معلومات عن هذه الحلقة
Two films, one lesson: the gear was never the flex. Tangerine was shot on three iPhones and a $8 anamorphic adapter — and it played Sundance. The Revenant was shot on one of the most expensive cinema camera bodies ever built, in natural light only, in brutal cold. Same argument, opposite budgets: the discipline to fight a tool's defaults is the only technical flex that was ever real.
الإنجليزية
الولايات المتحدة
النص 🔗
Are you the producer of this podcast?
Add a podcast transcript
Need Audio-to-Text?
Transcribe with Listen411 in Just 60 Seconds
البحث في الحلقات الماضية
البحث في الحلقات السابقة من Required Watching.
حلقات أخرى في هذا البودكاست
Shoplifters won the Palme d'Or at Cannes in 2018. The reviews were glowing. The words "found family" and "poverty" appeared in almost all of them. And most of them described a film that is significantly less interesting than the one Kore-eda actually made. This episode makes the case that Western c…
The TV pilot has one job: make you come back. The problem is that job has become structurally disconnected from the show that follows. Pilots front-load everything — spectacle, mystery, emotional hook — in ways that make for compelling first hours and then have nothing left to sustain the series be…
Somewhere in the British TV development process, the logline became the product. Not the story. Not the characters. The pitch. The elevator concept that sounds clean in a commissioning meeting and then struggles to hold together past episode two. This episode makes the case that British TV has buil…
Yesterday's episode made the case that Western TV pilots lie — that they're persuasion documents built for commissioners rather than honest first chapters built for audiences. Today is the answer. J-drama structures its first episode like a complete short film — establishing emotional register befo…
The British film industry produces diversity reports. It has standards, targets, tick-box initiatives, and annual announcements about progress. And the structural situation for Black filmmakers — in development, in commissioning, in creative control — has barely moved. This episode isn't another re…
إخلاء المسؤولية: البودكاست والأعمال الفنية المضمنة في هذه الصفحة مأخوذة من Required Watching، وهي مملوكة لمالكها وليست تابعة لشركة Listen Notes, Inc أو معتمدة منها.
تعديل
شكراً على مساعدتنا في الحفاظ على قاعدة بيانات البودكاست مُحدَّثة.
