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The author Jacob Bacharach returns to continue this podcast’s look at Megalopolis. On this episode we compare Coppola’s latest to another overheated epic about a visionary architect, King Vidor’s ludicrous 1949 adaptation of Ayn Rand’s The Fountainhead.
Coppola has acknowledged the film version of The Fountainhead as a key influence on Megalopolis, but what Jacob and I value about these two films is how they each rebuke the reactionary source material: Vidor does it through hyperbole while Coppola rejects Rand’s philosophy outright in his parable about America as a near-future Roman Empire. And both films are intensely personal projects with Vidor pointing the way towards the future of cinematic language (no doubt inspiring Paul Verhoeven and the Coen Brothers) and Coppola emptying out his bag of tricks to finally finish a deranged project he spent half his life hoping to make.
And Jacob and I contrast the ways we each saw Megalopolis: from a packed out IMAX cinema in Toronto with a live-streamed Coppola q&a and the full “immersive” presentation to being the only people in a suburban cinema in Raleigh, North Carolina. It was the best time we each had in a movie theatre in eons.
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“Ayn Rand Made Me a Communist”, by Jacob Bacharach for the New Republic, January 27, 2016
Trailer for The Fountainhead (King Vidor, 1949)
Second trailer for Francis Ford Coppola's Megalopolis (that got pulled by Lionsgate)
