,000 --> 00:52:34,000
Because there is no plot, and I guess maybe there's a very thin frame of plot upon which all the manic action hangs.
910
00:52:34,000 --> 00:52:39,000
And there's Irvington's quest to make this athletic camp.
911
00:52:39,000 --> 00:52:43,000
And Walrus' attempt to find the kids for anything and everything.
912
00:52:43,000 --> 00:52:47,000
But all the set pieces that happen, they don't flow into each other.
913
00:52:47,000 --> 00:52:50,000
They may have some running gags, but they don't matter.
914
00:52:50,000 --> 00:52:53,000
Nothing ever matters by the end of it.
915
00:52:53,000 --> 00:52:55,000
There's no payoff to anything.
916
00:52:55,000 --> 00:52:58,000
No, it's like the worst part of Saturday and Alive when they have a sketch that just ends
917
00:52:58,000 --> 00:53:00,000
because they don't know how to end it.
918
00:53:00,000 --> 00:53:06,000
And it goes throughout the entire movie, there's never any payoff to anything that's done in this movie.
919
00:53:06,000 --> 00:53:12,000
No, it's kind of hoping a fake commercial would pop up just to distract me from some of the really painful scenes here.
920
00:53:12,000 --> 00:53:19,000
And the fact that it's just the most unfunny, the set pieces are so unfunny.
921
00:53:19,000 --> 00:53:25,000
When they're not being actively criminal, I mean, there are scenes of attempted rape in this movie.
922
00:53:25,000 --> 00:53:27,000
And, haha, I guess that's funny.
923
00:53:27,000 --> 00:53:28,000
It's not funny.
924
00:53:28,000 --> 00:53:31,000
It's really offensive in so many ways.
925
00:53:31,000 --> 00:53:36,000
But even if you look past that, what else is happening isn't funny either.
926
00:53:36,000 --> 00:53:40,000
No, really the most relatable character in this movie is Walrus.
927
00:53:40,000 --> 00:53:42,000
Yeah, you understand his motivation.
928
00:53:42,000 --> 00:53:44,000
I mean, I guess you could say you understand Irvington.
929
00:53:44,000 --> 00:53:46,000
He's a jerk who's out for himself.
930
00:53:46,000 --> 00:53:48,000
No, I said relatable, not understanding.
931
00:53:48,000 --> 00:53:53,000
And I kind of like the character of Evie, though I didn't understand her.
932
00:53:53,000 --> 00:53:55,000
So maybe she's the most likable character to me.
933
00:53:55,000 --> 00:53:59,000
But why would you have sex with Kaville and Bergman? They're just disgusting.
934
00:53:59,000 --> 00:54:00,000
Just to prove a point.
935
00:54:00,000 --> 00:54:01,000
She's that hard up.
936
00:54:01,000 --> 00:54:05,000
I mean, granted none of the other guys in this camp were any better.
937
00:54:05,000 --> 00:54:06,000
Maybe that shit.
938
00:54:06,000 --> 00:54:08,000
You seem nice and clean.
939
00:54:08,000 --> 00:54:10,000
I think she was just killing time.
940
00:54:10,000 --> 00:54:14,000
And she's thought as a challenge, although I don't think it was much of a challenge.
941
00:54:14,000 --> 00:54:18,000
No, because these guys were knocking themselves out trying to get to Vicki.
942
00:54:18,000 --> 00:54:20,000
Yeah, she felt slighted.
943
00:54:20,000 --> 00:54:21,000
That's what it was.
944
00:54:21,000 --> 00:54:22,000
She felt slated.
945
00:54:22,000 --> 00:54:23,000
Yeah.
946
00:54:23,000 --> 00:54:25,000
I mean, I said that makes sense.
947
00:54:25,000 --> 00:54:29,000
Kaville and Bergman set up a bet as to who can have sex with somebody.
948
00:54:29,000 --> 00:54:34,000
And for Evie's part, she gets assigned the rabbi, which should be difficult.
949
00:54:34,000 --> 00:54:36,000
But the way she approaches him is very respectful.
950
00:54:36,000 --> 00:54:38,000
She's very kind.
951
00:54:38,000 --> 00:54:39,000
She's very sweet.
952
00:54:39,000 --> 00:54:43,000
And if they do it, it's because he wanted to.
953
00:54:43,000 --> 00:54:46,000
What the guys do is try to drug and rape a nurse.
