UTSKRIFT 🔗
WEBVTT
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Frank Lovejoy, Paul Stewart, and Mercedes McCambridge are heard in
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Arch Obler's Lights Out drama, written and directed by Obler.
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First broadcast by CBS on February 2nd, 1943, episode 18
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of the 1942-43 season Concerns condemned prisoner Mac Rogan, who
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maintains that Mark Street murdered Rogan's wife and framed him
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for the crime. With execution approaching, Rogan's determination to escape
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and settle the matter carries the story from the penitentiary
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toward a graveyard. This is Lights Out Until Dead, also
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known in some circulation as The Luck of Mark Street.
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Here is the original broadcast.
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Ironized yeast presents Lights Out Everybody.
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Is later than you think.
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Lights Out brings you stories of the supernatural and the supernormal,
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dramatizing the fantasies and the terrors of the unknown.
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We tell you this frankly, so if you wish to
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avoid the.
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Excitement and tension of.
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These imaginative plays, We urge you calmly.
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But sincerely to.
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Turn off your radio now. This is Arch Obler.
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He walks the earth, the little man. You look at
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him and say, what can he do? But then comes
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war and barbarism threatens his own home and suddenly the
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little man towers over the earth, a figure of vengeance.
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This too tonight is a story of vengeance. But before
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we begin, Bob Stevenson.
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Wants to ask you a question.
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Do they then find you so worn out and all
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in that you can't.
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Enjoy the evening?
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Are you so jittery and underweight and underpowered that you're
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losing out in your.
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Work and in your fun?
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Remember the name.
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Ironized Yeast Tablet.
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And now, lights out.
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Everybody. You've got ten minutes with him, Counselor. I know,
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I know. Colonel Rogan, I understand you wanted to see me.
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Sit down, Counselor.
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I'm very busy, understand?
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Sit down. Yes. What's on your mind? There's always a chance,
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you know. The jury's been out three hours.
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What's the level of the jury? Get me a knife.
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Huh?
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Get me a knife. A knife? Are you insane? A knife.
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Get me one. But why? You've got a chance.
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My final summation. The jury might deadlock. Yes, deadlock.
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You've got to listen to me.
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Why not? When the jury comes in, he'll be there, sure. He?
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Mark Street. Oh.
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Oh, him.
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You still don't believe? Oh, but I do, I do.
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I definitely believe that an individual by that name does exist.
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Exist? He killed my wife.
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But the evidence... He killed my wife, you hear me?
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He killed my wife. Yes, yes, I know. That's all
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you listen to me.
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You listen, I'll make you listen. For days you've been
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out there in that.
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Courtroom talking words. Words, high-sounding legal words. All the time
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you won't believe a word I told you. All the
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time back at.
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That mug of yours you've been thinking, yeah, he killed her,
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he killed her.
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I killed her.
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It's the first thing that ever came into a man's life.
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Now, Mac, I want you to know.
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Let him get it out.
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Of me. Marie was my wife.
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She was helping me and loving me. Guy come along
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who couldn't stand to be unhappy. Took a look at
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Marie and in that rat mind he must have said
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to himself, okay, beautiful, I'm going to get you. How
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and when I'd end up with someday, beautiful someday.
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That's what he said. And that's what he did.
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What?
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Well, then he came over. Sure, he'd have to be
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my friend.
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He came over and when Marie told him I was working.
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Late down at the plant, he said he'd wait for me. Business.
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Business of hell.
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Load full transcript
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What?
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Oh, how can I tell you?
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I can only think it in my head and remember
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it in my head. I hear her. Fighting against you.
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Fighting against you.
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Fighting.
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I don't hear anything. Fighting.
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Fighting.
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She must have clawed at his eyes. And that knife
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in his hand. He stabbed her once.
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And again.
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And a third time.
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When I got home, she had straight to whisper just
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two words to me. His name. And then she was dead.
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And he killed her.
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He'd find me, so I'd take the rat knee that
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left her marked straight.
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He did it. You hear me?
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Marked straight.
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But no trace of the man.
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He'll come back, I tell you.
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He'll come back now to hear that jury speak at peace.
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He'll come back. I know he will. That'll be my
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chance to get him.
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Get me that knife.
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But, Matt.
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The knife.
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I've got to have it.
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He'll be there.
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I can give it to him once, twice, three times.
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The way he did to her in his face and
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his neck and his dirty house.
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That's the way she's dead.
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His blood wiping out what he did to her.
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A knife.
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Get me a knife.
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Order in the courtroom.
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Order in the courtroom. Annette will clear the courtroom and
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that order is immediately restored. You got it. Well, Mac,
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everything's going to be all right. You certainly didn't think
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I'd really.
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Well, I mean a man in my position.
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You didn't really... He's sensible, Mac.
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How could I? Your wild story about revenge against a
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man nobody knows.
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Double-crossing, Mac.
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Ladies and gentlemen of the jury, have you reached the verdict?
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We have, Your Honor.
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You will read the verdict.
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We, the jury, find the defendant is charged in the
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indictment guilty of murder in the first degree.
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The prisoner will rise and face the court.
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He's talking to you, Mac.
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What? The prisoner will rise. Judge, get up, Rogan. Mark Street.
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You're here. I know it. Mac Rogan.
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Have you anything to say before a sentence.
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Is cast upon you? I see him.
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What's the matter?
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Mark Street, he's here. Here. Mark Street.
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You're here.
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I see you.
