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I spent an experience, you know, working really hard on a piece, submitting it to a magazine, and ultimately getting rejected.
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And it was that feeling over and over and over again of being rejected.
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And I realized eventually if I wanted something for myself, I would have to be able to, you know, create my own initiative.
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But also, of course, House of Poetry's mission is to really spread that literacy across the world and, you know, create unity amongst all different nations and continents and, you know, tell people that, hey, there are writers who may not be fluent in English and yet still have their own story to tell within poetry.
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Yeah, you're bringing up so many of the topics that I find really interesting about House of Poetry.
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Rejection is one of them.
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You, you mentioned that you had gone through the experience yourself of submitting things and being told over and over again, no thanks.
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And it sounds as though you kept writing, but a lot of folks don't after hearing from publication after publication that they're not wanted.
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Mm hmm.
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So, I guess one great thing about House of Poetry is that the same authors who end up submitting to my publication are the same authors that end up inspiring me.
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So, you know, this feeling of rejection, it's not only one that I feel, of course, but it's one that, you know, the authors that have submitted to me have felt with other publications.
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You know A lot of the times, because they're not native English speakers, they may not be the most well versed in writing poetry or writing prose.
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And as a result, you know, House of Poetry is meant to be that safe space.
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Mm hmm.
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And your gamble there is that grammar is not the most important thing, or the right vocabulary, that there's, that there's something deeper there.
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What do you find in non native poetry? Yeah, so I think the imperfection there Is really what asks the reader to, you know, read deeper.
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You know, don't look at Poetry in kind of this black and white binary.
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Instead, there's people who tell their story through, you know, even the most simple language.
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It can really tell the most about any person.
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You are listening to Therapy for the World, an interview series with kind thought-provoking people working along the spectrum of self care and world care.
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I'm Dan, a writing therapist and teacher, and this is my conversation with Brian Chun, a standout high school student and the founder of the House of Poetry Magazine.
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We recorded this conversation in early 2024, so it's a bit outdated, but hopefully still fresh.
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Happy listening.
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I think every single piece has this almost kind of intrinsic theme of family, of, you know, everything you write, everything you create, whether it's art or poetry or whatever, that is shaped by your experience growing up.
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And especially with these non native English speaking people, you know, they grow up in all sorts of different cultures, all sorts of family households, That, you know, share cultures that may be different to ours.
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And so, you know, whether it be about generational trauma or holidays, anything really, everything is written, every experience is written into that poetry or whatever language of expression.
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Sure, so it's family and also background, or the Right.
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you were raised that becomes infused in whatever you compose.
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There's a refreshing quality to that, to reading folks who don't come from the same places as Yeah, and I love that, you know, that just all gets compiled into one.
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issue.
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So, you know, you read a piece, you turn the next page, and, you know, you might go somewhere from America to the other side of the world.
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Take me back to the beginning.
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So you, did you wake up one day and say, I want to start a magazine? Honestly, I had a lot of thoughts and ideas of what kind of literary organization I wanted to fund.
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Um, you know, off of the top of my head, I remember, you know, trying to start poetry circles within New York, within where I lived.
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Um, but I think ultimately, you know, I have a voice of activism and I had a voice for poetry and for writing.
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And I decided to, you know, really combine those two and
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create house? of Poetry.
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And gosh, I can't even remember when that idea came into my head, but I thought of it and I realized yeah, I'll make this work for sure.
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This is something I really want to do.
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Yeah, some of New York's scenes in the 90s.
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That's actually extremely funny.
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Um, so House of Poetry, I initially started House of Poetry um, well I'll take you back to the roots of Staten Island.
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In Staten Island there's a big Homeless Shelter or Homeless Donation Center called Project Hospitality.
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That's something I initially had a great interest in even before, you know, I founded House of Poetry.
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So my initial plan was to start a literary organization and publish homeless people's writings.
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You know, give them a voice.
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Um, but you know, that didn't happen.
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I'm working on that still, obviously.
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Um, but initially, that's why it's called House of Poetry.
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Because, you know, I love the thought that homeless people aren't, um, real homeless people.
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You know, they have their home.
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It's within their community.
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It's within their shelter.
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What they're really lacking is a house.
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And House of Poetry is there to provide that.
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That's a feeling that most of us get, even if we already have houses, right? It's a Mm hmm.
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Poetry does offer that to folks For sure.
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this feeling of like, Okay, I'm hugged by this writer.
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I'm hugged by someone who gets this experience that I have as well.
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You also, so you reach out to two populations, it seems, and they do have a lot of overlap among them.
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Marginalized folks and homeless people.
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You mentioned that it's been a little bit more difficult to get the latter of those two groups to contribute or to participate in this project.
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What challenges have you encountered there? Um, definitely the biggest challenge there would be just contact in general.
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You know, just being able to say, Hey, let's go up to a really busy homeless shelter and ask them if they have any writers in there? And that itself is, you know, such a big task, not only for me, but for obviously the people who run the shelter there.
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So I've spent a lot of time volunteering at homeless shelters instead, and I'm trying to make that into my gateway into spreading that literary mission into homeless shelters.
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It sounds as though part of the project is not just identifying writers, but also soliciting them, inviting them to write.
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Mm hmm, mm that sound right? I mean, there are folks who might be writers until they find out that they could be.
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Right, it's really just that thought of self expression, of giving everybody that opportunity no matter what.
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What writers are you inspired by? Ooh, um, The big two standouts when it comes to my voice, when it comes to my activism, there are, it is Toni Morrison and Ocean Vuong, are my two ultimate favorites.
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Um, Toni Morrison, like, I think when I was a, when I was 15 or 16, I read jazz, and that was like, you know, as readers and as writers, we have these books that kind of just, Like, milestone books, almost.
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Like, when it comes to, like, contributing to our voice overall, we just have these specific books that we can recall.
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We're like, yeah, that was the book that made me into the writer that I am.
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That would have been Toni Morrison's Jazz, and I think Ocean Beyond's Night Sky with Exit Wounds.
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Mmm, his first book, not the second.
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That's radical.
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I'm actually a big fan of his poetry.
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So, let's go to the first one of those two books.
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What was it about jazz that, you know, took you by was Yeah, it was the fact that Toni Morrison, like again, we're going back to the fact that Toni Morrison didn't comply with grammar.
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The type of writing, the type of voice she uses.
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If she wants to say something, she'll say it.
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Like, no matter if there's commas in the way, if there's periods in the way,
she will say it.
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And that just makes writing all the most, all the more interesting.
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Yeah.
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And Ocean Vuong's poetry.
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So his second book is the one that, you know, launched him to fame on Earthward Briefly Yeah.
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Mm hmm.
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prose, although it has some sections that are, you know, dabble with poetry or that trouble the boundary between the two.
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What was it about his poetry that interested you? Well, I think it was just the fact that I discovered his poetry first, And that became, you know, such a huge part of my life to say, Hey, there's an Asian American writer right here, right now, using that kind of voice, talking about his kind of experiences, non about, mm hmm, right, exactly, and about, mm hmm.
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You know, raised by a single mother and everything.
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Um, it was just that quality of his that really resonated with me.
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And it was the type of poetry that, again, it comes to the voice I've never heard before.
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And that ended up influencing my own voice.
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You know, his metaphors are insane.
