# Seymour Chwast
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seymour chwast (born August 18, 1931) is an American graphic designer, illustrator, and type designer.
== Biography ==
Chwast was born in the Bronx, New York City and in 1949 graduated from Abraham Lincoln High School in Brooklyn where he was introduced to graphic design by Leon Friend.He graduated with a Bachelor of Fine Arts from Cooper Union in 1951. With Milton Glaser, Edward Sorel, and Reynold Ruffins, he founded Push Pin Studios in 1954.
Brad Holland (Illustrator: Playboy, The New York Times, Time, more)
It’s 1967 and your train from Sandusky, Ohio, just rolled into Grand Central. You’ve got a suitcase in one hand and your portfolio in the other. You exit the station and take a right, uptown, before realizing it’s the wrong way. (It’s ok, you’re not from around here). So you turn around, and head d…
Episode 34 ft. Emanuel Schongut
Fashion and cultural historian Laura McLaws Helms speaks with artist and illustrator Emanuel Schongut.
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Seymour Chwast "Kid in a Candy Store" at the Eric Carle Museum of Picture Book Art through April 14
Seymour Chwast’s revolutionary contributions to the world of graphic design have overshadowed his equally impactful picture book career—until now. This is the first museum exhibition to focus on Chwast’s books for children on display through April 14 at the Eric Carle Museum of Picture Book Art in …
Ep. 57: Mark Twain’s War Prayer – with graphic designer Seymour Chwast
Seymour Chwast is one of the most highly-regarded graphic designers in American history. In 1954, he founded the design group Push Pin Studios with Milton Glaser, Edward Sorel, and Reynold Ruffins. Seymour has executed hundreds of advertising campaigns, designed multiple popular typefaces, and illu…
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Fashion and cultural historian Laura McLaws Helms in conversation with illustrator and graphic designer Barry Zaid.
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As the United States approaches its 250th anniversary, the Constitution remains the most consequential document in American life — and more people are reading it than ever. But pick up almost any commercial edition and you’ll find the same thing: small type, no imagery, nothing that invites you in.…
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‐ Benjamin "Llamacorn" Franklin