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I'll get you now.
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No, he's here.
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Mark Street, I've got to get him and kill him.
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He framed me.
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He killed him. Let me go.
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No.
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No, let go of me.
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You can't let him get away.
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You hear?
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I saw him.
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Mark Street, listen to me.
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I'll get you.
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I tell you, I'll get you if you got hurt.
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Three times.
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What's across your face and what's looking at you?
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What's on your mind?
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I'll get you, Mark.
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Free, I swear.
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I'll get you.
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I'm asking you as a particular favor to me, Rogan,
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to behave yourself.
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Yeah.
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Well, every man in this cell block is a condemned man.
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Disturbances just make it harder for everyone concerned. I ain't
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going to be with you long, Warden. Yes. Two weeks yet,
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my boy. I'm not going out that week.
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Oh. Escape, eh? I'm just telling you not to count
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too much on springing that trap.
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Don't try it, Rogan.
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No man's ever escaped from the death house in this penitentiary.
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And no man ever will.
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Yeah.
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Well, this
is it, Rogan. And I wouldn't.
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Well, hello, Ricoe.
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Guard, open the cell door. Yes, warden.
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In here, Rogan. What's the matter, warden? Your hotel getting crowded,
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so you got to give me a roommate? Now, behave yourself, men.
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I don't want any trouble. Very sure, warden. You don't
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make any trouble. I hope not. See you later. Look
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at warden like a schoolteacher. Rogan? How do you know
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my name? Yeah, there ain't much going on around here
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Rico Bartelli don't know. Yeah?
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Yeah.
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He doesn't want to know. How do you get out
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of here? Well, there's two ways. One through that door
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where you just came in with the warden. And the
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other through that green door down there at the other end.
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That's a funny door. It only opens up one way.
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They're not going to hang me. A lot of guys
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say that, but they feed the worms just the same.
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I'm getting out of here. Well, it's easy just to talk.
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I've got to get out.
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Why?
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To kill.
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Are you crazy? Well, never mind.
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To me, it don't make no difference just so long
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as you help me. I told you Rico about telling
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those lots of things.
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Well, listen to this. I know where to correct this place.
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Don't just talk.
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I've got a guy in my spot.
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Don't just talk, my friend. Me, I ain't got time
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to talk. Yeah. I think they're going to hang me
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three days from now. Oh. Yeah, that's why when I
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say something, I mean it. You too.
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You've got the same listener.
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Look. Every day, four o'clock. There's me and you out
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in the room down there that they call an exercise room.
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We're supposed to walk up and down and get exercise
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so we'll feel good when they stretch our neck.
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Calling you and me in the exercise room for ten minutes.
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No guard.
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They figure it's all right.
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The room ain't got nothing in it.
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No window.
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And the guard locks it up from the outside.
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And how do you.
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I'm not trying to tell you.
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The room is nothing.
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Bare walls.
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Death walls. And on the floor, there's one iron sore.
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They're bleeding down to the sore that runs in.
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The respective river. Marie? Sure, sure.
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You do like I say, and Marie will see you
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pretty quick. This water, how deep is it?
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No, no.
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It doesn't make any difference. I can swim in it.
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Not in this water, my friend.
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Why not?
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How far is it from where we can get in
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the sewer to the river?
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I can swim a dozen. Not in this water.
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Why not? Tell me why not.
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Hey, you guys, I'm gone.
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Okay, screw. I'm going to sleep. Tell me. Why not?
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Because, my friend, after the pipe that's under the exercise
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room goes a little way, it joins the main pipe.
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Well? And on the main sewer, there's no room for swimming.
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The pipe's filled to the top with water. I'll swim
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at any time. Breathe what? The water? I've got to
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get out. Sure, you've said that before.
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But you ain't going to get out if you don't
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listen to Rico. I tell you, the water on the
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sewer's up to the top.
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Maybe half or one inch clear air.
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Up on top.
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Not enough to swim, my friend, but just enough to
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get air out. You've got the right thing. What? A
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diving rig.
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Ah, a little piece of rubber pipe that you keep
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in your mouth. And you stick it up out of
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the water so you suck in the air while you
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walk through the water.
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It's over your head.
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Where do you get the rubber hose? Here. See?
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I
got one right here. And I got another one
259
00:11:00.980 --> 00:11:01.259
for you.
260
00:11:01.279 --> 00:11:03.179
Listen, stuck in my mouth.
261
00:11:03.870 --> 00:11:05.250
Listen, I raise it high like this.
262
00:11:05.809 --> 00:11:07.190
So it sticks up out of the water and I
263
00:11:07.330 --> 00:11:09.230
suck up that little inch of air that's waiting up
264
00:11:09.250 --> 00:11:09.710
there on top.
265
00:11:10.350 --> 00:11:11.230
Rock Street.
266
00:11:11.289 --> 00:11:12.509
I'll be coming for you soon.
267
00:11:12.570 --> 00:11:13.610
Rock Street? What's that?
268
00:11:14.450 --> 00:11:15.429
All I want to know is you're going to break
269
00:11:15.470 --> 00:11:16.570
with me down the sewer tomorrow.
270
00:11:16.610 --> 00:11:18.809
Man, you don't know what you're doing. Shut your mouth.
271
00:11:18.929 --> 00:11:20.960
I do it because I can't lift a heavy sewer
272
00:11:20.980 --> 00:11:25.720
lid by myself. But with you, we'll lift it. We'll
273
00:11:25.759 --> 00:11:29.519
lift it. Okay. Tomorrow, four o'clock, we try, huh?
