สำเนาบทสนทนา 🔗
WEBVTT
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Oh hi! Yeah, I I I didn't see you there.
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I mean you're you're probably wondering what a guy like me is doing in a place like this, right?
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Well, I was reading a book about Sony and the early movies they made, and I don't know, I got I got interested.
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And after I put the book down, it brought me here.
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Yeah, I mean, as a boardwhite guy with access to microphones, interfaces, and field recorders.
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Oh, excuse me.
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Now you are forced, I mean, you get to experience this beautiful world of September 7th, 2001.
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Let me break it down for you.
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A six-pack costs$6.46.
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A 30 of Miller Genuine Draft, which is featured in this movie, is$15.99.
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A gallon of unleaded gas costs$1.53.
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Nobody knows how good they have it, and it's hard to remember, like, a time like this, a time before.
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But let's go to the movies.
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So, what the hell is The Musketeer?
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Apparently, there was a 2001 retelling of the Dumas story.
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How have I never heard of this movie?
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I'm asking because the movie we're covering was number two in the box office, and it made so little, and I will not stand for this.
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Because today, this is probably the best movie I've covered on the show.
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Did not expect it, but to can play that game, originally called How to Make Your Man Behave, is such a me movie?
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Check this, it has so much in common with the brothers.
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It has the same cinematographer, Alexander Gruzinski.
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It opens with stock helicopter footage of Los Angeles, and it even has the same font for credits.
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It has three people from the cast of the brothers: Morris Chestnut, Gabrielle Union, and Tamila Jones, which I must ask forgiveness for mispronouncing her name like Kamala Harris last time she was subject.
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I guess the 110-day campaign made an impression on me.
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I'm just a podcaster in front of my audience, asking them to forgive me.
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I feel like a substitute teacher calling roll now.
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I'm sorry, Tamala, everything you do is amazing.
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It's actually fitting for us to cover this in October.
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The other movies have been scary, and this one is all about fear.
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Fear of being alone, fear of showing weakness, fear of being the one who cares more, fear of losing your partner, fear of what other people think.
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It's a tragedy that I haven't had this movie thrust upon me like Moore's Chestnut on the dance floor.
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This film is so good at depicting the bullshit that couples go through and the honest lack of communication despite technology.
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These people are using landlines and answering machines, and it's just as relevant today.
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Before I forget, this is Screen Generation, a podcast about the movies released by Sony under the label Screen Jams.
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Sorry if this episode comes out a day or two late, I don't get used to it.
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I'm your host, Devin Hughes, and this is how I sound with a big smile.
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This movie is almost a male reaction to the rules.
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Do you remember the rules?
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Jesus Christ, you don't know the rules?
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Time-tested secrets for capturing the heart of Mr.
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Wright?
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Little gems to be like be honest but mysterious, or always end the date first.
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These were frying the brains of desperate single women in the late 90s.
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It's rife with emotional manipulation and an inflated opinion of oneself, but it's a great format for a fourth wall break.
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And about the format, I love people talking down the lens and telling you the rules.
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Wrong or not, we have bad examples of this in everyday advertisements or Deadpool, but well-made movies like Ferris Bueller's Day Off.
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Incredible.
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One of the worst performances of my career, and they never doubted it for a second.
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How could I possibly be expected to handle school on a day like this?
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And uh Garth does it a couple times in Wayne's world.
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Hi If I had a girl like Cassandra, I wouldn't bring her here.
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I mean, look at this place.
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This is a fully functional babe layer.
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Chicks are helpless against its powers.
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Let's check it out.
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And John Cusack is constantly doing it in high fidelity.
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People worry about kids playing with guns or watching violent videos.
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Some sort of culture of violence will take them over.
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Nobody worries about kids listening to thousands, literally thousands of songs about heartbreak, rejection, pain, misery, and loss.
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I was gonna lump in clueless, but that's just a
Load full transcript
voiceover, and I don't consider that a break in the wall.
