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Jonny: Hi, everyone.
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Welcome to another episode of the Near
Future Podcast with Tom and Jonny.
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Today, we're joined by Frank Bach,
who, is a designer at Anthropic
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via some incredible companies.
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I've probably been following you for
a little while, Frank, on, on Twitter.
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But, something you posted maybe on
LinkedIn actually really caught my eye
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a- about a month ago, and I reached out.
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Very happy to have you here.
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We're gonna get into that in a bit,
but before that, I'll just, give a
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quick run-through of, of your bio as I
understand it, and, and, you can then
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correct me if I, I've got anything wrong.
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But, you-- back in the day, in the, in
the early days, you, were a-- you started
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Bureau, which is a, was a design agency.
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Frank Bach: We're going way back.
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I
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Jonny: yeah, way back.
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Way back.
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Important to get some, yeah, get
some, get some deep cuts in, in here.
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Show we've done our, our,
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so, started Bureau.
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that went until sort of 2015 time, and
then Edenspiekermann, is that right?
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And then,
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Frank Bach: Yes
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Jonny: and then Headspace for seven years.
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and Headspace really cut
through here as well.
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You know, I feel like all of
us downloaded it, used it.
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something absolutely incredible product.
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it started by an Englishman, I believe.
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We can probably talk
about that a little bit.
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and, a- and just, you know, as
designers, it was one of those,
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if I need inspiration, I open,
open that app, fairly soon.
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so, so it would be amazing to
hear a little bit more about that.
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then Instagram and DoorDash and,
now at Anthropic as of recently.
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So we'll probably start at
the, start at Anthropic.
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But if you want to go deep, deep on
something, then, then do let us know,
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and we can get into some, some of y-
some of your sort of side stuff as well.
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there's, there's tons going on.
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So opening question: What does a day
Load full transcript
in
the life of Frank at Anthropic look like?
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and,
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Frank Bach: Great.
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Jonny: know, how does the design team
function and, and, I'd love to just hear
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how you, how you guys design over there.
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Frank Bach: Yeah, absolutely.
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I wish there was a, a perfect
answer to that question, but it
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really definitely changes every day.
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what is a day of designing
at Anthropic like?
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I think the, the speed at which the
technology is moving, and it's probably
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similar, a similar vibe at a lot
of these kind of AI lab companies,
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is it's all moving so quickly.
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There's, you know, there's regulation,
there's, there's new technologies,
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there's new data centers being built.
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Like, all this stuff
is happening kind ofâ¦
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What's that movie?
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Like, everything everywhere
all at once kind of thing.
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Like, that's sort of the feeling.
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the pace is very intense, and I would
say it's not unusual, that you will,
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know, like a, like a 12-month roadmap
probably doesn't make any sense.
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Like, you're sort of
reprioritizing things on the day.
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so for people who really thrive in,
like, a super structured sort of like,
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"I need to know what I'm doing over the,
over the next several months," it would
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probably be a bit of a tough place to be.
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people who thrive on, you know,
if you have maybe have a bit of an
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entrepreneurial mindset and you getâ¦
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You know, you're energized by the speed of
things, I think that it, it becomes a very
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fun place to work, of like, you know, you
don't really know what's coming tomorrow.
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if you can live with that
unpredictability, then awesome.
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so that's-- I, I'm feeling, like,
super, super energized by it all.
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And I was, you know, just before
this job, I was at DoorDash, and
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I, I quite enjoyed my time there.
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and then before that, Instagram.
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Both those companies were very much,
sort of reset the roadmap every six
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months kind of situations, where you
would, you know, you'd build these
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long, elaborate presentations that
would sort of show what is my big bet
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for the next three to six months, and,
like, how have we found conviction
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and what do we believe in and what's
our North Star and all these things.
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And, like, those are great skills to have,
and you become kind of a good storyteller.
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but when it comes to, like, what stuff
actually got built at the end of the
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year, it's a totally different story.
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so being here and, like, you know,
boots on the ground, sort of like
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builder mode, we're making things every
single day, I'm absolutely loving it.
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You know, I think it, you know, the
hours can be long and the work's
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intense, but I finish every day feeling
like, "Holy shit, that was a day.
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That was like, that was fun."
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Likeâ¦
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Jonny: Awesome.
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you posted recently, and this, this
is the post that caught my eye and
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Frank Bach: Yeah
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Jonny: I decided I just had to,
had to drop you a, drop you a DM.
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But, you described building
your own design tool,
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Frank Bach: Yes
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Jonny: and, that was what?
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A month ago maybe.
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first of all, can you describe it to us?
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You know, it's-- it was, slightly
mysterious in your LinkedIn post that
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we'll put in the show notes, but,
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Frank Bach: I know
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Jonny: can you describe a little bit
more how it works and, and you know,
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Frank Bach: For
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Jonny: where is it up to now?
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Is it, has it ca- carried on evolving?
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Frank Bach: For sure.
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So the, yeah, that LinkedIn
post kind of took off.
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I wasn't expecting that, and it's
led to a lot of, interesting DMs of
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people wanting me to show the tool.
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Unfortunately, I cannot show the tool.
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I wish I could.
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Maybe one day it will be a case
study, of mine, and I'll have to
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sort of strip away all the, all
the, the sort of inside information.
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But I'll do my best to explain it.
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I started at Anthropic.
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People told me, "This place is crazy.
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It's intense.
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onboarding weeks will be the,
you know,
the lightest sort of weeks of the job."
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You know, pretty typical of any, any job
before you really hit your first project.
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And I think when I was at DoorDash,
we were getting really into the, the
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AI tooling, but it was sort of in
this like half Figma, half, you know,
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dabbling in Cursor, Claude, et cetera.
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And you sort of like don't really know
where, to start, where to, you know,
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how do I start a project these days?
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You know, is it a new page in
Figma or like what do I even do?
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And I thought, you know what?
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There's this, there's this vibe right
now that-- And I don't know if it's,
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it's right or wrong, but the people
who tend to stand out right now are
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the people who are not using Figma.
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I'm sure it's just a trend, a
moment we're kind of going through
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and I thought, "You know what?
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I'm right here.
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I'm in this AI company.
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I should probably make the best
of the situation and kind of like
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during my chill, chill onboarding
week, see what I can get up to."
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You know?
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Like I, I've got, you know, I've got
a enterprise Claude account, lots of
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tokens, and I can make cool stuff.
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So where, you know, what the hell?
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Why not?
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And then so I, I got my first project,
that was like, you know, sort of most
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jobs you'll start your first, your
first project is kind of like a softball
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thing just to kind of get into the
design system and, you know, kind of get
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your, get your feet wet, so to speak.
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And, I, I kick this project off
and I'm, I'm kind of using Claude
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to, generate HTML prototypes
of, of what I'm trying to build.
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And Claude was already hooked
up to the design system, so
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it's all coming out, you know.
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Thankfully, designing with Claude looks,
it kind of looks like Claude all the time.
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So when you are building
Claude, it's great.
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You know?
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When, when you're trying to
build something else that kind
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of looks like Claude, it can be
a bit of a different situation.
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so I'm, I'm building this prototype
and I'm, you know, I'm feeling,
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man, this is-- I'm having fun.
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I'm just prompting, typing.
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It's kind of I'm generating stuff at a
speed that I've never quite done before.
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You know, gone are, I think gone
are the days of spending three
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to four weeks, know, finessing
the settings screen or whatever.
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You know, like we're not,
we're not doing that anymore.
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We'reâ¦
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And I'm building this thing and I'm
g- I'm getting excited about this.
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Okay, cool, great.
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I've, I've like I, I sort of
hit this moment I should share
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this with my product manager.
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Okay.
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How do I even share it
with my product manager?
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I go, "Shoot, maybe I
should have been in Figma.
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I've taken a really bad s- you
know, a big misstep here and
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I've totally wasted my time.
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So how would I rebuild what I've
done in this prototype in Figma?"
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Then I go, "Wait a second."
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I prompt it, you know.
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What if I make a share function?
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Okay, now we got a share function.
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Okay, cool.
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This is starting to become something.
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I can share the project.
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And then my, my product manager
was away that day or something
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and I go, "You know what?
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Maybe I should record a Loom
video of like walking through it."
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And then I just prompt it, "Hey,
generate me, make me a Loom feature."
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And then boom, it's there.
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And it's like it's not quite
perfect, but it's sort of there.
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I'm like, "Holy gee-" Like, in like
three prompts I've got my f- my camera
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facing like in, you know, feed in the
f- in the HTML prototype and a share
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link and I'm like, I, I'm just in this
like insane workflow that I've never,
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you know, I haven't felt in years,
'cause we've gotten so used to just
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the classic Figma way of doing things.
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And this is not a, a
diss at Figma in any way.
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I think they're fantastic.
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but I was just like, I'm like,
"Oh my God," I'm-- it's like
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riding a bike for the first time.
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I'm like, "I'm really doing it.
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I'm really building."
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You know, it's like something
I've not done before.
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And, you know, like just feature by
feature I'm sort of building the thing
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I need in the moment, on the side
of building the project, you know?
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So I'm like of like not even aware that
I'm doing this, but eventually I've got
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this fully functioning like mini tool
that's perfect for what I needed that day.
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Jonny: Right
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Frank Bach: I sort of hit
the next wall which was, that
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project is kind of complete.
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Now here's your next project."
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"Okay, where do I begin for this one?"
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And I go, "Okay, what if I sort of back
up from this, this project and build
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a container for multiple projects?"
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So now I'm kind of like rebuilding,
you know, the Figma sort of
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recent project screen in a way.
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And then I start doing all
these ridiculous things.
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I'm like, "Oh, I'm having so much fun.
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What if my, What if I make
like some shortcut keys?
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If I hit the R button on
my keyboard it refreshes.
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What if I add like a
glimmer over the screen?
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What if, what if every time I refresh
I get, a wallpaper background of
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like a piece of artwork from a
museum so I'm like inspired by
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seeing new things all the time?"
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And I'm like, "You would never ship
this in a enterprise tool to the world."
