สำเนาบทสนทนา 🔗
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What's the one thing that you have somewhere
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in like the back of your closet that you know
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you need to get rid of but you have no idea what
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to do with it? I think in the back of my closet
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well I have tons and tons of like old electronics
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and there are electronic e -waste I don't have
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a car so it's I don't really have a way to take
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things like broken computer monitors broken TVs
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you know I can't haul a 65 inch TV down the street
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walking because I don't have a car and there's
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not really a convenient way to get those things
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collected. What is like the one thing that you
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have that's been sitting in like the back of
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your closet that you're like I know I got to
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get rid of this but I don't know where to take
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it or what to do with it? Like definitely like
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super old electronics like I don't know what
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to do with that I'm like I don't really want
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to just stick it in our small trash bin and I'm
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like there's no way I could sell this on Facebook
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marketplace I'm like it just sits there and collects
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dust it's like torn or like blown up speakers
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and stuff like that. Yeah wires and stuff because
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clothes you could like typically donate and everything
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so. What is the thing that you have in the back
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of your closet that you're like I need to get
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rid of it but I have no idea what to do with
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it? A lot of clothes. A lot of clothes that we
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need to donate and get rid of that always just
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end up in like a garbage bin and sit in our trunk
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for like months and months and months and months
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to get read to get donated. It takes a while
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for them to get there. I've done a bunch of clothes
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recently last July, but we need to do it again.
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Yeah, I feel like clothes pile up very quickly.
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Cool. Like old electronics. Yeah. I would also
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say the orange pill bottles, after your prescriptions
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done. I have so many of those, and I'm like,
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I
Load full transcript
don't even know what to do with these or where
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to put them. Because no one's ever told me what
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to do with them once they're empty. Like an old
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CRT TV for sure because that seems like something
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that I can't just toss out. It's a little too
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heavy. There's probably some like toxic something
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somewhere in there, so that is for sure one of
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those. And I just moved, so it's currently sitting
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in my living room, useless, and I don't know
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where to go. A stuffed animal that I got from
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England when I was in high school, so like...
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years and years and years ago that I was just
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like I'm gonna get this because it's in England
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and now it's been sitting in my closet and I'm
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like I want to get rid of it because I got it
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in England but also what am I ever gonna do with
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this little stuffed animal? Nothing. I have so
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many like planters like ceramic pots for planters
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that I have like Amassed over the years thinking
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that I will ever be able to take care of a plant
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and I can't like they all just die So I just
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have like literally like how some people have
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like drawers full of drunk. I have like empty
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planters full of junk Probably like old t -shirts
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jeans stuff like that. Yeah, cuz you're like,
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oh I have such good memories, but yeah one of
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these fit me Even for folks who aren't familiar
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with the circular economy or who don't really
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even consider themselves to be green, those things
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that they have stashed in the back of their closet
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is a sign that they want to do better. They just
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don't know how. Welcome to the Circle Up podcast,
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where we tell the stories of the circular economy
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in Philadelphia. Well, so let's circle up. I'm
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Candice Lawton, the executive director of Circular
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Philadelphia. And I'm Sandwich Inn, one of the
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co -founders of Circular Philadelphia. The Circle
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Up podcast continues on its journey around the
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continuous loop of the circular economy. We've
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talked about recycling, both blue bin recycling
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and specialty recycling that's available in Philadelphia
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for everything that can't go into your curbside
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bin, back in our very first episode. Yep, and
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we also dug in, pun intended, to the recycling
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of food and organic waste. composting, where
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we do exactly what mother nature does and transforms
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food scraps, grass clippings, and leaves back
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into nutrients for soil and plants. And other
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ways we can make our food system less wasteful
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and more circular from how we cultivate, distribute,
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and enjoy food across grocers, restaurants, and
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what happens after. That's right. And now in
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this episode, we'll talk about another critical
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piece of enabling the highest and longest use
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of goods, resale. Resale is one of the most tangible
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and accessible ways people can participate in
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the circular economy. Whether it's vintage furniture,
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art supplies, or pre -loved clothing, extending
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the life of products keeps materials in use and
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out of the landfill. And it's not just about
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buying and selling stuff. It's about community,
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creativity, and rethinking value. Today we'll
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hear from organizations who are proving that
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resale can be both sustainable and stylish while
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strengthening our local economy. So grab your
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reusable coffee cup and get ready to circle up
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because this is where old things find new life.
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So this gives you an idea of the types of materials
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that we save. This is the art zone, which is
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everything from pictures and framing and supplies,
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photography. The range is endless, paints, inks.
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My name is Karen Jared, and I'm the executive
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director here at the Resource Exchange. The Resource
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Exchange is a creative reuse center. And what
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that essentially means is that we save all manner
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of materials for reuse from the community, from
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local businesses, anything from glitter to 2x4s.
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It's kind of a wide range of materials and then
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we try to get that back out into the community
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for reuse. Pencils. Cork. It really changes all
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the time. You never really know what's going
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to come through our door, but once you take a
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look around and see... Just the sheer volume
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of it is amazing to keep in mind that it's all
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donated, that we don't buy anything, and that
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there's so much material to source and use from
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here that it just comes from folk studios when
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they don't need them anymore or don't use them
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all. So it's constantly changing supply of stuff
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to make stuff. Back in 2008, I wrote the film
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productions sets guide, which was a sustainability
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in shooting film in this region. Short -term
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productions, whether it's theater, film, or studio
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productions, event productions, they often have
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long -term consequences that you don't really
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think about unless you're in that business and
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know the sort of behind -the -scenes part. So
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I love movies and have always been a bit of a
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movie freak, but until I started working in the
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business, I wouldn't have known the sheer amount
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of waste that is in that industry. whole buildings
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will be constructed for just a few shots, and
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then at the end of the shot, all of it taken
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down. All of those building materials, all of
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the sets, the furniture used to all get thrown
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away. This was the train car from White Christmas
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at the Walnut Street Theater, I guess 15 years
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ago now. And it's just... It's a good visual
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cue. It now houses all kinds of, you know, uniques.
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It's a great, like, space in our shop for people
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to find unique finds. But we wanted to keep the
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scenery itself because, again, I think just to
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give people the visual, the physical, you know,
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visceral understanding of just the sheer amount
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of this stuff that actually gets thrown into
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a dumpster and the scale of it, you know. This
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was just one scene in one play many, many years
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ago. So the SETS guide was really trying to make
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a couple of very important points. The first
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was that all of this reuse and recycling that
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happened then, and I think to some extent still
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does, is crew level. It happens from the crew.
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It's the folks who are on the ground making the
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shots. And what really needs to happen is there
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has to be more of a top -down mandate and a budgetary,
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you know, budgetary considerations again from
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the very beginning to think about how the entirety
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of the production from the beginning of sourcing
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the materials to the end when they're, you know,
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unfortunately disposing of the materials, how
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to save more of them, how to design in a more
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circular way. You know, that's why I quit the
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business. I mean I was in it for 10 years and
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just year after year of just watching those dumpsters
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roll on out and I just thought like this is not
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a problem I want to continue to be part of but
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it's a tough one. But again, the majority of
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the guide was also about local resources, about
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instead of dumpstering them, where can this material
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be recycled? Where can it be donated? Where are
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the local places that exist that you can take
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those things at the end of the production and
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get them back into the community at low cost
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instead of just into 40 -yard dumpsters? And
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then after that, after writing the guide, I realized
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they're really... was not a lot of infrastructure
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for the stuff that I was recommending that folks
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do. This was quite a long time ago. Also, I lived
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in San Francisco for a while. I'm from here,
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but I moved to the Bay Area for several years,
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and there's a wonderful place there called Scrap.
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And as an artist, I used to shop there all the
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time with my friends, and that's where we sourced
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all of our materials. So when I moved back to
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Philadelphia, I said, oh, I wish that there was
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a Scrap here. So as I was a film and theater
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scenic, it took 10 years, but after 10 years,
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I thought, well, why not just start one? So that's
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really the... impetus for the place. Yeah, we
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started in the Philadelphia Navy Yard. We started
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in like just a rented 500 square feet with no
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electricity, no running water, no lights, nothing,
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leaky roof and kind of went from there to a basement
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area in Port Richmond to then like a much too
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small for us warehouse around the corner on 2nd
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and Cecil to now. that this is such a great and
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accessible location. It's so easy to get to.
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It's on a subway line. It's on a bus line. And
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we have a big parking lot. So there's a lot was
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achieved when we found this space, which we all
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call the wheelhouse because of its history. It
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was a big, giant railroad turntable. All the
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train tracks that were all along American got
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pulled and ripped up during the American Improvement
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Zone thing. It was just like a massive, huge
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turntable. And all the tracks came up into this
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parking lot outside. It's very cool. I think
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in the beginning we saved mainly lumber and set
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construction materials, two by fours, sheet goods,
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because we were housed temporarily. in the Navy
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Yard where things were filmed back then. And
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so when the sets came down, we didn't have an
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open to the public location yet. We were just
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forming. So we really sort of fell upon those
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sets like ants and tried to save as much of those
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materials as possible. And then gradually, as
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we grew and then got to public, open to the public
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warehouses, we get quite a bit of, apart from
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sort of the overlap with typical thrift stores,
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home goods and things like that, is the maker
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materials, is the art materials themselves because
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there is no other place in Philadelphia. that
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saves those and that's our mission to
try to
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keep as much of that available to get back into
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the community instead of throwing them away.