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Breaking the fourth wall is a fantastic way to gain an audience's support or demonstrate how, forgive me, clueless they are about dating.
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So here's Vivica explaining how dating is.
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Oh hey.
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Sorry, I'm a little pissed off right now.
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But my best friend Karen is having man trouble.
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Miss Smith, Tracy Johnson's online too.
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Tell her I'm in a meeting, but I'll be there in an hour.
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Tracy, another one of my girlfriends.
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Man trouble too.
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Seems like every woman I know is having man trouble.
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Have you ever noticed around spring, say early summer, men start to act up a little bit?
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Mm-hmm, they do.
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See, they don't act up in the wintertime because they want to get that indoor activity going on.
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Mm-hmm.
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But as soon as the season breaks, girl, they show their asses.
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It's true.
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It happens every year around spring, the breakup season.
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The time of year when women start wearing little mini skirts and skimpy clothes, letting their little stuff just hang all out, causing men to lose their damn mind.
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Spring.
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The time of year when I have to counsel all of my girlfriends on how to keep their no-good, unable to say no, men in line.
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It's amazing what a little warm weather can do.
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So the reason her character arc is so satisfying is the confidence that Vivica starts off with, and both her big talk and strategies to control Morris Chestnut, well, it fizzles out, and at the end she realizes she doesn't need to manipulate the man she wants to keep.
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It also helps that Morris Chestnut doesn't talk to camera with anything near the arrogance that she does.
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Uh, he's kind of dumb and he's being fed bad advice by Anthony Anderson because Anderson wants to live vicariously through him.
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It's not a whole bunch different from Fox and the ladies.
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She has no business giving them advice, but it does demonstrate how supportive she is of her friends.
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Listen to the way Anthony Anderson speaks in this movie and then remember Vivica.
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Hold on one second, though.
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Ladies and gentlemen of the jury, I intend to prove that the witness, Keith Fenton, has perjured himself in the court of law.
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Joe Brown, you wanna sit down and please.
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May I approach the witness, Your Honor?
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May I have your permission to treat the witness as a hostile witness.
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Oh, thank you.
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Keith.
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I'm a tad bit confused.
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And maybe you can help me understand a few things.
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You took this 26-year-old, supple breasted, tight-assed, skin so smooth, it looked like buttermilk.
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You took that to a secluded restaurant and danced with that.
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And then when you got caught by Shantae, you acted guilty.
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Why?
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Because you wanted to hit it.
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Oh no, Keith, you wanted to hit it.
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I did not want to hit it.
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You wanted to bend it up here.
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You wanted to tap that ass.
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Deep down in the Lord.
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You left it for it.
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Okay, okay.
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Alright.
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Maybe a little bit I left it for.
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Alright?
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Is she fine?
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Good.
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Now we're getting somewhere.
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Siki?
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You're guilty, dog.
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Guilty.
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Alright?
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Okay.
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And secretly you wanted to hear it.
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Alright, cool.
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Whatever you say, dog.
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What do we do right now?
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We wait.
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This movie is written and directed by Mark Brown.
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Most chick flicks, so I know that's a derisive name, are made by men.
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Alright?
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So all the monologues and ideas come from him.
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Tell me, could you gender swap this?
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If you started with Anthony Anderson spouting about relationships and how to keep yo woman, yeah, it's called hitch.
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Basic principles.
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No woman wakes up saying, God, I hope I don't get swept off my feet today.
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Now, she might say, This is a really bad time for me.
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Or something like, I just need some space.
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Or my personal favorite.
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I'm really into my career right now.
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You believe that?
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Neither does she.
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You know why?
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Because she's lying to you.
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That's why.
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You understand me?
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Lying.
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Now Hitch is a decent movie.
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I'm still mad at Big Willie, and while he did not return for the Independence Day sequel, Bible A.
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Fox sure did.
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Before I drop it, sometimes I think I'm so clever, and then I listen to the commentary and I feel less special.
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Then he looked at me.
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And for a second.
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There's one interesting thing about this picture that I I liked is is that Shantae actually breaks the fourth wall.