274
00:11:30.559 --> 00:11:31.120
Four o'clock.
275
00:11:41.470 --> 00:11:45.210
Ladies and gentlemen, a deep breath, please, before we go
276
00:11:45.289 --> 00:11:50.230
on with the story of vengeance and MacRogan. Yes, and
277
00:11:50.309 --> 00:11:52.990
while we do so, girls, is this how you feel
278
00:11:53.029 --> 00:11:54.230
these strenuous war days?
279
00:11:54.850 --> 00:11:57.889
No, I'm not going to dance with a soldier. I'm
280
00:11:57.929 --> 00:12:00.929
too tired out to enjoy it. And since I've gotten
281
00:12:00.970 --> 00:12:04.169
so thin and run down and on edge, nobody wants
282
00:12:04.190 --> 00:12:06.970
to dance with me anyway. Well, you don't look so
283
00:12:06.990 --> 00:12:07.549
good lately.
284
00:12:07.990 --> 00:12:11.269
But listen, you know Sally Blake? Well, she was underweight
285
00:12:11.330 --> 00:12:13.840
and weary and jumpy, too. And she found out that
286
00:12:13.860 --> 00:12:15.860
all she needed was more vitamin B and iron.
287
00:12:16.220 --> 00:12:17.580
Vitamin B and iron?
288
00:12:18.000 --> 00:12:21.120
I don't understand. Let me explain, miss. When you don't
289
00:12:21.179 --> 00:12:23.580
get enough vitamin B from your food, you may lose
290
00:12:23.620 --> 00:12:25.159
your appetite, so you don't eat enough.
291
00:12:25.720 --> 00:12:27.659
Then you may lose weight and lose your pep.
292
00:12:28.340 --> 00:12:29.980
Or you may not get all the good out of
293
00:12:30.019 --> 00:12:32.700
your food. And when you don't get enough iron from
294
00:12:32.740 --> 00:12:34.580
what you eat, you may be weak and pale and
295
00:12:34.620 --> 00:12:36.379
washed out. Oh, dear.
296
00:12:36.399 --> 00:12:39.139
If more vitamin B and iron is what I need,
297
00:12:39.700 --> 00:12:42.240
I suppose I've got to take some disagreeable medicine.
298
00:12:42.379 --> 00:12:45.820
Sally didn't. She took ironized yeast tablets. She says they're
299
00:12:45.860 --> 00:12:49.240
a cinch to take. Just pleasant little tablets. And you
300
00:12:49.259 --> 00:12:50.210
should see that....
301
00:12:52.480 --> 00:12:54.899
And now, back to Lights Out.
302
00:12:56.220 --> 00:12:58.100
This is the day and the time for the two
303
00:12:58.139 --> 00:12:59.289
condemned men to.
304
00:12:59.210 --> 00:13:09.210
Make their try for freedom. Get plenty of exercise, boys.
305
00:13:09.830 --> 00:13:12.110
Won't be long now. Just a relic.
306
00:13:12.269 --> 00:13:16.970
Michael. Michael.
307
00:13:18.129 --> 00:13:18.389
What's wrong?
308
00:13:18.409 --> 00:13:20.350
There's no fuel lit in it. You think they've got
309
00:13:20.370 --> 00:13:22.230
a label on it or something? Quit talking. We've got
310
00:13:22.250 --> 00:13:24.649
to move fast. Show me for the lever. Okay, okay.
311
00:13:24.690 --> 00:13:25.429
Keep your pants on.
312
00:13:26.169 --> 00:13:28.429
Yeah. You see the circle on the floor?
313
00:13:28.850 --> 00:13:29.090
Yeah.
314
00:13:29.230 --> 00:13:29.769
That's a lid.
315
00:13:29.809 --> 00:13:31.870
It's covered with cement just like the floor.
316
00:13:32.649 --> 00:13:33.909
What in heaven?
317
00:13:33.950 --> 00:13:35.370
Wait, how are we lifted out?
318
00:13:35.409 --> 00:13:35.970
Keep quiet.
319
00:13:36.889 --> 00:13:39.279
Yeah. I got something that'll.
320
00:13:38.980 --> 00:13:43.580
Do the work. It's a cold chisel. I told you
321
00:13:43.600 --> 00:13:46.600
Rico Bartelli's a smart guy. This little piece of steel
322
00:13:46.639 --> 00:13:48.610
cost me plenty. But I got it on you. It's
323
00:13:48.629 --> 00:13:50.909
going to get me right out of here. Now listen here.
324
00:13:51.129 --> 00:13:51.350
Look.
325
00:13:51.990 --> 00:13:52.990
Stick the chisel in the crack.
326
00:13:53.009 --> 00:13:54.350
Then push up.
327
00:13:54.970 --> 00:13:57.730
The cover comes up a little bit. Then you stick
328
00:13:57.750 --> 00:14:06.929
your fingers underneath. Okay. I got it. Now, get your
329
00:14:06.950 --> 00:14:11.529
fingers under. Yeah. Okay. Now, lift. Lift it.
330
00:14:11.610 --> 00:14:11.889
My fingers.
331
00:14:12.210 --> 00:14:14.789
Mother of mercy.
332
00:14:15.029 --> 00:14:15.649
My fingers.
333
00:14:15.690 --> 00:14:18.029
Get that lid off me. I'll get it up again.
