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Identity-based comedy means writing from your own lived experience rather than joking about a group from the outside — this episode maps where that line actually sits. Kelly, Robbie, and Kate of the Rose City Comedy Collective use Larry the Cable Guy, Doug Stanhope, Maria Bamford, and Bill Burr to separate comedians who build a stage persona from comedians who are simply amplifying their real selves, and trace the neurotic-comedy lineage from Seinfeld and Larry David through to today. They test Robbie's own disabled-parking joke to see whether it's actually identity-driven, debate whether Bill Cosby's and Andrew Dice Clay's off-stage histories should change how their comedy is judged, and close on female comics — Phyllis Diller, Joan Rivers, Fortune Feimster — who built entire careers around a defined persona.
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Joke writing versus character is the test this episode runs on stand-up comedy: does a set live or die on the jokes themselves, or on the character performing them? Kelly, Robbie, and Kate of the Rose City Comedy Collective break down Louis C.K.'s delivery, Sebastian Maniscalco's physicality, and S…
Tragedy versus time is the question at the center of this episode: how long after something terrible happens does it become fair game for a joke? Kelly, Robbie, and Kate trace disaster jokes back to the 1950s, when dark humor about a tragedy spread within hours but stayed behind closed doors, and c…
Punching up versus punching down is the question this episode puts to the test: is any topic fair game in stand-up, or does the target's power matter? Kelly, Robbie, and Kate of the Rose City Comedy Collective work through Louis C.K.'s homeless-guy bit, Mark Normand's "we all need somebody to hate,…
AI-written jokes are the target of this episode, as Kelly, Robbie, and Kate of the Rose City Comedy Collective argue over whether a chatbot can actually write comedy — and conclude it can't, at least not yet. They cover ChatGPT confidently inventing fake book quotes and page numbers, its refusal to…
إخلاء المسؤولية: البودكاست والأعمال الفنية المضمنة في هذه الصفحة مأخوذة من Rose City Comedy Collective، وهي مملوكة لمالكها وليست تابعة لشركة Listen Notes, Inc أو معتمدة منها.
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