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But for me and what I needed that day and
that week was like, "This is awesome."
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And then I'm, you know, people
got pretty excited about it.
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My manager told me, "You should record
a video using the tool and share it
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with the team," and like, you know,
hopefully being able to inspire
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some of the Claude Design stuff.
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And then like in some kind of backwards
way I sort of rebuilt a like Frank's
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crazy version of Claude Design.
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you know.
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And so yeah, that, that's
kind of the story there.
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And, at this point now
I'm still using that tool.
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I've definitely like leaned
more into the Figma usage.
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but yeah, it was, it was a, it was a
really fun, exciting time of, yeah, just,
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just seeing what is really possible with,
you know, access to all of these tools.
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Jonny: It's a really good example of like,
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think and act and, and design
just sort of emerging out of you.
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whether you would call it design
or it probably is, you know,
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y- your-- I, I need this thing.
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This is the vibe right
now, depending on my mood
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Frank Bach: Right.
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Jonny: at this moment in time, I'm
gonna add something superfluous or
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Frank Bach: Right.
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Jonny: and I don't need
to justify it to anyone.
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And then you look back to it and
you're like, "This is a mess," but,
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Frank Bach: Yeah.
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Jonny: you know, it w-
it might mean something.
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It-- There might be some value in this,
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Frank Bach: Totally,
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Jonny: the fact
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Frank Bach: it, it led to work that
was built so that, you know, it doesn't
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really matter what you made it in, it
just, it, did it ship or did it not?
00:11:14.256 --> 00:11:14.876
And that's really
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Jonny: Yeah
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Frank Bach: the most important thing.
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I think we've, we've all spent probably
a lot of time, you know, refining
00:11:22.656 --> 00:11:26.146
design components and things like this,
and then you look at the, the actual
00:11:26.156 --> 00:11:29.696
production component library, and it
looks nothing like the system you're
00:11:29.696 --> 00:11:32.646
working with in Figma, and, like,
just trying to bridge that gap and
00:11:32.646 --> 00:11:34.346
get those two things more connected.
00:11:35.656 --> 00:11:38.016
yeah, it's just, it's totally
changed the way I not just work,
00:11:38.016 --> 00:11:39.676
but think about the work, I guess.
00:11:40.826 --> 00:11:44.206
when I look at some of my sort of side
projects and things that I've done
00:11:44.216 --> 00:11:49.056
for fun, it kinda was the way I would
work anyway, but for some strange
00:11:49.056 --> 00:11:53.966
reason, I, I sort of separated my, the
process of building my side projects
00:11:53.976 --> 00:11:57.216
was, like, very different from the way
I would operate as a product designer
00:11:57.216 --> 00:11:58.936
within a company, if that makes sense.
00:11:59.826 --> 00:12:05.156
'cause I've, like, I have an e-comm
store called Sunshine Shop, that was, you
00:12:05.156 --> 00:12:09.346
know, basically built on a W- WordPress
WooCommerce template that I just hacked
00:12:09.346 --> 00:12:13.526
together and connected bits and pieces
and print on demand and connected a
00:12:13.526 --> 00:12:16.926
shipping calculator and just sort of
like, there's no Figma for that project.
00:12:17.480 --> 00:12:17.810
Jonny: Yeah
00:12:17.866 --> 00:12:18.526
Frank Bach: on the web.
00:12:18.556 --> 00:12:20.956
It was, like, straight
to FTP upload, you know?
00:12:20.956 --> 00:12:23.556
Just like total cowboy mode, know?
00:12:24.918 --> 00:12:28.858
Tom: you mentioned at the end there,
Frank, how you have recently been
00:12:28.938 --> 00:12:30.648
going back to Figma a bit, and
00:12:30.665 --> 00:12:30.955
Frank Bach: Yeah.
00:12:31.265 --> 00:12:31.555
Yeah
00:12:31.978 --> 00:12:36.128
Tom: Superfrank tool that you've built
is something that you see yourself
00:12:36.128 --> 00:12:37.928
using in six months or 12 months.
00:12:37.928 --> 00:12:41.598
Is it something you're gonna continually
evolve, or do you think it's more of
00:12:41.598 --> 00:12:45.988
a certain shape for a certain type of
project, but actually it's just one tool
00:12:46.148 --> 00:12:49.798
and Figma is another tool and you'll use
go back and forth between them regularly?
00:12:50.729 --> 00:12:55.119
Frank Bach: Yeah, I think I'll use my
Frank tool as sort of an HTML prototype,
00:12:57.259 --> 00:13:01.309
tool, and then there's probably
some ways to better connect
00:13:01.349 --> 00:13:03.899
the Figma files to that tool.
00:13:03.909 --> 00:13:05.349
I just haven't quite figured it out yet.
00:13:05.359 --> 00:13:07.019
They're kind of two separate paths.
00:13:08.129 --> 00:13:10.899
but for the nature of the work I'm doing,
I'm on a growth team, so, you know, a
00:13:10.899 --> 00:13:13.919
lot of sort of A/B testing and like that.
00:13:14.649 --> 00:13:18.579
the Frank tool seems to be very, very
good for, like, growth-type design.
00:13:19.719 --> 00:13:21.869
so yeah, I think I'll, I'll
come back to it for sure.
00:13:22.719 --> 00:13:25.649
it's just, yeah, when, when those
projects land, I'll sort of have to
00:13:25.649 --> 00:13:27.469
pick like, you know, path A or path B
00:13:28.790 --> 00:13:29.170
Tom: Yeah, totally.
00:13:30.700 --> 00:13:34.200
I think there's something else in the
post that you shared that specifically
00:13:34.220 --> 00:13:37.780
talked about your mental model and
having a tool that, that mapped
00:13:37.780 --> 00:13:39.640
to your mental model of things.
00:13:40.110 --> 00:13:44.480
was there anything about this tool
that was very unusual compared to
00:13:44.480 --> 00:13:45.600
other tools in the market, or was
00:13:45.673 --> 00:13:45.923
Frank Bach: Yeah
00:13:46.100 --> 00:13:48.960
Tom: the amalgamation of features
that was the, good thing?
00:13:49.833 --> 00:13:53.733
Frank Bach: I think the most unusual
thing that I built, and I, I hope
00:13:53.743 --> 00:13:57.153
Figma steals this idea and somebody,
you know, or somebody builds something
00:13:58.153 --> 00:14:02.023
this, was that I'm often, you know,
if you're working in growth type
00:14:02.023 --> 00:14:05.813
projects, you've, you've got your,
your control and then your, you know,
00:14:05.813 --> 00:14:09.223
your variants A, B, C, D, however many,
you know, you might be run-- you could
00:14:09.223 --> 00:14:10.873
run two tests or 12 tests, who knows?
00:14:10.873 --> 00:14:11.803
Depends on the project.
00:14:13.943 --> 00:14:17.783
built a function where I could load
up two prototypes at once, sort of
00:14:17.783 --> 00:14:22.803
like side by side split screen, and
as I'm clicking either one of them,
00:14:22.813 --> 00:14:25.653
they're both progressing through
the screens at the same time.
00:14:25.733 --> 00:14:29.383
And that became really helpful for
sharing to design leadership of
00:14:29.383 --> 00:14:31.083
like, what's the current state?
00:14:31.093 --> 00:14:33.993
'Cause most people don't even know the
current state of most products they're
00:14:33.993 --> 00:14:37.713
working on, 'cause we, you know, even when
I worked at Headspace, like I was working
00:14:37.713 --> 00:14:41.443
on, on upsell conversion type screens,
but everyone who works at Headspace
00:14:41.483 --> 00:14:44.533
doesn't have to pay for the app, so they
haven't seen those screens in years.
00:14:44.923 --> 00:14:45.203
You know?
00:14:45.203 --> 00:14:47.783
So sort of like there's always
this question of like, what is
00:14:47.783 --> 00:14:49.563
the current state of things?
00:14:49.613 --> 00:14:54.543
And so, being able to click through two
prototypes sort of with one click and
00:14:54.543 --> 00:14:58.683
sort of give you this live view of like,
here's what's changing on this screen,
00:14:58.683 --> 00:15:01.723
here's what's changing on this screen,
here, you know, and, and give a feel and
00:15:01.723 --> 00:15:05.303
build up that confidence for people to
agree, like, you know, give you the green
00:15:05.303 --> 00:15:08.003
light for that project felt very powerful.
00:15:08.603 --> 00:15:11.703
and that's probably one way that I'll
keep, definitely keep using this tool.
00:15:13.023 --> 00:15:16.293
but yeah, incredible-- Like it was almost
something that Claude did by accident.
00:15:16.323 --> 00:15:20.253
I, I, I sort of explained what I was
roughly looking for and I was like,
00:15:20.503 --> 00:15:23.683
"Oh damn, this is like, this is even
better than I thought it would be,"
00:15:24.103 --> 00:15:27.703
which I think a lot of people are, are
feeling, when they're using these, these
00:15:28.033 --> 00:15:28.213
Jonny: Mm.
00:15:29.034 --> 00:15:30.264
Tom: Yeah, absolutely.
00:15:30.333 --> 00:15:31.273
Jonny: accidents, yeah
00:15:31.470 --> 00:15:32.110
Frank Bach: Yeah, yeah
00:15:32.384 --> 00:15:36.354
Tom: one, one thing, thing we found
with the guests we've been speaking
00:15:36.354 --> 00:15:40.004
to recently, everyone has a different
interpretation of where the line is
00:15:40.004 --> 00:15:43.264
for what they want to retain as a
human versus what they're happy to
00:15:43.753 --> 00:15:44.063
Frank Bach: Yeah
00:15:44.094 --> 00:15:44.794
Tom: the AI.
00:15:44.844 --> 00:15:48.564
but when I think about Figma, I think of
it being very much a, like here are all
00:15:48.584 --> 00:15:50.024
the things at my disposal and I'm just
00:15:50.267 --> 00:15:50.697
Frank Bach: I see
00:15:50.824 --> 00:15:53.354
Tom: in the tool they need to
craft the output that I want.
