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and Obsession (2025) from Curry Barker
Two horror films from first-time filmmakers are topping the box office, and we convened to compare them and discuss where contemporary horror succeeds and fails. Do we think Kane Parsons is poised to take over hollywood, or be a flash in the uncanny pan?
Spoilers for Backrooms throughout, spoilers for Obsession after 42:10
You can now find us on substack
UnauthorizedPod.com for more. Hosted by Zachary Domes and J Brooks Young. Music by hetchy
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حلقات أخرى في هذا البودكاست
A veteran of WWII and a veteran of film and television by the time the hays code was lifted, Robert Altman only became a director of note in 1970 when he took full advantage of the changing attitudes at the studios, the burgeoning ‘new hollywood’ era, and made the most cynical and degenerate comedy…
30-some feature films. 24 plays. 3 tv miniseries. Many drugs, many relationships. Dead at 37. Rainer Werner Fassbinder was a chaser (in more ways than one), and remains among that rare class of film artists that turned cinema into a verb, into an ongoing process and processing of the world around h…
The big question since the 2022 BFI Sight and Sound Top 250 List was published, that no one has answered satisfyingly, is simply: why Jeanne Dielman? We watched Chantal Akerman’s film for the first time, and now, we’re talking about whether it lives up to expectations, and trying to answer the big …
Though he was present in the heyday of Cahiers du Cinema, that contrarian film review mag where the biggest names in french new wave would ferment and develop their eclectic taste, Jacques Rivette had a lot more false starts on his way to directing films full time. Rather than endearing himself to …
Filmmaking genius or fraud provocateur? The work of John Cassavetes has been the subject of unending adoration and extensive dissection ever since the actor picked up a camera in NYC in the late ‘50s and joined the likes of Jonas Mekas and Shirley Clarke in the burgeoning independent film scene. Al…
إخلاء المسؤولية: البودكاست والأعمال الفنية المضمنة في هذه الصفحة مأخوذة من Zachary Domes & J Brooks Young، وهي مملوكة لمالكها وليست تابعة لشركة Listen Notes, Inc أو معتمدة منها.
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