UTSKRIFT 🔗
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Well hello everybody.
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This is Kim McDay from the Next Perfect Step, and I'm going to let Laurie introduce our guest today.
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Yes, who um we are I'm very excited because uh Dan Kennedy is a good friend.
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I've known him, we've known each other for a long time, but he is very talented.
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He's a composer, a pianist, and a recording artist.
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Um over the last 15 years, Dan has performed several concerts in 23 states of Quebec and has garnered 850,000 internet plays.
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Dan is a winner of a 2022 Global Music Award, a 2022 Native American Music Award, and the 2019 Enlightened Piano Radio Album of the Year.
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His recordings of originals and more well-known tunes have spent as many as seven consecutive months on the ZMR Top 100.
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He lives a mile from the city in Blue Hill, Maine, with his wife Rachel, and he's a wonderful musician.
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Welcome, Dan.
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So excited to have you with us.
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Thank you.
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I'm so happy to be here.
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Yeah.
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So we'd just like to have the audience get to know you a little bit more.
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I know we're we've been good friends, and um I've heard you play a couple different times.
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And I remember that one time that you played with the um Native American flutist at a house concert in Gloucester Mass.
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So that was I remember that.
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Yeah.
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So tell us how you got started and whatever you'd like to talk about.
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Well, um how I got started, I have no idea.
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So I I'll try to I'll try to address that.
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I just wanted to mention too on house concerts are are uh uh really my favorite because it's it's really a privilege to go into somebody's home and play for play for them.
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Um it's like in the um in the 1800s, around the 1860s, they were really popular and people anybody who had a piano could just and a few chairs could host these.
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So there's something kind of old fashioned about host concerts too.
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Right.
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Um, and we're having you we're having you at our house in November at the end of this month, so we're excited for you to come here.
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It's gonna be really fun.
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Yeah, it's really just it's a it's really just an excuse to hang out and have a party.
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I I've been to one before and they are really there's
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they're very intimate and just you know, you get to really hear it and feel it.
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So it's great.
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Yeah, you're really up close and um you know that's how I I like it.
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And you know, you mentioned I do uh I I am a recording artist as well, but recording and uh playing concerts are like polar opposites.
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They're they're very they're very different from one another.
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In in the recording studio, there's a lot more pressure because you're you know, you're you're uh we used to say uh rolling tape.
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Yeah, rolling tape, and that um uh um in in uh you really want to you you have to be at your very best.
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Um but but it is satisfying to have have uh recordings out and and it's a satisfying process.
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I really like it very much in the studio, but when you play a house concert or or any live concert, um it's like it's very immediate.
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It's just like whatever you you don't go back and redo stuff, it's like whatever happens, happens.
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And that and then the crowd becomes kind of participants in the in the music because the energy level in the in the room it gets reflected in um in my music.
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And um, so I I really I really like pulling uh live concerts too.
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And and I guarantee you at my live concerts there's no AI.
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Yeah.
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Yay! Don't need it with your music.
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I don't actually put AI on any of my recordings either, just just that disclaimer.
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But um I have a lot of you know, I just have a lot of fun with it.
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Um I think that how I started was when I was a kid.
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I was at the piano and I was just what I thought was noodling.
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Just like this.
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And then I started playing for my piano teacher at the time.
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This is when I was twelve.
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My piano teacher was Mr.
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Robert Ball.
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And um I used to play my assignments for him.
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I'd go through the weekly assignments, and then afterwards, if we had five minutes left over, I'd play him some of my noodlings.
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And one day he said to me something that really stuck with me, and he said and uh when I was a kid, I was Danny, of course.
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Danny He said, I think you're composing.
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Oh wow.
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That's really all he said.
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So he d he didn't judge my music, he didn't get in and t and change it.
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He didn't go in and say, Oh, you know, that you know, the bridge section really needs to be the introduction or dah-da-da-da.
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That all but he he just noticed, he says, I think you're composing.