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You know.
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And and there was much debate as to whether or not it would work or or if it would be too imposing.
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I mean, one of my favorite movies of all time was was Farris Beeler's Day Off.
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And I remember I originally wrote it when I wrote How to Be a Player.
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But at the last minute they took it out.
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So I was determined to show that it really can work and it can work effectively.
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Back to Anderson for a moment.
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Okay, real talk.
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I don't want to exaggerate the importance of shutting down an ambitious young white man, but cutting us down a bit tends to protect us in the long run.
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I've previously stated my affinity for black culture and how readily I took exactly what I wanted from it.
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In 2003, I got hit with a one-two punch of Malibu's Most Wanted and Scary Movie 3.
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Both achievements in cinema, featuring a parody of Eminem, both with Anthony Anderson.
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I distinctly remember thinking, I'm glad I'm not that guy, and then asking, but by how much?
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Jamie Kennedy as B-Rad G and Simon Rex as George are the reason I don't speak in Ebonics.
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It's the reason I don't dress in any way of identification.
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So the examples in pop culture parroting actual cultural appropriation in this instance stopped a horribly misguided kid.
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Alright, a small side tangent, but my friend Mike used to be the bassist and lead singer of a pretty popular metal band.
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I caught a few of his shows, and every time I found myself in the crowd, I began to notice how hard everyone had worked on their look.
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Whereas I'm wearing a fishing button-up and cargo shorts, these people
are all wearing a combination of tight, torn black jeans, a strange amount of vests, and safety pins, and I I forgot to mention it's a hundred degrees in the venue.
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The irony of people who work so hard to visually depict they don't care what you think, putting so much effort into cosplaying as the Adams family is so funny to me.
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I think bikers are like this too.
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Imagine becoming an adult and the little club you belong to as a dress code.
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But back to Anthony Anderson, in 2005, he's in Hustle and Flow as a recording tech, and his producer is DJ Qualls, ripping up an old school NPC.
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In the next three years, this is what I'm up to.
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I construct a guerrilla studio, I'm teaching my talent microphone discipline, and I start a love-hate relationship with music production.
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At any rate, Anthony Anderson should be acknowledged as a reason this show exists.
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Because a nudge in either direction, and I'd be a sneakerhead with a black scent.
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Oh, and though I identify as a barely Hispanic white dude, if you could see the sunburn I got yesterday morning, you'd identify me as a very steamed lobster.
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But because it's on the show and every time I say some celebrity was important to me, they inevitably are gonna have a controversy section in their Wikipedia, so let's cover that for the brother.
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In 2023, Anderson was tapped to host the 75th Emmy Awards, and suddenly everyone knew he had a long history of sexual assault allegations.
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Which puts a bad taste in your mouth when he's playing a horn dog in this movie, whispering in chestnut's ear to sleep with Gabrielle Union.
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I I swear to god, you cannot trust anyone in this industry, and your heroes are human, probably bad humans.
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But we should actually reflect on the lovely Viveka Fox because she gives an amazing performance in this movie.
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Uh before this, in the late 90s, she's Listerine and Booty Call, she's misbehaving in Batman and Robin, she's the badass mom stripper survivor in Independence Day, and I know he probably would take credit for uh her career in like reviving it, but when Quentin Tarantino puts her in Kill Bill as uh Fernita Green, I i i it's one of the things where she was still acting at the time.
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She constantly, she's never uh dropped off, it's just the titles she was in weren't weren't bigger.
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There's a whole lot of stuff that you can't even research.
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Nothing on IMDB or Wikipedia for a couple of these titles.
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Did you know there's a sequel to this movie?
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Yeah, in 2007, Sony Pictures Home Entertainment, so this is a direct-to-video release, and yeah, she's in it too.
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But let's talk today.
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It's 2026, she's been in five movies this year, and reprised her role as Dr.
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Stephanie Simmons on The Young and the Restless.
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She has over 250 credits, most of which are a blind spot for oblivious whites like me.
