BẢN CHÉP ÂM THANH 🔗
WEBVTT
1
00:00:01.139 --> 00:00:05.120
And now, a tale well calculated to keep you in.
2
00:00:07.120 --> 00:00:08.009
Suspense.
3
00:00:09.269 --> 00:00:13.550
In a moment, Act One of Blackbeard's Ace, starring Elaine
4
00:00:13.589 --> 00:00:17.070
Rost and John Thomas, and written especially for suspense by
5
00:00:17.170 --> 00:00:20.929
Jack Buttram. This first portion of suspense is brought to
6
00:00:20.980 --> 00:00:23.199
you by the makers of Marlboro Cigarettes.
7
00:00:23.219 --> 00:00:38.939
Suspense Why don't you settle back and have a full-flavored smoke?
8
00:00:39.850 --> 00:00:41.060
Have a Marlboro.
9
00:00:43.399 --> 00:00:47.640
You get a lot to like with a Marlboro, the
10
00:00:47.719 --> 00:00:50.280
filter cigarette with the unfiltered taste.
11
00:00:50.619 --> 00:00:51.659
Try Marlboro.
12
00:00:57.359 --> 00:01:01.740
I had never believed in ESP, extrasensory perception. Oh, I
13
00:01:01.780 --> 00:01:05.219
had heard of universities conducting tests of this mental phenomenon,
14
00:01:05.269 --> 00:01:09.569
but their studies covered only those messages transmitted from one
15
00:01:10.010 --> 00:01:14.469
living subject to another. The messages that came to me
16
00:01:14.489 --> 00:01:22.060
were transmitted by the dead. Charles, my husband, was worried
17
00:01:22.079 --> 00:01:25.180
about my dreams. And after he finished his last book,
18
00:01:25.719 --> 00:01:27.459
he suggested a rest for the two of us on
19
00:01:27.480 --> 00:01:28.260
the Carolina coast.
20
00:01:28.519 --> 00:01:30.840
Margo, you remember Aunt Ida? She lives down on the
21
00:01:30.909 --> 00:01:31.829
coast near Charleston.
22
00:01:32.629 --> 00:01:33.069
What about her?
23
00:01:33.189 --> 00:01:35.730
Well, she's invited us to vacation in a seacoast cabin
24
00:01:35.750 --> 00:01:36.730
she has in her hands.
25
00:01:37.310 --> 00:01:37.769
Sound good?
26
00:01:37.790 --> 00:01:42.250
Oh, well, I don't know, Charles. You think we should?
27
00:01:43.150 --> 00:01:46.590
With your writing and all, I... I just have the feeling.
28
00:01:46.870 --> 00:01:47.829
Oh, come on, Margo.
29
00:01:47.849 --> 00:01:49.469
She says she can't get a buyer and the place
30
00:01:49.510 --> 00:01:51.709
is just standing idle, so let's go. I.
31
00:01:54.159 --> 00:01:58.030
Well, all right, honey. You remember the last time we
32
00:01:58.049 --> 00:02:00.530
went away. I had that awful dream.
33
00:02:00.790 --> 00:02:03.849
Now, dearest, the doctor said those dreams were all cured.
34
00:02:04.629 --> 00:02:05.310
You're as good as new.
35
00:02:05.549 --> 00:02:08.789
Charles, they weren't dreams. They were real. They happened. I
36
00:02:08.889 --> 00:02:09.650
know they did.
37
00:02:09.830 --> 00:02:10.389
All right.
38
00:02:10.469 --> 00:02:13.650
Whatever they were, they're all gone now. And you do
39
00:02:13.669 --> 00:02:14.270
need a change.
40
00:02:15.669 --> 00:02:17.740
All right, dear. I'll go if you really want me to.
41
00:02:17.810 --> 00:02:20.840
That's my girl. Well, we can start packing right away.
42
00:02:20.900 --> 00:02:23.569
I'll get my typewriter. Did you get those books from
43
00:02:23.590 --> 00:02:24.090
the library?
44
00:02:24.530 --> 00:02:25.610
Yes, I put them on your desk.
45
00:02:25.689 --> 00:02:28.169
Oh, yes, I see them. What about these?
46
00:02:29.389 --> 00:02:33.020
The Lore of Piracy and Rascals of the Spanish Main.
47
00:02:34.439 --> 00:02:35.020
Where'd you get these?
48
00:02:36.419 --> 00:02:39.620
I don't really know, Charles. I just saw them on
49
00:02:39.639 --> 00:02:43.990
the shelf and picked them up. They just seemed interesting.
50
00:02:45.330 --> 00:02:47.550
I just sort of felt I wanted to read them.
51
00:02:47.909 --> 00:02:48.310
Uh-huh.
52
00:02:49.599 --> 00:02:51.139
Well, they might come in handy at that.
53
00:02:51.539 --> 00:02:53.659
That section of the coast is full of pirate stories.