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Really everything, you know, his formatting, his metaphors, his language, dialogue, it's everything.
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One of the things that I remember most about his book is the, at the end of it, in the acknowledgment section, which is generally this like, you know, pretty boring, like, addendum to a book.
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Do you remember that section? The acknowledgment It's huge.
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It's extensive.
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And there's authors, there's friends, there's family.
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And I was like, Yeah.
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if I was to write an acknowledgements list, I'd write something like that.
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Totally.
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And it's such a, it's like, it pays homage to just all these people who have shaped him, which is such a humbling thing for a writer to do, to say like, oh my god, all these people, I would not be here if it weren't without them, you know? Yeah.
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he cites Lady Gaga too, or just like these folks that you're like, Wow, thank you so much for saying that.
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You know, it's just so refreshing to see someone really just talk about their entire life in terms of influences.
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And essentially, like, that is everybody's life.
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You know, everything we write is some interpolation of something we've read.
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Everything we say is some interpolation of what we've heard.
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Everything we do is made up of influences from people that.
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came before us.
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That's a, it's a thought that might bring some people down, but I'm with you.
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I don't think it's a, I don't think it's a Yeah, it's meant to be inspirational.
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It's meant to say, geniuses came before you.
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You're made up of, you know, genius.
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You're made up of everyone that has come before you.
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Totally.
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And then you're the new amalgam of all of them, right? You're in your specific point in time, in the world, in your own space, and you bring whatever they gave you and apply it to your own context, to your own background and family, as And that still makes you unique.
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You're not, you know, not unique because of that.
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You're just, you're what everyone has given you.
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You're part of a lineage.
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Totally.
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You cite Kendrick Lamar as another influence? Yeah, I think hip hop is, you know, a huge thing when it comes to writing.
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In fact, you know, like rappers blow me away because hip hop just uses such complicated, like, rhythm.
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Um, you know, I think hip hop is so underrated when it comes to poetry.
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When we come to learning about rhythm, when we come to learning about intonation, the biggest, I think, rapper that influenced my voice was Miss Lauryn Hill.
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And, you know, at first, like, I listened to Fugees, the score by the Fugees, and You know, I heard the way she said things.
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I heard the way she enunciated things.
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I heard the words she used, and I was like, I can't
understand it yet, but I really, really want to.
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That's such a beautiful feeling.
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Mmhmm.
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You're alluding to the fact that there's not too big of a separation between a songwriter and a poet, or, and songwriter broadly interpreted, Yeah.
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Mmhmm.
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they just mix the two mediums, but, but we don't often think of musical artists as poets, too.
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Mmhmm.
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I think of Leonard Cohen, who wrote these beaut who was a poet first, you know, uh, And I don't think he, maybe he wasn't making it as a poem, maybe I'm making that up, but he just kind of like went this other direction and said, okay, these are my poems, now let me sing them.
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Right, when it comes to like poets who became singers, I think of a really recent singer that I'm a huge fan of, Kara Jackson, who used to be, you know, the National Youth Poet Laureate, and last year she dropped an album, you know, Why Does the Earth Give Us People to Love, and it was this folk album that I absolutely loved.
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You know, I love her poetry, and she dropped that album, and it was It's so beautifully written.
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It's so beautifully crafted.
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And I just think, like, the instrumental of music itself is almost poetry.
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It tells its own story.
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It creates its own feeling.
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It has its own rhythm.
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You know, it's its own language.
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As well as the lyrics themselves.
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And I think Kara Jackson's music just really displays that.
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I'd love to ask you about the process that you share with some of your writers.
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You offer the opportunity for feedback.
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It's not, as I understood it, it's not a mandatory element of the process.
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What is that, what is that process of guidance like with them? Ooh, so, yeah, that's a really good question and ultimately it depends on the writer.
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Um, but, what I think, what, what, what's, what the point of writing is, is to make you feel something.
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And personally, I think, like, as long as writing makes you feel something as the reader, Poetry or writing has done its job, and so that's what I really prioritize when kind of quote unquote critiquing poems first or providing feedback.
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And then, you know, when you feel something because of a poem, it naturally draws you back into reading it again, thinking, you know, Oh, what does this mean? What does that mean? And, you know, so I start with the big picture, and then I move on.
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To those, you know, small lines, to those small images and work on that.
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How do you help folks write in a way that leads to the poem being, being one that makes them feel something, makes readers feel something? I think that's a beautiful definition of a poem.
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I think ultimately, just write what you feel down first.
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I think that's the most important part is to write your emotions as rawly as you feel them in that moment.
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And then afterwards, if you want to make that language beautiful, I You know, if you want to turn that into something that even if even things you want other people to read, sometimes you write poetry that you want to keep to yourself because it's just that meaningful.
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Um, so yeah, once again, you have to prioritize your feelings and your emotions when it comes to writing and then, you know, you polish it.
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Sure, then the Mm hmm.
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Yeah.
159
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Mm hmm.
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of all ages, is that right? Yes.
161
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How different is working with someone who's 14, as some of your cover artists have been, and someone who's, I don't know, what's the oldest writer you've worked with? Maybe you don't even ask for their I think, I do, I never ask, I never publish them unless they willingly include it into their biography.
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I think the oldest was 69 years old.
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Why is that a piece that you need them to openly share? Um, well, apart from being just a part of House of Poetry's demographics, just understanding what kind of audience I, You know, maintain or I attract in order to, you know, understand what I'm marketing to, what kind of vision I'm trying to create.
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Um, it's just having people know that their age is not, you know, something to feel, I guess, ashamed of because I think in the context of the society we live in right now.
165
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--> 00:18:13,566.2779414
Everybody has to do everything while they're young.
166
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Everybody has to be a prodigy, you know, because, you know, once you pass like, who knows, 20 years old, you're no longer a prodigy.
167
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You're no longer you know, You're no longer relevant.
168
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right? It's like everybody's scared of that plateau when they get older.
169
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And the whole point of House of Poetry is just to say, you know, no one's too old to be a poet.
170
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No one's too different to be a poet.
171
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It doesn't matter.
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Your plateau is non existent, or at any age, you're full of possibility.
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Absolutely, yeah.
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So that's cool.
175
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It doesn't, it would also serve as a, as an aid for those who are below the 20 year mark.
176
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I think a 14 year old might not have felt worthy enough of being the cover artist, for instance, and yet this beautiful, this beautiful illustration.
177
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you know, It's just about uplifting people of all ages, everybody with, you know, their own struggles, whether about age or ethnicity, or the way they express themselves.
178
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House of Poetry is meant to be a place and, you know, a safe place for everybody to kind of achieve the dreams, You know, that they wanted when they're, that they wanted when they were younger or that they want to achieve when they're older.
179
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Mm about the, the urge to achieve at an early age, and I think there's no place where that's more hmm.
180
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in a fierce and, I would only imagine, kind of uncomfortable way than in an American high school right Yeah.
181
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I'm a few years out of high school, um, more than if, probably like 10.
182
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Let's say, let's say 10.
183
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hmm.
184
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it like to be in high school in America right now? What's it like to be a It, of course, for one, it depends on the environment you're in, kind of maybe the region you're in.
185
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But I think America's a place where creative expression is so valuable, um, and is so uplifted and recognized.
186
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And I guess that's both a good thing and a bad thing.