954
00:54:46,000 --> 00:54:48,000
And the gag is, oh, she's fat.
955
00:54:48,000 --> 00:54:50,000
So I guess she's not a real person and she doesn't matter.
956
00:54:50,000 --> 00:54:53,000
I mean, Jesus, this movie is just sick.
957
00:54:53,000 --> 00:54:58,000
Anything that might have been funny in and around that, it just doesn't matter.
958
00:54:58,000 --> 00:55:00,000
Yeah, this movie is more gross than anything.
959
00:55:00,000 --> 00:55:05,000
And it just seems like a waste of time watching it when you have all these segments
960
00:55:05,000 --> 00:55:07,000
that just don't go anywhere.
961
00:55:07,000 --> 00:55:11,000
This movie is an hour and a half long and it feels like three hours.
962
00:55:11,000 --> 00:55:13,000
This time is dragging on.
963
00:55:13,000 --> 00:55:17,000
And a lot of stuff just repeats itself, again, with no payoff.
964
00:55:17,000 --> 00:55:21,000
Yeah, if there was a payoff in it, it would make sense for it to be there.
965
00:55:21,000 --> 00:55:22,000
But things just happen.
966
00:55:22,000 --> 00:55:23,000
They're not funny.
967
00:55:23,000 --> 00:55:25,000
There's no resolution.
968
00:55:25,000 --> 00:55:26,000
Sometimes they happen again.
969
00:55:26,000 --> 00:55:27,000
There's still no resolution.
970
00:55:27,000 --> 00:55:29,000
And nothing matters.
971
00:55:29,000 --> 00:55:32,000
Like the thing with Vicki, they make such a big deal out of their pursuing her
972
00:55:32,000 --> 00:55:34,000
and she's not interested.
973
00:55:34,000 --> 00:55:36,000
And eventually she's not even in the movie anymore.
974
00:55:36,000 --> 00:55:39,000
Or she just gets brief appearances.
975
00:55:39,000 --> 00:55:40,000
She's not even a real person.
976
00:55:40,000 --> 00:55:44,000
No, the only time you see her is when she's in bed and they're sneaking into her room
977
00:55:44,000 --> 00:55:45,000
and it's dark.
978
00:55:45,000 --> 00:55:49,000
And then they're looking at her underwear, under her blanket or whatever.
979
00:55:49,000 --> 00:55:54,000
Yeah, they could have done more to at least try to establish her as a character in this movie
980
00:55:54,000 --> 00:55:56,000
instead of just this chofy.
981
00:55:56,000 --> 00:55:57,000
Right.
982
00:55:57,000 --> 00:55:58,000
And then it just peeders out.
983
00:55:58,000 --> 00:56:00,000
They just decide, well, she's not worth the effort.
984
00:56:00,000 --> 00:56:04,000
After each one of them diluted themselves into thinking that she really liked them.
985
00:56:04,000 --> 00:56:05,000
Based on what?
986
00:56:05,000 --> 00:56:06,000
Nothing.
987
00:56:06,000 --> 00:56:10,000
Yes, maybe it's just so stupid and repulsive.
988
00:56:10,000 --> 00:56:13,000
And then we have what's supposed to serve as a grand finale.
989
00:56:13,000 --> 00:56:18,000
The war, but the fight was going off and it's just chaos.
990
00:56:18,000 --> 00:56:22,000
And I think the big payoff there is that the movie finally ends.
991
00:56:22,000 --> 00:56:23,000
Yeah, that's our payoff.
992
00:56:23,000 --> 00:56:25,000
But do they do that every year?
993
00:56:25,000 --> 00:56:26,000
This tradition?
994
00:56:26,000 --> 00:56:28,000
Do they destroy a cabin every year?
995
00:56:28,000 --> 00:56:31,000
Oh, is that just a feature for this year?
996
00:56:31,000 --> 00:56:35,000
That was just this year because Grossman declared this was going to be the war to end all wars.
997
00:56:35,000 --> 00:56:37,000
It was, I guess.
998
00:56:37,000 --> 00:56:39,000
How do you get a tank?
999
00:56:39,000 --> 00:56:40,000
Movie logic.
1000
00:56:40,000 --> 00:56:46,000
Is we're seeing Dennis Quaid in this kind of acting against type.
1001
00:56:46,000 --> 00:56:49,000
He's the mad idiot in this movie.