54
00:02:54.199 --> 00:02:56.780
We'll probably need a handbook to know one pirate from another.
55
00:02:58.520 --> 00:03:04.490
I won't need a book. No, Charles. I'll know them.
56
00:03:06.129 --> 00:03:07.590
I'm sure I'll know them.
57
00:03:12.650 --> 00:03:15.210
Now, how'd you folks happen to buy this place?
58
00:03:15.229 --> 00:03:17.129
Well, we're not buying it, Judge. You see, my aunt
59
00:03:17.229 --> 00:03:18.189
acquired this place.
60
00:03:18.210 --> 00:03:19.189
What do they call it?
61
00:03:19.719 --> 00:03:20.680
Teach's Cove?
62
00:03:20.719 --> 00:03:21.900
Yes, Teach's Cove.
63
00:03:21.979 --> 00:03:24.039
Well, she bought it along with some other property about
64
00:03:24.060 --> 00:03:24.620
a year ago.
65
00:03:24.639 --> 00:03:27.780
That'd be right after old Hurd died.
66
00:03:28.379 --> 00:03:29.020
Old Hurd?
67
00:03:29.319 --> 00:03:32.139
Yeah, Hurd Simpson. These fellas used to own the cove.
68
00:03:32.479 --> 00:03:37.069
Right queer old gent. And lived out here all alone. Yeah,
69
00:03:37.229 --> 00:03:39.990
I reckon this land went up for taxes right after
70
00:03:40.030 --> 00:03:40.669
the accident.
71
00:03:41.289 --> 00:03:42.349
He died in an accident?
72
00:03:43.789 --> 00:03:48.509
Well, the official report said accident. Most folks around here
73
00:03:48.590 --> 00:03:49.810
got their own ideas.
74
00:03:50.379 --> 00:03:50.939
Like what?
75
00:03:51.639 --> 00:03:53.900
Well, I saw it myself, and I don't think it
76
00:03:53.939 --> 00:03:58.240
was no accident. I usually brought out Herd's weekly groceries,
77
00:03:58.259 --> 00:04:01.199
and when I come out one Saturday morning, he wasn't
78
00:04:01.240 --> 00:04:06.159
nowhere about. I sat and waited a spell, but after
79
00:04:06.219 --> 00:04:09.680
a while, I got suspected, and so I... Gets to
80
00:04:09.740 --> 00:04:12.780
looking around and I finds this little trickle coming out
81
00:04:12.840 --> 00:04:16.720
from under the door. Looked like somebody dropped a jar
82
00:04:16.740 --> 00:04:19.300
of
Load full transcript
preserves, but it was blood.
83
00:04:19.480 --> 00:04:20.040
Oh, no.
84
00:04:20.600 --> 00:04:24.560
Well, I busted in the door and found old Hurd
85
00:04:24.689 --> 00:04:29.410
dead as a hammer. Terrible cut. That's right, ma'am. Wasn't
86
00:04:29.449 --> 00:04:32.189
no sight for a lady. The sheriff, he come out
87
00:04:32.230 --> 00:04:34.930
and marked it down as an accident because the doors
88
00:04:34.970 --> 00:04:38.910
and windows were locked from the inside. But how a
89
00:04:38.949 --> 00:04:42.110
fella could cut himself from the shoulder clear down to
90
00:04:42.189 --> 00:04:45.850
here by falling on something, especially when we couldn't find
91
00:04:45.910 --> 00:04:47.689
nothing that big for him to fall on.
92
00:04:47.709 --> 00:04:48.360
Oh, Charles.
93
00:04:48.459 --> 00:04:50.600
There now, honey, there now.
94
00:04:50.699 --> 00:04:53.579
I'm afraid your little gory tail has frightened my wife.
95
00:04:54.800 --> 00:04:57.800
Oh, no, there's no need to be frightened now, ma'am.
96
00:04:57.959 --> 00:05:01.040
That was most a year ago. At least it was
97
00:05:01.079 --> 00:05:04.009
about this same time last year, time of the full
98
00:05:04.069 --> 00:05:05.870
moon and the highest tide.
99
00:05:06.920 --> 00:05:08.800
Pirate's moon. Margo.
100
00:05:08.860 --> 00:05:12.079
That's right, ma'am. Pirate's moon. I reckon they called it
101
00:05:12.100 --> 00:05:14.339
that because of the high tide. They could slip over
102
00:05:14.399 --> 00:05:16.959
sandbars and get farther up the inlets to bury their
103
00:05:17.000 --> 00:05:18.379
treasure or whatever.
104
00:05:18.740 --> 00:05:21.319
Margo, how did you know about a pirate's moon?
105
00:05:22.500 --> 00:05:25.439
I don't know, Charles. Read it in one of those books,
106
00:05:25.519 --> 00:05:25.779
I guess.