334
00:14:18.100 --> 00:14:18.639
I got you.
335
00:14:18.659 --> 00:14:19.200
I got it.
336
00:14:19.220 --> 00:14:19.570
That's it.
337
00:14:36.529 --> 00:14:37.190
Help me.
338
00:14:37.929 --> 00:14:38.970
I've got it up again.
339
00:14:38.990 --> 00:14:42.440
Help me lift it up.
340
00:14:42.539 --> 00:14:43.899
There we go.
341
00:14:44.059 --> 00:14:45.059
Let it down.
342
00:14:45.100 --> 00:14:45.759
Let's go.
343
00:14:46.100 --> 00:14:47.139
Okay.
344
00:14:47.340 --> 00:14:50.980
You drop down there first.
345
00:15:07.110 --> 00:15:09.490
How deep the water is. There it goes.
346
00:15:09.529 --> 00:15:14.240
There it goes.
347
00:15:15.700 -->
00:15:23.440
Is it all right down there? Yeah. Come on. Okay. Why,
348
00:15:25.720 --> 00:15:30.370
there's nothing deep. It's only up to my weight.
349
00:15:30.889 --> 00:15:31.889
Which way now?
350
00:15:32.169 --> 00:15:34.529
This way. Come on now.
351
00:15:38.590 --> 00:15:39.490
Blast it, Doc.
352
00:15:40.029 --> 00:15:40.529
I know the way.
353
00:15:40.549 --> 00:15:40.649
Yeah.
354
00:15:41.009 --> 00:15:47.129
It's faster. Move away. I can't go too fast. Same
355
00:15:47.149 --> 00:15:48.929
story someplace along here. I might fall in.
356
00:15:48.929 --> 00:15:49.049
Okay.
357
00:15:49.149 --> 00:15:49.549
Well, yes.
358
00:15:50.269 --> 00:15:51.120
Keep going, keep going.
359
00:15:51.220 --> 00:15:51.519
It's black.
360
00:15:51.539 --> 00:15:53.299
I can't see nothing.
361
00:15:53.460 --> 00:15:54.190
I'll make a run.
362
00:15:54.200 --> 00:15:54.720
Shut up, Doc.
363
00:15:54.799 --> 00:15:56.299
Shut up.
364
00:16:08.019 --> 00:16:12.750
It works, don't you feel? It's moving faster. Yeah, you're right.
365
00:16:12.769 --> 00:16:15.230
That means the main source is up ahead.
366
00:16:15.250 --> 00:16:16.769
Come on.
367
00:16:16.889 --> 00:16:17.720
Where should I?
368
00:16:17.730 --> 00:16:18.830
The main pipe's ahead.
369
00:16:18.889 --> 00:16:19.820
Yeah, the main pipe's ahead.
370
00:16:19.840 --> 00:16:22.279
That means we're going right. Oh, I'm not afraid of
371
00:16:22.320 --> 00:16:23.580
drowning if I can't.
372
00:16:23.620 --> 00:16:24.700
I've got to kill him first.
373
00:16:24.779 --> 00:16:25.220
I can't.
374
00:16:25.399 --> 00:16:25.840
No.
375
00:16:26.899 --> 00:16:27.860
It doesn't matter to you.
376
00:16:27.899 --> 00:16:28.159
Come on.
377
00:16:29.259 --> 00:16:31.190
Wait a minute. Give me my piece of rubber hose first.
378
00:16:32.779 --> 00:16:33.360
Rubber hose?
379
00:16:33.379 --> 00:16:34.700
Yeah, sure, like you told me to breathe through in
380
00:16:34.720 --> 00:16:36.179
the main sewer. Give it to me now and kiss
381
00:16:36.200 --> 00:16:36.700
the water separate.
382
00:16:36.740 --> 00:16:37.759
I'll give you what?
383
00:16:37.840 --> 00:16:39.200
What's the matter with you, my man?
384
00:16:39.860 --> 00:16:41.919
Tell me what's up. Yeah.
385
00:16:43.320 --> 00:16:43.980
Yeah, why not?
386
00:16:45.879 --> 00:16:47.580
I only got one piece of rubber hose.
387
00:16:48.840 --> 00:16:49.460
But, Rico, you said.
388
00:16:49.519 --> 00:16:50.700
That ain't saying what it is.
389
00:16:50.700 --> 00:16:55.730
That's two different things. I got one. My mate. The
390
00:16:55.830 --> 00:16:58.830
late you. You help me lift up that soul.
391
00:16:58.850 --> 00:17:00.110
That okay, that swim.
392
00:17:00.590 --> 00:17:02.090
Now, if you want to go out and knock off
393
00:17:02.110 --> 00:17:03.210
that guy you always talk about.
394
00:17:03.230 --> 00:17:06.670
Okay, I ain't stopping you. Take a swim for yourself.
395
00:17:07.400 --> 00:17:08.319
Give me that piece of hold.
396
00:17:08.380 --> 00:17:11.000
You better take that swim while you're still healthy, my friend.
397
00:17:11.119 --> 00:17:11.859
Give me that hold.
398
00:17:11.880 --> 00:17:13.220
Stay back from me. Give it to me.
399
00:17:13.240 --> 00:17:14.299
Okay, I'll give you.
400
00:17:19.369 --> 00:17:25.099
That old chit is trying to knife me again.
401
00:17:25.339 --> 00:17:27.420
Hey, get.
402
00:17:28.480 --> 00:17:28.799
Out.