00:15:53.764 --> 00:15:57.834
But the world you're describing feels
a bit more dynamic and interactive and
00:15:57.834 --> 00:16:03.694
fluid, and I could imagine that having
potential to incorporate, I don't
00:16:03.694 --> 00:16:06.814
know, dynamic aspects of how customers
are using the product right now.
00:16:07.044 --> 00:16:07.174
and
00:16:07.219 --> 00:16:07.549
Frank Bach: Yeah
00:16:07.704 --> 00:16:13.284
Tom: more about, yeah, that sort
of user research side of, the sort
00:16:13.304 --> 00:16:15.824
of a multivariate testing side of,
00:16:15.981 --> 00:16:16.301
Frank Bach: Right
00:16:17.474 --> 00:16:21.094
Tom: so this is less about what your
plans are specific with the tool, but more
00:16:21.094 --> 00:16:24.524
about you see the limits of this tool.
00:16:24.554 --> 00:16:25.664
Is that something that would
00:16:25.779 --> 00:16:26.079
Frank Bach: Yes
00:16:26.454 --> 00:16:30.284
Tom: in the r- world of possibility,
or are you more on the like, I want to
00:16:30.284 --> 00:16:33.714
control the things and this is just a much
nicer surface to control those things in?
00:16:34.583 --> 00:16:38.953
Frank Bach: I think there's a future
where, like, just have these sort of mega
00:16:38.953 --> 00:16:42.823
tools that can do almost anything and
you're, I don't know, you-- like, on a
00:16:42.833 --> 00:16:47.553
per user basis, you could sort of toggle
on and off, what you're looking for.
00:16:47.553 --> 00:16:53.203
I wonder sometimes, like, you know, like,
like Illustrator or Photoshop, kind of
00:16:53.523 --> 00:16:56.923
have been doing this for many years,
where you've got different workspaces and
00:16:56.923 --> 00:16:59.913
they'll sort of pull up different features
that you might need in that moment.
00:17:01.203 --> 00:17:07.023
but yeah, I, I could totally see a future
tool that just has a live command line,
00:17:07.473 --> 00:17:10.843
you know, maybe along the bottom that
you can just constantly type into and
00:17:10.843 --> 00:17:12.883
you're just reshaping the tool as you go.
00:17:12.883 --> 00:17:16.473
I don't know, maybe there's a, there's
a big reset button at some point when
00:17:16.473 --> 00:17:20.683
you've gone too far and it's you've,
you've created a, a, a monster.
00:17:21.173 --> 00:17:26.473
But, yeah, I do like this idea that,
like, I can continuously evolve the tool
00:17:26.473 --> 00:17:33.443
for myself, almost like a shortcut into
Claude, if that makes sense, the tool.
00:17:33.483 --> 00:17:34.983
I think that would be very, very fun.
00:17:35.643 --> 00:17:37.103
does everybody want to do that?
00:17:37.133 -->
00:17:37.743
I don't know.
00:17:37.753 --> 00:17:41.213
I mean, maybe it takes some special,
like, unique people who wanna work in
00:17:41.213 --> 00:17:46.777
that way, but I also, like- Yeah, I
think it, it opens up this big sort of
00:17:46.777 --> 00:17:53.527
existential question or for designers
of, know, do we, sort of make, sort of
00:17:53.587 --> 00:17:57.367
just continue the, the path of making
our own tools and what works for us and
00:17:57.367 --> 00:17:59.427
does that scale across design teams?
00:17:59.457 --> 00:18:00.007
I don't know.
00:18:00.357 --> 00:18:04.767
Does-- Or are we better off to just
kind of continue, with these more
00:18:04.767 --> 00:18:08.317
enterprise tools that, that are, like,
more one-size-fits-all type things?
00:18:09.607 --> 00:18:12.407
again, I, I-- Before working
on Claude, I'd never workedâ¦
00:18:12.477 --> 00:18:13.847
I'd mostly worked on mobile apps.
00:18:13.847 --> 00:18:18.467
I'd never worked on, software in this way,
so I feel like I'm getting a crazy crash
00:18:18.467 --> 00:18:23.247
course in, like, not just designing tools,
but, like, all I think about is tools now.
00:18:24.457 --> 00:18:29.217
and I think that's, like, a, a theme
going back to my many different jobs
00:18:29.217 --> 00:18:33.147
before this was I think I, I, I've taken
something and learned, like, learned
00:18:33.147 --> 00:18:37.787
something new that was very unique to
that specific job with every role, and
00:18:37.797 --> 00:18:41.877
it's kind of like a, something that's
important to me as I've been working
00:18:41.877 --> 00:18:45.667
through my career that I don't want
to be a one-size-fits-all designer.
00:18:45.817 --> 00:18:49.287
Like, I've, I've met, you know, I've
met folks who are, like, absolutely
00:18:49.287 --> 00:18:51.297
incredible at B2B dashboards.
00:18:51.297 --> 00:18:52.327
Like, that is their jam.
00:18:52.377 --> 00:18:53.287
They do it very well.
00:18:53.287 --> 00:18:54.327
They do this all day.
00:18:54.347 --> 00:18:55.377
It's all they want to do.
00:18:55.717 --> 00:18:56.457
That's amazing.
00:18:56.457 --> 00:18:57.297
I love that for them.
00:18:57.297 --> 00:19:03.427
But for me, I was like, I, I really like,
variety in experiences, and so that's kind
00:19:03.427 --> 00:19:05.337
of why I went, you know, founded a studio.
00:19:05.807 --> 00:19:07.007
I went to Red Bull.
00:19:08.187 --> 00:19:10.827
when I worked at, Edenspiekermann,
our main client was Red Bull.
00:19:10.837 --> 00:19:12.627
We were very much an integrated team.
00:19:13.617 --> 00:19:15.667
and then, you know, energy
drinks to meditation.
00:19:15.727 --> 00:19:19.487
Doesn't make any sense, but, like, that
was very exciting to me of like, okay, I
00:19:19.487 --> 00:19:23.747
want, like, whatever this is is fun, but
I think I want the opposite now, you know?
00:19:24.387 --> 00:19:30.247
so I go meditation, and then, working
on a meditation app, Headspace, we were
00:19:30.247 --> 00:19:34.487
focused a lot on kind of getting you off
your phone and into the present moment.
00:19:34.517 --> 00:19:36.737
And then I went to social media,
which you could argue is the
00:19:36.737 --> 00:19:39.257
total opposite of, like, how do
we get you more in your phone?
00:19:40.437 --> 00:19:40.877
so I don't know.
00:19:40.877 --> 00:19:46.187
I j- I think I, I, I've become a bit of,
like, a Swiss Army knife of, of design.
00:19:46.227 --> 00:19:48.817
Not to toot my own horn too
much, but I, I reallyâ¦
00:19:49.267 --> 00:19:50.557
I, I did this all on purpose.
00:19:50.557 --> 00:19:55.337
This was all very, intentional that I
wanted to come out of this, I guess,
00:19:55.807 --> 00:20:01.051
out of this career having had a lot of
different experiences and just, like I
00:20:01.091 --> 00:20:08.261
think I have a ge- a genuine interest
in business and how, the various, like
00:20:08.261 --> 00:20:10.991
business structures and how companies
make money, whether that's through
00:20:10.991 --> 00:20:15.931
subscription, through, you know, one-time
fees, through advertising revenue.
00:20:15.941 --> 00:20:20.981
Like just learning, all of these different
ways that, that businesses operate and,
00:20:21.031 --> 00:20:23.411
and you know, that you can earn a living.
00:20:23.441 --> 00:20:27.441
I think, you know, I, I don't know
that this is the, end of my career, but
00:20:27.441 --> 00:20:31.931
I could see myself, compiling all of
that information into like, you know,
00:20:31.931 --> 00:20:33.821
into whatever it is I do next, which I
00:20:33.961 --> 00:20:33.971
Jonny: Mm-hmm.
00:20:34.001 --> 00:20:34.571
Frank Bach: know what it is.
00:20:35.031 --> 00:20:36.631
I hope it's Claude for a very long time.
00:20:37.801 --> 00:20:42.751
but you know, I, I, I think that I
could give advice to younger designers,
00:20:42.911 --> 00:20:47.251
folks who are maybe in school trying
to sort of chart their path forward, I
00:20:47.251 --> 00:20:51.011
would, I would go for like variety and
experiences 'cause I think it makes you,
00:20:51.801 --> 00:20:55.861
much more interesting, you're like kind
of in those interview panels and you
00:20:55.861 --> 00:20:57.591
really stand out against other people
00:20:58.409 --> 00:20:58.769
Jonny: Mm-hmm.
00:21:00.389 --> 00:21:04.019
That's really interesting and,
and, I recognize, I recognize
00:21:04.019 --> 00:21:08.449
that feeling of, I'm not sure it's
getting bored easily, but it's, it
00:21:08.449 --> 00:21:10.149
is wanting to find something new.
00:21:10.170 --> 00:21:10.360
Frank Bach: Yeah
00:21:10.449 --> 00:21:14.309
Jonny: And often I'm envious of the
people that are willing to just compound
00:21:14.309 --> 00:21:17.459
one thing over and over again and
just, like, become a master at it.
00:21:17.669 --> 00:21:21.389
I do feel like, I don't know if it's
zero sum, but, this sort of mastery
00:21:21.389 --> 00:21:26.329
versus invention paradigm, like either
I want to spend a bit of time mastering
00:21:26.329 --> 00:21:29.779
something and then I actually just
want to mess it all up and, like,
00:21:29.883 --> 00:21:30.443
Frank Bach: Right.
00:21:30.559 --> 00:21:32.159
Jonny: difficulty for myself once again.
00:21:32.163 --> 00:21:32.173
Frank Bach: Yeah
00:21:33.589 --> 00:21:37.699
Jonny: and y- you talking about,
the, the Frank Mega tool or whatever
00:21:37.709 --> 00:21:41.229
we're calling it on this podcast,
does it have a name or is it
00:21:41.687 --> 00:21:43.847
Frank Bach: I think
it's called Frank Space.