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And so for a 12-year-old.
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That's a good teacher.
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I might have been, I might have maybe I was fifteen.
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Actually, so in that, you know, teenage years.
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It was such a simple thing to say, but over time I realized what a great gift it was that he gave you, because then I realized that composing is when you start to do something intentionally, not just you know noodling.
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So I think that that's kind of where I trace it back to.
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I think it traces back to somebody right, uh a teacher that was able to just sort of uh steer me.
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And then the other thing he did for me is a couple times he let me play my pieces on his recitals.
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And so then somehow that gave it, you know, to be on a recital that was like an official stamp.
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Yeah.
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And um I always did that when I was a teacher too.
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I always I always put kids pieces if they if they were composing something, I'd always put them on the the recitals.
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Um so I've had a lot that's what I forgot.
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I really just had a lot of fun with it.
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And I went to school for music, you know, but when I wasn't when I wasn't doing my you know, theory assignments and composition etudes and such such like that, I was over at the coffee house playing live music.
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So that's what I that's what I did a lot.
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That's what I did a lot at Oberlin.
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I played in the Cat and the Cream coffee house a lot.
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And there they would just be like Okay, you're gonna play for three hours now or like four hours in a row.
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And so I just like played like all all the time.
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And if I was lucky, I got a chocolate chip cookie.
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But I mean, I mean that's what sounds I mean that seriously when I say I have a lot of fun with with it.
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I'm actually deadly serious because it's the f the fun aspect is what attracts us to things.
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And and what makes us want to get into some get into something.
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Like we we don't go into stuff that that we hate, hopefully.
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We go into something that has a a kind of a a ring to it or an a attractive uh quality is what we kind of get get interested in.
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So if I weren't having fun making uh new music, I'd know that, you know there was a problem.
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Right.
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So I do.
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I have I have a lot of fun with that.
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So I don't I get to sh and I decided I get to, you know, share it with other other people at concerts and house concerts and community centers and libraries and all kinds of things.
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So I'm I'm playing like right now I'm playing across pretty much northern New England.
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New Hampshire, Maine, Massachusetts.
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I'm playing a lot in right now.
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Yeah, we we talk a lot about following your joy, you know, so I know that you do you have done that and it shows when you play.
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And music's a good way to get community together too, I think, you know.
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Because everybody has that common ability to uh, you know, tune into frequency and so it's a it's a great way to get a crowd together or you know, just enjoy.
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So do we get to hear some things from you uh today?
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Sure, sure.
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I can scoot over to the piano here.
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That'd be great.
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What do I want to play?
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Oh, I'm gonna play a newer song of mine that's called The Prism.
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And the reason why I gave it that title is that because of a prism, it kind of reflects things.
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And so even though it's a it sounds like a really simple melody, like a simple prism, when you look into it, you know, there's all this other feeling that comes out of it, and that's why I called it Prism.
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Thank you.
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That's Prism.
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Oh, I you can rate me, yeah.
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Because it does sort of reflect out and goes in different different dimensions, different ways.
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I don't I love that.
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Thank you.
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Honestly, it always comes out a little differently every time.
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I don't I don't have an exact way of playing everything.
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In fact, uh that's what's different since this is really more of like a live performance.
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It's gonna have that kind of variation.
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And that's what's challenging for me when I go into the studio.
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I really I really need to play it all kind of the same.
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Kind of the same way.
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So then I have to kind of grit my teeth and like, okay, I'm gonna
make only one version of this song.
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So but thank you for listening to that.
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It was fun it was fun to play for you here electronically.
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Yeah, it sounds really nice.
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I like your piano.
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Um you're welcome to play uh another one if you liked, or that was just beautiful.
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Oh, you want me to go?
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I've got another I've got another one I've ready for you.
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Good.
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Um this is what this is uh uh this is called Soaring.
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I guess I'm only playing songs today that have one word titles.