403
00:17:29.099 --> 00:17:31.180
Get my good deal now.
404
00:17:31.980 --> 00:17:34.640
Get your arm, Rico.
405
00:17:34.759 --> 00:17:38.049
Spend a minute to make you bend over.
406
00:17:38.769 --> 00:17:42.190
Bend over, Rico, over. Get that head of yours under
407
00:17:42.309 --> 00:17:43.029
the water.
408
00:17:44.329 --> 00:17:45.509
Drink it, Rico.
409
00:17:45.970 --> 00:17:47.990
Fill your double-climbing run.
410
00:17:47.730 --> 00:17:48.190
With this drink.
411
00:18:04.460 --> 00:18:05.670
All right, Rico.
412
00:18:07.049 --> 00:18:10.990
I've got the chisel and the hose. Now you take
413
00:18:11.029 --> 00:18:12.009
that swing that.
414
00:18:11.890 --> 00:18:21.569
You were going to give me. Now, Mark Street, I'm
415
00:18:21.690 --> 00:18:22.579
coming after you.
416
00:18:33.279 --> 00:18:36.319
Hey, now, bud, shut the door. We're closed, see?
417
00:18:36.339 --> 00:18:38.339
Might as well scram.
418
00:18:39.039 --> 00:18:40.839
One o'clock's closing hours in this town.
419
00:18:41.819 --> 00:18:42.440
Help me.
420
00:18:43.279 --> 00:18:43.480
Hey.
421
00:18:44.259 --> 00:18:49.319
Hey, what's the matter with you? Mark... Street. Huh?
422
00:18:50.380 --> 00:18:51.180
What's that you said?
423
00:18:51.720 --> 00:18:53.960
Mark... Street.
424
00:18:55.480 --> 00:18:56.200
Where is he?
425
00:18:56.900 --> 00:18:57.680
Mark Street?
426
00:18:59.099 --> 00:19:02.279
Oh, you mean that lanky chiseler that... Oh, you.
427
00:19:03.630 --> 00:19:06.180
I, uh, I don't know exactly.
428
00:19:07.039 --> 00:19:10.359
I mean, I, well, I, I ain't seen the guy recently.
429
00:19:10.579 --> 00:19:14.380
Where is he? Hennessy's place.
430
00:19:14.920 --> 00:19:15.599
Yeah, that's it.
431
00:19:16.460 --> 00:19:18.460
I remember hearing a couple of the boys saying he
432
00:19:18.480 --> 00:19:19.339
moved in up there.
433
00:19:20.680 --> 00:19:22.220
Hey, hey, wait a minute, fella.
434
00:19:22.240 --> 00:19:26.430
Don't you want a drink? Don't you want me to....
435
00:19:27.710 --> 00:19:31.190
Well, is that a note. Walks right out on me.
436
00:19:32.559 --> 00:19:34.289
I wonder what in the... Gee.
437
00:19:35.519 --> 00:19:40.809
Isn't that a funny thing?
438
00:19:40.849 --> 00:19:44.190
It rained around here for a week. And the guy's
439
00:19:44.289 --> 00:19:46.329
clothes were soaking wet.
440
00:19:46.380 --> 00:20:02.250
All right, all right. I'm coming, I'm coming.
441
00:20:03.390 --> 00:20:05.470
Ah, waking a man up in the middle of the night,
442
00:20:05.529 --> 00:20:07.039
that's a disturbing defeat.
443
00:20:10.000 --> 00:20:12.960
Well, what's the matter? Tell me.
444
00:20:13.619 --> 00:20:14.279
Tell you what?
445
00:20:16.299 --> 00:20:21.539
What's the matter? You drunk? What do you want? Mark Street.
446
00:20:22.460 --> 00:20:26.500
Mark Street? Is that what you said? They told me.
447
00:20:28.160 --> 00:20:31.640
He's staying here. He was staying here, you mean.
448
00:20:33.039 --> 00:20:34.579
He's gone? That's right.
449
00:20:34.640 --> 00:20:39.690
He's gone. Tell me. Where is he now?
450
00:20:40.349 --> 00:20:43.390
He's down six feet in the Rosamond Cemetery.
451
00:20:44.250 --> 00:20:49.869
Mark Street. He's died last week. Good night.
452
00:20:51.599 --> 00:20:52.470
Mark Street.
453
00:20:54.150 --> 00:20:57.440
Died last week.
454
00:20:59.500 --> 00:21:02.019
No, Mark Street, you can't treat me that way.
455
00:21:02.039 --> 00:21:05.420
Rosamond Cemetery, sir.
456
00:21:06.940 --> 00:21:19.339
All right, Mark Street. I'm coming out to you. Yes.
457
00:21:19.559 --> 00:21:22.220
Why, John Burton.
458
00:21:22.839 --> 00:21:29.670
Hello. How dark. How dark it's only the middle of it.
459
00:21:29.700 --> 00:21:30.539
Ah, now I can see.
460
00:21:32.619 --> 00:21:32.960
Yes.
461
00:21:32.980 --> 00:21:34.380
Oh, that's my.
462
00:21:35.559 --> 00:21:36.259
beloved wife.
463
00:21:36.279 --> 00:21:38.740
No, no, no, not you.
464
00:21:41.339 --> 00:21:42.059
What street?
465
00:21:42.099 --> 00:21:42.660
Where are you?
466
00:21:42.740 --> 00:21:43.079
Where?