107
00:05:26.300 --> 00:05:28.680
Well, there's a cove right up our head.
108
00:05:29.720 --> 00:05:30.819
It's a nice-looking place.
109
00:05:31.370 --> 00:05:33.310
The way you were talking, I expected to see a
110
00:05:33.379 --> 00:05:34.310
tumble-down shack.
111
00:05:35.069 --> 00:05:38.290
Oh, it is. Pretty good fella keeping the place up. Well,
112
00:05:39.569 --> 00:05:40.170
here we are.
113
00:05:42.730 --> 00:05:46.529
Certainly is deserted country. We didn't see a single soul
114
00:05:46.569 --> 00:05:47.269
on the way out here.
115
00:05:47.769 --> 00:05:50.829
Well, I guess I better help you get set up, huh?
116
00:05:50.850 --> 00:05:52.529
I'll unlock the door if you can start bringing in
117
00:05:52.569 --> 00:05:53.050
the bags.
118
00:05:53.250 --> 00:05:53.870
Yes, hurry.
119
00:05:54.870 --> 00:06:00.930
Get in before dark. I don't know why, but I
120
00:06:00.990 --> 00:06:04.870
just knew we must be inside the cabin with the
121
00:06:04.949 --> 00:06:09.680
door locked before dark. There was something that would not
122
00:06:09.750 --> 00:06:13.779
be quiet, something inside my brain that was trying to
123
00:06:13.939 --> 00:06:17.079
speak to me. I had to shut it out of
124
00:06:17.139 --> 00:06:17.720
my mind.
125
00:06:18.180 --> 00:06:21.839
Well, that ought to do it. Hope you folks are comfortable.
126
00:06:22.079 --> 00:06:23.199
Thank you, Jed, for all your help.
127
00:06:23.379 --> 00:06:25.459
That's all right, ma'am. Here, I'll pay you and see
128
00:06:25.480 --> 00:06:25.860
you off.
129
00:06:26.100 --> 00:06:26.759
Goodbye, ma'am.
130
00:06:26.959 --> 00:06:27.459
Goodbye, Jed.
131
00:06:28.430 --> 00:06:35.850
Thank you. I, uh, I didn't want to say anything
132
00:06:35.889 --> 00:06:38.029
in there, but my wife's been ill.
133
00:06:38.750 --> 00:06:38.850
Oh?
134
00:06:38.870 --> 00:06:43.250
Well, not physically, but, well, she has periods of, well,
135
00:06:43.670 --> 00:06:45.029
hearing people who aren't there.
136
00:06:45.949 --> 00:06:47.069
Hearing people?
137
00:06:47.600 --> 00:06:48.509
Do you get what I mean?
138
00:06:49.709 --> 00:06:50.269
Yes, sir.
139
00:06:51.339 --> 00:06:56.779
I think so. She's, uh, she's might, uh, edgy. Exactly.
140
00:06:57.040 --> 00:06:57.519
Exactly.
141
00:06:58.069 --> 00:06:59.949
I know we originally arranged for you to come out
142
00:06:59.970 --> 00:07:01.069
at the end of the week to pick us up.
143
00:07:01.610 --> 00:07:04.720
But I think you'd better come back sooner. You know,
144
00:07:04.759 --> 00:07:07.319
if she should have a relapse. Well, I wouldn't want
145
00:07:07.339 --> 00:07:10.000
to keep her out here any longer than absolutely necessary.
146
00:07:10.019 --> 00:07:13.439
Uh-huh. Well, I reckon I could make it out the
147
00:07:14.339 --> 00:07:15.519
day after tomorrow.
148
00:07:15.550 --> 00:07:18.350
That'd be fine, Jed. Here's your money for this trip.
149
00:07:18.370 --> 00:07:20.310
Oh, thank you, sir.
150
00:07:20.529 --> 00:07:21.509
Oh, uh, Mr.
151
00:07:21.550 --> 00:07:21.850
Reed.
152
00:07:22.209 --> 00:07:22.470
Yes?
153
00:07:23.769 --> 00:07:24.449
If I was you.
154
00:07:25.899 --> 00:07:31.329
I wouldn't go taking any moonlight strolls around Teacher's Cove.
155
00:07:32.449 --> 00:07:38.629
It's best to be in after dark.
156
00:07:38.649 --> 00:07:42.410
I determined that my husband should see no abnormal sign
157
00:07:42.430 --> 00:07:47.939
in me. I laughed. I acted gay. I ignored the
158
00:07:48.009 --> 00:07:50.439
feeling and the thoughts that kept trying to force their
159
00:07:50.480 --> 00:07:51.420
way into my brain.
160
00:07:51.439 --> 00:07:54.279
Darling, look. Look through the window.
161
00:07:55.389 --> 00:07:58.500
How beautiful that sunset. The tops of those clouds are
162
00:07:58.540 --> 00:08:00.519
still in the sunlight, the base in the dark.
