Episode 33: Owning the Future? International Law and Technology as a Critical Project
International law operates in a world of rapid technological transformation. From the battlefield to the border, from online content moderation to open-source investigation, from humanitarianism to development, from counterterrorism to migration management, practices of central concern to internati…
ILYICH, 'Listening Hymns: Sonic Antifascism'
Listening Hymns: Sonic Antifascism by ILYICH (Anton Kats) is a performative spoken-word archive. The project is the residue of the artist's multi-year research exploring sound and listening as generative practices within the research trajectory of Sonic Antifascism, and asks: how can sonic practice…
Eleni Ikoniadou, 'Sonic Acts for the End of the World'
In the lecture Sonic Acts for the End of the World, theorist and writer Eleni Ikoniadou confronts a world in which state authoritarianism, fascist policing, ecological devastation, and live-streamed genocide have become normalised and legitimised as governing principles. Faced with forms of violenc…
Salomé Voegelin, 'Politics and Desire, Violence and a Governance of Love'
Sonic Acts Biennial 2026
Symposium
Stedelijk Museum Amsterdam, 28 February 2026
In the performance lecture Politics and Desire, Violence and a Governance of Love, Salomé Voegelin asks whether love and political leadership can coexist, or whether political desire is always drawn toward violence and …
pantea, 'Maram-Nameh'
Sonic Acts Biennial 2026
Symposium
Stedelijk Museum Amsterdam, 1 March 2026
How can we understand speech and sound as situated? And how might we speak, write, and listen across our mother tongues?
In her talk, pantea (Pantea Armanfar) shares a process of developing Maram-Nameh – an evolving, multil…
Flavia Dzodan, 'Affective Logistics'
Sonic Acts Biennial 2026
Symposium
Stedelijk Museum Amsterdam, 28 February 2026
Writer and theorist Flavia Dzodan presents Affective Logistics, a research project examining how computational infrastructures precondition, capture, and route emotion as logistical matter. Tracing genealogies from mili…
Margarida Mendes, 'Deep Time Soundings'
In her performative lecture Deep Time Soundings, researcher, curator, artist, and educator Margarida Mendes traces the rapidly changing ecology of Portugal’s Tagus River – a landscape marked by pollution, dam control, and eucalyptus monocultures that alter the river’s hydrology and desiccate surrou…
Steve Goodman (Kode9), 'Sonic Warfare 2026'
Drawing from his forthcoming text Notes on the Third Ear (to be published by Urbanomic in 2026), musician, artist, and theorist Steve Goodman (Kode9) updates latent themes from his influential book Sonic Warfare to reflect on the politics of vibration within, poised upon, and beyond thresholds of a…
Ayesha Hameed & Aimée Theriot, 'Ex Aqua'
Ex Aqua is a live improvisational performance by theorist and poet Ayesha Hameed and musician Aimée Theriot. Their piece invites the audience into what Palestinian artist Bint Mbareh calls ‘aggressive listening’, exploring the concept of ‘exaqua’ – a term coined by poet M. NourbeSe Philip in Zong! …
Yazan Khalili, 'Radio Alhara, a Communal Media'
Artist, researcher, and cultural activist Yazan Khalili presents the lecture about Radio Alhara, but his talk primarily focuses on cultural structures and organisations – institutional and other – how they are built, funded, maintained, managed, etc. Drawing on his role as co-founder of this Palest…
เครื่องมือค้นหาพอดแคสต์
คุณสามารถใช้เว็บไซต์ของเราเพื่อค้นหาพอดแคสต์ของ3,826,562และตอนของ196,088,981ตามบุคคล สถานที่ หรือหัวข้อ
I have no special talent. I am only passionately curious, and
I listen to podcasts.
‐ Albert "Llamacorn" Einstein
