IPS DEPROGRAM 5/29/25

This episode of IPS DEPROGRAM covers various topics related to predictive programming, the "meta script," and symbolism observed in news and media.

The episode begins by noting the birthdays of John Hinckley Jr. and JFK on May 29th, with Hinckley turning 70. Hinckley is noted as the shooter of Reagan and Brady, being inspired by and dressing as Travis Bickle from the movie "Taxi Driver". It is mentioned that Robert De Niro, who played Bickle, also played a character (Senator McLaughlin) in "Machete" who is shot at during a Trump-esque anti-immigrant speech. The host suggests an "overlapping" between movies and "fake news events".

Key dates and predictions are highlighted:

* June 11th is discussed as a potentially "critical turning point" or "plot twist," expected to follow a similar pattern to previous events. This date is linked to a "repeated theme of some kind of domestic violent extremist attack on America's power grid".

* A Japanese manga comic from 1999, titled "The Future I Saw" (republished 2021), predicted the 2011 tsunami and a "significant catastrophe in the month of July 2025". This prediction has reportedly caused tourists to cancel travel plans to Japan. The host compares this to the show "Utopia" which features a comic predicting pandemics.

* The release of the game "Modern Warfare 3" is noted as occurring on the eve of October 7th.

* The Netflix show "Waco American Apocalypse" was released the night before Trump kicked off his campaign in Waco, seen as deliberate signaling given Waco's connections to white nationalism and terrorism.

* The "No Kings" protest movement is organizing a nationwide day of defiance on June 14th, which is Trump's birthday and the 250th anniversary of the American military. This is seen as potentially significant in the context of symbolism.

The concept of "predictive programming" is central, suggesting that popular entertainment influences or foreshadows real-world events, and that "fake news" is a tool to "write your history" and "manufacture" the collective past. This is viewed as a form of "structural, systemic fakery" stemming from a "monolithic control over media".

Symbolism and mythological connections are extensively discussed:

* James Shelby Downard's article "King Kill 33" is referenced, interpreting the JFK assassination as a ritual killing of the king, drawing from Frazier's "Golden Bough". JFK is associated with the Egyptian god Osiris, whose myth involves death, dismemberment, and resurrection, mirroring agricultural cycles. Osiris' symbol is the obelisk/rocket.

* Trump is seen as potentially embodying a sacrificial king figure like Osiris. A Drudge Report image showing Trump with a "crown of tacos" (corn tortillas) is linked to Osiris as a god of grain/corn.

* Downard's view is that the Trinity Nuke detonation, the JFK assassination, and the Moon Landing were three major "rituals" or "psychological operations" designed to draw humanity into a "dream world" or "simulation," described as "mk ultra for the masses". The date of the Trinity detonation (7/16) is linked to the Apollo 11 launch from Cape Kennedy (7/16) and JFK/JFK Jr.'s birthday (5/29) and JFK Jr.'s plane number (N529). JFK Jr. died on 7/16.

* Kubrick's films are noted for their timing and connections: "Dr. Strangelove" was released on 11/22/1963, the date of JFK's death, linking the bomb and Kennedy. "Eyes Wide Shut" was released on 7/16, the date JFK Jr. died.

* Dennis Hopper's death date (5/29) is connected to JFK's birthday, and Hopper played a Trump-esque character (King Koopa) in "Super Mario Brothers" where the Twin Towers are destroyed.

* The Seattle Space Needle is presented as a potential target for a "next 9/11" scenario. The movie "Final Destination" features the Space Needle, and the Space Needle's Instagram account acknowledged the movie. The $100 million "Century Project" investment in the Space Needle is seen as a potential budget for a future psyop involving its destruction.

* Connections are drawn between the Space Needle, the Space Station, eye symbolism, and Kubrick's "2001: Space Odyssey". The character Iris in "Final Destination" (Iris is Siri backwards) sees the Space Needle. HAL 9000 in "Space Odyssey" is depicted as an eye, similar to Siri. The monolith symbol in "Space Odyssey" is linked to the movie screen and the merging of individuals with a collective/simulation. The eclipse over the monolith is seen as the merging of the movie/simulation world and the real world. The Space Needle is thought to symbolize a current unity that may be disrupted.

* The penny, which causes destruction in "Final Destination", is linked to the Daniel Penny case.

* The Daniel Penny case is discussed as fitting a class warfare narrative (vigilante representing the elite versus the underclass victim) and also involving themes of race war. Daniel Penny is compared visually to Abraham Lincoln, and USDA murals showing Lincoln and Trump side-by-side are mentioned. This is seen as connecting Trump to the assassination themes surrounding Lincoln and JFK, who are noted for shared nuances in their lives and being spaced 100 years apart.

The episode also touches on:

* Ceiling collapses occurring in relation to the "Captain America" trailer (released the day before Trump was shot) and the "Final Destination" movie screening, seen as a PR stunt.

* Comedian Sarah Silverman joking about the Challenger explosion and moon landing being hoaxes on Conan O'Brien, possibly serving to diffuse these topics through comedy.

* The possibility of an upcoming blackout event potentially being a pretext for restricting internet access or introducing a "mind vaxx," connecting this to the WHO's mention of Disease X and the theme of a violent "mind virus" in the movie "Civil War".

* The rejection of simulation theory as an explanation for observed synchronizations, arguing instead for deliberate "newsbending" and control over media to create reality and history. "Newsbenders," a short film about a secret organization writing the news years in advance via a supercomputer, is recommended as an apt description of reality.