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After a musical upbringing that was staunchly classical, Benjamin Wallfisch has married his Bach-influenced skillset with a love of music technology to become one of Hollywood’s go-to composers. After a huge breakthrough working on Blade Runner: 2049 alongside a certain Hans Zimmer, huge jobs kept rolling in, including Shazam!, It and It Chapter Two, Twisters, and Alien: Romulus. The composer discusses scoring Welcome to Derry and Predator Badlands, and pivoting from pursuing orchestral conducting to making music for movies.
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Two-time BAFTA Award-winning composer Jason Graves, whose work spans the hit games Dead Space, Tomb Raider, Until Dawn, Call of Duty: Modern Warfare II, and Still Wakes The Deep, delves into his score for Supermassive Games' latest cinematic survival horror adventure, Directive 8020. He explor…
Former drummer, songwriter, studio owner and self-described “cynical recording engineer,” Dave Hetrick has built his career trying to bridge the gap between engineering obsession and commercial reality, along the way helping brands such as Event Electronics, KRK and ADAM Audio grow, evolve and ulti…
alt-J frontman Joe Newman opens up about making his debut Jjerome87 album, The Canyon, experiencing ego death, California inspiration, cinematic Americana, and sampling a double Dutch team.
Blaine Harrison, lead singer of UK indie rock band Mystery Jets, discusses the making of the band’s seventh studio album, A Hole To See The Sky Through. Named after Yoko Ono’s minimalist art piece of the same name, the album features the original artwork on its cover, following special permission f…
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