00:21:44.729 --> 00:21:45.119
Jonny: space.
00:21:45.189 --> 00:21:45.609
Love it.
00:21:45.659 --> 00:21:46.069
Okay.
00:21:46.177 --> 00:21:46.377
Frank Bach: one.
00:21:46.467 --> 00:21:47.987
It's, it's gone through differentâ¦
00:21:48.057 --> 00:21:49.997
People at, at work call
it different things.
00:21:50.027 --> 00:21:53.817
Then yeah, Frank Space, Bach Space, the
Frank Mega Tool has definitely been thrown
00:21:53.961 --> 00:21:54.761
Jonny: Frank Megatool.
00:21:54.861 --> 00:21:55.261
Yeah.
00:21:56.031 --> 00:22:01.191
well Fr- Frank Megatool sort of,
I, I, I wonder if that is the
00:22:01.191 --> 00:22:02.471
same thing on a smaller level.
00:22:02.471 --> 00:22:06.471
Like, you want to create something
ephemeral that's, like, suits one
00:22:06.981 --> 00:22:10.101
problem, and then maybe a certain
willingness to throw it, throw
00:22:10.171 --> 00:22:12.101
it away and, and not master it.
00:22:12.811 --> 00:22:15.351
and then create something new
and, and find a new challenge and
00:22:15.371 --> 00:22:16.391
build something different for it.
00:22:17.267 --> 00:22:17.607
Frank Bach: Yeah
00:22:18.971 --> 00:22:22.811
Jonny: I love what you're saying about
tools and, you know, how much do we
00:22:22.811 --> 00:22:27.911
master the tool given to us versus how
much do we invent, a tool for ourselves.
00:22:29.691 --> 00:22:33.041
and so, yeah, definitely music to my ears.
00:22:33.151 --> 00:22:33.431
And
00:22:33.811 --> 00:22:34.121
Frank Bach: Yeah
00:22:34.381 --> 00:22:37.291
Jonny: are-- I think what we've
learnt on this podcast over the
00:22:37.761 --> 00:22:41.021
16 episodes prior to this is that
we're on the fence about Figma.
00:22:41.878 --> 00:22:41.908
Frank Bach: Yeah.
00:22:42.101 --> 00:22:42.441
Jonny: We, we,
00:22:43.148 --> 00:22:43.268
Frank Bach: Yeah
00:22:44.611 --> 00:22:48.861
Jonny: you know, that this is-- it's
been at the center of, designer's
00:22:48.891 --> 00:22:53.301
world for, well, probably a decade
now, not far off a decade actually.
00:22:53.301 --> 00:22:55.991
And then before that, there was,
there was Sketch, and before
00:22:55.991 --> 00:22:57.041
that, there was Illustrator.
00:22:57.341 --> 00:22:59.321
You know, you go back and you--
There's, there's a, there's,
00:22:59.811 --> 00:23:00.911
someone sits on the throne.
00:23:01.883 --> 00:23:02.023
Frank Bach: Mm-hmm
00:23:02.441 --> 00:23:07.861
Jonny: and so to explore the possibility
of there being more
than one tool and
00:23:07.861 --> 00:23:13.071
for us to be able to create tools for
ourselves or for our teams, is exciting.
00:23:13.231 --> 00:23:18.161
I did want to ask you, as you think about
the design industry in general, I know
00:23:18.161 --> 00:23:20.311
you, you, you run this, meetup in LA.
00:23:20.311 --> 00:23:23.731
You, y- you know probably more
designers than, all of us put
00:23:23.731 --> 00:23:25.851
together, and, and speak to them.
00:23:26.671 --> 00:23:31.171
How much do you get a sense of
this last couple of years changing,
00:23:32.981 --> 00:23:36.701
for everyone versus you joining
Anthropic was a different culture, and
00:23:36.721 --> 00:23:38.901
therefore you work differently there?
00:23:39.161 --> 00:23:42.791
Like, are you seeing other people
doing similar things elsewhere?
00:23:43.699 --> 00:23:44.009
Frank Bach: Yeah.
00:23:44.009 --> 00:23:49.969
So the-- will say even during my
time at, at DoorDash, we kind of
00:23:49.999 --> 00:23:52.339
entered the transition into AI tools.
00:23:52.339 --> 00:23:56.149
The company had this big mission,
you know, like, desi- they called
00:23:56.149 --> 00:23:58.149
it, I think Design 2028 or something.
00:23:58.149 --> 00:24:03.819
As by 2028, everyone who's a
designer at DoorDash is, is
00:24:03.819 --> 00:24:05.169
basically a design engineer.
00:24:05.199 --> 00:24:08.739
You know, we need to lean into this, and
the design leadership there was amazing
00:24:09.369 --> 00:24:13.189
to, you know, to give us the time and
space to do that, 'cause otherwise I
00:24:13.189 --> 00:24:16.359
would, I would've had to learn it, you
know, not on the company dime, I guess.
00:24:16.389 --> 00:24:16.629
You know?
00:24:16.629 --> 00:24:18.099
So th-thank goodness for that.
00:24:18.099 --> 00:24:18.869
I'm very grateful.
00:24:20.359 --> 00:24:23.709
and yeah, at, at first I
definitely complained about it.
00:24:23.709 --> 00:24:26.789
I was, "Ah, I don't feel like, you
know, I don't wanna learn a new tool.
00:24:26.809 --> 00:24:27.599
Learning new things is
00:24:27.631 --> 00:24:27.951
Jonny: Mm.
00:24:28.189 --> 00:24:32.239
Frank Bach: You know, kind of the,
the human sort of complacency that,
00:24:32.239 --> 00:24:35.589
you know, s-sometimes it's okay
that a job is just a job and it
00:24:35.589 --> 00:24:39.139
doesn't have to be the most exciting,
incredible thing you're doing that day.
00:24:40.219 --> 00:24:42.639
so I definitely like leaned into
that, like a little bit of a
00:24:42.659 --> 00:24:46.059
negative mindset around it, and
I was, you know, was venting to
00:24:46.059 --> 00:24:47.859
other coworkers about this too and
00:24:49.969 --> 00:24:51.709
organizing these meetups in LA.
00:24:51.719 --> 00:24:57.809
We do them every quarter and, the kind of
backstory around this is, we can talk a
00:24:57.809 --> 00:25:03.219
little bit more about it in a second, but
I see it as a good forcing of function for
00:25:03.219 --> 00:25:07.909
myself to get out of
the house and talk to
people for like sort of work-ish reasons.
00:25:08.819 --> 00:25:11.559
you know, I'm a, I'm a father
of a six-year-old, I have a wife
00:25:11.609 --> 00:25:14.689
and, you know, you know, stay
very busy with family stuff.
00:25:15.349 --> 00:25:19.229
And so to have this thing that doesn't
feel like just an irresponsible, you
00:25:19.229 --> 00:25:23.249
know, adventure to the bar by myself
sort of thing, you know, I, I sort of
00:25:23.279 --> 00:25:25.269
have this work-related reason to do this.
00:25:25.279 --> 00:25:29.849
So very s- very selfishly, set up these
meetups every quarter and thankfully
00:25:29.849 --> 00:25:31.509
people keep showing up to them.
00:25:32.419 --> 00:25:37.809
but I've definitely caught that trend
of there's sort of the, sort of a 50/50
00:25:37.809 --> 00:25:40.839
split of the people who are really
excited and they can't believe that
00:25:40.839 --> 00:25:43.959
we're like really doing this, and then
there's the people who are kind of
00:25:43.969 --> 00:25:47.229
leaning more sort of classic UX-y type
00:25:47.471 --> 00:25:47.991
Jonny: Mm-hmm.
00:25:48.119 --> 00:25:49.309
Frank Bach: are, is very valuable.
00:25:50.389 --> 00:25:54.649
I try not to spend a lot of time
on the UX design Reddit that feels
00:25:54.649 --> 00:25:56.909
like a place where there's a lot
of complaining about the way our
00:25:56.909 --> 00:26:01.639
industry is headed, and I don't think
it's, an all or nothing situation.
00:26:01.659 --> 00:26:06.899
I think there are ways you can,
you can, you know, amplify and,
00:26:06.919 --> 00:26:10.739
and speed up the research process
and the iteration process.
00:26:11.569 --> 00:26:15.759
not everything needs to be a
like one-shotted, you know,
00:26:15.759 --> 00:26:17.519
very vanilla bland prototype.
00:26:17.539 --> 00:26:21.769
I think that you can make some really
incredible things and actually, Yeah, I
00:26:21.779 --> 00:26:27.299
think there's this like, this storyline
around like using AI tools means you're
00:26:27.299 --> 00:26:30.689
not doing research or something, or you're
like, you're, you're skipping a lot of
00:26:30.689 --> 00:26:32.489
the steps that you're supposed to take.
00:26:34.039 --> 00:26:37.759
yeah, I don't, I don't, I don't believe
in that, I guess is, is where I'm headed.
00:26:38.909 --> 00:26:42.339
but I've definitely had a shift in the
way I thought about these tools and about
00:26:42.339 --> 00:26:45.129
this process and now the, like theâ¦
00:26:46.059 --> 00:26:50.519
And I, and I'm seeing that in the meetups,
and also just, yeah, forcing myself to
00:26:50.519 --> 00:26:54.709
talk to people and get, sort of read the
room and get a pulse of the industry and
00:26:54.709 --> 00:26:56.159
where are people's heads at with this.
00:26:56.159 --> 00:27:01.779
And I mean, I don't know if it is,
if people have just been forced into
00:27:01.789 --> 00:27:03.889
having to adopt the tools at this point.
00:27:04.929 --> 00:27:08.989
I think there is some truth to like
if you're not adopting these tools,
00:27:09.619 --> 00:27:13.549
it will be really hard for you to
be employed in the f- in the future.
00:27:14.699 --> 00:27:16.249
and that is not a,
00:27:18.707 --> 00:27:21.567
Yeah, I, I, I think that's just
the reality of the situation.