1002
00:56:49,000 --> 00:56:52,000
This is the second time Dennis Quaid would be in an AIP movie.
1003
00:56:52,000 --> 00:56:55,000
He appeared in a supporting role in our winning season.
1004
00:56:55,000 --> 00:56:57,000
We haven't seen that yet.
1005
00:56:57,000 --> 00:57:00,000
And director Joseph Rubin would do dreamscape with Dennis Quaid.
1006
00:57:00,000 --> 00:57:02,000
So they obviously got along.
1007
00:57:02,000 --> 00:57:05,000
And Dennis Quaid will go on to do better movies, obviously.
1008
00:57:05,000 --> 00:57:09,000
I don't know if we can say that for some of the other people in this movie.
1009
00:57:09,000 --> 00:57:12,000
Better movies, but his real life persona is pretty much the same as Grossman.
1010
00:57:12,000 --> 00:57:14,000
Yeah, we have learned that.
1011
00:57:14,000 --> 00:57:16,000
So he probably wasn't acting much here.
1012
00:57:16,000 --> 00:57:21,000
No, but it is weird to see him compared to other movie roles that I've seen him.
1013
00:57:21,000 --> 00:57:29,000
Here is just wild-eyed and frantic and manic and just a complete unhinged weirdo.
1014
00:57:29,000 --> 00:57:32,000
Right. You expect to see Randy Quaid in this film?
1015
00:57:32,000 --> 00:57:33,000
Yeah, exactly.
1016
00:57:33,000 --> 00:57:34,000
That's his thing.
1017
00:57:34,000 --> 00:57:39,000
And then the women are really not featured too much.
1018
00:57:39,000 --> 00:57:44,000
Rosanna R. Quaid gets a tiny role as the Juliet to Ramirez's Romeo.
1019
00:57:44,000 --> 00:57:47,000
She has an introducing credit in the beginning of the film.
1020
00:57:47,000 --> 00:57:49,000
She obviously will do better things in the future.
1021
00:57:49,000 --> 00:57:54,000
And then of course we have no friend, Drescher from the nanny and spinal depth.
1022
00:57:54,000 --> 00:57:56,000
She's obviously going to be in better things too.
1023
00:57:56,000 --> 00:58:00,000
Oh, we have Michael Lumback, who is the son of Harvey Lumback, who we've seen in several films.
1024
00:58:00,000 --> 00:58:02,000
He's Eric Van Zipper.
1025
00:58:02,000 --> 00:58:04,000
The Beach Party series, yeah.
1026
00:58:04,000 --> 00:58:09,000
Michael Lumback, I would know as Captain Cool of Captain Cool in the Kongs on the Crafth Super Show,
1027
00:58:09,000 --> 00:58:12,000
which was, must watch TV for me as a kid.
1028
00:58:12,000 --> 00:58:16,000
I never watched that as a kid, but you did show it to me as an adult.
1029
00:58:16,000 --> 00:58:18,000
It's weird. Very disco.
1030
00:58:18,000 --> 00:58:22,000
And Joseph Rubin, who directed this and DreamScape, did a lot of better films,
1031
00:58:22,000 --> 00:58:24,000
much better films than Gorp.
1032
00:58:24,000 --> 00:58:28,000
He directed the stepfather, sleeping with the enemy, the good son, and the forgotten,
1033
00:58:28,000 --> 00:58:30,000
which is often forgotten.
1034
00:58:30,000 --> 00:58:34,000
I don't remember much about it, but that was the first film that had a car crash scene,
1035
00:58:34,000 --> 00:58:36,000
where you see the headlights coming toward the car.
1036
00:58:36,000 --> 00:58:38,000
Oh, wow. He's...
1037
00:58:38,000 --> 00:58:40,000
That was the first to do that. Yeah.
1038
00:58:40,000 --> 00:58:42,000
Oh, wow.
1039
00:58:42,000 --> 00:58:44,000
And I remember watching a theater and I felt it.
1040
00:58:44,000 --> 00:58:46,000
And I was like, wow.
1041
00:58:46,000 --> 00:58:50,000
Well, the only name that I recognized was John Riley, who was barely in this movie,
1042
00:58:50,000 --> 00:58:54,000
is Don Sharp, the level-headed supervisor of the waiter's cabin.