163
00:08:00.540 --> 00:08:03.379
It's the way I feel sometimes.
164
00:08:03.579 --> 00:08:03.759
What?
165
00:08:04.920 --> 00:08:05.199
Nothing.
166
00:08:07.220 --> 00:08:10.360
Margo, do you know where I put those books?
167
00:08:11.360 --> 00:08:12.060
What books,
dear?
168
00:08:12.279 --> 00:08:14.050
You know, the ones you checked out on pirates.
169
00:08:15.910 --> 00:08:16.910
I didn't pack them, Charles.
170
00:08:17.350 --> 00:08:19.910
No, you didn't, but I put them in myself. Oh, yes.
171
00:08:20.370 --> 00:08:20.769
Here they are.
172
00:08:21.189 --> 00:08:22.089
But, Charles, I.
173
00:08:22.129 --> 00:08:24.610
Well, I thought I'd look up your friend Teach, since
174
00:08:24.629 --> 00:08:26.370
this cover's supposedly named for him.
175
00:08:27.149 --> 00:08:30.540
Might even do some treasure hunting myself. Oh.
176
00:08:31.720 --> 00:08:31.899
Look.
177
00:08:32.259 --> 00:08:32.799
Look at this map.
178
00:08:33.639 --> 00:08:36.399
It was drawn a long time ago. Not labeled, of course,
179
00:08:36.419 --> 00:08:38.960
but the general shape seems to correspond with our.
180
00:08:39.080 --> 00:08:42.620
Little inlet out there. I'll bet that's it. Yes.
181
00:08:43.919 --> 00:08:45.860
It is our inlet.
182
00:08:45.899 --> 00:08:46.639
And listen to this, honey.
183
00:08:47.610 --> 00:08:51.120
Edward Teach, better known as Blackbeard, was a giant of
184
00:08:51.159 --> 00:08:53.379
a man standing well over six feet and weighing nearly
185
00:08:53.379 --> 00:08:57.159
300 pounds. He was killed in a furious fight in
186
00:08:57.200 --> 00:09:00.279
an inlet on the Carolina coast. The secret of his
187
00:09:00.299 --> 00:09:03.620
supposed hidden treasure went with him into oblivion.
188
00:09:05.049 --> 00:09:06.190
Doesn't that sound exciting?
189
00:09:07.289 --> 00:09:07.789
What was that?
190
00:09:08.690 --> 00:09:09.129
What was what?
191
00:09:10.809 --> 00:09:11.970
I thought I heard a squeaking.
192
00:09:13.230 --> 00:09:13.590
Rhythmic.
193
00:09:14.769 --> 00:09:18.250
Like an oar lock. As if someone were rowing.
194
00:09:19.509 --> 00:09:20.210
I didn't hear anything.
195
00:09:20.970 --> 00:09:21.529
But I'll look.
196
00:09:25.129 --> 00:09:29.019
Can't see anything now. Must have been your imagination. Let's see,
197
00:09:29.039 --> 00:09:31.220
where was I? Oh, yes, right here.
198
00:09:32.080 --> 00:09:35.500
His favorite weapon was a cutlass, which could inflict a
199
00:09:35.659 --> 00:09:39.919
horrible wound at one blow. There are probably many shallow
200
00:09:39.960 --> 00:09:43.480
graves along the coast that attest to Blackbeard's double insurance
201
00:09:44.200 --> 00:09:45.360
when concealing treasure.
202
00:09:46.860 --> 00:09:48.580
Hmm. Interesting, don't you think, dear?
203
00:09:50.039 --> 00:09:51.019
I think it's horrible.
204
00:09:51.039 --> 00:09:53.419
Can't you just see it? The treasure's buried.
205
00:09:53.799 --> 00:09:57.049
The men start to fill up the Before they can,
206
00:09:57.590 --> 00:09:59.700
the giant cutlass flashes twice in the moonlight.
207
00:10:05.620 --> 00:10:10.320
Charles rushed out to investigate that scream. I knew he
208
00:10:10.580 --> 00:10:14.799
would find nothing. But at least it was a relief
209
00:10:14.840 --> 00:10:19.179
to know I'd not just imagined it. Charles had heard
210
00:10:19.220 --> 00:10:23.899
it too. Next morning, there was no indication of the
211
00:10:23.940 --> 00:10:28.870
mysterious sounds of the night before. Only a lingering dread
212
00:10:28.919 --> 00:10:34.450
in my mind. For I knew that night would fall again.
213
00:10:34.470 --> 00:10:41.889
Oh, it's just what we need. Sun, sky.
214
00:10:45.250 --> 00:10:47.049
What about the scream last night?
215
00:10:47.070 --> 00:10:49.629
It's probably a swamp cat or something. We were reading
216
00:10:49.669 --> 00:10:50.710
about pirates and such.