467
00:21:43.099 --> 00:21:47.380
So many graves, white stones, moonlight, so many dead.
468
00:21:49.289 --> 00:21:55.430
If you're here, I'll find you. Here lies a mortal's name.
469
00:21:56.329 --> 00:22:02.190
Come around. Oh, I've got to find you. What street?
470
00:22:02.250 --> 00:22:04.880
I've got to. Maybe this one.
471
00:22:06.700 --> 00:22:07.180
Here lies.
472
00:22:07.220 --> 00:22:08.240
What street?
473
00:22:11.029 --> 00:22:12.569
I found you, Mark Street.
474
00:22:12.690 --> 00:22:18.690
I found you. All these dead, I found you. But
475
00:22:18.950 --> 00:22:24.130
are you dead? I must know. I will know.
476
00:22:25.519 --> 00:22:26.779
I will know.
477
00:22:27.359 --> 00:22:27.980
I will know.
478
00:22:28.000 --> 00:22:28.500
I will know.
479
00:22:28.920 --> 00:22:29.819
I will know.
480
00:22:30.460 --> 00:22:31.440
I will know.
481
00:22:32.000 --> 00:22:32.859
I will know.
482
00:22:33.619 --> 00:22:34.339
I will know.
483
00:22:45.130 --> 00:22:50.400
I will know. I will know.
484
00:22:52.460 --> 00:22:53.259
The coffin.
485
00:22:54.140 --> 00:22:54.900
The coffin.
486
00:22:56.140 --> 00:22:59.079
Oh, I'm telling you with glass, Mark Street. Now I'll know.
487
00:23:01.160 --> 00:23:03.720
I'll be covering you well.
488
00:23:04.980 --> 00:23:05.390
If it is you.
489
00:23:05.400 --> 00:23:10.319
If it is you, Mark.
490
00:23:10.299 --> 00:23:10.559
Street.
491
00:23:14.940 --> 00:23:15.579
She didn't leave.
492
00:23:16.180 --> 00:23:18.240
Oh, no.
493
00:23:19.420 --> 00:23:22.140
Maybe not. Maybe not.
494
00:23:23.640 --> 00:23:24.450
Maybe there's another.
495
00:23:25.849 --> 00:23:27.230
Maybe there's another world beyond this one.
496
00:23:27.829 --> 00:23:28.569
A world of dead.
497
00:23:29.369 --> 00:23:31.930
Where you are now. I'll go there.
498
00:23:32.630 --> 00:23:33.029
I'll go there.
499
00:23:33.069 --> 00:23:33.730
I'll get you there.
500
00:23:33.769 --> 00:23:35.750
With those cold tears over my hands, I'll shove it
501
00:23:35.769 --> 00:23:37.490
in my heart and then I'll be just like you.
502
00:23:38.349 --> 00:23:39.589
You hear me, Mark Street?
503
00:23:40.490 --> 00:23:40.990
It's Mac.
504
00:23:41.380 --> 00:23:43.079
Mac Morgan talking to you wherever you are.
505
00:23:43.440 --> 00:23:44.869
I'm coming to you. Max.
506
00:23:44.890 --> 00:23:45.109
Max Rosen.
507
00:23:45.130 --> 00:23:45.200
Max.
508
00:23:46.329 --> 00:23:46.589
Max Rosen.
509
00:23:46.609 --> 00:23:46.680
Max.
510
00:23:46.690 --> 00:23:51.460
Max. Max. Max. Max. Max. Max. Max. Max. Max.
511
00:23:51.480 --> 00:23:51.700
Max. Max.
512
00:23:51.720 --> 00:23:51.910
Max. Max.
513
00:23:51.920 --> 00:23:52.180
Max. Max.
514
00:23:53.259 --> 00:23:53.519
Max.
515
00:23:53.559 --> 00:23:53.700
Max.
516
00:23:53.720 --> 00:23:53.799
Max.
517
00:23:53.819 --> 00:23:53.960
Max.
518
00:23:54.099 --> 00:23:54.349
Max. Max. Max.
519
00:23:54.359 --> 00:23:54.509
Max. Max.
520
00:23:54.519 --> 00:23:54.599
Max.
521
00:23:54.619 --> 00:23:54.700
Max.
522
00:23:54.740 --> 00:23:54.890
Max. Max.
523
00:23:54.900 --> 00:23:54.970
Max.
524
00:23:54.980 --> 00:23:55.099
Max.
525
00:23:55.119 --> 00:23:56.500
Max.
526
00:23:56.559 --> 00:23:56.700
Max.
527
00:23:56.720 --> 00:23:56.789
Max.
528
00:23:56.799 --> 00:23:56.920
Max.
529
00:23:56.940 --> 00:23:57.079
Max.
530
00:23:57.099 --> 00:23:57.200
Max.
531
00:23:57.240 --> 00:23:57.309
Max.
532
00:23:57.339 --> 00:23:57.410
Max.
533
00:23:57.440 --> 00:23:57.509
Max.
534
00:23:57.519 --> 00:23:57.640
Max.
535
00:23:57.660 --> 00:23:57.809
Max. Max.
536
00:23:57.819 --> 00:23:57.900
Max.
537
00:23:57.940 --> 00:23:58.390
Max. Max. Max.
538
00:23:59.779 --> 00:24:00.019
Max.
539
00:24:00.259 --> 00:24:00.329
Max.
540
00:24:00.339 --> 00:24:00.410
Max.