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They're good ones.
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I I love to watch the birds.
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I don't I'm not an expert, I don't always know what bird I'm looking at, but I just love to see the birds flying, and so this is why I have an image of that.
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Like I'd love to fly too, but I can't.
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But I only can fly a little bit through my music, and that's why I call this one soaring.
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Yeah, that was really love that.
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Love that.
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Yeah, that's good.
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Feel like you're soaring.
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I know.
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I I've had dreams before where I've been a bird and I've been flying or I fly on my own.
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And I had a dream once that I was flying through my high school and I was a cardinal, and that reminded me of that so much.
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Like I wished I had had that playing in the background of my dream, it would have been perfect.
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No, I wish there was like a VCR for your dreams for that one.
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Well, that you know, uh that's very auspicious when you have a like a flying dream that's supposed to be that things are going well, actually.
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Isn't that a relief?
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I know, right?
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Yeah.
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Yeah, a flying dream is very auspicious, but like a falling dream is really not but you know, to support you know, I'm trying to support these days like happy memories and pe people have.
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Um and that that's kind of one of my goals now as a musician.
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And that a lot of a lot of my music is pretty um mournful.
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You know, like when you go like I I I love a sad song, you know, I have a bit of an irish streak.
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So I love a like a sad song.
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But that I designed that last one, the soaring.
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I said
you can have a sad song, but you kind of have to offer some relief and you have to have some more cheerful music too.
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So like that fast, that idea that soaring is it's a much uh it's a much quicker feeling and it's uh it it's it's a little bit more, you know, uplifting for people.
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So we're so we're always trying to we're always trying to balance things like this.
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But you know people ask me all the time, like, well, where do you get the ideas for this stuff?
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You know, first of all, like I said at the beginning of the program, I have no idea.
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But but seriously, though, if I ha if I have to really think about it, um it's it's really just like I I make up ideas like a child who's playing in the sandbox or playing with blocks.
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They just naturally they just they put things together.
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And then there's always the the painful part at the end where they just like smash it all.
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I I I don't do that.
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They naturally kids just naturally put stuff together and then as an artist, I end up having all these uh like little snippets of music and that I simply just keep the ones that I like.
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That's like the that's the whole trick.
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It's like it's it's it's not difficult.
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If you know that that the there's snippets you come up with and you're kind of like, uh, you know, kind of like uh that's like leftover, you know, leftover like pasta from like four days ago.
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You're like, uh I don't want I don't want that.
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And then you're like, oh, like a uh like a hot hot stir fry, you know, that uh that I just made ten minutes ago, that's like something I'm gonna keep.
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So it's very it's very much it's very much like that.
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But you you're really choosing what to keep or keep around in that.
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And again, you know, that goes back to fun or that goes back to the love of what you're doing.
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It's that you pick the things that you really c care about.
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You keep them.
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It's kind of almost like a scrapbook, isn't it?
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You you put the things in your scrapbook that you that you like.
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You're like, oh, remember that, that was so awesome.
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You don't put like this like horrible oh, this is when I fell off my bike.
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But that's what we're trying to we're we're trying to do, you know, in that like that life life can be so complicated and confusing that we we need to we need the arts to to to offer us like
this little concert hall, this little like safe space where people can dream and share their share their memories to share community, sh and share what they love with each other.
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And to enjoy a music concert, you don't have to be a music expert.
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You don't have to you don't have to play the the cello to enjoy a concert.
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I find people of all walks of life of how of musical training or no musical training, no matter what, that they still enjoy music, you know.
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So there's a lot of we start out with a lot of common ground, I guess, you know.
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It's true.
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Well, and you you kind of answered one of the questions that I was gonna ask, and how you know music affects you on a day-to-day life basis, but like some of the examples you just used, it perfectly explain that.
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I think.
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Yeah.
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Well, I mean, I'm weird in that I made it my job.
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So in a way, I say, well, I have to do it every day.