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We actually say, you never know what you'll find
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in the resource exchange. So as I said, we did
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get our start with film and theater sets. So
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along with things that you would find in a typical
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thrift store, there are also set materials, set
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props, all kinds of things that come from the
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latest production that was shot here in Philly,
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to things that have been shot some time ago,
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along with maker materials. That is our focus
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is to try to save the materials that you wouldn't
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find in a typical thrift store half -use tubes
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of paint that are still functional You know bulk
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colored pencils and bulk markers and things like
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that that come from all over the place you know
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the last bits of of paper and sketchbooks. Things
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that still have a lot of life left in them, but
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for any number of reasons, they're studio cleanouts.
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People change the type of making that they do.
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There are all kinds of reasons why people end
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up having... you know, resources in their homes
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that they want to make sure that get, you know,
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that someone uses them for artistic purposes.
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So we get a lot of that. And again, fabrics is
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something, you know, maybe somebody used to quilt
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and doesn't quilt anymore or a lot. We get a
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lot of designer remnants and things like the
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last four or five yards on a bolt, fabric samples
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from design houses. So that's, you know, it's
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a huge wealth of materials. Are these local artists?
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Yes. Yeah. So this is the recreate gallery and
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where we feature local artists who make things
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out of reclaimed materials and have sustainability
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as a key part of their creative process. So we
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have four seasonal shows a year that are group
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exhibitions. And as you can see from this one,
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the range is pretty broad. You know, 2D, 3D,
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everything in between, all different mediums.
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And it's a great way for us to showcase what
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happens to the materials once they are sourced
00:13:58.059 --> 00:14:00.220
here and go to the studios and come back. And
00:14:00.220 --> 00:14:02.480
this is what they come back as. And we're constantly
00:14:02.480 --> 00:14:06.039
amazed by how beautiful what people make out
00:14:06.039 --> 00:14:11.879
of them. It's about making. That's really what
00:14:11.879 --> 00:14:17.179
most people come here for. A place like this,
00:14:17.379 --> 00:14:21.220
what often happens is donors and customers overlap
00:14:21.220 --> 00:14:24.919
and then repeat donors and customers. It's kind
00:14:24.919 --> 00:14:27.139
of a natural progression. So a lot of the artists
00:14:27.139 --> 00:14:30.960
who show here are regulars and therefore a lot
00:14:30.960 --> 00:14:33.240
of the materials that are in their works are
00:14:33.240 --> 00:14:39.080
from the shop. Reuse on the River Wards is big.
00:14:40.759 --> 00:14:43.320
It's ground zero in Philadelphia for all things
00:14:43.320 --> 00:14:46.899
reuse. There's architectural salvage here. There's
00:14:46.899 --> 00:14:49.019
us. There are several other thrift and reuse
00:14:49.019 --> 00:14:51.240
organizations. And then this building in particular
00:14:51.240 --> 00:14:54.840
is also filled with a ton of makers. And there's
00:14:54.840 --> 00:14:58.240
a lot of studio rental spaces. And yes, we have
00:14:58.240 --> 00:14:59.919
a lot of customers from within the building that
00:14:59.919 --> 00:15:02.419
come in and come and go and source their materials
00:15:02.419 --> 00:15:10.379
for their projects. Reuse retail is complicated
00:15:10.379 --> 00:15:13.519
and all reuse retail organizations do things
00:15:13.519 --> 00:15:15.679
a little bit differently. What I think sets us
00:15:15.679 --> 00:15:18.179
apart in our process for intake and processing
00:15:18.179 --> 00:15:22.980
is that we keep everything local. So we screen
00:15:22.980 --> 00:15:26.019
the materials when they come in and really do
00:15:26.019 --> 00:15:27.980
the best we can to accept things that we truly
00:15:27.980 --> 00:15:29.620
think are going to be repurposed here in the
00:15:29.620 --> 00:15:31.679
Philadelphia region. There's no big dumpster
00:15:31.679 --> 00:15:34.279
out back. There's no bailing and shipping things
00:15:34.279 --> 00:15:37.379
overseas. There's no like we'll you know... Saving
00:15:37.379 --> 00:15:38.639
things for a while and then whatever doesn't
00:15:38.639 --> 00:15:43.639
sell gets trashed or sent to other distribution
00:15:43.639 --> 00:15:47.639
places. We kind of keep everything here. So when
00:15:47.639 --> 00:15:52.279
folks come, if you have a bag box or bin, small
00:15:52.279 --> 00:15:53.919
amount, you can walk in our doors any time that
00:15:53.919 --> 00:15:55.740
we're open and we just greet you when you come
00:15:55.740 --> 00:15:57.240
in and take a look at what you have and make
00:15:57.240 --> 00:15:59.559
sure that it's the type of thing that we do accept.
00:15:59.740 --> 00:16:02.299
And then if you have... large amounts, vans,
00:16:02.519 --> 00:16:04.159
truckloads. We do accept that amount as well,
00:16:04.279 --> 00:16:07.120
but then we ask that folks set an appointment
00:16:07.120 --> 00:16:09.299
so that we can have some time to take a look
00:16:09.299 --> 00:16:12.259
and see what you have. We're a small and mighty
00:16:12.259 --> 00:16:15.720
staff, so we do quite a bit with very small staff
00:16:15.720 --> 00:16:19.799
and very little funding. So the big amounts are
00:16:19.799 --> 00:16:23.059
something that we also do, but we're not a national
00:16:23.059 --> 00:16:27.190
or global chain. So we do... at the door and
00:16:27.190 --> 00:16:29.090
through our donation process take a look and
00:16:29.090 --> 00:16:30.549
see what you've got and try to make sure that
00:16:30.549 --> 00:16:33.970
we're doing best use and either taking it ourselves
00:16:33.970 --> 00:16:36.110
or trying to do the best to help you know where
00:16:36.110 --> 00:16:38.610
to take it. During the intake process we do weigh
00:16:38.610 --> 00:16:40.269
the materials when they come in and then log
00:16:40.269 --> 00:16:42.710
them and also log them by category so we can
00:16:42.710 --> 00:16:46.289
sort of keep track of the general gist of what
00:16:46.289 --> 00:16:48.889
the majority of it is. Although I will say that
00:16:48.889 --> 00:16:51.080
tonnage over the years we've learned is really
00:16:51.080 --> 00:16:53.899
not the best measure. It's the standard tool
00:16:53.899 --> 00:16:57.039
that most, you know, reduce, reuse, recycle businesses,
00:16:57.259 --> 00:16:59.080
you know, that's kind of the gold standard is
00:16:59.080 --> 00:17:02.220
tonnage. But we've realized that it's really,
00:17:02.240 --> 00:17:05.470
you know, the weight of... some paintbrushes
00:17:05.470 --> 00:17:08.750
or vintage photographs saved from some, you know,
00:17:08.970 --> 00:17:10.869
film set or, you know, there's just so much that
00:17:10.869 --> 00:17:13.329
we save that has true value that doesn't have
00:17:13.329 --> 00:17:15.809
a lot of weight. It's not the same as weighing
00:17:15.809 --> 00:17:19.069
cinder block. So we do keep the tonnage, but
00:17:19.069 --> 00:17:21.750
it's not what we focus on. What we instead have
00:17:21.750 --> 00:17:23.890
shifted to focus on is really enabled projects.
00:17:26.869 --> 00:17:29.829
Our staff is really not just a, you know, ring
00:17:29.829 --> 00:17:31.710
folks up and off you go. We engage with folks
00:17:31.710 --> 00:17:33.650
and talk to them and are really interested in
00:17:33.650 --> 00:17:35.410
finding out what people are making with what
00:17:35.410 --> 00:17:37.890
they source here and those projects are tracked
00:17:37.890 --> 00:17:40.789
as best as we can. So we have numbers at the
00:17:40.789 --> 00:17:43.029
end of the year, every year, annual reports where
00:17:43.029 --> 00:17:45.390
we say like this many artists made studio art,
00:17:45.690 --> 00:17:47.750
this many local businesses source things and
00:17:47.750 --> 00:17:50.289
do our best to track what happens from the stuff
00:17:50.289 --> 00:17:55.740
once it leaves the door. The important part about
00:17:55.740 --> 00:17:59.099
reuse in the larger scheme of things like climate
00:17:59.099 --> 00:18:02.799
change and trying to improve the local and global
00:18:02.799 --> 00:18:05.119
environment is there's a lot of embodied energy
00:18:05.119 --> 00:18:08.700
that is in these materials that is something
00:18:08.700 --> 00:18:10.900
that people don't often think in those terms.
00:18:11.400 --> 00:18:15.000
But it is much better for the environment to
00:18:15.000 --> 00:18:17.900
save materials and repurpose them than to have
00:18:17.900 --> 00:18:20.980
them. Recycling is great, but recycling is reprocessing
00:18:20.980 --> 00:18:23.339
the material again. It's, you know, often really
00:18:23.339 --> 00:18:26.380
what recycling is for a lot of materials is downcycling.
