قد يكون صوت هذه الحلقة معطلاً.
How to fix it?
معلومات عن هذه الحلقة
We've seen SCREAM and man, we dug it!
0:06:23: Daniel Baldwin joins us to continue talking SCREAM. Spoilers in this segment.
0:26:35: David Reyes of X HORN productions is here to talk TEXAS AF and the world premiere on February 15, 2022 at the Austin Revolution Film Festival.
0:39:09: Submissions to ARFF 2023 are open now!
الإنجليزية
الولايات المتحدة
البحث في الحلقات الماضية
البحث في الحلقات السابقة من Screen Jocks.
حلقات أخرى في هذا البودكاست
OPEN: It’s baseball season and who doesn’t love a great baseball film. I talk some under the radar baseball flicks including Summer Catch, Fever Pitch and 50 Summers.
(0:04:12) Lights, Camera, Playball: An excerpt from the baseball show Let’s Get Two featuring the head of the Field of Dreams Movi…
Our 4th of July episode with a special focus of one of the greatest films of all time: JAWS. In the open, I talk about one thing that really makes the film a work of genius.
4:41 The Daily Jaws: We’re joined by Ross Williams of the Daily Jaws, one of the most prominent Jaws accounts out there, to…
The Austin Student Film Festival presented by the Austin Revolution Film Festival invites Cedric Thomas Smith, Scott McEntire and Hoyt Richards to join James Christopher to talk filmmaking and film festivals with students.Submissions for the Austin Revolution Film Festival:https://filmfreeway.com/a…
SCREEN JOCKS
OPEN: Memorial Day means a lot of things to a lot of people. Jim gives a veteran’s perspective. 0:07:22 Classics With The Canuck: Mike and Jim discuss the ultimate summer blockbuster: Independence Day
0:17:01 Auteurs On The Air: Bob Celli and Laura Delano discuss working together, t…
Open: I have scene “The Godfather Code: The Death Of Michael Corleone.”
0:04:40 Emily Joseph of the Austin Revolution Film Festival stops back to talk about the changes to the Austin Revolution Film Festival.
0:11:06 Binge Worthy: Carlo Rodriguez and I talk about the Hulu original Happiest Season…
إخلاء المسؤولية: البودكاست والأعمال الفنية المضمنة في هذه الصفحة مأخوذة من James Christopher، وهي مملوكة لمالكها وليست تابعة لشركة Listen Notes, Inc أو معتمدة منها.
تعديل
شكراً على مساعدتنا في الحفاظ على قاعدة بيانات البودكاست مُحدَّثة.