1043
00:58:54,000 --> 00:58:58,000
I know him from General Hospital, where he played Robert Scorpio's friend, Donnelly.
1044
00:58:58,000 --> 00:59:02,000
Robert Scorpio's kind of a spy, and he was an agent too. He's on there for a while.
1045
00:59:02,000 --> 00:59:06,000
But apart from that, a lot of unrecognizable cases...
1046
00:59:06,000 --> 00:59:08,000
Oh, he had a little crooked bowler, who played by Na'Willy.
1047
00:59:08,000 --> 00:59:12,000
He was coached Lubbock and growing pains, and it's spinoff, just the 10 of us.
1048
00:59:12,000 --> 00:59:16,000
And he does appear in the film-less kind of remake of "I was Teenage Werewolf,"
1049
00:59:16,000 --> 00:59:18,000
Boom Boom High.
1050
00:59:18,000 --> 00:59:22,000
Is Duane Jessie, would later be known by Otis Day, his character from Animal House?
1051
00:59:22,000 --> 00:59:24,000
Is he the only person who was in both movies that you know of?
1052
00:59:24,000 --> 00:59:26,000
Yes.
1053
00:59:26,000 --> 00:59:30,000
Although we will say that at least his character was, you know, an effeminate,
1054
00:59:30,000 --> 00:59:34,000
pink-wearing chef, and they could have dunked on him a lot more in this movie,
1055
00:59:34,000 --> 00:59:38,000
and they didn't, so I guess they exercised some restraint.
1056
00:59:38,000 --> 00:59:42,000
But just the fact that he was a stereotype in the first place, not great.
1057
00:59:42,000 --> 00:59:44,000
And he had to be in there because calling the movie "Gorp,"
1058
00:59:44,000 --> 00:59:48,000
they explained the poster in the tagline, a bunch of fruits, nuts, and flakes.
1059
00:59:48,000 --> 00:59:52,000
So they had to have a gay character in there somewhere.
1060
00:59:52,000 --> 00:59:54,000
Oh, shit. Yeah, it's...
1061
00:59:54,000 --> 00:59:57,000
Gorp allegedly stands for "Good old raisins and peanuts."
1062
00:59:57,000 --> 00:59:59,000
So who was the peanut and who was the raisin?
1063
00:59:59,000 --> 01:00:03,000
It was great to see those scenes from "I was a Teenage Werewolf" in here.
1064
01:00:03,000 --> 01:00:08,000
And it's really kind of upsetting that it isn't available in high-def anywhere
1065
01:00:08,000 --> 01:00:12,000
because if it could look this good, if there's still swordsman theory all that look as good as this scene did,
1066
01:00:12,000 --> 01:00:14,000
I'd really like to see that.
1067
01:00:14,000 --> 01:00:19,000
Yeah, it was an oasis of good movie in a wasteland of terrible movie.
1068
01:00:19,000 --> 01:00:21,000
So I did appreciate that.
1069
01:00:21,000 --> 01:00:25,000
It was funny how AIP will always put another AIP movie in an AIP movie.
1070
01:00:25,000 --> 01:00:28,000
Well, I don't think we're going to surprise anyone with our ratings,
1071
01:00:28,000 --> 01:00:30,000
but let's make it official.
1072
01:00:30,000 --> 01:00:34,000
Using our AIP scale where "A" is awesome, "I" is intermediate, "N" is pathetic.
1073
01:00:34,000 --> 01:00:36,000
What grade will you give Gorp?
1074
01:00:36,000 --> 01:00:40,000
Well, this may surprise you, but I don't want to give this movie a "P"
1075
01:00:40,000 --> 01:00:42,000
because I've given several other movies a "P"
1076
01:00:42,000 --> 01:00:45,000
and they don't deserve to be in the same category as this one.
1077
01:00:45,000 --> 01:00:49,000
Much of this movie is just people screaming.
1078
01:00:49,000 --> 01:00:52,000
There's just so much noise on this film.
1079
01:00:52,000 --> 01:00:56,000
You can't really concern a lot of the dialogue because there's a crowd of people
1080
01:00:56,000 --> 01:00:59,000
and they're all just yelling and running around.
1081
01:00:59,000 --> 01:01:02,000
And it's just chaos caught on film.
1082
01:01:02,000 --> 01:01:06,000
And there's just really nothing good to say about this excuse for a movie.