217
00:10:51.289 --> 00:10:54.309
Our imaginations coincided with a perfectly natural sound.
218
00:10:54.529 --> 00:10:58.389
Charles, imagination? Coincidence?
219
00:10:58.580 --> 00:11:01.679
Well, I don't believe it was Blackbeard's ghost guarding his treasure,
220
00:11:01.700 --> 00:11:03.000
if that's what you're leading up to.
221
00:11:03.019 --> 00:11:05.080
I hadn't mentioned it at all.
222
00:11:05.460 --> 00:11:09.919
I just know it's on your mind. Say, what's that
223
00:11:09.960 --> 00:11:10.320
over there?
224
00:11:11.159 --> 00:11:11.419
What?
225
00:11:11.620 --> 00:11:13.460
That piece of iron sticking up out of the sand.
226
00:11:14.000 --> 00:11:15.759
Looks like part of a small boat's anchor.
227
00:11:16.649 --> 00:11:19.669
Looks pretty ancient. Let's dig it out.
228
00:11:20.009 --> 00:11:21.169
Charles, I don't think we should.
229
00:11:21.210 --> 00:11:23.350
For Pete's sake, why? It's broad daylight.
230
00:11:23.830 --> 00:11:24.309
Come on.
231
00:11:28.539 --> 00:11:33.799
What's this? Looks like a piece of ivory. Heart-shaped. Black
232
00:11:33.899 --> 00:11:37.000
diamond shape and laid in the middle. You ever see
233
00:11:37.039 --> 00:11:37.580
anything like it?
234
00:11:38.850 --> 00:11:39.570
No, Charles.
235
00:11:39.590 --> 00:11:42.490
I wonder if it's valuable. It's a funny little thing.
236
00:11:43.409 --> 00:11:44.990
Just one hole in it down near the point of
237
00:11:45.009 --> 00:11:45.350
the heart.
238
00:11:47.230 --> 00:11:48.389
It's evil, Charles.
239
00:11:50.029 --> 00:11:51.850
It's evil. Throw it away.
240
00:11:51.870 --> 00:11:55.009
Now, Margo, don't get excited over a little bit of ivory.
241
00:11:55.049 --> 00:11:56.669
It might be valuable, that's all.
242
00:11:56.879 --> 00:12:08.340
Evil, Charles. It's evil. Evil. Evil. A planchette. A planchette.
243
00:12:08.399 --> 00:12:08.620
What?
244
00:12:09.519 --> 00:12:14.370
It's an ivory planchette. Used to communicate with the dead.
245
00:12:14.389 --> 00:12:15.490
Take it easy, honey.
246
00:12:18.590 --> 00:12:21.850
The small hole is for the insertion of a writing instrument.
247
00:12:23.049 --> 00:12:27.110
There are two small casters attached to it. You place
248
00:12:27.149 --> 00:12:30.190
it on a piece of paper. Let the hands rest
249
00:12:30.309 --> 00:12:40.899
lightly on top. And it
writes messages. Evil messages. Evil messages. Evil.
250
00:12:45.580 --> 00:12:49.759
Here, darling. Lie down on the bed. Here's something to drink.
251
00:12:49.779 --> 00:12:52.370
It'll help you rest. Make you feel better.
252
00:12:54.120 --> 00:12:54.529
There, now.
253
00:12:56.029 --> 00:12:58.769
Now, what kind of evil messages are you worried about?
254
00:12:59.710 --> 00:12:59.950
What?
255
00:13:00.190 --> 00:13:02.190
You were just telling me about messages from the dead.
256
00:13:02.990 --> 00:13:03.429
What were they?
257
00:13:05.169 --> 00:13:05.809
I don't remember.
258
00:13:05.909 --> 00:13:07.809
Well, you just said something about this planchette, right.
259
00:13:11.330 --> 00:13:12.259
Don't remember, do you?
260
00:13:13.090 --> 00:13:13.370
No.
261
00:13:14.990 --> 00:13:18.990
I really don't know what you're talking about. It's like
262
00:13:19.049 --> 00:13:20.250
I blacked out for a moment.
263
00:13:20.470 --> 00:13:23.149
Well, let's see if you were right about that thing.
264
00:13:24.289 --> 00:13:26.110
I'll look it up in that pirate book of yours.
265
00:13:26.129 --> 00:13:28.129
It's a glossary.
266
00:13:29.610 --> 00:13:30.950
Pirate like plane.
267
00:13:31.409 --> 00:13:31.789
Oh, yes, here.
268
00:13:32.250 --> 00:13:34.960
Planchette used in a form of automatism.
269
00:13:36.200 --> 00:13:39.100
Especially believed to be used in communication with the dead.
270
00:13:40.360 --> 00:13:45.529
You're right, Margo. Absolutely right. Well, by golly, we're going
271
00:13:45.570 --> 00:13:45.990
to try.