187
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Because You know, then creative expression is almost sometimes to a point commodified.
188
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Where it becomes a competition to say, Hey, who can, you know, express themselves the best? Who can express themselves in a way where, you know, eventually you're going to have to make money when you graduate and you're going to have to get that job.
189
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And so, it's, um, It's like, you want to have a hobby, but like, There's kind of this feeling almost that that hobby is gonna have to become monetized one way or another and that's a big pressure of just living in an American society as a whole and I guess, you know, this capitalist society where a lot of it it's about money making in terms of, you know, if I want to do something it means I'm going to eventually have to be a professional at that when that's not always the case where you sometimes you just want to creatively express yourself.
190
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For the, you know, sole purpose of expressing herself.
191
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Yeah, and we don't even have to go to the monetizing aspect of it.
192
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It has to help you get into college, right? The skill, this hobby that you're passionate about, uh, that's great, but how will you describe it, you know, in your application? It's also part of the pressure.
193
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would among high school students right now? Uh, is, is there more than there once was? I remember it being pretty incessant then, too.
194
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You know, A feeling of having to build up your curriculum to, to get into colleges, is it still that fierce? so.
195
00:22:19,266.2779414 --> 00:22:38,796.2769414
I'm definitely like, no college, you know, guidance counselor, but for what I, can say as a high schooler, um, you know, there's a big culture around ivy leagues or, you know, top 10 schools or whatever that a lot of high school kids end up dedicating their entire lives striving for.
196
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And it becomes, it kind of sets that mentality that I have to kind of market myself into something that other people want.
197
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When at the end of the day, the Ivy League is not to choose you because, you know, they love you, which is a hard truth.
198
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They choose you because they want to brand you.
199
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And they want you to be successful because that way you can recommend them to other students in the future.
200
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And, ultimately, they can make more money.
201
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And that is the hard truth to accept as an overachieving high schooler.
202
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Is that, ultimately, You have to understand that your self worth comes from yourself.
203
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That these Ivy Leagues want you.
204
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You don't want You're not supposed to want these Ivy Leagues.
205
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You know, if that does make sense.
206
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Right.
207
00:23:33,184.652666 --> 00:23:50,864.651666
I reached myself like at this point at one, you know, having strived to be accepted by top colleges, once you either you gain those, those admissions or you, you don't, there, there is a day after that where then you have been taught to strive towards the acceptance of some entity above you.
208
00:23:51,674.652666 --> 00:23:57,524.652666
And then it's like, what entity do I strive for? Now if there, you don't, you know, you don't apply to college anymore after you've done it.
209
00:23:57,824.652666 --> 00:24:10,274.652666
You can apply to grad school and employers and this and that, but that, that, that upwards drive towards acceptance by this supposedly powerful and prestigious entity is kind of like drops away.
210
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And you're like, and you're, and you're thinking about that self worth.
211
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Go ahead.
212
00:24:13,371.2779414 --> 00:24:13,381.2779414
hmm.
213
00:24:14,101.2779414 --> 00:24:32,371.2779414
And it's just that, again, that feeling of having to be a prodigy, being scared of plateauing, you know, thinking that high school is going to be your peak because of, almost like, the image that top schools have set and the way top schools have marketed themselves to define you.
214
00:24:33,549.652666 --> 00:24:33,839.652666
Yeah.
215
00:24:34,81.2779414 --> 00:24:36,921.2779414
very easy to, you know, be trapped in that.
216
00:24:39,219.652666 --> 00:24:39,799.652666
Totally.
217
00:24:40,69.652666 --> 00:24:51,796.2779414
How do you non trap yourself? It sounds like you're pretty, pretty well, um, informed about this potential path that you're, you've decided you're not taking, you Uh, I mean, I'm self aware, but it doesn't mean that I'm not trapped.
218
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I can say that for sure.
219
00:24:53,706.2779414 --> 00:25:07,976.2779414
Um, there's definitely still that feeling, and, you know? but I think starting organizations such as House of Poetry, that's something I can continue in college no matter what college I go to.
220
00:25:08,226.2779414 --> 00:25:13,761.1779414
That's something that I've put into myself rather than what something a college has put into me.
221
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Put into me.
222
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I know I have the capability of keeping House of Poetry and keeping that mission alive no matter, you know, what.
223
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So really it's my own initiative that keeps me going knowing that I can do this all on my own, you know, and that's is what is going to get me into a college rather than having a college put that in me.
224
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That's beautiful.
225
00:25:40,371.2779414 --> 00:25:41,401.3112747
Mm hmm.
226
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Mm hmm.
227
00:25:43,149.652666 --> 00:25:46,199.652666
You wore and you still wear a lot of hats within the organization.
228
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I think you're outreach manager and editor and social media managers at once.
229
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I think you're hiring for those positions right now.
230
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How did you acquire all those skills? Do you find yourself pretty savvy with the social medias? Um, with social media, I mean, I think I've had to pick up a lot of skills while doing this, and that essentially has been extremely beneficial to me.
231
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When it comes to social media, like, I mean, I'm a high schooler, So I'm kind of on that every single day, almost every single hour, I have to say.
232
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Um, and it's kind of That I've grown to cultivate myself as someone who runs House of Poetry, you know, an organization with a specific mission in mind.
233
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So it really comes down to interacting with a lot of people, and luckily with House of Poetry, I've managed to interact with many brilliant people.
234
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And, you know, even in real life, like, I've You know, I've seen events on social media and I went to them in real life, and there I met tons of brilliant people, you know, in New York.
235
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So yeah, social media is a great place if you know how to use it responsibly, I'll say.
236
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So you use it to meet your writers and then do you guys have video calls? Or how does the interaction work with them? Um, so we communicate most often through emails, and I mean, yeah, when it comes to, you know, say questions.
237
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Or, in fact, there was an artist that I recently just called back or emailed back because they submitted an art cover for my second issue and they weren't selected at the time.
238
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But just now, I was like, that was a brilliant artist.
239
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And, you know, I, I emailed them back and they responded and I won't spoil, but they're going to be the cover for issue three.
240
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So it's really, like, It's just really amazing to be able to communicate with a lot of people and understand their experiences, for sure.
241
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Does your high school have publications that you have either written for or participated with? Yeah, so my high school has two publications.
242
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One is called The Quill, the other is called Images.
243
00:28:16,886.2769414 --> 00:28:34,81.2769414
And You know, both of them run with a very similar mindset, and it's just to, you know, really identify campus life, identify who's doing what, you know, who can we really lift up, Yeah, kind of organizations, you know, can we talk about.
244
00:28:34,91.2769414 --> 00:28:45,271.2769414
So it's, like, all a matter of uplifting others and being, binding ourselves to a community that we're all respected and loved in.
245
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Yeah, so have you, um, contributed to either of these Mm hmm.
246
00:28:50,141.2779414 --> 00:28:53,551.2779414
So, some things I've written.
247
00:28:53,551.2779414 --> 00:28:58,771.2779414
Currently, I'm in the process of writing a article about the Wish and Crane Project.
248
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As I mentioned, another organization I was part of.
249
00:29:01,841.2769414 --> 00:29:06,671.2779414
But besides that, I think one thing what we do is really fun is we interview new teachers.
250
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And we're able to grasp, you know, what kind of their lifestyle is like or what their beliefs are like.
