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As selected by our Patreon backers for a loosely spookily themed commentary episode, we're talking about the 1984 debut of beloved ethereal mainstays Dead Can Dance. With one foot in Brendan Perry and Lisa Gerrard's roots in post-punk and one in the fatalistic, shimmering aether they would go on to make their home, it's an imperfect yet fascinating starting point for the duo.
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Alex is back and recharged after his trip to the UK and is recapping all the acts from this year's Infest in Manchester. He's talking festival highlights as well as the larger culture the fest's cultivated across its multiple decades. Which hitherto unknown to us acts made an impression? How did a …
The second half of our commentary on Synthetic Symphony's "EBM Club Classics" picks up immediately where Thursday's look at the first disc left off. We're looking at familiar favourites from Nitzer Ebb and the Klinik, flagging the likes of Poesie Noire and Inside Treatment for further research, and…
It's Pick Five time, folks, and dare we say this one turned out pretty well. The "one hit wonder" moniker can be something of a vague appellation when it comes to a niche scene, but we're not naming those tracks or bands, but instead flagging songs other than the Big Hit (not the Nitzer album) whic…
Our monthly We Have A Commentary bonus podcast works a bit differently this month; with Alex being off in the UK we've prerecorded a double dose of discussion of Synthetic Symphony's 1998 comp "EBM Club Classics", with the first disc dropping today and the second this coming Sunday. Disc one functi…
We're dancing with the ones that brought us to the podcasting hoedown on this episode, as we discuss a pair of industrial records from the might aughts: Landscape Body Machine's Manifest Destiny and Haujobb's Vertical Theory. There's loads to be said about each LP in their own historical moment, an…
إخلاء المسؤولية: البودكاست والأعمال الفنية المضمنة في هذه الصفحة مأخوذة من www.idieyoudie.com، وهي مملوكة لمالكها وليست تابعة لشركة Listen Notes, Inc أو معتمدة منها.
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