# Janet Staiger
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janet staiger (; born 1946) is the William P. Hobby Centennial Professor Emeritus of Communication in the Department of Radio-Television-Film and Professor Emeritus of Women's and Gender Studies at the University of Texas at Austin.
== Education ==
She received her B.A. at the University of Nebraska at Omaha in 1968, her M.A. at Purdue University in 1969, and her Ph.D. from the University of Wisconsin, Madison in 1981.
== Career ==
As a theoretician and historian of American film and television, Staiger has published on the Hollywood mode of production, the economic history and dynamics of the industry and its technology, poststructural and postfeminist/queer approaches to authorial studies, the historical reception of cinema and television programs, and cultural issues involving gender, sexuality, and race/ethnicity.
TC #106 - Janet Staiger (Zombieland)
What does it mean to study the means of production? Is one deconstructing the way an industry might operate, its cultural and political signification, or is simply one reproducing an apologia for capitalism itself? In a lively and spirited conversation, Peter explores these questions with one of …
When The Sun Meets Culture © 2020 Podcast ISBN978-976-96512-2-7
When The Sun Meets Culture © 2020 PodcastISBN978-976-96512-2-7
During my academic tenure at New Jersey State University I was exposed to theory and practical of analysis of film a wide, shot, very wide shot, extreme wide shot, established shot, master shot and closeup a student of film and a cine…
Episode 59: How Entertainment Lawyers Changed the Hollywood Studio System – Featuring Peter Labuza
On this week episode, Online Editor, Patrick Hao, talks to film critic, podcaster and Ph.D. candidate in Cinema and Media Studies at the University of Southern California, Peter Labuza. They discuss Hollywood legal history and the role entertainment lawyers had, through contracts, shifted the way H…
019 - Too Pretty for Film (feat. Cassie Ballschmidt)
We're sharing history with a special guest. Chicago filmmaker, Cassie Ballschmidt takes the reigns to school us on American screenwriter and director, Frances Marion, just as Frances Marion schooled the whole dang film industry.
Frances Marion
WFP MAR10-1
Follow Cassie Ballschmidt on Instagram: …
A Clockwork Orange (1971)
This week on The Spectator Film Podcast… A Clockwork Orange (1971) 4.3.20 Featuring: Austin, Maxx Commentary Track begins at 14:52 — Notes — Film as a Subversive Art by Amos Vogel — We didn’t reference Vogel’s brief review of A Clockwork Orange during our episode, but it’s worth investigating for a…
Grain of Salt - The Death of “The Filmmaker Farm System”: Examining the Implications of the Fringe-to-Franchise Pipeline
(Originally published 12/1/17)
Every aspiring filmmaker has a fantasy of how they would like their career
to progress. Even those who wouldn’t admit it to their colleagues or family
members have still spent hours daydreaming about directing an elaborate
crane movement across a sea of costumed e…
Historical Perspective
Monopoly is the name of the game in the film industry, as UT Austin film professor Janet Staiger reflects on the formation and evolution of the movie biz.
The One About Political Depression
Ann Cvetkovich is currently Professor in the Feminist Institute of Social Transformation at Carleton University in Ottawa, Ontario, Canada. She has been Ellen Clayton Garwood Centennial Professor of English and Professor of Women’s and Gender Studies at the University of Texas at Austin.
She is t…
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