272
00:13:46.009 --> 00:13:52.690
No, Charles. It's evil. I know that, too. It's evil.
273
00:13:52.730 --> 00:13:54.840
There, there, baby. Now you just go to sleep. You
274
00:13:54.860 --> 00:13:55.659
get some rest now.
275
00:13:55.720 --> 00:13:56.039
Charles.
276
00:13:56.779 --> 00:14:02.240
That's my girl. You'll sleep for a few hours. Well, now.
277
00:14:03.000 --> 00:14:05.919
Maybe the planchette will tell me where Blackbeard's treasure lies.
278
00:14:06.990 --> 00:14:08.769
That is, unless his ghost is still guarding it.
279
00:14:18.460 --> 00:14:20.980
Charles? Charles, where are you?
280
00:14:21.039 --> 00:14:21.720
Right here, darling.
281
00:14:22.860 --> 00:14:26.139
Charles, the planchette, did you.
282
00:14:26.519 --> 00:14:27.240
No dice, baby.
283
00:14:27.700 --> 00:14:30.139
Old Blackbeard just won't tell me where his treasure is.
284
00:14:30.990 --> 00:14:32.490
I fixed up the little plaything there. I put a
285
00:14:32.549 --> 00:14:34.990
pencil in, sat for over an hour with my hands
286
00:14:35.090 --> 00:14:37.149
resting on it, waiting for it to write on the paper.
287
00:14:38.629 --> 00:14:39.250
Still blank.
288
00:14:39.590 --> 00:14:40.370
I'm glad. I'm glad.
289
00:14:41.320 --> 00:14:44.039
I guess the way those things really work is your
290
00:14:44.159 --> 00:14:47.379
muscles finally get tired and you write out the messages
291
00:14:47.419 --> 00:14:49.080
that are already in your brain.
292
00:14:50.379 --> 00:14:54.700
Maybe so, Charles. But how do the messages get in
293
00:14:54.740 --> 00:14:56.210
your brain in the first place?
294
00:14:56.379 --> 00:14:58.779
Don't ask me. Ask old Blackbeard.
295
00:15:00.330 --> 00:15:00.610
Hungry?
296
00:15:01.659 --> 00:15:02.470
No, not very.
297
00:15:03.169 --> 00:15:06.590
You've been sleeping all afternoon. It's already dark.
298
00:15:08.090 --> 00:15:11.009
Is the moon up yet? It should be full tonight.
299
00:15:12.769 --> 00:15:13.409
I hadn't noticed.
300
00:15:13.769 --> 00:15:19.230
Why? You said it wasn't quite full last night. Tonight
301
00:15:19.289 --> 00:15:24.500
must be the pirate's moon with the highest tide. Good
302
00:15:24.559 --> 00:15:26.500
night for reclaiming buried treasure.
303
00:15:27.000 --> 00:15:29.120
Yes, I... I guess so.
304
00:15:31.899 --> 00:15:34.779
I guess I will fix a little something. You had
305
00:15:34.799 --> 00:15:35.179
dinner yet?
306
00:15:35.399 --> 00:15:35.960
Just a snack.
307
00:15:36.860 --> 00:15:39.679
Let's see. Where did I put that?
308
00:15:45.710 --> 00:15:46.269
Cutlass.
309
00:15:48.629 --> 00:15:53.629
Did Charles put this here to scare me? Does he
310
00:15:53.690 --> 00:15:59.340
want to drive me out of my mind? I won't
311
00:15:59.389 --> 00:16:03.620
make a scene. I'll just ignore it like it wasn't
312
00:16:03.659 --> 00:16:06.210
even there. I won't even mention it.
313
00:16:08.639 --> 00:16:09.059
Charles?
314
00:16:10.299 --> 00:16:10.830
Did you hear it?
315
00:16:10.840 --> 00:16:11.519
What, dear?
316
00:16:12.840 --> 00:16:16.259
That sound again. Like the rowing we heard last night,
317
00:16:16.679 --> 00:16:18.279
just before the scream.
318
00:16:18.340 --> 00:16:21.580
No, Margo. You're really letting this thing get too big
319
00:16:21.600 --> 00:16:22.240
a hold on you.
320
00:16:22.899 --> 00:16:23.620
You didn't hear it.
321
00:16:23.980 --> 00:16:25.080
I didn't hear a thing.
322
00:16:27.240 --> 00:16:32.000
I won't then either. I won't imagine I heard anything.
323
00:16:33.919 --> 00:16:39.809
He's trying again. Trying to make me think thoughts that
324
00:16:39.929 --> 00:16:47.419
don't belong to me. telling me I'm hearing things. Oh, Charles.
325
00:16:48.500 --> 00:16:55.159
Charles. Well, I think I'll turn in early tonight. Oh, boy.
326
00:16:55.179 --> 00:16:58.000
City boys like me get tired pretty quick in the outdoors.