251
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And, so that in itself is just such a fun thing.
252
00:29:16,706.2779414 --> 00:29:25,756.2779414
You know, not only a great way to understand, but a fun way to understand new teachers, and that becomes, you know, publicized.
253
00:29:26,176.2779414 --> 00:29:31,126.2769414
So, yeah, it's a great way to understand not only students, but faculty as well.
254
00:29:32,164.652666 --> 00:29:32,714.652666
Totally.
255
00:29:32,904.652666 --> 00:29:57,149.652666
I was part of publications in high school as well and they definitely give you this sense of You know, being able to participate in whatever the environment is around you, interviewing mayors or principals or whatever it might be, folks with, folks in positions of power, but then you're reminded that you as well, you know, as a, as an asker, as a question asker, as a journalist in, in, in quotes, but also not in quotes, you're a seeker of information in your community.
256
00:29:57,389.652666 --> 00:30:02,589.652666
It's a pretty empowering thing to find out that you It definitely, participate that way.
257
00:30:04,479.652666 --> 00:30:04,839.652666
Yeah.
258
00:30:06,269.652666 --> 00:30:08,289.652666
So, I Go ahead.
259
00:30:08,486.2779414 --> 00:30:11,526.2769414
oh, I was gonna say, definitely, you know, definitely.
260
00:30:12,161.2779414 --> 00:30:19,811.2779414
You know, being in a room of creatives in your own school,
and being in a room of people who have the same goal as you.
261
00:30:19,811.2779414 --> 00:30:23,361.2779414
And this applies to every organization, not just necessarily a magazine.
262
00:30:24,31.2779414 --> 00:30:32,231.2779414
But with magazines, you're allowed to be creative, you're allowed to contribute your own thoughts and then lead on your own thoughts, act on your own thoughts.
263
00:30:32,281.2779414 --> 00:30:40,891.2769414
And so, it's just that feeling of, you know, everybody has, as you said, that kind of participation, and that feels good.
264
00:30:41,901.2779414 --> 00:30:46,491.2779414
You know, powerful to have a voice like that, especially in your school community.
265
00:30:47,729.652666 --> 00:30:59,471.2779414
If someone wanted to find your writing online, where might they go? And also, do you happen to have anything with you now that you'd like to read? Um, as a matter of fact, I do.
266
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I don't know.
267
00:31:01,431.2769414 --> 00:31:05,81.2769414
I can't, off the top of my head, tell you where you could find my writing.
268
00:31:05,111.2779414 --> 00:31:07,761.2769414
I don't think I necessarily publish them online.
269
00:31:08,411.2769414 --> 00:31:13,921.2779414
If they were, a journal would have published them online because I constantly, constantly submit.
270
00:31:14,931.2769414 --> 00:31:22,456.2779414
Um, But I was definitely thinking of incorporating my own writing into House of Poetry, maybe displaying some of that.
271
00:31:23,586.2779414 --> 00:31:32,109.652666
You know, but at the moment, I think even I as a creative, I'm almost too shy to share that poetry with a large feel that.
272
00:31:32,539.652666 --> 00:31:33,189.652666
I feel that.
273
00:31:33,989.652666 --> 00:31:35,719.652666
You said you have something with you here.
274
00:31:36,19.652666 --> 00:31:46,116.2779414
I'd love Yeah, so, yeah, this is a recent poem I've written, and it's kind of about a toxic relationship.
275
00:31:46,161.3779414 --> 00:31:51,991.2779414
Um, or like power indifference between a man and a woman in a relationship.
276
00:31:53,221.2779414 --> 00:31:55,361.2779414
And it's called Breaching the Waters.
277
00:31:56,631.2769414 --> 00:31:57,731.2769414
Um, okay.
278
00:31:58,461.2779414 --> 00:32:05,671.2779414
First season clings to us like the aroma of sickness, and we are a grapevine of bombs churning wine between bedsheets.
279
00:32:06,171.2779414 --> 00:32:17,276.2779414
Damp enough to ferment, but two fingertips away from love Her shoulder blades melt first, waiting to, die in order to stay, everything opened but her hair tucked.
280
00:32:17,906.2779414 --> 00:32:23,846.2769414
There are splinters on the headboard where bite marks should be, echoes instead of footprints.
281
00:32:24,566.2779414 --> 00:32:30,306.1779414
There are walls instead of skin, hairs instead of rivers, she is bent like the word if.
282
00:32:31,806.2779414 --> 00:32:35,256.2779414
Her flesh softens like mercury, giving way to fingernails.
283
00:32:35,266.2779414 --> 00:32:36,976.2779414
Her mouth drops like sand.
284
00:32:37,286.2779414 --> 00:32:40,596.2779414
She breathes to speak, but only her chest answers.
285
00:32:41,751.2779414 --> 00:32:47,91.2779414
Across the ocean, meet a fortress instead of a church where the last man simmers.
286
00:32:47,521.2779414 --> 00:32:53,851.2769414
He guards his back instead of preying on a set of lips, his hair a mirror of waves, blacker than silence.
287
00:32:54,401.2779414 --> 00:33:02,551.2779414
He molds with stolen hands and ribboned mouths, jerking love because he cannot thirst for long, much less drink, much less swim.
288
00:33:04,1.2779414 --> 00:33:06,691.2779414
We are drunk off names we cannot pronounce.
289
00:33:06,731.2779414 --> 00:33:08,901.2779414
Lord, forgive us, we are sinners.
290
00:33:09,376.2779414 --> 00:33:11,446.2779414
But the water is cleansing him already.
291
00:33:12,246.2779414 --> 00:33:16,106.2779414
In the night's climax, nobody surrounds us but our memories.
292
00:33:16,766.2779414 --> 00:33:19,336.2779414
Daggers of light zip as we cry.
293
00:33:19,346.2769414 --> 00:33:21,336.2769414
Fire flies from our tongues.
294
00:33:21,636.2769414 --> 00:33:24,266.2779414
Two flames, hoping to kill to survive.
295
00:33:24,596.2769414 --> 00:33:27,216.2769414
Watching as our tears fly like sparks.
296
00:33:32,469.652666 --> 00:33:33,139.652666
Thank you.
297
00:33:33,986.2769414 --> 00:33:34,836.2769414
No problem.
298
00:33:34,836.3769414 --> 00:33:38,786.1779414
Yeah.
299
00:33:38,999.652666 --> 00:33:41,574.652666
just The third person.
300
00:33:43,254.652666 --> 00:33:46,794.652666
The third person observer of this toxicity.
301
00:33:47,264.652666 --> 00:33:50,14.652666
And the toxicity on the body, too.
302
00:33:50,24.651666 --> 00:33:51,806.2779414
So much carnal Yeah.
303
00:33:52,406.2779414 --> 00:33:58,656.2779414
A lot of skin, You know, being compared to like inanimate objects.
304
00:33:59,116.2779414 --> 00:34:04,926.2779414
It's kind of this dehumanization of people and toxic relationships, especially the victim.
305
00:34:04,926.3779414 --> 00:34:06,794.3379414
Right.
306
00:34:06,794.3379414 --> 00:34:12,889.652666
Mm he, we structure, where it's a lot of she's, a lot of he's, and we's.
307
00:34:13,159.652666 --> 00:34:17,549.652666
I wonder, I'd love to see this written eventually, but to see how it looks on the page.