00:18:26.880 --> 00:18:28.900
It's taking, you know, a material and shredding
00:18:28.900 --> 00:18:30.539
it into bits and then just trying to have one
00:18:30.539 --> 00:18:33.720
more, but usually inferior product made out of
00:18:33.720 --> 00:18:36.099
those materials, whereas repurposing keeps it
00:18:36.099 --> 00:18:38.019
in the local economy. It keeps it, you know,
00:18:38.160 --> 00:18:40.039
in the environment and used over and over again.
00:18:40.099 --> 00:18:44.079
So that's why we focus on reuse. And then for
00:18:44.079 --> 00:18:46.019
us, since the other part of our mission is not
00:18:46.019 --> 00:18:49.400
just reusing the environment but the arts, it's
00:18:49.400 --> 00:18:52.819
just a wonderful starting place. It's great to
00:18:52.819 --> 00:18:55.000
not have to start from a blank slate and from
00:18:55.000 --> 00:18:57.859
a blank paper and starting from scratch. The
00:18:57.859 --> 00:19:00.039
histories behind the materials are often a great
00:19:00.039 --> 00:19:02.799
springboard for ideas and for folks to make things
00:19:02.799 --> 00:19:05.599
being inspired by what they find and what they
00:19:05.599 --> 00:19:09.279
discover here. Yeah design constraints. Yeah
00:19:09.279 --> 00:19:12.400
there it's it's really where we just are constantly
00:19:12.400 --> 00:19:15.920
inspired by what folks make from just what you
00:19:15.920 --> 00:19:18.759
know an idea that gets sparked by some material
00:19:18.759 --> 00:19:20.539
that they find in our random room or going through
00:19:20.539 --> 00:19:23.640
the bulk drawers or or just you know seeing something
00:19:23.640 --> 00:19:25.440
they didn't anticipate that they were going to
00:19:25.440 --> 00:19:28.319
be making when they arrived and then they it's
00:19:28.319
--> 00:19:31.339
just like it seeds a lot of projects locally.
00:19:32.579 --> 00:19:36.460
So yeah if you were to clean out your art studio
00:19:36.460 --> 00:19:38.740
and think you know I no longer use these materials
00:19:38.740 --> 00:19:41.720
and these are you know half used or you know
00:19:41.720 --> 00:19:43.720
or haven't really used them in a while but they're
00:19:43.720 --> 00:19:47.200
still functional you know if you throw them into
00:19:47.200 --> 00:19:49.859
the garbage you know we often say here there
00:19:49.859 --> 00:19:53.059
is no away so throwing them away there really
00:19:53.059 --> 00:19:57.859
is no such thing away is landfill and we you
00:19:57.859 --> 00:20:03.230
know both here and then globally, it's not sustainable.
00:20:03.609 --> 00:20:06.869
That sort of use, consume, throw away, use, consume,
00:20:06.930 --> 00:20:09.329
throw away model is just not going to work any
00:20:09.329 --> 00:20:11.890
longer. Whereas if you actually take the time
00:20:11.890 --> 00:20:14.650
to save those tubes of paint and those paint
00:20:14.650 --> 00:20:16.670
brushes and those things and bring them to a
00:20:16.670 --> 00:20:19.609
place like this, those types of materials in
00:20:19.609 --> 00:20:24.210
particular will definitely get reused. It's filling
00:20:24.210 --> 00:20:30.680
a huge need. We sell them at low cost. So for
00:20:30.680 --> 00:20:33.700
a lot of struggling artists and young folks who
00:20:33.700 --> 00:20:35.779
are doing various kinds of creative projects,
00:20:36.339 --> 00:20:39.500
having a place to go to get those things and
00:20:39.500 --> 00:20:42.000
having affordable places to get a half -used
00:20:42.000 --> 00:20:43.619
tube of paint versus having to go to a brand
00:20:43.619 --> 00:20:46.220
new art store and buying new supplies is critical
00:20:46.220 --> 00:20:52.480
for a lot of projects to even happen. Philadelphia's
00:20:52.480 --> 00:20:56.339
had a lot of growth in sustainable and circular
00:20:56.339 --> 00:20:59.660
businesses in the last 15 years that we've been
00:20:59.660 --> 00:21:04.140
here. And so as we've grown, I've seen a lot
00:21:04.140 --> 00:21:06.480
of organizations like Circular Philadelphia pop
00:21:06.480 --> 00:21:13.420
up and try to address what the city needs. I
00:21:13.420 --> 00:21:17.220
think there are a lot of models out there of
00:21:18.120 --> 00:21:20.200
municipal involvement in reuse and recycling
00:21:20.200 --> 00:21:25.380
where the referral from the city is also in the
00:21:25.380 --> 00:21:28.880
direction of reuse, over recycling in a lot of
00:21:28.880 --> 00:21:30.539
cases. I think that is something that is really
00:21:30.539 --> 00:21:33.539
helpful to be able to uplift the various reuse
00:21:33.539 --> 00:21:36.700
organizations. I think recycling is often the
00:21:36.700 --> 00:21:39.539
first thought. And reuse maybe is a little bit
00:21:39.539 --> 00:21:41.619
not so much, other than maybe clothing. I
think
00:21:41.619 --> 00:21:43.380
clothing is sort of a given for a lot of folks.
00:21:43.480 --> 00:21:45.460
I think a lot of folks know about where to take
00:21:45.460 --> 00:21:49.660
their clothing. But beyond that, I think having
00:21:49.660 --> 00:21:53.559
the city support in how to uplift reuse organizations
00:21:53.559 --> 00:21:57.039
is something that I think would be great to see
00:21:57.039 --> 00:22:00.299
more of. And then I think the other thing is
00:22:00.299 --> 00:22:04.460
space. So that's always a challenge. This is
00:22:04.460 --> 00:22:07.779
our... technically our fourth location and for
00:22:07.779 --> 00:22:09.880
different reasons along the way I mean we have
00:22:09.880 --> 00:22:12.519
definitely grown but also we've lost every space
00:22:12.519 --> 00:22:15.579
that we've had for one reason or another so it's
00:22:15.579 --> 00:22:18.440
very challenging for all reuse businesses to
00:22:18.440 --> 00:22:23.799
have the big warehouse the big space so I think
00:22:23.799 --> 00:22:26.440
you know all city governments would it would
00:22:26.440 --> 00:22:29.400
be great for them to be able to help with with
00:22:29.400 --> 00:22:33.160
that aspect, whether it's city property or initiatives
00:22:33.160 --> 00:22:38.240
to help with having space available to save these
00:22:38.240 --> 00:22:41.789
challenging materials. And then we have something
00:22:41.789 --> 00:22:44.390
called the Resource Philly tool and what that
00:22:44.390 --> 00:22:46.529
has, we've been doing that for over 10 years.
00:22:46.609 --> 00:22:49.930
And that's a sort of a vetted resource and map
00:22:49.930 --> 00:22:52.509
to show folks in Philadelphia where to take things
00:22:52.509 --> 00:22:55.789
if we don't accept them. And also places to take
00:22:55.789 --> 00:22:57.789
them for recycling if they're end of life and
00:22:57.789 --> 00:23:01.970
not really reusable. I think the biggest holes
00:23:01.970 --> 00:23:09.170
in the referring that we do is, again, is textile
00:23:09.170 --> 00:23:13.750
recycling. big hole and also ironically sort
00:23:13.750 --> 00:23:15.609
of one of the materials that we got our start
00:23:15.609 --> 00:23:19.690
doing which is construction materials is that
00:23:19.690 --> 00:23:23.329
we save standard sort of like usable two by fours
00:23:23.329 --> 00:23:25.589
and you know half sheet goods or and larger and
00:23:25.589 --> 00:23:29.029
things like that but building material reuse
00:23:29.029 --> 00:23:33.690
is a much much larger landscape and so Right
00:23:33.690 --> 00:23:36.990
now there are a few people that do different
00:23:36.990 --> 00:23:42.269
things, but none of us have the ability to handle
00:23:42.269 --> 00:23:44.970
everything that would happen in a city this size.
00:23:46.029 --> 00:23:48.789
So that's a challenge, is trying to figure out
00:23:48.789 --> 00:23:52.049
whether the solution is to further support the
00:23:52.049 --> 00:23:54.829
folks like
us who do that and enable us, or whether
00:23:54.829 --> 00:23:58.900
we need some... you know, a larger, a lumber
00:23:58.900 --> 00:24:01.400
yard size thing that is something that could
00:24:01.400 --> 00:24:03.519
be managed to handle just those things that,
00:24:03.519 --> 00:24:05.779
you know, are not architectural salvage, are
00:24:05.779 --> 00:24:08.839
not the maker materials that we save, but much
00:24:08.839 --> 00:24:12.200
bigger. So that's sometimes a challenge. There
00:24:12.200 --> 00:24:14.900
are places for a lot of those materials, but
00:24:14.900 --> 00:24:18.200
not all at once on a large scale. And that's
00:24:18.200 --> 00:24:24.119
kind of, that's sometimes a challenge. Yep, there's
00:24:24.119 --> 00:24:26.420
there, there's there. That's why this is the
00:24:26.420 --> 00:24:28.480
resource Philly is like placed right near the
00:24:28.480 --> 00:24:31.799
This this this is why it's placed here So we
00:24:31.799 --> 00:24:33.720
can be able to be like over there like if you
00:24:33.720 --> 00:24:35.559
do you where to take your light bulbs We don't
00:24:35.559 --> 00:24:37.480
take those but this is where you take them. Definitely
00:24:37.480 --> 00:24:42.480
use it. Yeah Many people have This is so beautiful.