541
00:24:00.420 --> 00:24:00.490
Max.
542
00:24:00.500 --> 00:24:00.700
Max.
543
00:24:00.720 --> 00:24:00.789
Max.
544
00:24:00.799 --> 00:24:00.970
Max. Max.
545
00:24:00.980 --> 00:24:01.240
Max. Max. Max.
546
00:24:01.259 --> 00:24:01.339
Max.
547
00:24:01.359 --> 00:24:01.460
Max.
548
00:24:01.480 --> 00:24:01.559
Max.
549
00:24:01.599 --> 00:24:01.700
Max.
550
00:24:01.720 --> 00:24:01.839
Max.
551
00:24:01.859 --> 00:24:01.930
Max.
552
00:24:01.940 --> 00:24:02.009
Max.
553
00:24:02.019 --> 00:24:02.089
Max.
554
00:24:02.099 --> 00:24:02.170
Max.
555
00:24:02.180 --> 00:24:02.359
Max. Max.
556
00:24:02.380 --> 00:24:02.960
Max.
557
00:24:03.240 --> 00:24:03.349
Max.
558
00:24:03.380 --> 00:24:03.589
Max.
559
00:24:03.619 --> 00:24:03.789
Max.
560
00:24:03.809 --> 00:24:03.920
Max.
561
00:24:03.940 --> 00:24:04.029
Max.
562
00:24:04.069 --> 00:24:04.140
Max.
563
00:24:04.160 --> 00:24:04.269
Max.
564
00:24:04.289 --> 00:24:04.470
Max. Max.
565
00:24:05.710 --> 00:24:05.829
Max.
566
00:24:05.849 --> 00:24:05.920
Max.
567
00:24:05.930 --> 00:24:06.000
Max.
568
00:24:06.009 --> 00:24:06.089
Max.
569
00:24:06.130 --> 00:24:06.289
Max.
570
00:24:08.150 --> 00:24:08.339
Max. Max.
571
00:24:08.349 --> 00:24:08.450
Max.
572
00:24:08.470 --> 00:24:08.539
Max.
573
00:24:08.549 --> 00:24:08.759
Max. Max.
574
00:24:10.109 --> 00:24:10.390
Max. Max.
575
00:24:10.410 --> 00:24:10.640
Max. Max.
576
00:24:11.950 --> 00:24:12.500
Max. Max. Max. Max.
577
00:24:12.509 --> 00:24:12.589
Max.
578
00:24:13.609 --> 00:24:13.769
Max.
579
00:24:13.809 --> 00:24:13.960
Max. Max.
580
00:24:13.970 --> 00:24:14.049
Max.
581
00:24:14.089 --> 00:24:14.420
Max. Max. Max.
582
00:24:14.430 --> 00:24:14.500
Max.
583
00:24:15.730 --> 00:24:16.599
I heard you calling me.
584
00:24:16.710 --> 00:24:18.369
Mark Rogan.
585
00:24:18.809 --> 00:24:19.930
It is you, Marie.
586
00:24:20.970 --> 00:24:21.650
I heard you.
587
00:24:23.059 --> 00:24:23.980
I can hardly see.
588
00:24:25.240 --> 00:24:26.920
I don't know where I am, but I heard you.
589
00:24:27.740 --> 00:24:34.559
You got your wish, my darling.
590
00:24:34.599 --> 00:24:35.599
What?
591
00:24:35.700 --> 00:24:37.700
Look.
592
00:24:37.720 --> 00:24:39.160
There in front of you.
593
00:24:40.700 --> 00:24:41.420
Mark Street. Yes.
594
00:24:43.150 --> 00:24:44.170
Mark Street, at last.
595
00:24:44.329 --> 00:24:44.690
No.
596
00:24:45.109 --> 00:24:46.049
No, let me go.
597
00:24:46.069 --> 00:24:49.259
The judge can't prove it, Doug. Let me go.
598
00:24:49.339 --> 00:24:49.819
And the knife.
599
00:24:50.839 --> 00:24:52.680
The knife you killed her with is in my hands.
600
00:24:52.700 --> 00:24:55.640
The knife. At last, Mark Street, I'll give you what
601
00:24:55.660 --> 00:24:56.339
you gave her.
602
00:24:56.480 --> 00:24:56.960
No, no.
603
00:24:57.059 --> 00:24:58.339
Once in a lifetime. Once. A lifetime.
604
00:24:58.359 --> 00:24:58.480
Now.
605
00:24:58.599 --> 00:24:59.880
Go back to your grave.
606
00:25:15.900 --> 00:25:16.660
Go to mine.
607
00:25:16.720 --> 00:25:30.460
Well, Mr. Obler, do you really think that revenge can
608
00:25:30.500 --> 00:25:34.259
go beyond the grave? I like to think that it doesn't.
609
00:25:35.200 --> 00:25:38.140
I like to think that murder and mercy find equal
610
00:25:38.200 --> 00:25:39.420
rest in peaceful death.
611
00:25:40.809 --> 00:25:42.690
Well, I'm interested in next week's story.
612
00:25:42.930 --> 00:25:44.490
You go back to California to do that one.
613
00:25:44.509 --> 00:25:45.269
What's it going to be about?
614
00:25:45.650 --> 00:25:48.210
It's a long postponed tale. I started to do it
615
00:25:48.230 --> 00:25:50.880
three times in this program, and each time, something happened.