308
00:34:17,959.652666 --> 00:34:22,769.651666
I heard you say it, and it's a different experience we know to read and to hear poetry.
309
00:34:23,59.652666 --> 00:34:26,499.651666
What does it look like on the page? Tell me about the grammar, the capitalization.
310
00:34:27,986.2779414 --> 00:34:37,406.2779414
Yeah, um, so, you know, you've heard that I switch a lot between You know, third person and first person.
311
00:34:37,866.2779414 -->
00:34:51,56.2769414
And so, that essentially Is a gap between, you know, maybe there's a group of stanzas in third person, then, you know, a break, a physically written break, and then, you know, we switch to we.
312
00:34:51,956.2779414 --> 00:35:05,6.2779414
And essentially what I hope to do with that is, Be able to highlight the difference between someone who's outside and observing a toxic relationship, knowing it's toxic, and what the people within that relationship feel.
313
00:35:05,476.2779414 --> 00:35:10,626.2769414
Because most people in toxic relationships, they might not truly understand the extent of what that is.
314
00:35:11,226.2779414 --> 00:35:15,116.2779414
And so it's really about conveying both perspectives at the same time.
315
00:35:16,749.651666 --> 00:35:21,746.2779414
Is it a common feature in your poetry that you might change perspectives? Uh, yeah.
316
00:35:23,6.2779414 --> 00:35:30,266.2769414
I definitely love, you know, writing from different voices at the same time regarding the same, you know, matter.
317
00:35:31,214.652666 --> 00:35:31,754.652666
Yeah.
318
00:35:31,904.652666 --> 00:35:40,94.652666
Well, it, it's proof of the fact that once we look through different eyes, we do see a different shade of that, of that relationship, of that reality, whatever it might be.
319
00:35:40,724.652666 --> 00:35:46,754.652666
Uh, it also lends distrust in a very beautiful sense to any one narrative or any one view.
320
00:35:47,986.2779414 --> 00:35:59,336.2779414
Yeah, it's so important to understand perspective And voice when you're writing poetry and I, you know, it's fun to really play around with that, to really create different characters.
321
00:36:00,426.2779414 --> 00:36:04,126.2779414
All in the same, you know, poem or writing.
322
00:36:05,939.652666 --> 00:36:09,384.652666
And the capitalization, uh, and the sentence structure.
323
00:36:09,384.652666 --> 00:36:14,606.2779414
Do you have periods there or not really? So I do have periods.
324
00:36:14,656.2779414 --> 00:36:30,76.2779414
I think, you know, this is, I write this, you know, and I capitalize everything because I really? want this to be almost like a matter of factly poem because it's meant to display something that's, you know, real.
325
00:36:30,86.2779414 --> 00:36:42,496.2779414
Something that's, you know, when people tend to, Um, You know, make everything lowercase, remove punctuation, which I do that a lot and I love doing that and I think it creates a really unique voice.
326
00:36:42,986.2779414 --> 00:36:59,876.1779414
But in matters such as this poem, you know, it's meant to be what reality is and I think I try to use grammar as as correctly as I can to say it.
327
00:37:00,94.652666 --> 00:37:00,904.652666
appreciate that.
328
00:37:00,904.652666 --> 00:37:06,484.652666
You want to just state things as they happened, right? Matter of fact, a period works great for that.
329
00:37:06,634.652666 --> 00:37:08,284.652666
It's it's declarative.
330
00:37:08,614.652666 --> 00:37:11,636.2779414
It just says this is what happened Mm hmm.
331
00:37:11,794.652666 --> 00:37:16,444.652666
with that face, you know, just kinda like, here's the, here's the, here's the facts.
332
00:37:20,604.652666 --> 00:37:26,424.652666
What's it like being a poet in New York especially? I think it's such a, such a city for, for poetry.
333
00:37:27,224.652666 --> 00:37:29,174.652666
And you're instead an island specifically, I think.
334
00:37:29,616.2769414 --> 00:37:30,36.2769414
Mm hmm.
335
00:37:30,66.2779414 --> 00:37:30,556.2779414
I am.
336
00:37:31,56.2779414 --> 00:37:42,346.2769414
Um, One thing about being a writer, and I don't know if it's like that writer gene in me or that kind of writing personality that I have, I love being in the city.
337
00:37:42,836.2779414 --> 00:37:43,216.2779414
I think.
338
00:37:43,216.2779414 --> 00:37:53,476.2779414
it's such, It's like, You know, to a lot of people it's overwhelming, and, you know, at some point I do agree that sitting can be overwhelming, but at the same time there's so much to take in.
339
00:37:54,136.2779414 --> 00:38:00,946.2779414
There's so much, you know, information to see, and as a writer, that's something that, you know, I love.
340
00:38:00,946.2779414 --> 00:38:02,776.2769414
There's so much to take in.
341
00:38:04,236.2769414 --> 00:38:12,126.2779414
And as a writer who loves to write about everything all the time, that is something that's, you know, really important to me.
342
00:38:12,824.652666 --> 00:38:14,184.652666
It's stimulating.
343
00:38:14,391.2779414 --> 00:38:14,961.2779414
hmm.
344
00:38:15,354.652666 --> 00:38:27,284.651666
The same thing that folks sometimes dislike about a big city, that's chaotic, it's uh, and I've said these things so I don't want to mock those folks, but like, it's chaotic or Mm noisy, uh, you find inspiration in that.
345
00:38:28,81.2779414 --> 00:38:28,561.2779414
Yeah.
346
00:38:29,261.2779414 --> 00:38:36,561.2779414
I think, you know, and also New York is just kind of this huge, I guess, melting pot of cultures.
347
00:38:37,91.2769414 --> 00:38:41,781.2779414
And especially when it comes to writing, culture is a really important thing, and identity is a very important thing.
348
00:38:42,431.2779414 --> 00:38:46,871.2769414
And, you know, New York City just has so many different types of people.
349
00:38:46,871.2779414 --> 00:38:46,936.1779414
Mm hmm.
350
00:38:47,676.2779414 --> 00:39:16,906.1779414
I've been to Slam Poetry in Manhattan before and, you know, it has some of the most talented people I've ever heard there when it was just a small like poetry event and yet some of the most talented people there, you know, I heard and it was so inspirational to be able to just be there for like a few hours Yeah.
351
00:39:16,954.651666 --> 00:39:17,844.651666
some computer work.
352
00:39:18,989.652666 --> 00:39:25,139.652666
You know, and my house
is sufficiently stimulating between the cat and the tree and the wind and poetry is everywhere we know.
353
00:39:25,149.652666 --> 00:39:33,459.652666
But when I finally left and got on the bus and went out to a yoga class, I enjoyed the ride thoroughly.
354
00:39:34,89.652666 --> 00:39:37,689.552666
Just to see thousands of people around me.
355
00:39:38,409.652666 --> 00:39:40,996.2779414
Moving at such speeds, with Yeah.
356
00:39:41,219.652666 --> 00:39:43,69.652666
and different lives all around you.
357
00:39:43,139.652666 --> 00:40:02,844.652666
It's, recently I was reintroduced to this beautiful reminder by Einstein, who we don't think of as a poet, but this reminder definitely fits within the characteristics of poetry, that you can choose whether to see life, Completely as a miracle or entirely not as a miracle.