00:24:42.480 --> 00:24:47.799
Yeah, it is. It's it's lo -fi cute Yeah, yep
00:24:47.799 --> 00:24:56.480
So one of the biggest benefits of us and our
00:24:56.480 --> 00:24:57.980
partnership with Circuit of Philadelphia is what
00:24:57.980 --> 00:25:00.720
we're working on now, which is to take what we've
00:25:00.720 --> 00:25:03.660
been using for over a decade now, Resource Philly,
00:25:04.000 --> 00:25:07.759
which is our referral guide, and to take that
00:25:07.759 --> 00:25:11.740
tool and upgrade it to a digital interactive
00:25:11.740 --> 00:25:15.160
platform online that can be used throughout the
00:25:15.160 --> 00:25:19.769
city. It's been invaluable to us to have this
00:25:19.769 --> 00:25:21.970
list, and our staff maintains it and researches
00:25:21.970 --> 00:25:25.789
it. But it's lo -fi. At the front of our shop,
00:25:25.970 --> 00:25:28.490
we have the list on our website. But for a long
00:25:28.490 --> 00:25:31.589
time, I've been talking to Circular Philadelphia
00:25:31.589 --> 00:25:34.170
about how wonderful it would be to be able to
00:25:34.170 --> 00:25:38.450
have it truly an interactive online platform.
00:25:38.549 --> 00:25:40.450
So that's what we're working on together with
00:25:40.450 --> 00:25:45.170
them, and we're really excited about that. So
00:25:45.170 --> 00:25:46.609
this is what we're working on in Philadelphia
00:25:46.609 --> 00:25:51.289
is to make this digital. It's quite an endeavor.
00:25:51.970 --> 00:25:53.869
But to have it be like a searchable database
00:25:53.869 --> 00:25:56.349
and to have like the back end tech of it is something
00:25:56.349 --> 00:25:58.269
that takes money and effort and funding that
00:25:58.269 --> 00:26:00.930
we just don't have. So that's why it's great
00:26:00.930 --> 00:26:03.950
for us to be able to partner with them. You know,
00:26:04.150 --> 00:26:06.390
reuse and recycling materials is a very, very
00:26:06.390 --> 00:26:09.539
big... challenge in a city of this size and no
00:26:09.539 --> 00:26:13.079
one organization can do it all. So with the Resource
00:26:13.079 --> 00:26:15.960
Philly tool we're trying to point folks in the
00:26:15.960 --> 00:26:17.660
in the direction of seeing this like consortium
00:26:17.660 --> 00:26:19.539
of folks that are all trying to come from different
00:26:19.539 --> 00:26:22.380
angles to solve this problem and having the city's
00:26:22.380 --> 00:26:25.420
participation in it, you know, and increasing
00:26:25.420 --> 00:26:27.019
that is what we hope. We hope that there will
00:26:27.019 --> 00:26:30.440
be a back and forth there. Resource Philly is
00:26:30.440 --> 00:26:34.390
about being able to either search a specific
00:26:34.390 --> 00:26:37.250
material that you have, search for a specific
00:26:37.250 --> 00:26:40.490
material that you would like, but in both directions
00:26:40.490 --> 00:26:43.150
to try to do things in a more circular fashion
00:26:43.150 --> 00:26:45.690
and to know what resources are available here
00:26:45.690 --> 00:26:47.970
in the Philadelphia region to do so. So where
00:26:47.970 --> 00:26:49.730
to take things that are reusable that you would
00:26:49.730 --> 00:26:51.990
like to donate, where to take things that are
00:26:51.990 --> 00:26:54.150
actually not reusable but are recyclable and
00:26:54.150 --> 00:26:56.460
where to do that. how to source more sustainable
00:26:56.460 --> 00:26:59.279
products and to have a comprehensive list that
00:26:59.279 --> 00:27:04.240
is easy and quick to go through and so we have
00:27:04.240 --> 00:27:07.039
all of that information compiled for some time
00:27:07.039 --> 00:27:09.819
and this is about trying to make it as user friendly
00:27:09.819 --> 00:27:12.420
and simple and to be able to quickly do it on
00:27:12.420 --> 00:27:16.680
your phone and to update and have a more high
00:27:16.680 --> 00:27:18.420
tech version of what we've been using Lo -Fi
00:27:18.420 --> 00:27:24.700
in the shop for a while now. That was Karen Jared
00:27:24.700 --> 00:27:27.019
from the Resource Exchange, Philadelphia's Creative
00:27:27.019 --> 00:27:40.779
Reuse Center. My name is Elaine Hardman. My husband
00:27:40.779 --> 00:27:44.559
and I live in Germantown. Shortly after coming
00:27:44.559 --> 00:27:47.880
to Philadelphia, we wandered into the Resource
00:27:47.880 --> 00:27:51.539
Exchange Center and right away it felt like my
00:27:51.539 --> 00:27:55.190
kind of place. The people are lovely and they
00:27:55.190 --> 00:27:57.329
have all kinds of things that are ready to be
00:27:57.329 --> 00:28:00.769
seen and used in a new way. While I couldn't
00:28:00.769 --> 00:28:05.250
resist buying things there, they
have a lot of
00:28:05.250 --> 00:28:07.710
odd little things and I like odd little things.
00:28:08.609 --> 00:28:12.750
Also, in our small hometown I held a lot of workshops
00:28:12.750 --> 00:28:16.890
in my home and in libraries or schools and even
00:28:16.890 --> 00:28:21.119
in the back room of a hairdressing salon. We
00:28:21.119 --> 00:28:23.740
felt honored that the resource exchange was willing
00:28:23.740 --> 00:28:27.779
to put my work and my husband's work in their
00:28:27.779 --> 00:28:34.119
recreate gallery. And so it was great. But a
00:28:34.119 --> 00:28:38.019
greater benefit to me is that they've allowed
00:28:38.019 --> 00:28:40.839
me to host workshops where I've been able to
00:28:40.839 --> 00:28:43.960
make things with other people. It's exciting
00:28:43.960 --> 00:28:46.660
to watch someone learn to use their hands to
00:28:46.660 --> 00:28:50.599
build something in a new way. I think people
00:28:50.599 --> 00:28:53.359
need to make things, and I love being part of
00:28:53.359 --> 00:28:57.339
that with them. I speak to people about the resource
00:28:57.339 --> 00:29:00.559
exchange all the time. I tell them it's a fantastic
00:29:00.559 --> 00:29:03.799
place to get fabric, but whatever kind of maker
00:29:03.799 --> 00:29:07.980
they are, it's worth exploring the resource exchange
00:29:07.980 --> 00:29:10.480
because you just never know what's going to be
00:29:10.480 --> 00:29:24.700
there. My name is Stephen Evans and I live in
00:29:24.700 --> 00:29:31.539
South Philadelphia Newbold area I've been a participant
00:29:31.539 --> 00:29:35.559
with the resource exchange since fall of 2023
00:29:35.559 --> 00:29:40.839
summer of 2023 Just out looking at what fish
00:29:40.839 --> 00:29:45.140
town had as far as thrift stores, etc my friend
00:29:45.140 --> 00:29:50.450
found this amazing place and it was the climax
00:29:50.450 --> 00:29:54.549
of our day to come visit that. When we got to
00:29:54.549 --> 00:29:58.430
Resource Exchange, it was just an instant affinity.
00:29:59.910 --> 00:30:03.490
The vibe in there was friendly, it was welcoming,
00:30:03.650 --> 00:30:08.589
it was not pretentious. As an artist using junk,
00:30:08.809 --> 00:30:11.509
I find that people's noses are turned up and
00:30:11.509 --> 00:30:15.950
what I found here was just friendliness and just
00:30:15.950 --> 00:30:20.410
genuine authenticity, human being peoples. You
00:30:20.410 --> 00:30:24.470
know, that was just what was so great about them.
00:30:25.309 --> 00:30:28.250
When I first stepped into the resource exchange,
00:30:28.789 --> 00:30:33.710
Rebecca had pointed out to me the application
00:30:33.710 --> 00:30:37.829
for the fall 2023 show. I think that's the biggest
00:30:37.829 --> 00:30:41.769
benefit is for me to finally put my work into
00:30:41.769 --> 00:30:46.769
a show in public. after about 10 years of not.
00:30:47.789 --> 00:30:51.549
I've done several exhibitions there and it's
00:30:51.549 --> 00:30:54.549
just been a great thing to be seen there. I've
00:30:54.549 --> 00:30:59.430
donated a piece there because my work is appreciated,
00:30:59.730 --> 00:31:05.410
seen, loved, and used. I've tried to introduce
00:31:05.410 --> 00:31:07.730
people to the resource exchange and it's really
00:31:07.730 --> 00:31:11.309
hard to describe what it is, but I say it's a
00:31:11.309 --> 00:31:19.140
whole city block. of creative ingenuity, cooperation,
00:31:19.480 --> 00:31:24.680
and amazingness. And the resource exchange itself
00:31:24.680 --> 00:31:28.980
is just a little corner of amazing in that entire
00:31:28.980 --> 00:31:35.920
building right there. You go from the wheel to
00:31:35.920 --> 00:31:39.920
computer printing, one end of the building. It's
00:31:39.920 --> 00:31:42.759
like evolution of art and human participation.