00:27:21.567 --> 00:27:22.677
It's not design only.
00:27:22.717 --> 00:27:25.307
I think, like I, I have friends
who are accountants and lawyers
00:27:25.307 --> 00:27:30.337
and doctors and, they are all using
AI tools to, you know, to speed up
00:27:30.337 --> 00:27:32.267
their processes or, or save time.
00:27:32.267 --> 00:27:36.697
And, you know, personally, I did my--
Last year I did my, my income tax
00:27:36.747 --> 00:27:39.157
with, with an AI, AI tool, you know.
00:27:39.157 --> 00:27:43.157
And like I used to spend, you know,
two-- I used to spend a whole weekend
00:27:43.207 --> 00:27:46.907
organizing my receipts and my, you
know, making sure all my filings
00:27:46.907 --> 00:27:48.757
were, were proper and stuff like that.
00:27:48.757 --> 00:27:52.137
And now I can just send an AI tool
to filter through my Dropbox and
00:27:52.137 --> 00:27:53.977
just like, just see it go to work.
00:27:53.977 --> 00:27:57.827
And I'm just like, "My goodne-" Like I,
I, I trust that it did the right thing.
00:27:57.827 --> 00:27:58.517
I hope it's right.
00:27:58.967 --> 00:28:00.157
I'll find out later if it wasn't.
00:28:00.627 --> 00:28:04.347
But, probably did a better job
than I would've myself, you know.
00:28:04.347 --> 00:28:09.307
So I'm like, do I really wanna spend
two days on a Saturday and Sunday doing
00:28:09.307 --> 00:28:14.177
my taxes when I could probably do it in
45 minutes just prompting an AI tool?
00:28:14.227 --> 00:28:19.237
So again, that's like long story
around this, but, I think design is
00:28:19.237 --> 00:28:22.727
kind of going through that right now,
and sounds like you guys are, are
00:28:22.727 --> 00:28:24.327
kind of hearing and seeing similar.
00:28:25.447 --> 00:28:25.707
Yeah.
00:28:26.688 --> 00:28:27.578
Tom: Yeah, very much so.
00:28:28.638 --> 00:28:36.598
it seems like it does-- There is this,
not divide, but there are companies who
00:28:36.598 --> 00:28:40.098
are very AI, AI-driven, AI first, and
00:28:40.243 --> 00:28:40.533
Frank Bach: Yeah
00:28:40.818 --> 00:28:44.178
Tom: there are a bunch of companies
that, that is not, maybe they're
00:28:44.178 --> 00:28:45.448
playing catch up or they're not
00:28:45.587 --> 00:28:45.987
Frank Bach: Yes
00:28:46.298 --> 00:28:48.318
Tom: enough to be investing as much there.
00:28:49.238 --> 00:28:52.558
So I think it just, I guess it
leads to a spectrum of how far
00:28:52.558 --> 00:28:54.138
along people are individually.
00:28:54.528 --> 00:28:58.588
we run a, a meetup here in
London, monthly-ish meetup for
00:28:58.779 --> 00:28:59.099
Frank Bach: Nice
00:28:59.528 --> 00:29:02.978
Tom: specifically focused around
AI as sort of
an extension
00:29:03.098 --> 00:29:04.508
of this podcast in some way.
00:29:05.728 --> 00:29:07.878
and so yeah, that has been quite, quite
00:29:08.083 --> 00:29:08.413
Frank Bach: Yeah.
00:29:08.458 --> 00:29:09.998
Tom: get a glimpse into how people's
00:29:10.243 --> 00:29:10.543
Frank Bach: Yeah
00:29:10.608 --> 00:29:14.118
Tom: changing and how, how the tools that
they're all, everyone's working with.
00:29:14.838 --> 00:29:18.718
I did actually have a question
with you, for you about, mentioned,
00:29:18.718 --> 00:29:22.148
I think in another post about
weird design processes and how,
00:29:22.195 --> 00:29:22.515
Frank Bach: yeah
00:29:22.578 --> 00:29:27.258
Tom: how processes should be, should be
weirder or that that's an interesting
00:29:27.258 --> 00:29:28.348
topic of conversation for you.
00:29:28.348 --> 00:29:32.498
I'm curious, what is the, the weirdest
design process you've come across?
00:29:32.518 --> 00:29:37.678
And whether that's someone at the meetup,
someone at Anthropic, yourself, yeah,
00:29:37.718 --> 00:29:39.288
curious if that sparks anything for you.
00:29:40.307 --> 00:29:43.537
Frank Bach: Yeah, I think there's
so many different ways to do this
00:29:43.567 --> 00:29:46.117
now, and there-- I don't think
that there's a right or wrong way.
00:29:46.457 --> 00:29:49.737
I mean, I've met designers
who are, they're just--
00:29:49.917 --> 00:29:51.037
they're basically engineers.
00:29:51.037 --> 00:29:54.407
They're just straight in working
it, you know, working on staging and
00:29:54.407 --> 00:29:57.767
pushing it to production, and there's
no Figma file that even exists.
00:29:58.217 --> 00:30:01.697
They are just doing the thing that, that
engineers have been doing for years.
00:30:03.287 --> 00:30:07.497
then there's folks who are like I, I've--
I'm hearing a lot of the, you know,
00:30:07.497 --> 00:30:10.917
kind of the Whisper tool, where you're,
you're spending time basically just
00:30:11.247 --> 00:30:15.487
ch- talking into a microphone, telling,
telling the tool what to do all day long.
00:30:15.857 --> 00:30:17.467
Sounds pretty tiring on the voice.
00:30:17.467 --> 00:30:19.087
I don't know if I'd want
to do that all day long.
00:30:19.097 --> 00:30:23.787
But, I'm also seeing that, like,
because of prompting, my, like,
00:30:23.787 --> 00:30:27.627
my, you know, we'll probably end up
with carpal tunnel syndrome at some
00:30:27.627 --> 00:30:30.147
point 'cause we're typing probably
a lot more than we used to, right?
00:30:31.167 --> 00:30:33.897
so that's, like, very, you
know, there's, like, some, some
00:30:33.927 --> 00:30:37.717
ergonomics, thing going on there.
00:30:39.637 --> 00:30:46.127
I think the, the strangest or most
interesting, process I've seen is, people
00:30:46.127 --> 00:30:54.407
having, sort of having the, the tools run
research or run, try to build themselves,
00:30:55.197 --> 00:30:57.307
you know, in the off hours of, you know.
00:30:57.307 --> 00:31:01.787
So you're,
you sort of wake up in the
morning to that your AI tool has, has
00:31:01.807 --> 00:31:05.657
given you of, like, suggestions for
the day on what you might do today.
00:31:05.917 --> 00:31:09.057
And, like, at what point does that loop
fully close, where you're just sort of a
00:31:09.057 --> 00:31:12.747
human observing the thing building, and
you're like, you know, you just give it
00:31:12.747 --> 00:31:14.277
the thumbs up or thumbs down, you know?
00:31:14.277 --> 00:31:18.007
I think it's great to always have a
person in control of these things, but
00:31:18.407 --> 00:31:20.357
it is getting pretty weird pretty fast.
00:31:20.357 --> 00:31:23.577
And, like, I, I'm discovering new things
every day working with folks of, like,
00:31:24.347 --> 00:31:28.417
a product manager of mine who, you know,
who's, who's running agents, doing all
00:31:28.427 --> 00:31:31.967
these other things and, like, come,
comes back with a ton of research and
00:31:31.967 --> 00:31:35.797
insights that, like, you didn't-- It
would have normally been a two-week
00:31:35.797 --> 00:31:37.727
sprint to even get to that point, right?
00:31:37.727 --> 00:31:41.947
And, like, so you're just sort of-- I'm
finding myself doing a lot of, like,
00:31:42.037 --> 00:31:47.347
future predicting the work that I need
to do before I even get to the work.
00:31:47.367 --> 00:31:51.807
So I'm sort of, like, getting my tools
to-- that once I get to the work, like
00:31:51.807 --> 00:31:57.017
let's say, we're, a Tuesday today,
like, by-- I'm gonna, I'm gonna do
00:31:57.017 --> 00:32:00.827
some pre-work so that by Monday, that
next project is kind of queued up
00:32:01.127 --> 00:32:02.597
and I'm not starting from scratch.
00:32:03.897 --> 00:32:07.117
even if, like, half the stuff is,
is throwaway, at least I've got,
00:32:07.117 --> 00:32:08.837
like, a good foundation to begin on.
00:32:10.097 --> 00:32:11.067
and there's, there's this,
00:32:11.068 --> 00:32:11.358
Tom: thing
00:32:12.317 --> 00:32:12.957
Frank Bach: what's the quote?
00:32:12.977 --> 00:32:18.583
There's a, There's a quote
by John Cage, j- it's simple.
00:32:18.583 --> 00:32:19.913
It's just, "Begin anywhere."
00:32:20.353 --> 00:32:24.073
And I think that, like, I, that used to
be sort of a, I don't know, a little bit
00:32:24.073 --> 00:32:27.443
of, like, a mindfulness reminder that I
would give myself, and it's definitely
00:32:27.473 --> 00:32:31.513
coming, coming true more and more in
my design process of, like, it actually
00:32:31.513 --> 00:32:32.813
doesn't really matter where you start.
00:32:32.863 --> 00:32:33.253
It's so
00:32:33.361 --> 00:32:33.841
Jonny: Right
00:32:33.883 --> 00:32:38.103
Frank Bach: to build, to build things and,
and give something to react to, to see, to
00:32:38.103 --> 00:32:44.563
click, to feel, that just start anywhere
and, figure out the details as you go.
00:32:44.563 --> 00:32:49.993
And I think I've been a, a big
proponent of, like, you can do the
00:32:49.993 --> 00:32:55.113
research upfront and sort of de-risk
the design, and that's, that's fine.
00:32:55.933 --> 00:33:00.033
you can also build the thing and
then learn from the results or,
00:33:00.503 --> 00:33:03.453
or lack of results that you maybe
built the wrong thing, or maybe
00:33:03.453 --> 00:33:05.033
there's it- iteration you can do.