358
00:40:02,854.652666 --> 00:40:06,564.652666
So like, everything as a miracle or nothing as a miracle are the two options there.
359
00:40:06,574.652666 --> 00:40:09,984.652666
And poetry invites us to see the whole city as a miracle.
360
00:40:10,336.2779414 --> 00:40:10,346.2779414
hmm.
361
00:40:10,356.2779414 --> 00:40:31,96.2779414
Yeah, like, Poetry, it's just, you know, where other people may see things as stimulating, overstimulating, you know, I see it as immersive and, you know, diverse and it's just such a lively environment to be in.
362
00:40:33,654.651666 --> 00:40:41,421.2779414
Do you have a sense of what you'd like to study in college? Um, I think a blend between English and psych.
363
00:40:42,321.2779414 --> 00:40:47,591.2779414
Two things that I think are kind of connected to a point.
364
00:40:47,591.2779414 --> 00:40:50,1.2779414
Just understanding the way the human mind works.
365
00:40:50,31.2769414 --> 00:40:51,831.2779414
How perspective works.
366
00:40:52,761.2769414 --> 00:40:54,641.2769414
So, yeah.
367
00:40:54,841.2769414 --> 00:41:01,61.2779414
And I think, you know, those two things really came hand in hand as an interest or as interests to me.
368
00:41:01,824.652666 --> 00:41:03,144.652666
you see them as connected.
369
00:41:03,821.2769414 --> 00:41:04,161.2769414
Mhm.
370
00:41:05,811.2779414 --> 00:41:16,241.2779414
I think, like, essentially, poetry is almost like, if you try hard enough, that is a gateway to understanding psychology, understanding the way people think.
371
00:41:16,831.2769414 --> 00:41:32,431.2779414
And obviously there are different types of, you know, psychology, but what I think of when I think of psychology is, I think of understanding personality, and understanding traits, And understanding, you know, how people choose to act, how people choose to think.
372
00:41:33,191.2779414 --> 00:41:37,941.2779414
And, um, That's just something you see so often in writing.
373
00:41:38,281.2779414 --> 00:41:40,991.2779414
Like, not only poetry, but writing of all types.
374
00:41:42,74.652666 --> 00:41:48,709.652666
And you would hear a similar being made on the side of of psychology.
375
00:41:48,709.752666 --> 00:41:51,299.652666
And you're, as you said, there are so many different types.
376
00:41:51,689.652666 --> 00:41:58,339.652666
Um, but one school among many psychoanalysis sees us as the product of our words.
377
00:41:58,639.652666 --> 00:42:03,399.652666
That the ways that we speak are the ways our minds have been structured.
378
00:42:03,699.651666 --> 00:42:05,919.652666
That the language is the origin of the self.
379
00:42:06,171.2779414 --> 00:42:06,711.2779414
Mm hmm.
380
00:42:07,909.652666 --> 00:42:12,519.652666
it's a completely, uh, thorough link between those two.
381
00:42:12,961.2779414 --> 00:42:14,311.2769414
Yeah, I love that.
382
00:42:14,381.2779414 --> 00:42:22,661.2779414
You know, just knowing that everything you say is something that you've just, part of who you are.
383
00:42:22,681.2779414 --> 00:42:26,366.2779414
Everything you say is Just makes up yourself.
384
00:42:26,366.2779414 --> 00:42:32,206.2779414
And I think language, like you said, is just such a big part of society.
385
00:42:32,216.2779414 --> 00:42:50,196.2779414
In fact, if not the backbone of society and the way people think, you know, you look at activists, you look at, you know, speakers and you realize language is what's behind every action we make as a society and as people.
386
00:42:52,644.652666 --> 00:42:53,164.652666
Totally.
387
00:42:53,254.652666 --> 00:42:57,64.652666
It makes or breaks a system, or a movement, or a person.
388
00:42:57,524.652666 --> 00:42:58,524.652666
Yeah, for sure.
389
00:42:59,214.652666 --> 00:43:10,741.2779414
So, uh, what's your vision for House of Poetry further down the line? You guys have your third issue coming out soon, I think? Uh, maybe in April, since submissions are closing on the 10th.
390
00:43:11,584.652666 --> 00:43:12,234.652666
Okay.
391
00:43:12,374.652666 --> 00:43:12,904.652666
Well, okay.
392
00:43:13,24.652666 --> 00:43:19,114.652666
I don't think this show will be out by then, but maybe for the fourth issue, folks can be invited to contribute.
393
00:43:19,114.652666 --> 00:43:21,964.652666
So tell me about the game plan for the next couple months.
394
00:43:22,631.2779414 --> 00:43:27,581.2779414
Uh, I'm really hoping to create a team for myself.
395
00:43:27,621.2779414 --> 00:43:35,191.2779414
As you said before, you know, I'm doing all this stuff, and I would love to just have a team of brilliant people, you know.
396
00:43:35,526.2779414 --> 00:43:45,316.2779414
Not to like work for me, but to work with and be able to understand their contributions and understand what other people want in terms of the future of House of Poetry.
397
00:43:46,816.2769414 --> 00:43:50,526.2779414
And also hopefully introduce themes into each issue.
398
00:43:50,536.2779414 --> 00:43:52,946.2779414
So far, everything's been on themes.
399
00:43:52,946.2789414 --> 00:44:03,666.2779414
We've been, um, I've been accepting
poetry of all themes, but hopefully, you know, I can create a strong body of work that really just works.
400
00:44:03,696.2779414 --> 00:44:07,501.2779414
And, you know, You know, it's cohesive, but unique at the same time.
401
00:44:08,564.652666 --> 00:44:25,81.2779414
How do you think you might choose those themes later on? And are you thinking nouns, verbs, sentences as themes? I'd love definitely, um, it could even come down to like current events or current feelings, especially, you know, the world.
402
00:44:25,621.2779414 --> 00:44:29,571.2779414
Right now we have conflict going on in so many places.
403
00:44:30,431.2779414 --> 00:44:34,881.2779414
Um, really I've been thinking just feeling.
404
00:44:36,36.2779414 --> 00:44:42,506.2779414
You know, just the sort of feeling, you know, whether it can be liberation or chaos.
405
00:44:44,76.2779414 --> 00:44:47,896.2779414
Even, you know, which you could say they're almost the same thing at some point.
406
00:44:48,596.2779414 --> 00:44:52,726.2779414
It just, yeah, I think it has to do with the way people are feeling.
407
00:45:00,966.2779414 --> 00:45:19,336.2774414
Yeah, so, I think, you know, um, I guess not to digress too much, but almost the fact that, yeah, but almost like the fact that people want to be free.
408
00:45:19,336.2774414 --> 00:45:21,986.2769414
And I think language wants to be free.
409
00:45:22,906.2779414 --> 00:45:34,546.2769414
I think there's, you know, especially when it comes to poetry, you could write messy poetry and that ultimately still becomes beautiful because that's your liberated thoughts.
410
00:45:34,766.2779414 --> 00:45:36,491.1779414
You know, that's beautiful.
411
00:45:36,831.2779414 --> 00:45:45,891.2779414
How you openly express yourself without any fear and You know, that can, be just as chaotic, but what it is, is liberating when it comes to language.
412
00:45:46,121.2779414 --> 00:45:50,71.2779414
When it comes to poetry, that's, you know, it's such an abstract form of writing.