00:31:49.339 --> 00:31:51.240
Circular Philadelphia and the Resource Exchange
00:31:51.240 --> 00:31:53.579
partnered to launch Resource Philly online search
00:31:53.579 --> 00:31:56.440
engine in June of 2025. Go to resourcephilly
00:31:56.440 --> 00:31:59.019
.org for a one -stop shop to find where to donate,
00:31:59.240 --> 00:32:01.539
repair, and recycle your stuff and where to buy,
00:32:01.599 --> 00:32:04.079
rent, or borrow secondhand, bulk, recycled, or
00:32:04.079 --> 00:32:08.420
sustainable goods in the Philly region. So Sam,
00:32:08.579 --> 00:32:10.970
reading anything good lately? Yeah, actually,
00:32:11.150 --> 00:32:13.289
I've been reading this book called Playground
00:32:13.289 --> 00:32:16.250
by author Richard Powers that I actually bought
00:32:16.250 --> 00:32:19.089
at H &H Books last year to give to my brother
00:32:19.089 --> 00:32:21.369
-in -law for Christmas. And then when it was
00:32:21.369 --> 00:32:23.410
my birthday this year, I asked for that same
00:32:23.410 --> 00:32:25.390
book and he gave me back the same book that I
00:32:25.390 --> 00:32:28.490
had just bought for him from H &H. Well, that's
00:32:28.490 --> 00:32:31.250
great because there is a waste problem in the
00:32:31.250 --> 00:32:34.069
publishing industry. Millions of books are printed
00:32:34.069 --> 00:32:36.750
and discarded each year, and it's easy to forget
00:32:36.750 --> 00:32:38.829
the resources and energy that went into making
00:32:38.829 --> 00:32:41.549
them. But there's a different way to think about
00:32:41.549 --> 00:32:43.829
books. When we share them, just like the story
00:32:43.829 --> 00:32:46.430
you told, treasure them, pass them along through
00:32:46.430 --> 00:32:49.029
book clubs and communities, they become more
00:32:49.029 --> 00:32:51.390
than just objects. They become part of a story,
00:32:51.650 --> 00:32:54.750
part of a connection. That kind of intentionality
00:32:54.750 --> 00:32:57.009
about the journey a book takes to reach your
00:32:57.009 --> 00:32:59.490
hands is exactly what drives the circular economy.
00:33:00.089 --> 00:33:01.849
Today, we're talking
with the team at the head
00:33:01.849 --> 00:33:04.670
and the hand who are reimagining how books and
00:33:04.670 --> 00:33:06.769
objects can live longer, more meaningful lives.
00:33:09.420 --> 00:33:13.140
My name is Linda Gallant and I am the project
00:33:13.140 --> 00:33:16.700
director at The Head in the Hand. We started
00:33:16.700 --> 00:33:21.779
out as a small publisher in 2012. That sign over
00:33:21.779 --> 00:33:25.799
there is the first sign from our first location
00:33:25.799 --> 00:33:28.700
on Subiva Street and we were just a writer's
00:33:28.700 --> 00:33:34.440
workshop and small publisher. We started out
00:33:34.440 --> 00:33:37.150
with Our first publication was called the Rust
00:33:37.150 --> 00:33:40.289
Belt Rising Almanac because it was this, we are
00:33:40.289 --> 00:33:43.009
part of the Rust Belt and it's where creative
00:33:43.009 --> 00:33:46.390
enterprises have sort of taken the place of industrial
00:33:46.390 --> 00:33:49.809
enterprises. Right? So how can art take the place
00:33:49.809 --> 00:33:52.349
of commerce and where that intersection is? We
00:33:52.349 --> 00:33:54.450
thought that was really interesting. So we had
00:33:54.450 --> 00:33:57.410
writers representing from like Ohio out to Philly
00:33:57.410 --> 00:33:59.869
and we actually did a little tour. We like brought
00:33:59.869 --> 00:34:03.829
the anthology along the Rust Belt. We really,
00:34:03.890 --> 00:34:05.789
that's a special, that has a special place in
00:34:05.789 --> 00:34:11.110
our heart. So we did themed almanacs at first
00:34:11.110 --> 00:34:14.750
and then we moved into nonfiction, fiction, and
00:34:14.750 --> 00:34:19.949
then the pivot to chapbooks. Chapbooks are short
00:34:19.949 --> 00:34:23.690
books. It's like chapter. That's the inspiration.
00:34:24.409 --> 00:34:26.650
There's shorter form works that can be any genre.
00:34:27.010 --> 00:34:30.510
I would say 60 pages is the max, and then a novella
00:34:30.510 --> 00:34:32.110
would be a little bit longer, and then a novel.
00:34:32.289 --> 00:34:36.869
So there's steps to get to the full length publication
00:34:36.869 --> 00:34:40.369
that we began with, but then pivoted to be in
00:34:40.369 --> 00:34:42.809
chapbooks because it just felt like more of a
00:34:42.809 --> 00:34:51.710
balance of where our capacities lay. We had distribution
00:34:51.710 --> 00:34:54.869
with small press distribution, which works with
00:34:54.869 --> 00:34:57.190
lots of indies and unfortunately that was a big
00:34:57.190 --> 00:35:00.360
story recently. They shuttered. Lots of that
00:35:00.360 --> 00:35:02.539
stock had to go to the next biggest one, which
00:35:02.539 --> 00:35:04.239
is Consortium. This is getting in the weeds a
00:35:04.239 --> 00:35:06.840
little bit of the publishing industry. But people
00:35:06.840 --> 00:35:09.300
can return books, right? Like if they don't sell,
00:35:09.400 --> 00:35:14.000
they can go back to the publisher. So the sales
00:35:14.000 --> 00:35:17.599
are huge per individual. Like when you go out
00:35:17.599 --> 00:35:21.420
to a bookstore, that sale, that's going. That's
00:35:21.420 --> 00:35:24.119
important for the author to make that sale because
00:35:24.119 --> 00:35:26.980
bookstores can buy in bulk and then they can
00:35:26.980 --> 00:35:29.679
return the overstock back to the publisher. and
00:35:29.679 --> 00:35:33.280
then those numbers will just suddenly shoot back
00:35:33.280 --> 00:35:35.900
up. Wait, we had hundreds sold this month, but
00:35:35.900 --> 00:35:39.239
wait, no, they're coming back. So that kind of
00:35:39.239 --> 00:35:41.659
fluidity, it doesn't really benefit the author,
00:35:41.699 --> 00:35:43.840
but when you buy a book in a bookstore, it benefits
00:35:43.840 --> 00:35:46.400
the author. That's a sale for that book. It's
00:35:46.400 --> 00:35:49.980
not going back to the publisher. I think that
00:35:49.980 --> 00:35:54.860
there is a lot of, you have to sort of be...
00:35:54.960 --> 00:35:57.360
bit of a fortune -teller where you're saying
00:35:57.360 --> 00:35:59.739
this is gonna hit and I'm gonna you you have
00:35:59.739 --> 00:36:02.760
to guesstimate how much to put out there what
00:36:02.760 --> 00:36:05.320
the demand will be how to market it like all
00:36:05.320 --> 00:36:07.500
of these factors have to break your way in order
00:36:07.500 --> 00:36:11.480
to have a successful like experience with your
00:36:11.480 --> 00:36:13.460
perhaps it's your debut book and you have a print
00:36:13.460 --> 00:36:15.380
run that's followed by another and another and
00:36:15.380 --> 00:36:17.239
then the books are out there and it's thriving
00:36:17.239 --> 00:36:19.579
and this this is like the model that we're all
00:36:19.579 --> 00:36:22.079
going for but then sometimes books just language
00:36:22.079 --> 00:36:25.780
language in a warehouse Publishers sometimes
00:36:25.780 --> 00:36:28.280
make the decision to destroy, right, if they
00:36:28.280 --> 00:36:32.880
don't sell. One author was faced with a really
00:36:32.880 --> 00:36:35.800
hard decision, which is that their hardback wasn't
00:36:35.800 --> 00:36:38.400
selling and they said, you know, can you take
00:36:38.400 --> 00:36:40.139
some of these copies because they're just going
00:36:40.139 --> 00:36:44.800
to incinerate them. But I think the paper book,
00:36:45.139 --> 00:36:49.920
to me, it's an aesthetic experience. I mean,
00:36:49.980 --> 00:36:51.579
a lot of people interact with their phones to
00:36:51.579 --> 00:36:58.789
do all kinds of things and I like the quiet that
00:36:58.789 --> 00:37:01.010
takes hold when you're actually only able to
00:37:01.010 --> 00:37:04.530
interact with this thing that is not connected
00:37:04.530 --> 00:37:06.230
to the internet. It's important. I mean, people
00:37:06.230 --> 00:37:09.610
get distracted. So I think that the book itself,
00:37:09.969 --> 00:37:14.369
this is so obvious, but you just find a way to,
00:37:14.690 --> 00:37:16.230
I don't know, you go out of time or something.
