معلومات عن هذه الحلقة
Bobby:
Hi, my name is Bobby Pache and I work with the Visitor Engagement Team here at MoMA PS1. So if I was to talk about my favorite space, it would probably not be any of these pieces I mentioned. I also really like the elevator, the elevators massive, kind of grandiose feeling. It kind of makes you feel small, even though I'm a six foot man that's 220 pounds. I feel really small on this elevator and it's because the elevator's probably the height, or maybe a little bit shorter of the actual floors. I remember one time there was a light show exhibit and they put lights in the elevator too so it had this awesome experience of the semi reflective metal material was reflecting these neon lights and you just have this fun, cute little moment in the elevator between floors.
So another artist that exhibited at MoMA PS1 was Jim Ferraro and he actually designed audio tracks to be played in the elevator, which was kind of awesome. So the visitors would come into the elevator, they would travel for a floor or two, and they'd actually be listening to some like interesting tracks curated by the artists. So it's this really nice way to like kind of enrich the experience no matter what part of the building you were in. Since we're on the elevator topic, another artist that we have to mention is this long name, Longmont Potion Castle. So the work that he inputted into the elevator was also audio, but they were prank calls. So you get into the elevator, you would just travel a floor or two and you would hear these kind of insane pranks that would be happening and you would leave the elevator laughing hysterically.
Hi, my name is Bobby Pache and I work with the Visitor Engagement Team here at MoMA PS1. So if I was to talk about my favorite space, it would probably not be any of these pieces I mentioned. I also really like the elevator, the elevators massive, kind of grandiose feeling. It kind of makes you feel small, even though I'm a six foot man that's 220 pounds. I feel really small on this elevator and it's because the elevator's probably the height, or maybe a little bit shorter of the actual floors. I remember one time there was a light show exhibit and they put lights in the elevator too so it had this awesome experience of the semi reflective metal material was reflecting these neon lights and you just have this fun, cute little moment in the elevator between floors.
So another artist that exhibited at MoMA PS1 was Jim Ferraro and he actually designed audio tracks to be played in the elevator, which was kind of awesome. So the visitors would come into the elevator, they would travel for a floor or two, and they'd actually be listening to some like interesting tracks curated by the artists. So it's this really nice way to like kind of enrich the experience no matter what part of the building you were in. Since we're on the elevator topic, another artist that we have to mention is this long name, Longmont Potion Castle. So the work that he inputted into the elevator was also audio, but they were prank calls. So you get into the elevator, you would just travel a floor or two and you would hear these kind of insane pranks that would be happening and you would leave the elevator laughing hysterically.
الإنجليزية
الولايات المتحدة
النص 🔗
Are you the producer of this podcast?
Add a podcast transcript
Need Audio-to-Text?
Transcribe with Listen411 in Just 60 Seconds
البحث في الحلقات الماضية
البحث في الحلقات السابقة من The Warm Up.
حلقات أخرى في هذا البودكاست
At the beginning of the exhibition, you enter a bright, white gallery with a spare doorway at the center of the far wall, directly in front of you. Above the doorway, a mustard-yellow, vinyl banner extends wall-to-wall, and reads THE AIDS CRISIS IS STILL BEGINNING in bold, ketchup-red, all-caps, sa…
In this next gallery, the thin, red, vinyl line continues along the perimeter. Though most of the gallery is white, Bordowitz has painted a large section in the right-hand corner with red-ish brown paint, a color calling to mind a dark terracotta or rust, or blood. The color extends from the corner…
Emmanuel:
Yeah.
Alrighty. Hi!
Lizzy:
My name is Lizzie.
Bobby:
Bobby Pache.
Andrea:
Hi, my name is Andrea.
Emmanuel:
Emmanuel Santos.
Emily
Emily.
Emmanuel:
And I worked with the Visitor Engagement team.
Lizzy:
Here at MoMA PS1.
Emily
So the VE team is our Visitor Engagement team. And we're here t…
In this gallery, the thin, red, vinyl line continues along the perimeter. A neat row of six, medium-size, colorless self-portraits hang on adjacent walls, three on one wall and three on the other. Each portrait consists of graphite on paper, and was drawn on a different day in October of 1996—the y…
Emily:
All right. You want to walk over with me, you can. This is a fun, creepy corner that people are very afraid of. So we're standing in the boiler, the old boiler room of MoMA PS1 right now in front of the large boiler that was set down here in 1902. That was then gold leafed by Saul Melman bac…
إخلاء المسؤولية: البودكاست والأعمال الفنية المضمنة في هذه الصفحة مأخوذة من MoMA PS1، وهي مملوكة لمالكها وليست تابعة لشركة Listen Notes, Inc أو معتمدة منها.
تعديل
شكراً على مساعدتنا في الحفاظ على قاعدة بيانات البودكاست مُحدَّثة.