معلومات عن هذه الحلقة
Find out what led Nathan to playing the drums
Hear about his career with Amy Winehouse, Emile Sande and other celebrated artists.
Why is he passionate about working with Finding Rhythms as a producer.
Learn how he breaks down the sounds of the drums.
What beats and grooves does he find himself returning to and what beats has he played / recorded the most in his recording career.
Hear how he can breakdown the history of some of the most infectious drum grooves including funk, soul, gospel, swing etc
How does he relate to modern electronic programmed beats and where does that leave the acoustic drummer now?
Is the sound of drill / trap production really about automation and unplayable on the kit or is this just a challenge?
الإنجليزية
الولايات المتحدة
النص 🔗
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البحث في الحلقات الماضية
البحث في الحلقات السابقة من Finding Rhythms (Presenter Robin Harris).
حلقات أخرى في هذا البودكاست
Learn how Finding Rhythms met David and Isaac when working at the UK open Prison Springhill HMP.
Listen to Tim Titsworth who talks with Robin about how to both produce great music and at the same time develop employment skills and personal strengths.
Tim describes the effect of working together produces an ongoing friendship and collaborative group. How the skills and confidence of the …
In this podcast, we learn how top producer Andy Jones builds trust and confidence when working with artists in the recording studio.
He explains how fear can be a positive force for confidence building, how the modern studio can be simply on a bedroom floor, how a producer interacts with an artist…
Learn from course graduate Chezdek... What are the challenges which face young people and what are the criminal justice traps.
To learn more about these opportunities please visit our website www.finding-rhythms.co.uk
إخلاء المسؤولية: البودكاست والأعمال الفنية المضمنة في هذه الصفحة مأخوذة من Robin Harris، وهي مملوكة لمالكها وليست تابعة لشركة Listen Notes, Inc أو معتمدة منها.
تعديل
شكراً على مساعدتنا في الحفاظ على قاعدة بيانات البودكاست مُحدَّثة.