00:33:05.033 --> 00:33:06.813
I think just don't stand still.
00:33:06.833 --> 00:33:08.263
Just start somewhere and do something.
00:33:08.923 --> 00:33:12.783
And, you know, builders, like the
f- you know, cliche maybe, but I
00:33:12.793 --> 00:33:16.753
think the future is, of design is,
is for builders and people who make
00:33:16.753 --> 00:33:21.283
stuff, stuff that lives and breathes
in the real world, not just sits in
00:33:21.283 --> 00:33:24.133
our drafts, and PRDs for, you know.
00:33:24.853 --> 00:33:28.523
yeah, that's, that's my, my
soapbox for the day there.
00:33:29.537 --> 00:33:30.447
Jonny: It's, it's a good one.
00:33:30.747 --> 00:33:31.357
It's a good one.
00:33:31.827 --> 00:33:34.977
W- I think we, we often preach
something similar, which is,
00:33:35.857 --> 00:33:37.387
which is just to, to get started.
00:33:37.397 --> 00:33:40.547
The only way to understand how to
do this stuff is to just do it.
00:33:41.137 --> 00:33:41.467
so,
00:33:43.557 --> 00:33:47.277
And, and the cost to delete anything is,
like, I-- To me, the one that, that gets
00:33:47.277 --> 00:33:52.557
me is, like, it's cheap to create, but
also because it was so cheap to create,
00:33:52.617 --> 00:33:54.327
I f- I feel nothing for it, you know?
00:33:54.817 --> 00:33:58.527
Whereas one of the, the classic designer
tropes is falling in love with your design
00:33:58.527 --> 00:34:03.757
and then defending it and being blind to--
i-in the face of evidence to the contrary.
00:34:04.157 --> 00:34:04.467
s-
00:34:05.193 --> 00:34:05.913
Frank Bach: Absolutely.
00:34:06.133 --> 00:34:07.373
I, I'll, I'll add to that.
00:34:07.403 --> 00:34:12.103
I had a moment, I won't name the product,
but something that I worked on years ago.
00:34:13.183 --> 00:34:15.823
they launched a new feature,
and I was, I was pretty vocal
00:34:15.823 --> 00:34:17.973
in, in critiquing this feature.
00:34:18.423 --> 00:34:21.093
I think I felt a little bit passionate
by it because it was something
00:34:21.093 --> 00:34:25.653
that I, I wished we had built
during my time at this company.
00:34:26.423 --> 00:34:30.813
And then I heard from a, an old colleague
who worked on the feature who wasn't very
00:34:30.813 --> 00:34:32.993
happy that I was so critical of the work.
00:34:33.393 --> 00:34:36.713
And, you know, sort of my-- maybe
I've, I'm a little bit too hardcore in
00:34:36.713 --> 00:34:39.423
my sort of business sense these days.
00:34:40.343 --> 00:34:43.903
but I, you know, if it doesn't produce
results, it doesn't really matter.
00:34:45.063 --> 00:34:47.283
you know, if we're gonna go har-
like sup- you know, of course I'm
00:34:47.283 --> 00:34:49.913
an ar- also a creative and artistic
person, and I think it's valuable
00:34:49.913 --> 00:34:53.493
to build things for fun and joy and,
and just for the sake of building.
00:34:53.493 --> 00:34:58.273
But if we're here and we're measuring
success and we have metrics to,
00:34:58.303 --> 00:35:02.873
to, to measure against, then if
the thing you built didn't deliver
00:35:02.873 --> 00:35:07.253
that, it was kind of a huge waste of
time, and I don't know, not saying,
00:35:07.483 --> 00:35:08.403
you should be ashamed of yourâ¦
00:35:08.433 --> 00:35:08.903
I'm just kidding.
00:35:09.763 --> 00:35:13.743
But it's like, it's like it didn't do the
thing you wanted it to do, so you should
00:35:13.753 --> 00:35:17.813
be-- we sh- we're all adults here and we
can talk about the failures and successes.
00:35:18.283 --> 00:35:21.683
Anyway, this colleague of, this
colleague of mine back and said,
00:35:21.683 --> 00:35:24.403
"I didn't really appreciate you
were so vocal of, about this.
00:35:24.723 --> 00:35:27.603
A lot of people worked
really hard on this."
00:35:27.753 --> 00:35:32.073
And it was sort of like, yes, I'm a human
and I'm empathetic, and I understand that.
00:35:32.083 --> 00:35:35.433
That is, that, that makes a lot of sense
and, you know, sort of maybe I was a
00:35:35.433 --> 00:35:37.093
little too harsh with my criticism.
00:35:38.403 --> 00:35:41.263
just the fact that a lot of people
put time and effort into something
00:35:41.263 --> 00:35:45.243
doesn't mean we should just praise
it, it, know, because they did.
00:35:45.293 --> 00:35:45.523
Like,
00:35:45.735 --> 00:35:46.055
Jonny: Right
00:35:46.093 --> 00:35:47.373
Frank Bach: doesn't really make sense.
00:35:48.773 --> 00:35:50.633
so again, I, I sort of took it back.
00:35:50.633 --> 00:35:53.523
I was a little harsh, but,
you guys get what I'm saying.
00:35:53.623 --> 00:35:53.713
It's
00:35:53.911 --> 00:35:54.311
Jonny: Yeah
00:35:54.413 --> 00:35:56.703
Frank Bach: didn't do, it didn't do
what it needed to do, and we're all
00:35:56.703 --> 00:36:01.363
working in tech and startups, and many
of us have equity in the companies we
00:36:01.363 --> 00:36:04.543
worked on in the past, and we wanna
see them be successful, and we wanna,
00:36:04.863 --> 00:36:09.493
you know, we wanna see them have their
liquidity event or whatever that might be.
00:36:10.483 --> 00:36:14.983
and like, yeah, if we're-- lot of
designers talk big game about, you know,
00:36:16.383 --> 00:36:19.603
product management and doing right by
the business and things, and it's like,
00:36:19.603 --> 00:36:22.973
well, if you're gonna talk like that,
let's like, let's talk business, and
00:36:22.973 --> 00:36:25.943
there's not, unfortunately, there's
not a lot of emotion in business.
00:36:26.665 --> 00:36:26.975
Jonny: Yeah.
00:36:27.403 --> 00:36:28.123
Frank Bach: but yeah, so
00:36:28.375 --> 00:36:31.025
Jonny: Yeah, and the, the, the
market doesn't care basically.
00:36:31.265 --> 00:36:33.275
The market doesn't care
about your feelings, yeah.
00:36:33.415 --> 00:36:34.775
Frank Bach: it doesn't, it doesn't.
00:36:34.855 --> 00:36:36.925
And there's a lot of other
places where we can care about
00:36:36.925 --> 00:36:38.155
feelings, and that's wonderful.
00:36:38.445 --> 00:36:38.715
But
00:36:38.923 --> 00:36:38.973
Jonny: Yeah
00:36:39.135 --> 00:36:41.325
Frank Bach: just gonna be talking
strictly business, that's theâ¦
00:36:41.325 --> 00:36:43.005
I, I think it's, it'sâ¦
00:36:43.205 --> 00:36:47.625
It shows the sense of maturity, I think,
in a designer who can, you know, who
00:36:47.625 --> 00:36:49.875
can kind of be blunt about that stuff
00:36:52.092 --> 00:36:55.502
Jonny: quite active
posting jobs, on LinkedIn.
00:36:55.752 --> 00:37:03.572
for folks that find themselves in a
non, AI-pilled organization or a non,
00:37:03.592 --> 00:37:09.692
you know, unlimited tokens, you go for
it situation or a, a situation where
00:37:09.972 --> 00:37:13.042
maybe their manager and their manager's
manager aren't that interested in
00:37:13.042 --> 00:37:14.502
this and there's not much guidance.
00:37:16.202 --> 00:37:19.852
I, I suppose I'm just interested in
like what, what advice you'd give or
00:37:19.852 --> 00:37:23.692
guidance around just, making progress.
00:37:23.712 --> 00:37:26.262
As you said before, you
know, if, if DoorDash hadn't
00:37:26.262 --> 00:37:26.962
paid for-- Was it DoorDash?
00:37:27.742 --> 00:37:28.002
I can't remember.
00:37:28.142 --> 00:37:29.982
If DoorDash hadn't paid for
your tokens, you'd have had to
00:37:29.982 --> 00:37:31.092
have paid for them yourself.
00:37:31.092 --> 00:37:31.312
But,
00:37:31.684 --> 00:37:32.214
Frank Bach: Yes.
00:37:32.314 --> 00:37:32.634
Yes
00:37:32.932 --> 00:37:35.532
Jonny: that's non-obvious maybe
to some people that that might
00:37:35.532 --> 00:37:37.672
be-- This might be existential.
00:37:37.682 --> 00:37:41.112
So, just yeah, any, any thoughts
for people listening who
00:37:41.112 --> 00:37:42.152
might be in that situation?
00:37:43.172 --> 00:37:46.102
Frank Bach: Yeah, I think-- I don't
think this is a very, like anâ¦
00:37:46.162 --> 00:37:50.972
I think the tools have changed, but I
think the concept of, folks who can find
00:37:50.972 --> 00:37:55.372
the time to create like passion side
projects or solve their own problems,
00:37:56.022 --> 00:38:00.792
think that is usually a very standout
project in your sort of, you know,
00:38:01.042 --> 00:38:03.512
sort of case study portfolio share out.
00:38:04.552 --> 00:38:07.442
you know, typical design
interview loops, you'd probably
00:38:07.442 --> 00:38:09.002
share two major case studies.
00:38:09.422 --> 00:38:14.642
But I, I, I, I would really recommend
folks who are, you know, who are
00:38:14.642 --> 00:38:19.842
interested in, in AI tools to make a thing
of their own, solve their own problem.