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But um, and I'm also my own agent.
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So I have to make all my own phone calls and do my own emails and all that stuff.
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But I can do that, I can I can do that because I know that where my music is, that's I've already put that in what I'm interested in and what I like, what I love.
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I've all I've already operated that in my heart.
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So then I'm kind of willing, oh yeah, I'll kind of this person never emailed me back, so I'm gonna email them again.
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That's where I have to come up with the steam to do those kind of activities because I know that I I know you know what it is at the center that I that I'm doing.
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But I mean, I mean, nobody really, nobody goes into music to get rich.
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But I'm consider myself rich because I've gotten to play, you know, hundreds of concerts all over the country and not not even big, not big headlining.
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It's like I'm not like a household name, Dan Kennedy.
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Even just to play like a small concert.
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I find that fascinating and I find that a privilege to play for people for you know whatever that is, an hour, an hour and a half.
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So again, yeah.
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Sorry?
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I was just gonna say, um that's I love that attitude about community and bringing people together.
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But also, you know, we've been friends for a long time and I've seen your concerts.
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What I really appreciate is that you send a handwritten note to say, you
know, I'm gonna be here or I have a new CD out, or you know, I think that's that's a nice touch that you don't get every day.
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Yeah, I mean I still nowadays, right?
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When you get something in the mail, people are like, oh my God.
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You know, as not a bill.
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You know, you don't even get bills in the mail anymore, but you know, it's cra it's it's crazy.
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But I I I've I do this person to person in in um I've always done that.
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And I like my parents did that.
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They they it's like it's always it's how you treat people as people.
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And don't don't mess with people.
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Give give tell people what you are doing, what you are bringing, and you give them an invitation, and then they can come or they can not come.
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It just it depends.
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But um, yeah, I try I try to do stuff personally, because I can say, because I'm just a one-person show, because I don't have an agent or something like that to like do all that.
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But I have hired uh once in a while, I do hire some um publicity, um, like if I put out a new album or something like that.
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So I'm not uh that averse to to having help.
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So anyways, what else is cooking?
00:26:27.519 --> 00:26:29.119
What else do you want to ask?
00:26:30.559 --> 00:26:32.079
Do you have anything?
00:26:32.480 --> 00:26:39.680
I I I'm just like, you know, I'm I'm always impressed with people that have such incredible art artistic talents.
00:26:39.920 --> 00:26:50.559
Um, I mean, I think we all have you know creative places in mind and all of that, but music to me is one of those things, like you said earlier, that everybody can relate to.
00:26:50.720 --> 00:27:02.079
So when somebody can make that magic uh happen for people like myself who uh don't make that magic happen with music, it's just really you know, it's impressive.
00:27:03.839 --> 00:27:14.559
So I guess, you know, I do think uh I guess I do think in terms of like magic, that magic is a real real force.
00:27:15.440 --> 00:27:24.799
And magic is what gets us through the tough times too, because like not not every day is like a total uh, you know, winner.
00:27:25.119 --> 00:27:33.920
And so like we go I know I've gone through tough times in that you kind of go, oh uh you know, I don't want to do anything.
00:27:34.000 --> 00:27:45.200
And and then what happens is is this this thing here, you you get back to this thing, it draws you in and you start touching it, and you're like, oh yeah, now I remember.
00:27:45.440 --> 00:27:48.880
I remember what I was doing, and you kind of get back on track.
00:27:49.119 --> 00:27:49.440
Yeah.
00:27:49.680 --> 00:28:10.480
So this this idea of the um magic is something that kind of guides you know forward, and not not just not just guiding you in music, but it can be guiding you in art, poetry, um you know, creative writing, dance, theater, you name it.
00:28:10.559 --> 00:28:15.039
I mean, that's that's kind of what the the arts do.
00:28:15.440 --> 00:28:18.880
You know, the arts give you something up front.