327
00:16:58.259 --> 00:17:03.669
Yes, it's a good idea, Charles. You need some rest? Yes.
328
00:17:05.170 --> 00:17:10.170
You need a rest. After tramping around this afternoon while
329
00:17:10.869 --> 00:17:15.430
I was asleep, Finding that cutlass, putting it in here
330
00:17:15.509 --> 00:17:19.210
to make me think I'm going crazy.
331
00:17:20.710 --> 00:17:21.130
Yes.
332
00:17:22.730 --> 00:17:31.980
Yes, you sleep. Where is that planchette? Oh, yes, here.
333
00:17:33.000 --> 00:17:36.240
Put in the pencil. Now, on the
paper.
334
00:17:37.509 --> 00:17:37.829
Write.
335
00:17:39.269 --> 00:17:39.569
Write.
336
00:17:40.069 --> 00:17:40.349
Write.
337
00:17:42.309 --> 00:17:47.220
Write out the message that is in my brain. Reveal
338
00:17:47.259 --> 00:17:47.799
it to me.
339
00:17:49.559 --> 00:17:50.240
Write.
340
00:17:51.799 --> 00:17:54.519
Write. There, it's moving.
341
00:17:56.079 --> 00:18:04.809
It's writing. K-I-L. Kill? Kill whom?
342
00:18:05.390 --> 00:18:05.789
Why?
343
00:18:07.009 --> 00:18:08.970
C-H-A-R-L. No!
344
00:18:10.009 --> 00:18:10.210
No!
345
00:18:11.730 --> 00:18:15.349
No, why should I kill Charles? He's my husband. He
346
00:18:15.390 --> 00:18:16.970
takes care of me. He keeps me.
347
00:18:18.839 --> 00:18:26.299
Wait a minute. Does Charles think I'm crazy?
348
00:18:26.539 --> 00:18:27.880
Y-E-S.
349
00:18:30.039 --> 00:18:30.660
What was that?
350
00:18:33.160 --> 00:18:34.460
Did you hear something, Charles?
351
00:18:34.529 --> 00:18:38.269
Yes, I thought I did. Something like we heard last night.
352
00:18:38.289 --> 00:18:41.849
What? Don't you think it's your imagination, Charles?
353
00:18:42.529 --> 00:18:46.170
There. There you are. You must have heard it that time, Margo.
354
00:18:46.970 --> 00:18:47.460
Didn't you?
355
00:18:48.259 --> 00:18:51.920
Really, Charles, you've been awfully jumpy lately.
356
00:18:52.259 --> 00:18:53.599
Margo, what's the matter with you?
357
00:18:54.119 --> 00:19:01.220
Nothing, Charles. Absolutely nothing. I've just been using the planchette.
358
00:19:01.500 --> 00:19:06.880
You have? Here, let me see this paper. Is this
359
00:19:06.960 --> 00:19:07.829
what the planchette wrote?
360
00:19:09.109 --> 00:19:09.430
Yes?
361
00:19:10.009 --> 00:19:13.460
It says, kill Charles.
362
00:19:15.079 --> 00:19:15.380
Yes.
363
00:19:17.480 --> 00:19:20.299
Margo. Margo, what does this mean?
364
00:19:20.339 --> 00:19:20.529
Are you.
365
00:19:20.539 --> 00:19:20.660
Are.
366
00:19:22.220 --> 00:19:22.970
You crazy?
367
00:19:24.049 --> 00:19:28.130
I don't know, Charles. Is that what you want me
368
00:19:28.190 --> 00:19:36.079
to be? Did you put... this in the kitchen, so
369
00:19:36.119 --> 00:19:38.000
I would think Blackbeard had been here.
370
00:19:38.200 --> 00:19:40.680
Margo, what are you doing with that thing? Put it down.
371
00:19:40.720 --> 00:19:41.730
You could hurt yourself.
372
00:19:42.769 --> 00:19:46.589
Do you want me to say I'm crazy, Charles? Do
373
00:19:46.630 --> 00:19:50.509
you want me to say that I've been talking to Blackbeard...
374
00:19:49.940 --> 00:19:53.359
and he wants me to keep you from disturbing his treasure?
375
00:19:54.559 --> 00:19:56.839
Is that what you want me to say, Charles?
376
00:19:57.079 --> 00:20:00.829
I don't... Margo. Margo, stay back.
377
00:20:01.509 --> 00:20:02.130
Put that down.
378
00:20:03.349 --> 00:20:04.910
Margo. Margo!
379
00:20:04.930 --> 00:20:06.849
Margo!
380
00:20:14.730 --> 00:20:15.569
Hello, the house.
381
00:20:18.190 --> 00:20:23.319
Ah, that's funny. Nobody seems to be around. Mr. Reed
382
00:20:23.359 --> 00:20:25.380
said I should come out and check on things today.
