# Barthold Kuijken
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barthold kuijken (Dutch pronunciation: [ˈbɑrtɔlt ˈkœykə(n)]; born 8 March 1949, Dilbeek) is a Belgian flautist and recorder player, known for playing baroque music on historical instruments and particularly known for pioneering this manner of performance with his brothers, cellist and viol player Wieland Kuijken and violinist Sigiswald Kuijken and the harpsichordist Gustav Leonhardt.He studied the modern flute at the Bruges Conservatory and the Royal Conservatories of Brussels and The Hague. For playing early music he originally turned to the recorder. Research on authentic instruments, frequent collaboration with various flute and recorder makers, and assiduous study of sources of the 17th and 18th centuries helped him to specialize in the performance on original instruments.
1. Preface
In which we discover that music by Bach, Mozart, and many others from the past was played differently back then!!!
Content from The Notation Is Not the Music: Reflections on Early Music Practice and Performance by Barthold Kuijken is used with permission of Indiana University Press.
2. A≠440 Hz
We discover that there are many different types of pitches and temperaments you can play at.
Content from The Notation Is Not the Music: Reflections on Early Music Practice and Performance by Barthold Kuijken is used with permission of Indiana University Press.
3. A Well-Tempered Fallacy
In which we find that "allegro" could mean more than a dozen speeds...
Content from The Notation Is Not the Music: Reflections on Early Music Practice and Performance by Barthold Kuijken is used with permission of Indiana University Press.
4. Zin, Not Zyn
In which we discover that phrasing in music is more complicated than it seems...
Content from The Notation Is Not the Music: Reflections on Early Music Practice and Performance by Barthold Kuijken is used with permission of Indiana University Press.
5. LOUD soft
In which we sound a little different because of our mics.
Content from The Notation Is Not the Music: Reflections on Early Music Practice and Performance by Barthold Kuijken is used with permission of Indiana University Press.
6. Darwinism and Music Over Time
In which we invite a guest to discuss big ideas of orchestration and instrumentation, and where Kenny's mic was having trouble.
Content from The Notation Is Not the Music: Reflections on Early Music Practice and Performance by Barthold Kuijken is used with permission of Indiana University Press.
7. America's Orchestral Seating Problem
In which we might have discovered the root cause of how the United States' orchestra seating is the way it is today, with a helpful guest to illuminate the path.
Daniel J. Koury - Orchestral Performance Practices in the Nineteenth Century: Size, Proportions, and Seating (UMI Press 1986)
Content f…
8. Finis Intermissionis
In which we return from our almost month-long hiatus...
Content from The Notation Is Not the Music: Reflections on Early Music Practice and Performance by Barthold Kuijken is used with permission of Indiana University Press.
9. Objects in the Mirror Are and Aren't Closer than They Appear
In which we invite Music Performance Department Chair of DePaul University and conductor Michael Lewanski to the tables, where he gives us some wisdom on seeing the world through the lens of performing music new and old.
Content from The Notation Is Not the Music: Reflections on Early Music Pra…
10. Authenticity Has No Definition
In which we clarify ourselves in the fact that each individual holds to their heart a different meaning of what authenticity is to themselves and others.
Content from The Notation Is Not the Music: Reflections on Early Music Practice and Performance by Barthold Kuijken is used with permission of …
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