00:37:16.510 --> 00:37:21.159
That's your time with this. author and no one
00:37:21.159 --> 00:37:23.980
can interrupt that except you so when I'm on
00:37:23.980 --> 00:37:27.079
this I feel like at any second someone's gonna
00:37:27.079 --> 00:37:29.280
text me or you know obviously there's settings
00:37:29.280 --> 00:37:32.659
for that but I don't know I think that the the
00:37:32.659 --> 00:37:35.300
greatest possible connection you can have this
00:37:35.300 --> 00:37:39.719
is biased with a writer's work is by feeling
00:37:39.719 --> 00:37:41.960
the book in your hand and interacting with it
00:37:41.960 --> 00:37:51.530
that way So we wanted to sort of pivot a bit
00:37:51.530 --> 00:37:55.349
away from the full -time publishing model. We
00:37:55.349 --> 00:38:03.210
wanted to sort of branch out into this. H &H
00:38:03.210 --> 00:38:06.469
Books is the brick -and -mortar presence of the
00:38:06.469 --> 00:38:11.750
head and the hand. And now we publish chat books
00:38:11.750 --> 00:38:15.610
and have this community -focused bookstore that
00:38:15.610 --> 00:38:19.429
we're sitting in, that we opened in 2019. It's
00:38:19.429 --> 00:38:22.070
a long and winding road to get in a nutshell,
00:38:22.329 --> 00:38:27.030
but that's where we're at now. It was always
00:38:27.030 --> 00:38:29.730
a gamble to start a bookstore. We thought, you
00:38:29.730 --> 00:38:33.769
know, it would be an interesting way to have
00:38:33.769 --> 00:38:38.840
this new... avenue for creative expression by
00:38:38.840 --> 00:38:43.260
hosting writers here to do talks and put books
00:38:43.260 --> 00:38:46.239
out that are, you know, community -focused, like
00:38:46.239 --> 00:38:48.239
our Philadelphia local lit section is really
00:38:48.239 --> 00:38:51.980
important to us. So we thought, and then of course
00:38:51.980 --> 00:38:54.719
our own independent publications would also be
00:38:54.719 --> 00:38:58.280
in the bookstore. So we thought that that sort
00:38:58.280 --> 00:39:03.750
of... ecosystem would make sense in this neighborhood
00:39:03.750 --> 00:39:07.789
which now has more bookstores but at that time
00:39:07.789 --> 00:39:09.969
we thought you know every neighbor could could
00:39:09.969 --> 00:39:15.130
use more. For our curation for the bookstore
00:39:15.130 --> 00:39:18.690
at large, it's a big group effort. So we all
00:39:18.690 --> 00:39:20.949
have our sensibilities. I have my favorites I
00:39:20.949 --> 00:39:23.710
love the local lit section like curating that
00:39:23.710 --> 00:39:26.409
is a big deal for us and then we have community
00:39:26.409 --> 00:39:29.809
members suggest we have our volunteers Emerson
00:39:29.809 --> 00:39:33.349
our manager Shoshana our assistant editor Claire
00:39:33.349 --> 00:39:36.630
our co -director everybody has their Fingerprints
00:39:36.630 --> 00:39:39.550
all over here with their
choices and we happen
00:39:39.550 --> 00:39:42.610
to skew in a few different Like we love women
00:39:42.610 --> 00:39:46.630
in translation, we love queer writers, we have
00:39:46.630 --> 00:39:51.170
a great representation of, again, if you're either
00:39:51.170 --> 00:39:54.389
from Philly, published in Philly, or it's about
00:39:54.389 --> 00:39:56.969
the greater Philadelphia region, that goes on
00:39:56.969 --> 00:40:01.070
the local lit shelf. So yeah, some of our big
00:40:01.070 --> 00:40:05.190
identity points come through in those places.
00:40:06.510 --> 00:40:11.880
So we are a non -profit. And we are open to the
00:40:11.880 --> 00:40:14.219
public as much as we can be. And the volunteers
00:40:14.219 --> 00:40:17.800
are a huge reason why we're able to have the
00:40:17.800 --> 00:40:20.619
hours we do. And they staff a lot on the weekends,
00:40:21.199 --> 00:40:24.159
which is our most critical time. And most of
00:40:24.159 --> 00:40:26.760
them live in the neighborhood. So that volunteer
00:40:26.760 --> 00:40:29.880
program is incredibly important. And Emerson,
00:40:30.000 --> 00:40:33.260
our manager, is an incredible steward of that
00:40:33.260 --> 00:40:38.050
program. They organize the team, basically. The
00:40:38.050 --> 00:40:39.570
revenue stream that comes from the bookstore,
00:40:39.789 --> 00:40:41.650
that was a reason why we started to think about
00:40:41.650 --> 00:40:43.289
let's do a bookstore because it would help bring
00:40:43.289 --> 00:40:45.309
another revenue stream into the organization
00:40:45.309 --> 00:40:50.090
and that coffer is filled up in order to support
00:40:50.090 --> 00:40:56.110
salary, stipends, honorariums. The programming
00:40:56.110 --> 00:40:58.710
is really important to us and we do host workshops,
00:40:58.909 --> 00:41:01.829
not as many as we'd like. We have a writing group
00:41:01.829 --> 00:41:05.170
co -hosted with Valerio Coffee. in the neighborhood.
00:41:05.429 --> 00:41:07.989
So we're so excited about that. 27 people have
00:41:07.989 --> 00:41:10.289
signed up. It seems like it's filling a need
00:41:10.289 --> 00:41:14.289
that people want this and we're happy to be a
00:41:14.289 --> 00:41:18.590
venue for that. And then we do free or low cost
00:41:18.590 --> 00:41:22.650
author programming as much as possible. We average
00:41:22.650 --> 00:41:26.110
between three and four events a month and we
00:41:26.110 --> 00:41:28.969
also have a regular family story time that happens
00:41:28.969 --> 00:41:33.090
in our kiddo section once a month the last Sunday.
00:41:33.559 --> 00:41:38.519
And we have a local, she's a resident caregiver
00:41:38.519 --> 00:41:41.679
and is an educator who does musical story time
00:41:41.679 --> 00:41:46.099
now. So that's Miss AJ. And the stories and songs
00:41:46.099 --> 00:41:49.769
that come in, they have themes per month. I hope
00:41:49.769 --> 00:41:52.170
that that continues because, yeah, that's another
00:41:52.170 --> 00:41:55.090
volunteer effort. Like Miss AJ comes in and volunteers
00:41:55.090 --> 00:41:57.769
her time to make that story time programming
00:41:57.769 --> 00:42:00.329
happening and we really appreciate it. Like community
00:42:00.329 --> 00:42:01.789
members just kind of show up and say, hey, I
00:42:01.789 --> 00:42:04.010
want to try this. And we're like, great, that's
00:42:04.010 --> 00:42:06.030
wonderful. Let's give you a space to do that
00:42:06.030 --> 00:42:09.250
in. So yeah, we just want to bring the community
00:42:09.250 --> 00:42:13.909
in as much as possible. Every day is different.
00:42:14.010 --> 00:42:16.869
I don't work every day. I have, you know, one
00:42:16.869 --> 00:42:19.769
or two days a week. Emerson, our manager, has
00:42:19.769 --> 00:42:22.150
probably the most interaction with our community
00:42:22.150 --> 00:42:24.989
members. But yeah, there's just people, some
00:42:24.989 --> 00:42:27.469
people come in for direct orders. That's an important
00:42:27.469 --> 00:42:29.389
part of our revenue stream for us too, because
00:42:29.389 --> 00:42:32.150
we're so small we can't possibly, we're not a
00:42:32.150 --> 00:42:35.010
Barnes and Noble. We never will be. But we do
00:42:35.010 --> 00:42:37.469
have distributors. We can basically get any book
00:42:37.469 --> 00:42:41.070
through our distributor. We just have to put
00:42:41.070 --> 00:42:43.369
in the request for it. So folks can pick them
00:42:43.369 --> 00:42:46.550
up there at the direct order shelf. We do our
00:42:46.550 --> 00:42:50.550
best to explain to folks that you do have to
00:42:50.550 --> 00:42:53.250
wait a few more days. You're not going to get
00:42:53.250 --> 00:42:56.670
it the next day. But we can draw down from the
00:42:56.670 --> 00:42:59.389
same resources that Amazon is drawing from. The
00:42:59.389 --> 00:43:02.590
publishers that Amazon is getting stock from
00:43:02.590 --> 00:43:05.090
are the same publishers that we can access through
00:43:05.090 --> 00:43:08.190
our distribution network. So an indie bookstore
00:43:08.190 --> 00:43:12.460
can get the book you want. most likely, it just
00:43:12.460 --> 00:43:14.940
won't appear on your doorstep the next day. And
00:43:14.940 --> 00:43:17.340
it also, you know, factor in, like the carbon
00:43:17.340 --> 00:43:20.280
footprint, you know, like that kind of speed
00:43:20.280 --> 00:43:24.059
and that kind of, yeah, that convenience comes
00:43:24.059 --> 00:43:28.699
with a price. We try to be sustainable in that
00:43:28.699 --> 00:43:33.340
way. We bulk buy once a week so that we experience
00:43:33.340 --> 00:43:36.219
the benefit of free shipping. and then we don't
00:43:36.219 --> 00:43:39.500
charge our customer shipping in order to like
00:43:39.500 --> 00:43:41.340
do a direct order with us and it's here to be
00:43:41.340 --> 00:43:43.539
picked up in the store. If you're willing to
00:43:43.539 --> 00:43:45.579
wait for our weekly order, if it's in
stock with
00:43:45.579 --> 00:43:48.340
the distributor, then it will come. We get free
00:43:48.340 --> 00:43:49.739
shipping. You don't have to pay for that either.