1083
01:01:06,000 --> 01:01:11,000
So I need to now re-evaluate every movie I've ever rated a movie because of this.
1084
01:01:11,000 --> 01:01:16,000
So with apologies to crime and passion and the house of a thousand dolls
1085
01:01:16,000 --> 01:01:22,000
and especially Sergeant Deadhead, you guys do not deserve to be on the same level as Gorp.
1086
01:01:22,000 --> 01:01:25,000
Gorp is a "P" if there ever was one.
1087
01:01:25,000 --> 01:01:28,000
And it's definitely set the new low for this podcast.
1088
01:01:28,000 --> 01:01:29,000
What are your thoughts?
1089
01:01:29,000 --> 01:01:35,000
Well, obviously it's a pathetic movie given the limited scale that we have to work with.
1090
01:01:35,000 --> 01:01:37,000
So I invented a new scale.
1091
01:01:37,000 --> 01:01:39,000
And I'm writing this movie GORP,
1092
01:01:39,000 --> 01:01:43,000
or Gross, Offensive, Rapey, and Pathetic.
1093
01:01:43,000 --> 01:01:46,000
So it's not just Pathetic, it's GORP. And that's not a good thing.
1094
01:01:46,000 --> 01:01:52,000
This movie is just a bunch of stale running gags with no payoff, misogyny, meanness,
1095
01:01:52,000 --> 01:01:56,000
gross disgusting set pieces, most of them set in the kitchen.
1096
01:01:56,000 --> 01:02:00,000
But worst of all, the biggest sin, it isn't funny.
1097
01:02:00,000 --> 01:02:02,000
I didn't laugh one time.
1098
01:02:02,000 --> 01:02:05,000
There's not intentional humor, unintentional humor.
1099
01:02:05,000 --> 01:02:08,000
Nothing is funny. I can't turn my brain off and enjoy this.
1100
01:02:08,000 --> 01:02:12,000
It's just stupid, really, really bad. It's Gorp.
1101
01:02:12,000 --> 01:02:17,000
Well, if you're a glutton for punishment, or you just don't believe that this movie could possibly be as bad as we say it is,
1102
01:02:17,000 --> 01:02:22,000
and you need to see it for yourself, head on over to aippod.com to see where it's currently streaming.
1103
01:02:22,000 --> 01:02:27,000
Besides Gorp, you can find out where you're watching a lot of much better films we've covered on the podcast,
1104
01:02:27,000 --> 01:02:31,000
as well as take a gander at the posters, lovey cards, and trailers used to promote them.
1105
01:02:31,000 --> 01:02:34,000
There you'll also find a list of films that are still missing from our collection
1106
01:02:34,000 --> 01:02:38,000
that we are hoping to track down to cover on future episodes of the podcast.
1107
01:02:38,000 --> 01:02:42,000
If you have a lead on any of them, message us using the contact form on the site.
1108
01:02:42,000 --> 01:02:46,000
You'll also find links to our store where a purchase helps to keep the podcast going on the website alive,
1109
01:02:46,000 --> 01:02:51,000
as well as links to our socials, so you can keep up with the latest from American International Podcast.
1110
01:02:51,000 --> 01:02:53,000
All this and more at aippod.com.
1111
01:02:53,000 --> 01:02:59,000
And now it's time to leave Camp Oskemo and return to the food safety standards that we typically enjoy.
1112
01:02:59,000 --> 01:03:02,000
For the American International Podcast, I'm Cheryl Lightfoot.
1113
01:03:02,000 --> 01:03:03,000
And I'm Jeff Markin.
1114
01:03:03,000 --> 01:03:05,000
And we'll meet you at the drive-in.
1115
01:03:05,000 --> 01:03:15,000
Follow the American International Podcast on Instagram and Letterbox @aip_pod and on Facebook at facebook.com/AmericanInternationalPodcast
1116
01:03:15,000 --> 01:03:22,000
The American International Podcast is produced and edited by Jeff Markin.
1117
01:03:22,000 --> 01:03:25,000
A man whose mind is distorted by hatred.
1118
01:03:25,000 --> 01:03:26,000
And Cheryl Lightfoot.
1119
01:03:26,000 --> 01:03:29,000
A girl hungry for too many things.
1120
01:03:29,000 --> 01:03:43,000
The American International Podcast is part of the Pop Culture Entertainment Network.
1121
01:03:43,000 --> 01:03:46,000
[Music]