00:38:21.292 --> 00:38:25.362
you know, it could be as simple as
a grocery, you know, grocery list
00:38:25.362 --> 00:38:30.342
application or something, or I don't
know, maybe there's, you're, if
00:38:30.342 --> 00:38:34.232
you're passionate about music, maybe
you can make, you know, work on some
00:38:34.232 --> 00:38:39.602
like recording software or tool or
a, a plugin for, you know, like a
00:38:39.612 --> 00:38:41.742
digital guitar amplifier or something.
00:38:41.742 --> 00:38:41.892
I don't know.
00:38:41.902 --> 00:38:45.662
There's just so many things you can
build so quickly, even if it's imperfect.
00:38:46.842 --> 00:38:52.282
and that just shows that you have,
an understanding, a curiosity,
00:38:52.342 --> 00:38:54.032
willingness to sort of build.
00:38:54.042 --> 00:39:00.492
Your-- You maybe haven't, implemented
the AI process into your, your existing
00:39:00.492 --> 00:39:04.572
case studies, but you've shown that you
have, you know, you've got that interest
00:39:04.572 --> 00:39:10.572
and that you, you are excited about this
and that, yeah, you will be in whatever
00:39:10.622 --> 00:39:14.542
new team or new company you join, you
will be kind of a net positive sort
00:39:14.542 --> 00:39:16.942
of AI influencer within the company.
00:39:18.402 --> 00:39:21.782
so I, I would, I would, I guess, yeah,
take, sort of take it into your own
00:39:21.782 --> 00:39:26.412
hands and don't just wait for your
manager to tell you, how to do things
00:39:26.452 --> 00:39:30.712
and that, you know, it might, I don't
know, it-- depending on the job and
00:39:30.712 --> 00:39:35.932
the situation, trying to push these
tools internally might, you know,
00:39:35.972 --> 00:39:40.002
I know s- some companies maybe are,
are, are pushing back against it.
00:39:40.062 --> 00:39:40.572
I'm not sure.
00:39:40.572 --> 00:39:45.062
I, I don't hear too much about that
these days, but, there's definitely some
00:39:45.062 --> 00:39:50.752
friction, I think, with, you know, w-
within companies of, of how hard, they're
00:39:50.752 --> 00:39:53.892
feeling the push to, adopt these tools.
00:39:54.562 --> 00:39:55.512
but I think it's natural.
00:39:55.512 --> 00:39:58.832
I think it's just, it's happening so
quickly and, you know, when you, when
00:39:58.832 --> 00:40:03.232
people feel like they have to learn
something new, they feel, they, they
00:40:03.232 --> 00:40:06.792
don't quite understand, that's a really
normal response to have, you know.
00:40:07.642 --> 00:40:07.962
Jonny: Yeah.
00:40:08.212 --> 00:40:08.522
Yeah.
00:40:09.188 --> 00:40:09.498
Frank Bach: Yeah
00:40:09.642 --> 00:40:12.362
Jonny: Yeah, so i-i-
there's a bit of fear.
00:40:12.362 --> 00:40:14.432
I think there's, there's a
bit of fear going around.
00:40:15.982 --> 00:40:19.902
but it also feels like we had sort of,
I don't know, Tom, if you'd agree with
00:40:19.902 --> 00:40:25.432
this from, from work we've been doing,
but we had like this time last year, peak
00:40:26.082 --> 00:40:31.682
of excitement at the possibility of, of
what
AI might, might do for, for us inâ¦
00:40:32.672 --> 00:40:37.852
And then, maybe a bit of doomerism, I
don't know, like Claude Design comes out.
00:40:37.862 --> 00:40:41.532
This is obviously before you were at
Anthropic maybe, but, but suddenly
00:40:41.532 --> 00:40:43.532
it's like, "Oh my God, are we doomed?"
00:40:44.312 --> 00:40:47.272
and then it feels like now we're in
this sort of slightly more nuanced
00:40:47.282 --> 00:40:50.642
place where we're spotting the places
where, where it works and we're
00:40:50.642 --> 00:40:54.452
spotting where it's useless and maybe
where it might always be useless.
00:40:55.642 --> 00:40:59.672
or it-- there might always be a role
for us humans, not just as assistants
00:40:59.672 --> 00:41:03.992
to, you know, get it some more tokens,
but, to actually p-play a role in,
00:41:04.062 --> 00:41:04.302
Frank Bach: Yeah.
00:41:04.572 --> 00:41:05.182
Jonny: in design.
00:41:05.482 --> 00:41:05.682
Frank Bach: No.
00:41:06.742 --> 00:41:07.022
Yeah.
00:41:07.872 --> 00:41:10.522
Yeah, I'm definitely-- I, I'm
opt- I'm optimistic about that.
00:41:10.522 --> 00:41:17.212
I think, I think, of, to the, the
individual choice of how deep do you wanna
00:41:17.222 --> 00:41:20.182
go with this, and where do you see it fit?
00:41:20.272 --> 00:41:24.872
And, something that really struck me
was, I think there was an article that
00:41:24.872 --> 00:41:29.867
came out, and it, it wasn't-- It, it
was, I think, a, a different tool But
00:41:29.867 --> 00:41:35.132
it was a bunch of, of, mathematicians
who were quite upset an AI tool was
00:41:35.132 --> 00:41:36.702
being used to solve a math problem.
00:41:36.842 --> 00:41:38.922
And I thought, "You know, that's really
interesting," 'cause I would've--
00:41:38.992 --> 00:41:42.312
I'm definitely not passionate about
math, and I would use I would use
00:41:42.312 --> 00:41:46.412
an AI tool to solve a math problem
ev-ev- any day, anytime I could.
00:41:47.622 --> 00:41:51.042
but you know, that's me, and I'm,
you know, I, I have, I have that
00:41:51.272 --> 00:41:54.952
autonomy and freedom to use the tool
how I sort of see fit that works
00:41:54.952 --> 00:41:56.592
for me and what makes me happy.
00:41:57.902 --> 00:42:02.042
you know, if I'm creating art or
making music, probably won't use an
00:42:02.052 --> 00:42:06.632
AI tool because that's a space that
I've, I've decided, I wanna have,
00:42:06.632 --> 00:42:09.232
like, m- my full expression in.
00:42:10.042 --> 00:42:13.362
but I'm not gonna judge somebody
who, who uses an AI tool to
00:42:13.382 --> 00:42:15.552
sorta amplify their creativity.
00:42:16.362 --> 00:42:17.592
that's up to them, you know?
00:42:17.742 --> 00:42:22.072
But also it's up, it, it's up to
the audiences and people to react
00:42:22.122 --> 00:42:23.552
to that artwork in whatever way they
00:42:23.618 --> 00:42:23.928
Jonny: Right
00:42:24.032 --> 00:42:24.272
Frank Bach: you know?
00:42:24.272 --> 00:42:29.412
And I think art
is a touchy place,
for these tools, especially these,
00:42:30.512 --> 00:42:33.822
I think there was something around
Spotify and Suno and all these things.
00:42:33.822 --> 00:42:34.882
You hear a lot about this.
00:42:35.612 --> 00:42:37.072
this is not, not new information.
00:42:37.072 --> 00:42:38.212
It's all in the news everywhere.
00:42:38.212 --> 00:42:43.512
But, yeah, I think mu- music and art is
a, is a touchy place for, for that stuff,
00:42:43.512 --> 00:42:46.382
so it'll be interesting to see w- how
that kind of shakes out in the future.
00:42:47.184 --> 00:42:50.384
Tom: So we have, a few
questions we like to ask guests.
00:42:51.194 --> 00:42:53.714
short question, short-ish answer, short as
00:42:53.800 --> 00:42:54.020
Frank Bach: Cool
00:42:54.484 --> 00:42:58.244
Tom: and we'll ans- ask maybe one or
maybe one or two each, depending on
00:42:58.244 --> 00:42:59.644
how quickly we are, and then we'll
00:42:59.722 --> 00:42:59.942
Frank Bach: Sure.
00:43:00.224 --> 00:43:00.684
Tom: after that.
00:43:01.154 --> 00:43:05.444
So question one, AGI takes over
everything, what will you do
00:43:05.484 --> 00:43:06.554
with all of your free time?
00:43:08.942 --> 00:43:10.082
Frank Bach: I'll probably
still make things.
00:43:10.082 --> 00:43:17.172
I, I've always loved making, little
magazines and, and flyers for music stuff.
00:43:17.812 --> 00:43:18.422
I think I'll, I'llâ¦
00:43:18.722 --> 00:43:20.992
It'll just maybe be a different,
slightly different process.
00:43:21.762 --> 00:43:22.092
but I'llâ¦
00:43:22.122 --> 00:43:24.042
I've always been someone
who liked creating things,
00:43:24.042 --> 00:43:25.182
even if it was just for fun.
00:43:25.192 --> 00:43:29.952
So even, you know, if money, if money
were no issue, I will still make things.
00:43:29.992 --> 00:43:33.772
I mean, even hopefully it all-- If it
does happen, it all happens around the
00:43:33.772 --> 00:43:37.502
time I'm ready to retire, and then the,
the outcome will be the same either way.
00:43:37.502 --> 00:43:38.322
It doesn't really matter.
00:43:40.398 --> 00:43:40.708
Tom: True
00:43:42.902 --> 00:43:45.892
Jonny: Still, still, yeah,
20 years away for us maybe.
00:43:46.402 --> 00:43:48.422
AGI can hold off just
for a, for a hot second.
00:43:48.666 --> 00:43:48.926
Frank Bach: yeah.
00:43:49.006 --> 00:43:49.406
Yeah, yeah
00:43:51.512 --> 00:43:51.832
Jonny: okay.
00:43:51.872 --> 00:43:52.122
Yeah.
00:43:52.652 --> 00:43:59.282
question number two, is, what's
a product that you think is
00:43:59.312 --> 00:44:00.672
exceptionally well designed?
00:44:00.952 --> 00:44:05.722
it can be physical, digital, anything
in the world, something that you, you
00:44:05.732 --> 00:44:07.022
think you-- I wish I'd designed that
00:44:08.508 --> 00:44:09.488
Frank Bach: Ooh, that's a great question.