00:43:49.940 --> 00:43:53.380
And we unbox a big box and put it out. So we
00:43:53.380 --> 00:43:56.679
try to make our purchases in bulk that way through
00:43:56.679 --> 00:43:58.460
our one -offs. Like we can ship direct to home
00:43:58.460 --> 00:44:01.110
if you need something. It can go right to your
00:44:01.110 --> 00:44:03.230
front door, but a lot of what we have in this
00:44:03.230 --> 00:44:05.309
neighborhood are like porch pirates, right? So
00:44:05.309 --> 00:44:08.690
people sometimes would prefer to come to our
00:44:08.690 --> 00:44:11.250
store and pick up here. But if it's convenient
00:44:11.250 --> 00:44:13.469
for you, we can also ship directly to your house
00:44:13.469 --> 00:44:16.409
in a one -off situation. But we prefer to do
00:44:16.409 --> 00:44:18.650
things in bulk. It's more sustainable to do that.
00:44:19.190 --> 00:44:21.909
So you could think about like, do I need to read
00:44:21.909 --> 00:44:25.289
this in 24 hours or can I wait? three to five
00:44:25.289 --> 00:44:28.409
business days and support a local ecosystem rather
00:44:28.409 --> 00:44:31.789
than just like participating in a behemoth that
00:44:31.789 --> 00:44:35.469
will continue to negatively impact bookstores
00:44:35.469 --> 00:44:39.289
everywhere and as long as it exists. And then
00:44:39.289 --> 00:44:42.510
we offer book bank which I think the circularity
00:44:42.510 --> 00:44:44.829
part of it too where people can donate their
00:44:44.829 --> 00:44:48.329
books and then shop the used inventory. So we
00:44:48.329 --> 00:44:50.750
are a mixed inventory of new and used books.
00:44:51.579 --> 00:44:54.360
We just thought you can refresh your shelves
00:44:54.360 --> 00:44:58.679
at home by bringing new inventory in, potentially
00:44:58.679 --> 00:45:01.579
from here, but then have more opportunities to
00:45:01.579 --> 00:45:04.019
explore new authors. There's all kinds of benefits
00:45:04.019 --> 00:45:08.000
from it. The life cycle can continue of a book,
00:45:08.280 --> 00:45:10.880
especially a hardback. And then the second was
00:45:10.880 --> 00:45:12.679
accessibility because now the books are cheaper
00:45:12.679 --> 00:45:15.469
because they're discounted. So you just bring
00:45:15.469 --> 00:45:18.070
them in and a volunteer will count them, get
00:45:18.070 --> 00:45:20.590
your information, and then they go downstairs
00:45:20.590 --> 00:45:24.650
for evaluation. Staffers go through them and
00:45:24.650 --> 00:45:27.130
if they're accepted, you get an email letting
00:45:27.130 --> 00:45:29.449
you know if you have credit. And then you just
00:45:29.449 --> 00:45:31.449
show that email when next time you come in, you
00:45:31.449 --> 00:45:34.539
say, hi, I have these credits. And the staffer
00:45:34.539 --> 00:45:37.880
allows you to purchase either, you get one credit
00:45:37.880 --> 00:45:40.159
per paperback, two credits for a hardback. So
00:45:40.159 --> 00:45:43.920
you can kind of like use it that way. And again,
00:45:43.940 --> 00:45:46.340
those are used when you're redeeming your credits.
00:45:46.639 --> 00:45:50.579
So that's basically it. It's an email verification
00:45:50.579 --> 00:45:54.880
system. The condition is important, you know,
00:45:54.980 --> 00:45:56.760
we don't accept books that have like mold on
00:45:56.760 --> 00:46:00.219
them, that's not gonna work out. And we also
00:46:00.219 --> 00:46:03.159
sort of, if you know the inventory here, you
00:46:03.159 --> 00:46:04.920
kind of get a sense of like we're not really
00:46:04.920 --> 00:46:07.280
looking for the most mass market commercial books,
00:46:07.400 --> 00:46:09.500
like you can find those pretty much anywhere
00:46:09.500 --> 00:46:12.280
and we are... When you walk into the bookstore,
00:46:12.360 --> 00:46:14.239
you want to feel like you're in a specific time
00:46:14.239 --> 00:46:17.480
and place. You're here in Philadelphia, in Fishtown,
00:46:17.500 --> 00:46:20.860
and we want people to feel that when they see
00:46:20.860 --> 00:46:23.860
what we have on our shelves. So, yeah, we do
00:46:23.860 --> 00:46:26.239
tend to go for more experimental fiction, like
00:46:26.239 --> 00:46:29.619
we said, like queer authors, translated authors,
00:46:29.920 --> 00:46:33.139
and if you spend some time in the space, you
00:46:33.139 --> 00:46:35.599
can get a sense of what is more likely to get
00:46:35.599 --> 00:46:39.440
accepted versus then hand it over to Circle Thrift.
00:46:40.460 --> 00:46:44.360
kind of how we, it's a book by book basis. And
00:46:44.360 --> 00:46:47.579
it's really subjective. Based on our tastes,
00:46:47.960 --> 00:46:51.239
yeah. It's a great thing because when you're
00:46:51.239 --> 00:46:53.480
allocating resources, right, where you wanna
00:46:53.480 --> 00:46:57.150
bring the person. to the thing that actually
00:46:57.150 --> 00:47:00.630
does spark interest for them. Like one person's
00:47:00.630 --> 00:47:02.530
favorite book is another person's, I'm gonna
00:47:02.530 --> 00:47:06.090
recycle this book. So that is what we're trying
00:47:06.090 --> 00:47:09.010
to do in our own small way here with the book
00:47:09.010 --> 00:47:12.010
bank where folks, we don't accept everything.
00:47:12.860 --> 00:47:15.659
And then when we don't accept books, we bring
00:47:15.659 --> 00:47:17.739
them to circle thrift. So circle thrift across
00:47:17.739 --> 00:47:19.800
the street is a big deal for us because we can
00:47:19.800 --> 00:47:22.940
just continue to like spread out the library
00:47:22.940 --> 00:47:25.280
of books that are coming in from our community
00:47:25.280 --> 00:47:27.860
members and make sure they just don't end up
00:47:27.860 --> 00:47:30.500
like, you know, rotting away in somebody's basement
00:47:30.500 --> 00:47:34.000
or, you know,
like they could find a match. Like
00:47:34.000 --> 00:47:36.639
it's possible to have a second and a third and
00:47:36.639 --> 00:47:38.360
fourth life with a book, especially if it's a
00:47:38.360 --> 00:47:41.599
hardback. And then, you know, like we have connections
00:47:41.599 --> 00:47:43.860
with with A .J. Brown, which is the elementary
00:47:43.860 --> 00:47:48.139
school over on Sargent, and they have library
00:47:48.139 --> 00:47:53.619
volunteers, so we try to find ways to collaborate
00:47:53.619 --> 00:47:56.699
with them. There's lots of ways to get rid of
00:47:56.699 --> 00:47:58.699
books that you feel like are just taking up space
00:47:58.699 --> 00:48:01.500
in your place, and then they can find a new life
00:48:01.500 --> 00:48:09.260
somewhere else. 295 folks have... done the program
00:48:09.260 --> 00:48:11.920
since we started it so we have 295 individuals
00:48:11.920 --> 00:48:16.199
in our database and then in May we accepted 135
00:48:16.199 --> 00:48:19.460
books from whomever like just that that was the
00:48:19.460 --> 00:48:22.239
number of books that we got in from our book
00:48:22.239 --> 00:48:24.380
bank donation so that's kind of like those are
00:48:24.380 --> 00:48:27.889
our average numbers. And yeah, I think we don't
00:48:27.889 --> 00:48:32.050
have a huge budget for marketing. So I think
00:48:32.050 --> 00:48:36.530
if we did more awareness raising about it, I
00:48:36.530 --> 00:48:41.230
think we could increase those numbers. Makes
00:48:41.230 --> 00:48:45.269
logical sense. I feel like people who come in
00:48:45.269 --> 00:48:49.469
and get to know us, they like the program. And
00:48:49.469 --> 00:48:52.650
then they tend to browse. And then that does
00:48:52.650 --> 00:48:58.019
impact sales eventually. hard stats on that,
00:48:58.019 --> 00:49:01.139
but this is just anecdotal and yeah, we've gotten
00:49:01.139 --> 00:49:03.099
positive feedback from the community members,
00:49:03.199 --> 00:49:05.639
so we will continue to do it for as long as people
00:49:05.639 --> 00:49:13.400
want it. I have a very tactile, you know, like
00:49:13.400 --> 00:49:15.119
you have that tactile relationship with the book
00:49:15.119 --> 00:49:18.699
that you want to continue along with it. They're
00:49:18.699 --> 00:49:20.780
beloved objects, and that's why they have multiple
00:49:20.780 --> 00:49:23.539
lives, right? Like that's why the circularity.