00:28:20.400 --> 00:28:24.000
But that there's something underneath it, isn't there?
00:28:24.240 --> 00:28:25.759
So it's it's interesting now.
00:28:25.839 --> 00:28:29.920
Like when I go to a concert, I'm listening to like what oh, what are they playing?
00:28:30.079 --> 00:28:33.200
Oh, look at that G chord they're playing on the guitar.
00:28:34.240 --> 00:28:50.480
But there's a way of strumming that G chord where you have there's this feeling or sensation underneath the music that's kind of almost cutting across the music, and that's we're getting a very kind of a human human communication there.
00:28:50.960 --> 00:29:10.880
So that's what I've learned too, that all the you know, all the arts that we can talk about that they're all related in that in that they're really they're really communicating something to somebody to say, hey, yeah, you're having a great day, or you're not having a great day, and that this is what your great day might look like, you know, tomorrow.
00:29:11.119 --> 00:29:11.359
Yeah.
00:29:12.480 --> 00:29:18.799
So there's a this it's it there's a lot of there's a lot of aspects to performance.
00:29:18.960 --> 00:29:23.279
A performance isn't just one thing, it's a whole heap of of of things.
00:29:23.519 --> 00:29:30.079
And and that hopefully like at a house concert too, hopefully you get like you know, like a brownie or something.
00:29:30.400 --> 00:29:33.599
That's really what I that's what I'm in it for.
00:29:34.480 --> 00:29:35.119
The brownies.
00:29:36.480 --> 00:29:37.279
No, no.
00:29:37.839 --> 00:29:39.200
Or a chocolate chip cookie.
00:29:39.759 --> 00:29:40.559
Oh heck yeah.
00:29:40.720 --> 00:29:41.359
Yeah.
00:29:44.319 --> 00:29:51.119
Uh well, you're definitely spreading uh joy and inspiration to everyone who hears you.
00:29:51.759 --> 00:29:53.759
I'm always I always love to listen to you.
00:29:53.839 --> 00:30:01.440
And you can you would you mind um telling the listeners uh your website or how they could get a hold of you or hear more of your music?
00:30:03.759 --> 00:30:04.319
Sure.
00:30:05.119 --> 00:30:25.279
Well, as far as um hearing the music, you can go on any of the any of the streaming platforms that you ordinarily listen to your music, anyways, like Apple Music, Spotify, Pandora, Amazon, Unlimited, all those people have my music, and so you can just punch it in.
00:30:25.440 --> 00:30:31.920
But when you punch in, sometimes I think there are other this in this crazy modern era, it helps when you search for me.
00:30:32.000 --> 00:30:40.559
If you punch in Dan Kennedy and then you put in the word piano,
because that really narrows it down because there's other Dan Kennedys lurking around out there.
00:30:42.240 --> 00:31:04.799
But um, as far as if you just want to learn a little bit more about me, my website is at www.dankennedy.us and um so that has a whole that has a whole kind of things of what I'm doing now, what I've what I've what I've been up to.
00:31:06.240 --> 00:31:24.960
And um you can also like if you can email me through the website, and you can if you say what town you live in, uh I can place you in my email list, which is geographically targeted.
00:31:25.119 --> 00:31:44.799
So if you like if you live in uh New Hampshire or you live in eastern Massachusetts, you can just say that what area you want to be in, or like what town you live in, so that if I play in like Roanoke, Virginia, I won't email you all the time.
00:31:45.759 --> 00:31:46.720
That's very smart.
00:31:47.039 --> 00:31:47.519
Yeah.
00:31:48.079 --> 00:31:50.079
That's that's the benefit of no AI.
00:31:50.480 --> 00:31:50.880
Yeah.
00:31:51.039 --> 00:31:51.279
Yeah.
00:31:51.519 --> 00:32:00.720
And I don't unf I'm unfortunately I I should do a better job at the social media, but the so social media is very strange.
00:32:00.880 --> 00:32:02.799
I I find it very strange.