383
00:20:25.460 --> 00:20:36.930
I guess I'll just take a look. Oh. Oh, Lord,
384
00:20:36.970 --> 00:20:42.349
look at that. Now, now, that Miss Reed there now,
385
00:20:42.690 --> 00:20:45.170
I'm here to help you. No use to cry no
386
00:20:45.190 --> 00:20:45.990
more right now.
387
00:20:46.369 --> 00:20:46.769
Oh, Jed.
388
00:20:47.970 --> 00:20:49.450
Oh, Jed, it's horrible.
389
00:20:49.730 --> 00:20:54.900
Yes, ma'am. It sure is. Now, come on, let's go outside,
390
00:20:54.940 --> 00:21:01.140
away from all this, huh? Now, why don't you tell
391
00:21:01.180 --> 00:21:03.759
me all about it, huh? How it happened?
392
00:21:05.089 --> 00:21:05.650
I don't know.
393
00:21:05.670 --> 00:21:12.220
The last thing I remember, yesterday... Charles gave me a
394
00:21:12.319 --> 00:21:15.880
sedative to make me sleep. That horrible nightmare is all
395
00:21:15.920 --> 00:21:17.359
about blood.
396
00:21:18.920 --> 00:21:22.930
And this morning I... I woke and found this.
397
00:21:23.470 --> 00:21:25.930
Now, now, ma'am, it won't do no good to cry
398
00:21:25.990 --> 00:21:29.809
no more. Sure is terrible. Terrible cut.
399
00:21:31.210 --> 00:21:31.509
What?
400
00:21:31.789 --> 00:21:35.490
Terrible cut your husband had there. Terrible, just like one
401
00:21:35.539 --> 00:21:36.019
herd had.
402
00:21:37.400 --> 00:21:37.740
It seems.
403
00:21:37.920 --> 00:21:40.339
Yes, ma'am. Of course, you wouldn't know it unless you've
404
00:21:40.359 --> 00:21:42.900
seen them both like I have, but them cuts are
405
00:21:43.400 --> 00:21:52.509
almost identical. Exactly alike. What's that you're hanging on to? This? Yeah.
406
00:21:53.609 --> 00:21:55.710
I don't know. We found it on the beach yesterday.
407
00:21:56.309 --> 00:21:56.569
Yeah.
408
00:21:57.369 --> 00:22:01.190
That's mighty hard to explain. Old Hurd had one of
409
00:22:01.230 --> 00:22:02.150
them things, too.
410
00:22:03.710 --> 00:22:04.049
He did?
411
00:22:04.609 --> 00:22:08.490
Yeah. Practically had to pry his fingers off of you.
412
00:22:09.809 --> 00:22:11.170
Funny little things, ain't they?
413
00:22:12.549 --> 00:22:14.549
Well, I thought this... I mean.
414
00:22:16.339 --> 00:22:18.279
I thought mine was the only one.
415
00:22:18.740 --> 00:22:22.279
Oh, no, ma'am. Some kind of gambling ship, I reckon.
416
00:22:22.319 --> 00:22:24.980
Sunk out there a couple of years ago. And ever
417
00:22:25.000 --> 00:22:28.099
since then, them things been washed in the sewer. Then.
418
00:22:29.440 --> 00:22:33.680
Then they're not valuable as antiques or anything.
419
00:22:33.799 --> 00:22:37.490
Oh, shucks, no, ma'am. They got so plentiful around here,
420
00:22:37.630 --> 00:22:42.680
folks got to calling them Blackbeard's ace. Not much use
421
00:22:42.720 --> 00:22:43.599
to them, I reckon.
422
00:22:45.200 --> 00:22:50.680
No, Jed. Not much use. Not much use to them
423
00:22:50.720 --> 00:22:55.069
at all. Except to Blackbeard. Blackbeard.
424
00:23:01.470 --> 00:23:02.309
Suspense.
425
00:23:03.490 --> 00:23:06.400
You've been listening to Blackbeard's Ace, starring Elaine Rost and
426
00:23:06.440 --> 00:23:09.500
John Thomas, with Bob Dryden as Jed, and written especially
427
00:23:09.539 --> 00:23:13.500
for Suspense by Jack Buttram. Suspense is produced and directed
428
00:23:13.519 --> 00:23:16.559
by Bruno Zerato Jr., music supervision by Ethel Huber, sound
429
00:23:16.579 --> 00:23:19.720
patterns by Joe Cabibo. Listen again next week when we
430
00:23:19.789 --> 00:23:23.009
return with The Second Door, written by Robert Reddick, another
431
00:23:23.029 --> 00:23:27.910
tale well calculated to keep you in... Suspense. Betty Furness
432
00:23:27.950 --> 00:23:30.529
talks about the Seattle World's Fair tomorrow on the CBS
433
00:23:30.589 --> 00:23:31.109
radio network.