413
00:45:51,719.652666 --> 00:45:52,109.652666
yeah.
414
00:45:52,169.652666 --> 00:46:00,489.652666
Visuals come to mind as I hear you say that, of chaos assembling into shapes or shapes disassembling into chaos and, and vice versa.
415
00:46:00,609.652666 --> 00:46:06,609.652666
There is, there, there is that, that original spilling out that you mentioned as the, the, the origin of a poem.
416
00:46:06,789.652666 --> 00:46:08,109.652666
Just write how you feel.
417
00:46:08,499.652666 --> 00:46:16,539.652666
But of course it's, it's the, the, uh, the famous shitty first draft is what results the chaos, the chaotic and uncontrolled.
418
00:46:18,949.652666 --> 00:46:33,549.652666
Spillover of all the contents of the mind, which then need to be organized, um, as part of that process of not liberation, I guess, but, but synthesizing, organizing towards some sort of product that can be shared.
419
00:46:33,971.2779414 --> 00:46:34,421.2779414
Right.
420
00:46:34,881.2779414 --> 00:46:35,591.2779414
Absolutely.
421
00:46:35,591.2779414 --> 00:46:36,11.2779414
Yeah.
422
00:46:37,529.652666 --> 00:46:44,409.652666
And event spaces and beyond, you know, bringing, bringing House of Poetry into the physical world.
423
00:46:44,801.2779414 --> 00:46:45,271.2779414
Mm hmm.
424
00:46:45,921.2779414 --> 00:46:55,741.2779414
Yeah, so hopefully, you know, soon, I'll be able to establish, um, printed versions of House of Poetry.
425
00:46:56,421.2789414 --> 00:47:08,551.2779414
Um, it came down to, like, ultimately, at the moment, it's about, you know, making sure I have the author's consent, the artist's consent of publishing, and I introduced that into my new form.
426
00:47:09,436.2779414 --> 00:47:13,556.2779414
So, I'm confident in Issue 3 being published physically.
427
00:47:14,266.2779414 --> 00:47:19,46.2769414
So, that is something That's definitely going to come in the near future.
428
00:47:19,369.652666 --> 00:47:20,409.651666
That's super exciting.
429
00:47:20,576.2779414 --> 00:47:24,236.2779414
right, and hopefully Issue 1, Issue 2 as well.
430
00:47:24,506.2779414 --> 00:47:28,406.2769414
But there's still maybe some kinks that, you know, has to be worked out first.
431
00:47:28,879.652666 --> 00:47:31,266.2769414
In order to print them, you mean? Mhm.
432
00:47:32,859.652666 --> 00:47:43,221.2779414
What does that mean? That there are certain pages that are unprintable? Or, what does that, Um, I guess it just has to do with the transparency between the publisher and the author.
433
00:47:43,841.2779414 --> 00:47:52,121.2779414
I guess when it came to, you know, making issue one and two, I'd only really thought of online publishing.
434
00:47:53,151.2779414 --> 00:47:59,511.2779414
So, I wasn't sure if that transparency completely came through in terms of the authors that I chose to submit.
435
00:48:01,11.2779414 --> 00:48:14,11.2779414
But yeah, I'm also hopefully going to publish Issue 1 and Issue 2 physically because I know there are authors that are also asking for that and a lot of authors just want to be able to hold their work.
436
00:48:14,151.2779414 --> 00:48:16,71.2779414
So, that's one thing for sure.
437
00:48:16,649.652666 --> 00:48:21,479.652666
I appreciate how much you involve the writers and whatever their original intentions might have been.
438
00:48:21,499.652666 --> 00:48:22,489.652666
That's really noble.
439
00:48:23,169.652666 --> 00:48:27,39.652666
Um, and so, printing the third issue soon, that's cool.
440
00:48:27,49.651666 --> 00:48:28,39.652666
Well, in April.
441
00:48:28,109.652666 --> 00:48:43,571.2779414
And as far as, you know, institutional backing, is that something you're interested in acquiring? Uh, or, you know, how does one sustain a project like this? that's a good question and it's funny you mentioned backing because currently I attend a business class.
442
00:48:44,431.2769414 --> 00:48:48,126.2779414
It's called
um, Young Entrepreneurs Academy.
443
00:48:48,496.2779414 --> 00:49:15,626.2779414
And, you know, I'm, I'm learning there on behalf of my project, House of Poetry, and eventually at the end of that program, there will be, you know, an investor panel, kind of like a Shark Tank thing, but on a much smaller scale, but an investor panel that I hope will, you know, help fund House of Poetry, you know, hopefully keep it running for the next, you Gear, even.
444
00:49:16,226.2779414 --> 00:49:34,126.2769414
Um, and a second thing is also implementing a small submission fee for authors because I, with a submission fee and I'm going to introduce a fee waiver as well in order to not, you know, compromise the circumstances of some writers who may not have that money.
445
00:49:34,746.2779414 --> 00:49:53,281.2779414
Um, but hopefully with the submission fee, with that investor money, um, You know, as a non profit, I hope that I can pay all that back towards the authors and say, you know, and hopefully House of Poetry will be able to establish a pay for authors who are published in each issue.
446
00:49:54,479.652666 --> 00:49:56,869.652666
The future seems really bright for House of Poetry.
447
00:49:56,899.652666 --> 00:50:14,924.652666
I mean, an investor would be very bright to Decide that this is a project worth investing in for all the reasons that you've described, you know, elevating the writing of folks who might not otherwise have a platform and encouraging expression from folks that were not necessarily given that that platform before.
448
00:50:15,534.652666 --> 00:50:17,64.652666
Yeah, that's beautiful.
449
00:50:17,384.652666 --> 00:50:24,201.2779414
Is there is there anything I haven't asked you Brian or anything else you'd like to say? Oh, um, let me think.
450
00:50:26,711.2779414 --> 00:50:44,146.2779414
Um Well, one thing I just want to reiterate is that it's so, like, I don't even feel like I've said this enough, but it's so amazing to see people of different cultures really just come together into one body of work.
451
00:50:44,726.2779414 --> 00:50:57,136.2779414
And one thing I'd like to point out is that on the House of Poetry, like, submission form, I, like, make it a required question that people, you know, tell me why.
452
00:50:57,566.2779414 --> 00:51:02,66.2779414
They pursued writing in the first place, what made them want to become a writer in the first place.
453
00:51:02,646.2779414 --> 00:51:15,366.2779414
And I have people from, you know, all walks worldwide telling them their own story and I think that's one thing that really means a lot to me and that's like all I could say.
454
00:51:15,366.2779414 --> 00:51:19,86.2779414
That's like, those are the only words I can use to express that.
455
00:51:19,96.2779414 --> 00:51:25,186.2779414
it's just so overwhelming having people, you know, tell their story in a Google form.
456
00:51:26,161.2779414 --> 00:51:28,61.2779414
People from any country and any culture.
457
00:51:29,224.652666 --> 00:51:35,809.652666
a feeling you've invited, right? Mm hmm, You don't just write that story if you don't feel welcomed to.
458
00:51:35,871.2779414 --> 00:51:51,891.2779414
right, What types of stories you don't have to reveal specifics but, you know, what are the stories that you hear that move you so? Oh gosh, um, there are, and I think it has to do a lot with age, the way we discussed earlier.