00:32:03.119 --> 00:32:11.759
But I certainly won't, I'm I'm not gonna like tweet out what I ate for breakfast like every day for the next 14 14 days or something like that.
00:32:11.920 --> 00:32:14.559
I just I just don't think it's that interesting.
00:32:16.000 --> 00:32:21.279
Um but I do have I do have all those I I have that social media stuff.
00:32:21.359 --> 00:32:27.119
I tend to use it more like when I have a bigger event or uh or an album release or something like that.
00:32:28.079 --> 00:32:31.200
So you have quite a few albums out.
00:32:32.160 --> 00:32:34.559
I I have some of them or the CDs.
00:32:35.839 --> 00:32:36.799
I still use CDs.
00:32:36.880 --> 00:32:38.160
I mean, people still buy CDs.
00:32:38.240 --> 00:32:41.200
Everyone is like CDs are over.
00:32:41.359 --> 00:32:47.359
Well, they're not because every show I always sell a couple CDs, it's really interesting.
00:32:47.920 --> 00:32:57.680
I kind of like CDs in a way because because and I have 10 albums, and so I'm keeping track of this, but the CDs sound the best.
00:32:57.839 --> 00:32:58.319
I don't know why.
00:32:58.480 --> 00:33:02.240
First of all, they sound great, and then you say, Well, I actually have it.
00:33:02.400 --> 00:33:07.279
When you have a song that's on a streaming service, after it's over, you're like, where was it?
00:33:07.440 --> 00:33:09.200
Where where did the song go?
00:33:10.799 --> 00:33:12.400
What what were we just listening to?
00:33:12.640 --> 00:33:18.640
Like on streaming stuff, it's just it's just you know, my brain can keep taking track of stuff.
00:33:18.960 --> 00:33:25.359
I know I have little lists all over my house of songs that I like that I see if I can find out if
I could read the little thing.
00:33:25.519 --> 00:33:30.240
I write it down and they're all over my house, and then I can't remember what was what.
00:33:30.400 --> 00:33:30.559
Yeah.
00:33:30.880 --> 00:33:31.279
I know.
00:33:31.440 --> 00:33:34.559
And then it's like this, I because I use sticky notes too, right?
00:33:34.640 --> 00:33:39.680
And then it's like I I write a sticky note that says, remember to read your other sticky notes.
00:33:42.559 --> 00:33:43.200
That's perfect.
00:33:45.519 --> 00:33:50.880
But you have to do I do everything streaming, social media, website, email, you know.
00:33:51.119 --> 00:33:55.039
My favorite thing, honestly, right now, but I'm focused on is playing live shows.
00:33:55.279 --> 00:33:57.200
Live shows are the most interesting.
00:33:57.680 --> 00:34:07.440
They are because you're you're have contact with people, you're in a community, you've got the you know, um reactions of people and their joy in listening to you.
00:34:07.519 --> 00:34:18.480
And yeah, and and you're such a you're humble and you're you're just uh so down to earth and you when you share about your music at the concerts and like today as well.
00:34:18.559 --> 00:34:20.239
But I like that about you.
00:34:20.880 --> 00:34:22.400
Oh thank you.
00:34:23.519 --> 00:34:30.159
Well you know, I always at the concerts, I always talk somewhat, you know.
00:34:30.559 --> 00:34:35.519
I always say you never want to talk at the concert more than you actually play the piano.
00:34:36.320 --> 00:34:49.519
But but you always you always want to explain a little bit about how you know how something came to be or something came about, because people really interested in that.
00:34:49.679 --> 00:34:56.480
People love everyone loves a good story, you know, and every every song that I write really has a story to it.
00:34:56.559 --> 00:34:58.559
So I kind of share that a little bit.
00:34:58.800 --> 00:34:59.440
Yeah.
00:34:59.920 --> 00:35:11.599
Um yeah, it's just like if I went up there, if I played like 16 songs in a row and I never said anything to the audience, it would be really weird.