00:49:23.980 --> 00:49:27.940
Idea is has great amount of potential with books
00:49:27.940 --> 00:49:30.900
because books just have this ability to sort
00:49:30.900 --> 00:49:34.659
of become part of our Yeah, our world in a way
00:49:34.659 --> 00:49:37.159
that other like a news. Yeah, it's it's not as
00:49:37.159 --> 00:49:42.340
it's not as ephemeral I Think people can really
00:49:42.340 --> 00:49:48.480
think about yeah where they are spending their
00:49:48.480 --> 00:49:54.139
time and money and I can't just like stop using
00:49:54.139 -->
00:49:57.000
Amazon for like easy first step. Just don't do
00:49:57.000 --> 00:49:58.800
it. Just don't do it Like just don't ever use
00:49:58.800 --> 00:50:01.579
it. You don't just like don't I can't say it
00:50:01.579 --> 00:50:05.519
enough. Just try to try to do Three other steps
00:50:05.519 --> 00:50:08.280
before going to that if it's desperate then you
00:50:08.280 --> 00:50:10.760
know, you got it but like I would say start there
00:50:10.760 --> 00:50:15.059
and I would say to that think about taking care
00:50:15.059 --> 00:50:17.780
of your books as you use them like while you're
00:50:18.400 --> 00:50:20.219
interacting with them, think about like they
00:50:20.219 --> 00:50:23.000
could have a second life. And so maybe like,
00:50:23.139 --> 00:50:24.599
yeah, sometimes you take a book to the beach
00:50:24.599 --> 00:50:27.400
and it gets ruined. I am sometimes guilty of
00:50:27.400 --> 00:50:30.320
this, but like maybe just have another sense
00:50:30.320 --> 00:50:33.039
of it passing on to someone as you're enjoying
00:50:33.039 --> 00:50:37.780
it. So that's two quick ones that I can come
00:50:37.780 --> 00:50:40.539
up with. But for the industry at large, I would
00:50:40.539 --> 00:50:47.840
say I think I hope people just go to... more
00:50:47.840 --> 00:50:49.699
independent bookstores and buy the books so that
00:50:49.699 --> 00:50:53.699
people don't return them as much. That's a big
00:50:53.699 --> 00:50:59.260
deal. So think about that when you're in the
00:50:59.260 --> 00:51:01.860
market. If you have disposable income and you
00:51:01.860 --> 00:51:04.179
want to support an artist who's a writer, then
00:51:04.179 --> 00:51:06.699
think about going to a independent bookstore
00:51:06.699 --> 00:51:10.659
because that's a great way to do it. It has so
00:51:10.659 --> 00:51:13.099
many ripple effects. It does. It means a big
00:51:13.099 --> 00:51:15.179
deal. It means so much to the bottom line of
00:51:15.179 --> 00:51:18.739
the store that may be teetering on opening or
00:51:18.739 --> 00:51:23.920
closing. The bottom line is the margin is so
00:51:23.920 --> 00:51:27.780
narrow, and it is so difficult. So any support
00:51:27.780 --> 00:51:30.519
that, if you have the ability to put disposable
00:51:30.519 --> 00:51:34.780
income somewhere, think about that for your local
00:51:34.780 --> 00:51:40.179
impact. That was Linda Gallant from H &H Books.
00:51:40.480 --> 00:51:42.480
Their circular book bank is a great way to pass
00:51:42.480 --> 00:51:44.320
on some of those beloved books you have sitting
00:51:44.320 --> 00:52:10.280
on your shelf. I was moving and I had more books
00:52:10.280 --> 00:52:14.300
than shelf space as the case is for so many so
00:52:14.300 --> 00:52:17.280
I brought about a hundred to the book bank and
00:52:17.280 --> 00:52:18.900
it really I mean it couldn't been easier they
00:52:18.900 --> 00:52:22.280
made the process simple and welcoming I did end
00:52:22.280 --> 00:52:25.360
up browsing afterward but I was sort of exhausted
00:52:25.360 --> 00:52:27.699
from the move so picked up a few titles that
00:52:27.699 --> 00:52:30.239
felt like the right kind of replacements much
00:52:30.239 --> 00:52:35.659
to my husband's chagrin and you know really really
00:52:35.659 --> 00:52:37.760
leaned into the stories that had already lived
00:52:37.760 --> 00:52:41.760
a little before coming to me. Shopping there
00:52:41.760 --> 00:52:43.800
I think feels like what a neighborhood bookstore
00:52:43.800 --> 00:52:47.940
should feel like. It's approachable, it's intentional,
00:52:48.260 --> 00:52:51.320
it is full of personality. It's the kind of place
00:52:51.320 --> 00:52:53.519
where you always find something that you didn't
00:52:53.519 --> 00:52:55.199
know you were looking for and that's sort of
00:52:55.199 --> 00:52:57.780
built into the very nature of what the head in
00:52:57.780 --> 00:53:00.000
the hand is meant to recreate for you, right?
00:53:00.519 --> 00:53:03.340
It's a place where It feels good to spend your
00:53:03.340 --> 00:53:05.440
money because you know it's supporting something
00:53:05.440 --> 00:53:11.719
local and really meaningful. I love free libraries.
00:53:11.940 --> 00:53:14.619
I use them all the time. Elkins Park is positively
00:53:14.619 --> 00:53:17.619
littered with them in the best way. But this
00:53:17.619 --> 00:53:20.340
felt like a way to really contribute to a bigger
00:53:20.340 --> 00:53:22.679
ecosystem, which is something that is tremendously
00:53:22.679 --> 00:53:26.139
important to me The book bank is obviously part
00:53:26.139 --> 00:53:29.179
of the local circular economy Which means it
00:53:29.179 --> 00:53:32.099
values reuse and local business again having
00:53:32.099 --> 00:53:36.590
lived in Philadelphia for 17 years being really
00:53:36.590 --> 00:53:38.630
passionate about seeing those local businesses
00:53:38.630 --> 00:53:41.429
thrive and making things more accessible in a
00:53:41.429 --> 00:53:43.869
responsible way for more individuals. I felt
00:53:43.869 --> 00:53:46.849
like my donation really became part of a cycle
00:53:46.849 --> 00:53:49.949
that supports a small bookstore and other leaders
00:53:49.949 --> 00:53:53.769
and the community around. So it's not just giving
00:53:53.769 --> 00:53:56.150
something away, right? It's investing in something
00:53:56.150 --> 00:54:01.179
that matters. Why doesn't every city have this?
00:54:01.360 --> 00:54:04.719
It's part bookstore. It's part community exchange
00:54:04.719 --> 00:54:08.420
It's a place where books keep moving and it's
00:54:08.420 --> 00:54:10.840
also connecting people instead of collecting
00:54:10.840 --> 00:54:14.079
dust, right? You are living in the experience
00:54:14.079 --> 00:54:16.639
of reading a little bit. It's good for your shelves
00:54:16.639 --> 00:54:20.880
It's good for your neighbors. It's good for Philly
00:54:20.880 --> 00:54:28.460
Thanks for joining us on this episode of circle
00:54:28.460 --> 00:54:32.340
up where we explore the world of resale. And
00:54:32.340 --> 00:54:34.980
special thanks to Linda Gallant from H &H Books.
00:54:35.460 --> 00:54:37.639
You can find out more about the store, events,
00:54:37.719 --> 00:54:44.159
and the book bank at theheadinthehand .com. And
00:54:44.159 --> 00:54:46.360
thanks to Karen Jared from the Resource Exchange.
00:54:46.780 --> 00:54:48.219
If you want to find out more about the store,
00:54:48.340 --> 00:54:51.599
you can visit theresourceexchange .org. And to
00:54:51.599 --> 00:54:53.880
learn more about Resource Philly, the city -wide
00:54:53.880 --> 00:54:56.360
searchable database for where to donate just
00:54:56.360 --> 00:55:00.420
about anything. go to resourcevillie .org. We'll
00:55:00.420 --> 00:55:02.659
have all these resources and more in the show
00:55:02.659 --> 00:55:05.900
notes. And if you, like me, have a bunch of clothes
00:55:05.900 --> 00:55:08.079
to donate in the back of your closet, you may
00:55:08.079 --> 00:55:11.719
be interested in our next episode all about textiles.
00:55:13.280 --> 00:55:15.880
The Circle Up podcast is presented by Circular
00:55:15.880 --> 00:55:18.820
Philadelphia. It was produced by Meredith Nutting
00:55:18.820 --> 00:55:22.219
at Cool Goon Productions. This podcast was supported
00:55:22.219 --> 00:55:24.539
by a grant from Penn Treaty Special Services
00:55:24.539 --> 00:55:27.269
District. If you want to learn more about the
00:55:27.269 --> 00:55:29.369
circular economy, go to circularphiladelphia
00:55:29.369 --> 00:55:30.190
.org.