459
00:51:52,371.2779414 --> 00:52:03,251.2779414
Um, a lot of it has to do with, you know, people who consider themselves ordinary people, like parents, or, you know, at the same time, children, just saying.
460
00:52:03,896.2779414 --> 00:52:08,666.2779414
like oh, I live this normal life, but I want to become a writer so badly.
461
00:52:09,446.2779414 --> 00:52:15,756.2769414
Or I want to have that place to express my ideas or my poetry or, you know, any, any form of writing.
462
00:52:16,786.2769414 --> 00:52:24,46.2779414
And, you know, it's just a place to make them feel unique because they are.
463
00:52:24,656.2779414 --> 00:52:33,86.2769414
In a society that, like, in a society that values so much, I guess, Extraordinance.
464
00:52:34,166.2779414 --> 00:52:43,99.652666
You know? Okay, I'm glad you brought this up, thank you.
465
00:52:44,269.652666 --> 00:52:48,239.652666
Brian, I have a couple lightning round questions, unless there's anything else you'd like to say before that.
466
00:52:48,716.2779414 --> 00:52:49,206.2779414
that's it.
467
00:52:49,246.2769414 --> 00:52:50,66.2779414
I'm, I'm ready.
468
00:52:52,509.652666 --> 00:52:54,299.652666
A skill you're currently working on.
469
00:52:55,726.2779414 --> 00:53:00,946.2769414
I've been playing the bassoon for the past few years, and I have to keep on.
470
00:53:00,946.2779414 --> 00:53:02,566.2779414
doing that, and I have to keep on improving.
471
00:53:02,636.2769414 --> 00:53:03,246.2779414
That's one.
472
00:53:05,94.652666 --> 00:53:06,524.652666
A favorite way to relax.
473
00:53:07,436.2779414 --> 00:53:09,376.2779414
Listening to music, for sure.
474
00:53:09,426.2779414 --> 00:53:11,96.2779414
I have a bunch of vinyls behind me.
475
00:53:11,96.2779414 --> 00:53:14,486.2779414
You can see a lot of R& B, a lot of rap.
476
00:53:14,906.2779414 --> 00:53:15,336.2779414
Yes.
477
00:53:15,654.652666 --> 00:53:17,754.652666
I'm gonna ask you again about that in a second.
478
00:53:18,144.652666 --> 00:53:22,21.2779414
Where did your name come from? I don't know.
479
00:53:22,21.2779414 --> 00:53:23,521.2779414
It's not even my real name.
480
00:53:24,111.2779414 --> 00:53:30,531.2779414
Um, Brian? Like, that's my English name, but I was born with a Chinese name.
481
00:53:31,291.2779414 --> 00:53:31,901.2769414
I have no idea.
482
00:53:31,911.2769414 --> 00:53:32,771.2779414
I have to ask my mom.
483
00:53:32,771.3779414 --> 00:53:44,191.2779414
Oh, Um, I like Twizzlers.
484
00:53:47,34.652666 --> 00:53:47,804.652666
Fantastic.
485
00:53:48,111.2769414 --> 00:53:49,91.2779414
I like chewing on them.
486
00:53:49,156.3779414 --> 00:53:53,444.652666
Like, 100%.
487
00:53:53,494.652666 --> 00:53:55,674.652666
A book that left a lasting impression on you.
488
00:53:57,76.2779414 --> 00:54:08,616.2779414
I've said, you know, jazz, Toni Morrison, but I'll also say, um, what else do I have If I can say Percy Jackson, I will.
489
00:54:08,646.2779414 --> 00:54:12,566.2779414
As a child, Percy Jackson was like my book series for sure.
490
00:54:12,566.3779414 --> 00:54:17,989.652666
Um, see some influences there in your own writing, too.
491
00:54:18,509.652666 --> 00:54:33,741.2779414
Um, something people get wrong about you? tend to be really introverted when I meet someone for the first time, and I think Almost like, they have to open up to me first.
492
00:54:34,431.2779414 --> 00:54:38,281.2779414
So usually like, people might see me as kind of a shy, reserved person.
493
00:54:38,281.2779414 --> 00:54:40,221.2779414
But, no, I have thoughts.
494
00:54:41,319.652666 --> 00:54:42,439.652666
Yeah, that's fair.
495
00:54:42,479.652666 --> 00:54:45,49.651666
Oh, that's, I'd love to talk more about that one at some point.
496
00:54:45,99.652666 --> 00:54:48,499.651666
Um, I'm figuring that out on this, you know, show as well.
497
00:54:48,699.651666 --> 00:54:53,169.652666
How to, how to open myself up such that others also feel invited to do so.
498
00:54:53,581.2779414 --> 00:54:55,841.2779414
I can tell you like, I feel great.
499
00:54:55,891.2779414 --> 00:54:56,571.2779414
on this show.
500
00:54:56,996.2779414 --> 00:55:04,676.2779414
Or on this podcast, it's been really amazing to be able to talk with you and to answer questions and to really have this conversation going.
501
00:55:05,159.652666 --> 00:55:07,806.2779414
Yeah, you're doing a great job, I can tell you for sure.
502
00:55:08,399.652666 --> 00:55:09,299.652666
That's sweet of you.
503
00:55:09,559.652666 --> 00:55:23,679.652666
Um, no, I, I feel, I feel a lot of kindred, um, thoughts and, and journeys with you, also, you know, been dabbling in letters since high school and not having had the courage to, to create something like what you have.
504
00:55:24,249.652666 --> 00:55:26,129.652666
Lots of, lots of respect, really.
505
00:55:26,729.652666 --> 00:55:27,249.652666
Um, okay.
506
00:55:27,249.652666 --> 00:55:31,329.652666
And, and, uh, the one that I promised you we'd get to a song or album you would recommend.
507
00:55:31,329.752666 --> 00:55:34,634.552666
Yeah.
508
00:55:35,46.2769414 --> 00:55:36,736.2769414
I'm gonna think of an obscure one.
509
00:55:37,6.2769414 --> 00:55:40,921.1779414
As I said, Kara Jackson's Why Does the Earth Give Us People to Love.
510
00:55:41,451.2779414 --> 00:55:43,681.2779414
Um, and also little sins.
511
00:55:43,691.2779414 --> 00:55:45,271.2779414
Sometimes I might be introvert.
512
00:55:45,801.2779414 --> 00:55:48,851.2779414
Those two are so good, so underrated too.
513
00:55:49,804.652666 --> 00:55:50,474.652666
Fantastic.
514
00:55:50,684.652666 --> 00:55:51,214.652666
Thank you.
515
00:55:51,404.652666 --> 00:55:53,644.652666
Brian, thanks so much for this conversation.
516
00:55:54,931.2769414 --> 00:55:57,421.2779414
Thank you so much for, you know, inviting me here.
517
00:55:57,421.2779414 --> 00:56:00,561.2779414
It's so much more than I could have ever imagined.
518
00:56:05,20.861637 --> 00:56:06,70.861637
Thanks for being here.
519
00:56:06,640.861637 --> 00:56:14,170.861637
If this conversation resonated with you, consider reviewing therapy for the world or sharing the link with someone who might appreciate it.
520
00:56:14,830.861637 --> 00:56:18,280.861637
Until next time, speak with care and listen deeply.