00:44:10.768 --> 00:44:14.308
man, I feel like this always happens
when I see other designers' portfolio
00:44:14.308 --> 00:44:16.908
sites because I've been slacking
on mine for many years, and then
00:44:16.908 --> 00:44:19.328
I see their sites and I go, "Damn,
I w- like that's a great idea.
00:44:19.328 --> 00:44:20.108
I wish I did that."
00:44:21.108 --> 00:44:22.908
I'm just gonna look around
the room real quickly.
00:44:24.068 --> 00:44:28.798
don't know if you, if you can see this,
but I've got a, I've got a littleâ¦
00:44:29.258 --> 00:44:29.798
Can you see this?
00:44:29.808 --> 00:44:32.058
I've got a little television here.
00:44:32.112 --> 00:44:32.252
Tom: Yes.
00:44:32.688 --> 00:44:37.238
Frank Bach: It's an old school--
It's a, it's a little television.
00:44:37.238 --> 00:44:41.538
It's an old school Quasar, sort of
like kitchen countertop television.
00:44:41.538 --> 00:44:42.798
It's about a five-inch screen.
00:44:43.278 --> 00:44:48.358
And I think probably because technology
is moving so quickly, I found myself like
00:44:48.358 --> 00:44:52.418
yearning for old technologies and kind
of wanting to tinker around with them.
00:44:52.798 --> 00:44:54.938
And yeah, this thing is
a black and white TV.
00:44:55.108 --> 00:44:57.878
It has like one channel,
and it has a radio on it.
00:44:58.208 --> 00:45:04.088
And I'm, I'm just really enjoying, sort
of the, the balance of like working
00:45:04.088 --> 00:45:08.238
in such a high pace technology kind of
environment and then having this like
00:45:08.248 --> 00:45:12.548
old retro television that like fi- I'm
just listening to the radio, which is
00:45:12.558 --> 00:45:13.948
something I haven't done in many years.
00:45:14.958 --> 00:45:19.358
and it, you know, it's old, it sounds
kind of bad, but it also sounds warm
00:45:19.408 --> 00:45:22.778
and fuzzy, and it's kind of nice
to just play with the radio dial.
00:45:22.778 --> 00:45:26.758
And yeah, I'm just, I'm of maybe
the s- same mindset that drew people
00:45:26.758 --> 00:45:31.718
to, drew people back to vinyl,
after the, the era of s- of CDs.
00:45:32.098 --> 00:45:36.118
You know, there's just something
about, about the tactile, that,
00:45:36.128 --> 00:45:37.598
that kinda makes us feel human.
00:45:37.598 --> 00:45:42.158
So yeah, I, I think that little
television is poorly designed,
00:45:42.178 --> 00:45:43.768
but kind of perfectly designed.
00:45:45.554 --> 00:45:47.374
Jonny: There's something
about the permanence of, of
00:45:47.394 --> 00:45:48.274
these things, isn't there?
00:45:48.274 --> 00:45:48.594
You know?
00:45:48.834 --> 00:45:49.074
Yeah
00:45:49.338 --> 00:45:49.668
Frank Bach: Yeah
00:45:50.626 --> 00:45:51.126
Tom: So true.
00:45:52.236 --> 00:45:56.766
I imagine working at Anthropic or
any of the labs is a, a very intense
00:45:57.374 --> 00:45:57.704
Frank Bach: Mm-hmm.
00:45:57.736 --> 00:45:59.106
Tom: to be, to be right now.
00:45:59.856 --> 00:46:03.276
you have worked at Headspace, which
I think of as, as we discussed
00:46:03.346 --> 00:46:08.076
earlier, probably the other extreme
in terms of calm and thoughtfulness,
00:46:08.320 -->
00:46:08.690
Frank Bach: Yes
00:46:10.176 --> 00:46:15.676
Tom: Do you have any advice for, for
anyone who is, in a very AI centric
00:46:15.676 --> 00:46:20.266
environment on how to not feel
overwhelmed, to not feel like the world
00:46:20.266 --> 00:46:22.176
is running away, but to, to recenter
00:46:22.240 --> 00:46:22.510
Frank Bach: Yeah
00:46:23.296 --> 00:46:23.886
Tom: Any, any tips?
00:46:24.640 --> 00:46:28.880
Frank Bach: Yeah, I think, I think this
is definitely not an Anthropic only thing.
00:46:29.770 --> 00:46:33.860
that I've, I've noticed in other
companies and talking with other folks
00:46:33.870 --> 00:46:40.040
who are working in similar spaces
that, we-- nobody has it perfect yet.
00:46:40.050 --> 00:46:41.140
You know, nobody knowsâ¦
00:46:41.180 --> 00:46:42.340
There's no perfect process.
00:46:42.340 --> 00:46:47.070
There's no, We're still in the
stage where you can shape the
00:46:47.070 --> 00:46:50.780
process and the output and all the
stuff kind of however you see fit.
00:46:51.250 --> 00:46:53.680
And there's, yeah, there's no
right or wrong way to do it.
00:46:53.740 --> 00:46:56.190
I think just jumping in is
the most important part.
00:46:56.590 --> 00:47:00.720
And we have lots of time in the
future to, you know, to, to figure out
00:47:00.720 --> 00:47:05.960
what is, what's the perfect scalable
way to work in all of these tools.
00:47:05.960 --> 00:47:09.450
So just don't be afraid to mess up.
00:47:09.460 --> 00:47:10.810
Messing up is part of it.
00:47:11.260 --> 00:47:14.770
Be willing to, you know, we talked about
the impermanence thing of being willing
00:47:14.770 --> 00:47:16.840
to throw it all away if it didn't work.
00:47:18.300 --> 00:47:22.710
yeah, I w- I would lean into that and,
you know, there's a, there's a, a saying
00:47:22.720 --> 00:47:26.900
something around like the, the opposite
of anxiety is excitement or something,
00:47:26.900 --> 00:47:28.640
or it's like two sides of the same coin.
00:47:28.980 --> 00:47:32.280
And I definitely felt myself go
through that around like AI anxiety
00:47:32.300 --> 00:47:35.370
and then AI excitement, and I-
it just sort of flipped one day.
00:47:37.140 --> 00:47:40.320
but I think that's just a matter of, of
getting comfortable with, with the tools
00:47:40.320 --> 00:47:45.500
and the, you know, just as a designer
leaning into GitHub and understand,
00:47:45.500 --> 00:47:48.680
okay, this is how all the parts
connect, you know, behind the scenes.
00:47:49.160 --> 00:47:52.620
And you went from like not-- it was
a total black box where you didn't
00:47:52.650 --> 00:47:56.360
know any of it, and now you have some
sense of it, and you can actually
00:47:56.360 --> 00:48:00.290
speak with engineers with confidence
about what it is you're building.
00:48:00.290 --> 00:48:05.350
And I think like that's, yeah,
it's a nat- very natural human
00:48:05.350 --> 00:48:06.350
feeling to go through that.
00:48:06.360 --> 00:48:06.800
And,
00:48:07.340 --> 00:48:07.360
Jonny: Yeah
00:48:07.480 --> 00:48:10.090
Frank Bach: but you know, it does,
it kind of, it does, you know,
00:48:10.200 --> 00:48:13.150
sort of on- the only way out is
through, so to speak, you know.
00:48:13.150 --> 00:48:18.150
Like you gotta get into it and
there's no, You know, we used to
00:48:18.150 --> 00:48:23.150
have these, I've never really been
a big believer in like tutorials.
00:48:23.320 --> 00:48:26.560
You know, I find them like really
difficult to follow and like it's much
00:48:27.430 --> 00:48:30.680
like, you know, you're sort of-- a
tutorial is like sort of practicing the
00:48:30.680 --> 00:48:32.690
thing before you need to do the thing.
00:48:32.690 --> 00:48:35.300
And so like why would I do that withâ¦
00:48:35.340 --> 00:48:37.910
You know, I find that my brain
just doesn't really work that way.
00:48:37.910 --> 00:48:39.500
I kinda just need to jump in and do it.
00:48:40.620 --> 00:48:41.030
so yeah.
00:48:41.850 --> 00:48:45.490
close-- I would say close your 100
tabs you have open that are giving you
00:48:45.490 --> 00:48:48.970
anxiety around the things you don't
know, and just try to learn like one
00:48:48.970 --> 00:48:50.690
thing today, and you will get there.
00:48:52.854 --> 00:48:54.694
Jonny: That is a great bit
of advice to finish on.
00:48:54.954 --> 00:48:58.054
I think we should, we should wrap up.
00:48:59.354 --> 00:49:00.444
Frank, where do we find you?
00:49:00.634 --> 00:49:06.224
just for, you know, for w-
what, LinkedIn, Twitter, what's-
00:49:07.296 --> 00:49:10.376
Frank Bach: Yeah, LinkedIn, Twitter,
I think those are both my jams.
00:49:11.236 --> 00:49:14.796
yeah, I'm easy to find or you
can just Google, you'll find my
00:49:14.796 --> 00:49:16.256
website and all the links are there.
00:49:17.144 --> 00:49:17.344
Jonny: Okay.
00:49:17.456 --> 00:49:17.736
Frank Bach: but yeah
00:49:18.074 --> 00:49:18.454
Jonny: Awesome.
00:49:19.174 --> 00:49:19.984
Thank you very much.
00:49:20.014 --> 00:49:25.384
And, if you're in LA, quite unlikely
that some of our audience are in LA,
00:49:25.404 --> 00:49:29.384
but, but if you happen to be in LA, go
and check out Frank's, Frank's, meetup.
00:49:30.474 --> 00:49:31.494
thank you so much.
00:49:31.884 --> 00:49:33.374
it's been fantastic to have you on.
00:49:33.404 --> 00:49:34.504
Really fascinating.
00:49:35.194 --> 00:49:37.164
and, have a good rest of your day
00:49:38.184 --> 00:49:38.674
Frank Bach: Thank you guys.
00:49:38.674 --> 00:49:39.224
Great to meet you.
00:49:39.224 --> 00:49:39.964
Great to chat with you.