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Alright, um, a little more about race, I know.
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So the ladies in this movie, besides the lovely and natural Monique, are business casual and that goes doubly for their hair.
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There must be so much chemical relaxers working for them to have this look, which is probably the standard for an office-approved appearance if you have higher aspirations at the time.
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It's not in your face, but you're meant to notice the lack of diversity in the office.
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Also, body image has changed so much too.
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Vivek and Gabrielle are they have amazing bodies, but they're also very natural, achievable types, and like they're treated like voluptuous Jessica rabbit succubuses.
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And in comparison with today, women have started to do so much cosmetic alterations to their features in their 20s and 30s, I'm really starting to miss women who could frown.
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Ugh, and speaking of women frowning, Bobby Brown's in this movie.
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The creator of New Jack Swing, Whitney Houston's husband.
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And I didn't recognize him at first because he's introduced, he rolls out from under a car with crazy fake teeth and a really bad Jerry Crawl.
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When he gets like a makeover later on in the movie, I'm like, that's fucking Bobby Brown.
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And he doesn't have a golden reputation right now, but it's before the biggest of his controversies with Whitney, and it's unnerving how charming he is, and it's like two minutes in this movie.
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Okay, what other small parts do we have?
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We have uh gay secretary, David Crumholtz, getting a bit of mileage out of a really bad haircut.
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Yeah.
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Um, oh actually, uh I think a character in this movie is the soundtrack, and uh the soundtrack to this movie was released as an expanded mixtape.
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It has a great it is great hip-hop and RB.
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E40 and Nate Dog are on this thing.
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Basically any song in the movie is on it, and there's a bunch of remixes to anything that was instrumental.
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Alright?
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I haven't touched the plot much, and I think I can sum it up in one sentence.
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An opinionated woman catches her man dancing with a coworker and tortures him until she gets jealous.
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That's it.
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It's the Barenaked Lady song one week.
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It's about the performances, it's about the jokes.
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Thinking about it a little more, Monique is the only woman with agency.
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She knows her man is worthless, but she doesn't listen to Vivica, and the women who that do aren't more successful for it.
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Monique is a woman who has sexual needs, and she isn't surprised when Vivica's relationship is on the rocks.
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In 2017, there was a stage adaptation of this movie, and who do you think came back from the main role?
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Vivica Fuckin' A.
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Fox.
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Forgive this, but after it goes to Mars, but she is definitely my generation's Pam Greer.
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And this movie would do fine as a play.
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There is like only one nightclub or church in this damn city, and everyone gets invited to the same corporate parties.
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I often think if times were tough and I had more patience, I'd be that teacher adapting crazy rich agents for the stage.
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Why?
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Because I'm a hack, and if you get past the locations, the movie's just people talking, and the climax is two ladies sitting at a table playing Mahjong.
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And if it was like a bunch of sixth graders, I would love for them to try to understand what the hell I'm talking about.
00:15:46.559 --> 00:15:51.440
I've also I've been grading those gems on a curve, but this movie doesn't need it.
00:15:51.600 --> 00:15:57.440
I want to leave something about it, uh glass ceiling, if you will, so this is gonna be my first 9.9.
00:15:57.919 --> 00:15:59.919
I'm a sucker for romantic comedy.
00:16:00.080 --> 00:16:01.279
This is both of those.
00:16:01.440 --> 00:16:04.080
I really enjoyed it, surprised by it even.
00:16:04.639 --> 00:16:12.799
As far as money, Wikipedia says it costs 13 million, but Brown says on the commentary he made it for 5.5, which I tend to believe.
00:16:12.879 --> 00:16:16.879
I think they sold it to Screen Gems for 13 and it goes on to make 22.
00:16:17.120 --> 00:16:20.799
I'm sorry, but nobody wanted to go to the movies the week of 9-11.
00:16:20.960 --> 00:16:30.159
The box office was never gonna be better than that or bounce back for this movie, but it was a uh a good rental, and I'm telling you, this is the best movie I've covered on my show.