00:35:12.159 --> 00:35:13.519
It would be strange.
00:35:14.159 --> 00:35:15.280
Nobody does that.
00:35:16.559 --> 00:35:17.280
Nobody.
00:35:23.280 --> 00:35:27.920
Would you be willing to play one more for us before we close out this podcast?
00:35:29.199 --> 00:35:29.599
Sure.
00:35:30.639 --> 00:35:32.159
Not putting you on the spot.
00:35:32.880 --> 00:35:33.119
No.
00:35:33.519 --> 00:35:35.199
Does it have a one-word title?
00:35:36.639 --> 00:35:37.599
I think it does.
00:35:43.360 --> 00:35:44.400
Let me see.
00:35:45.119 --> 00:35:46.559
I can listen to him all day.
00:35:46.719 --> 00:35:46.960
I know.
00:35:47.280 --> 00:35:49.360
That's a really beautiful sound.
00:35:51.599 --> 00:35:54.719
It's almost it's it's almost it's almost one word.
00:35:54.800 --> 00:35:57.440
It's called memoir number two.
00:35:57.760 --> 00:36:08.159
So I went with the uh I used the French title, and when I say number two, I I named it memoir number two because I couldn't remember number one.
00:36:08.320 --> 00:36:09.920
So I just called it number two.
00:36:13.039 --> 00:36:17.039
But I do think about when I think of memories, again, I think of happy memories.
00:36:17.119 --> 00:36:21.679
Um, this is a song about it opens up your reflections.
00:36:21.920 --> 00:36:27.599
So you're thinking, thinking back, and you know, you can see, and not the sunlight today.
00:36:27.760 --> 00:36:30.719
You see, how does the sunlight look back then?
00:36:30.880 --> 00:36:33.679
It has another quality to it, like a photograph.
00:36:33.920 --> 00:36:36.239
So here it is memoir number two.
00:39:25.199 --> 00:39:26.000
Thank you.
00:39:26.239 --> 00:39:26.880
Thank you.
00:39:32.239 --> 00:39:34.800
That's yeah, I know that's a that's a nice song, isn't it?
00:39:34.960 --> 00:39:36.320
It's very, very wistful.
00:39:36.880 --> 00:39:38.400
Yeah, it's beautiful.
00:39:38.639 --> 00:39:39.119
Thank you so much.
00:39:40.719 --> 00:39:41.920
Oh, you're welcome.
00:39:42.159 --> 00:39:43.280
Yeah, my pleasure.
00:39:43.360 --> 00:39:43.679
Thank you.
00:39:43.840 --> 00:39:44.719
Thank you for having me.
00:39:44.800 --> 00:39:47.760
I've really enjoyed talking with you guys.
00:39:48.079 --> 00:39:49.199
Yeah, us too.
00:39:49.360 --> 00:39:51.920
Yeah, I was looking forward to seeing you in person.
00:39:52.239 --> 00:39:56.000
Yes, for the concert that they'll be having for you here.
00:39:56.159 --> 00:39:59.840
We're looking forward to you coming here to play for the house concert.
00:40:00.320 --> 00:40:01.199
Absolutely.
00:40:01.440 --> 00:40:02.159
Absolutely.
00:40:03.920 --> 00:40:08.800
So we will put a link to all of your information down at the bottom of the podcast.
00:40:09.280 --> 00:40:15.039
And so good to see you, and thank you so much for being with us today, Dan, and playing for us.
00:40:15.519 --> 00:40:17.280
Yes, thank you so so much.
00:40:18.000 --> 00:40:20.320
All right, great to see you, and nice to meet you, Kim.
00:40:21.199 --> 00:40:23.679
Nice to meet you too, and I'll see you soon.
00:40:24.239 --> 00:40:30.480
And until until next time, how is your intuition leading you to the next perfect list at the end of the