616
00:25:51.619 --> 00:25:54.420
I'll tell you of those postponements in a moment, after
617
00:25:54.460 --> 00:25:57.339
you finish what you want to tell us. Well, briefly, folks,
618
00:25:57.819 --> 00:26:00.539
if it's vitamin B and iron shortage that's keeping you
619
00:26:00.559 --> 00:26:04.180
thin and weak, tired, washed out, and really only half-living,
620
00:26:04.900 --> 00:26:08.680
then do try ironized yeast tablets right away. They give
621
00:26:08.700 --> 00:26:12.009
you both vitamin D and iron. They cost but a
622
00:26:12.049 --> 00:26:14.690
few pennies a day, and they're sold on this no-risk,
623
00:26:14.809 --> 00:26:18.410
money-back basis. If you don't quickly begin to eat better,
624
00:26:18.430 --> 00:26:22.450
sleep better, feel much stronger and peppier, and if you
625
00:26:22.490 --> 00:26:25.329
are not convinced that ionized yeast will help you gain
626
00:26:25.369 --> 00:26:27.980
just the good pounds you need to look your.
627
00:26:27.859 --> 00:26:31.000
Best, the cost of the first bottle will be refunded to.
628
00:26:30.900 --> 00:26:35.759
You in full by Ionized Yeast, Box IY, Rowing, New Jersey.
629
00:26:36.559 --> 00:26:39.619
Just be sure you get the one and only ionized yeast.
630
00:26:40.460 --> 00:26:43.859
Always ask for it by its full name, ionized yeast.
631
00:26:44.559 --> 00:26:47.400
And look for the big I-Y on the package and
632
00:26:47.480 --> 00:26:50.880
on each sample. And now, what about this poisson so
633
00:26:50.920 --> 00:26:54.119
in the trouble? Well, we all start things we don't finish. Now,
634
00:26:54.160 --> 00:26:56.589
before I started a word and started and didn't finish it.
635
00:26:57.599 --> 00:26:59.680
That reminds me of something that you folks may not
636
00:26:59.700 --> 00:27:02.920
have finished. I'm referring to your war stamp book. Ah,
637
00:27:02.960 --> 00:27:05.740
don't say what again and turn that dial. You know
638
00:27:05.759 --> 00:27:07.299
that boy who used to live up the street from
639
00:27:07.319 --> 00:27:10.019
you who's in that flying fortress? He can't turn any
640
00:27:10.059 --> 00:27:11.259
dials and get out of there when the.
641
00:27:11.220 --> 00:27:12.079
Shrapnel gets close.
642
00:27:12.599 --> 00:27:13.440
He's got to keep on.
643
00:27:13.460 --> 00:27:15.930
And so how about you and that war stamp book?
644
00:27:16.049 --> 00:27:18.710
How long since you put another stamp in it? Remember,
645
00:27:18.750 --> 00:27:22.470
four 25-cent stamps will buy a hand grenade. Fifteen 50-cent
646
00:27:22.490 --> 00:27:26.769
stamps buy an anti-tank mine. Six 25-cent stamps a winter
647
00:27:26.789 --> 00:27:30.039
command helmet. Yes, your money in war stamps can actually
648
00:27:30.099 --> 00:27:32.519
save the life of an American soldier. Here's another way
649
00:27:32.539 --> 00:27:35.329
to look at it. War stamps earn an interest. War bonds,
650
00:27:35.430 --> 00:27:37.650
on the other hand, do. They pay you back $ 4
651
00:27:37.269 --> 00:27:40.759
for every free. So looking at it either way as
652
00:27:40.880 --> 00:27:44.339
a dollar investment for your future, or better yet, an
653
00:27:44.420 --> 00:27:47.240
investment in a free world, you'd better put those spare
654
00:27:47.279 --> 00:27:49.359
dimes and quarters to work against the axis.
655
00:27:49.859 --> 00:27:50.799
For victory and for you.
656
00:27:50.819 --> 00:27:55.329
In the future, well, you'll need a future of a
657
00:27:55.369 --> 00:27:59.829
free world. Ladies and gentlemen, tune in next Tuesday again
658
00:27:59.930 --> 00:28:04.299
for Archer Blur's eerie story, He dug it up. A
659
00:28:04.319 --> 00:28:08.920
strange tale inspired by a visit to pre-war England. And
660
00:28:08.980 --> 00:28:11.910
if you need more vitamin C and iron, be sure
661
00:28:11.930 --> 00:28:15.410
to try ironized yeast. The one and only ironized yeast
662
00:28:15.710 --> 00:28:17.910
with the big letters IY on the.
663
00:28:17.849 --> 00:28:19.569
Package and on each tablet.
664
00:28:19.609 --> 00:28:20.589
It is.
665
00:28:33.140 --> 00:28:36.400
Later than.
666
00:28:37.400 --> 00:28:44.339
You think.
667
00:28:44.359 --> 00:28:46.599
Time waits for no man these days, not even for
668
00:28:46.640 --> 00:28:47.440
a man to shave.
669
00:28:48.119 --> 00:28:50.089
Speed is mighty important.
670
00:28:50.109 --> 00:28:53.369
So why not enjoy the quick, comfortable shave that you
671
00:28:53.390 --> 00:28:55.630
get with Mole Brushless Shaving Cream?
672
00:28:57.130 --> 00:29:00.369
Lights Out Until Dead has concluded. Follow Lights Out for
673
00:29:00.410 --> 00:29:01.670
more classic broadcasts.