00:16:30.559 --> 00:16:32.399
Thank you for listening to Screen Generation.
00:16:32.559 --> 00:16:35.679
It's the podcast about the films released by Sony under the label Screen Jams.
00:16:36.000 --> 00:16:38.639
This has been the second installment of the Morris Chestnut saga.
00:16:38.799 --> 00:16:43.120
Next week we're gonna go get spooky again, and it's gonna be our second movie directed by Mark Collington.
00:16:43.279 --> 00:16:46.080
But let's let the hosts of Blank Check uh introduce this movie.
00:16:49.919 --> 00:16:56.080
Ben is about to perk up because they're full about prophecies involving the Mothman.
00:16:58.639 --> 00:17:01.840
The film Ben has hit no less than five times for an episode.
00:17:02.080 --> 00:17:03.919
I think we have to do it on Metroid.
00:17:04.079 --> 00:17:05.200
That is really delightful.
00:17:06.160 --> 00:17:08.079
Delightful is the first word I think of.
00:17:09.200 --> 00:17:10.799
And the Mothman traffic is already.
00:17:12.240 --> 00:17:14.079
It's like Richard here and Laura Lady, right?
00:17:14.160 --> 00:17:16.960
Like it's like a you know, pretty rope, you know, pretty pretty actor.
00:17:17.440 --> 00:17:18.960
And they're like, have you ever heard of the Mothman?
00:17:19.200 --> 00:17:21.839
And I'm just like leaning forward, like, the Mothman?
00:17:24.880 --> 00:17:37.759
Uh we were just making sure there was adequate closet space.
00:17:38.000 --> 00:17:38.240
Good.
00:17:38.319 --> 00:17:39.759
This house is yours if you want it.
00:17:39.920 --> 00:17:40.960
We'll take it.
00:17:50.799 --> 00:17:50.960
Okay.
00:18:01.759 --> 00:18:02.720
She knew.
00:18:02.880 --> 00:18:04.559
She was drawing angels.
00:18:08.559 --> 00:18:09.599
What are you doing here?
00:18:09.839 --> 00:18:11.519
Somehow between one and two thirty.
00:18:11.599 --> 00:18:13.039
I traveled 400 miles.
00:18:13.279 --> 00:18:14.319
I've got no memory.
00:18:14.880 --> 00:18:18.720
Past few months, people have been coming up to me and reporting strange things.
00:18:19.599 --> 00:18:22.160
Weird lights, strange phone calls.
00:18:24.079 --> 00:18:24.720
Who is this?
00:18:25.359 --> 00:18:28.960
How do you do when someone comes into your office and tells you they saw this in their backyard?
00:18:29.119 --> 00:18:31.599
Oh, I saw some true pictures.
00:18:31.920 --> 00:18:32.720
Just like this.
00:18:33.440 --> 00:18:34.799
I'll show you this.
00:18:35.440 --> 00:18:36.480
You know what that is?
00:18:36.720 --> 00:18:38.720
One day I started hearing voices.
00:18:39.039 --> 00:18:40.240
Voices became messages.
00:18:40.319 --> 00:18:41.119
He was right here.
00:18:41.279 --> 00:18:44.400
All I could see were these two red eyes.
00:18:44.640 --> 00:18:45.519
I met him.
00:18:46.240 --> 00:18:47.039
You met him.
00:18:47.279 --> 00:18:49.119
He said, do not be afraid.
00:18:53.599 --> 00:18:56.000
All 99 are believed dead.
00:18:57.759 --> 00:18:59.920
You're ready in my mind, I voices my hand.
00:19:04.559 --> 00:19:07.200
This isn't just a message, it's a prediction.
00:19:14.960 --> 00:19:16.880
Earthquakes are going to happen.
00:19:17.200 --> 00:19:22.079
People you know and love are going to die, no matter what that voice tells you.
00:19:24.480 --> 00:19:26.319
There's nothing you can do about it.
00:19:29.599 --> 00:19:30.880
I can stop this.