Transcrição completa de Nothing Lasts Forever (Die Hard) by Roderick Thorp

only ever hear it when I'm in my room. 04:24.186 --> 04:26.907 [SPEAKER_00]: We did hear some, when we were like finally going to sleep. 04:27.827 --> 04:39.211 [SPEAKER_00]: So we like, John pauses the movie and he sits there and he's like, this was after because me and John, when we were staying in a place, we have to like, we walk in and we check every single room, every closet, make sure no one's hiding. 04:39.431 --> 04:40.451 [SPEAKER_00]: So we've already done this. 04:40.791 --> 04:42.852 [SPEAKER_00]: So he pauses the movie and stairs at me and it's like, 04:44.493 --> 04:47.574 [SPEAKER_00]: I think we're fine, music, okay, here's what I'm gonna do. 04:47.594 --> 04:53.396 [SPEAKER_00]: I'm gonna go open the back door and if someone comes up to attack us, I'm gonna run out of this spectrum. 04:54.016 --> 04:57.778 [SPEAKER_01]: I shoulda let you know, I have a Airsoft gun under my bed. 04:58.238 --> 05:06.921 [SPEAKER_01]: Oh shit, yeah, you shoulda, that woulda, we woulda, I was like, under my bed or under my mat, just so you know, it's on my side. 05:07.481 --> 05:08.662 [SPEAKER_01]: Under my mattress. 05:09.402 --> 05:16.267 [SPEAKER_01]: And it, it's far enough that like the kids can't just mess around and you feel it, yeah, but it's, it has the BBs in it. 05:16.427 --> 05:19.069 [SPEAKER_01]: So I mean, it won't kill anyone, but no, but it would hurt. 05:19.329 --> 05:21.690 [SPEAKER_00]: That would be, I wish we knew that. 05:21.790 --> 05:23.772 [SPEAKER_00]: I would have felt so much better because I was sitting there. 05:23.792 --> 05:24.872 [SPEAKER_00]: I was like, I don't know. 05:24.892 --> 05:27.654 [SPEAKER_00]: Like, I think like you could grab my sword too. 05:29.115 --> 05:30.316 [SPEAKER_00]: Why didn't we think of that? 05:31.616 --> 05:34.497 [SPEAKER_00]: Don't even make a comment about the sword when we were first going. 05:34.517 --> 05:37.879 [SPEAKER_01]: Oh my gosh, that's right. 05:38.439 --> 05:44.601 [SPEAKER_00]: So then we continue watching the movie because like five minutes of us pause, like sitting there listening. 05:44.641 --> 05:45.522 [SPEAKER_00]: We don't hear anything. 05:46.222 --> 05:48.003 [SPEAKER_00]: Your ice maker while we love the ice. 05:49.755 --> 05:52.517 [SPEAKER_00]: That was the worst super loud, yeah. 05:52.537 --> 06:01.021 [SPEAKER_00]: It's like that would happen, John would pause and be like, I'm pretty sure that one was the ice maker, like the one I'm pretty sure we're good. 06:02.962 --> 06:05.884 [SPEAKER_00]: So we finally get through the whole movie. 06:06.124 --> 06:07.925 [SPEAKER_00]: And we're like, okay, it's bedtime, let's go to bed. 06:08.626 --> 06:10.147 [SPEAKER_00]: So we go to bed. 06:11.247 --> 06:18.632 [SPEAKER_00]: And John literally first, John first makes us close your bedroom door in the bathroom door and lock him. 06:19.333 --> 06:21.674 [SPEAKER_00]: He's like, it's not comes in. 06:22.075 --> 06:23.135 [SPEAKER_00]: They're not coming in these. 06:23.155 --> 06:25.437 [SPEAKER_00]: And he's like, I just looked out her window. 06:25.477 --> 06:29.460 [SPEAKER_00]: I think we could survive that jump if we can. 06:29.520 --> 06:30.460 [SPEAKER_00]: Oh my gosh. 06:30.480 --> 06:33.022 [SPEAKER_00]: I was like, okay, I think we're fine. 06:33.122 --> 06:33.803 [SPEAKER_00]: Like, come on. 06:33.843 --> 06:36.144 [SPEAKER_00]: Like, this is basically my parents' neighborhood. 06:36.264 --> 06:38.606 [SPEAKER_00]: Like, right, right, fine. 06:39.322 --> 07:02.021 [SPEAKER_00]: Um, but then John kept hearing your ice maker and then this is probably your neighbors, but it was like, it was an awkward time of the day for this to be happening, but we kept hearing three consecutive knocks and then it would stop and then three consecutive knocks and then it would stop weird and it would do it like every 10 to 20 minutes. 07:03.046 --> 07:06.331 [SPEAKER_00]: Like right right when I would be like, okay, it's not happening again. 07:06.431 --> 07:12.901 [SPEAKER_00]: I would hear it and of course I would be like lay in there trying to go to sleep and then I would hear it and then like John would look at me like do you hear it to you. 07:14.503 --> 07:15.244 [SPEAKER_00]: That's weird. 07:16.788 --> 07:20.709 [SPEAKER_00]: Then after we're finally like, okay, we're like common down from this. 07:20.789 --> 07:21.189 [SPEAKER_00]: It's cool. 07:21.649 --> 07:25.251 [SPEAKER_00]: Luna starts freaking out because she's like wanting to go outside or something. 07:25.651 --> 07:27.111 [SPEAKER_00]: Yeah, and we're like, okay, fine. 07:27.131 --> 07:28.251 [SPEAKER_00]: So we open the door for her. 07:29.072 --> 07:30.572 [SPEAKER_00]: She of course goes right under the bed. 07:31.072 --> 07:32.433 [SPEAKER_01]: She's just a pain in the butt. 07:33.033 --> 07:33.413 [SPEAKER_01]: I can't. 07:37.154 --> 07:53.469 [SPEAKER_00]: uh so then John just lets us sleep with the door open okay that's a big change from walking yeah yeah well he made us sleep with the freaking the hallway light was on which this is a man who never it lets me sleep with any kind of like size so 07:57.366 --> 08:11.264 [SPEAKER_00]: So I think that started to be too much room, so we went back to the closed door and then I didn't hear the first part of this, but this is when your computer started going on and it's notification. 08:12.085 --> 08:14.506 [SPEAKER_01]: You're putting yourself freaking annoying. 08:14.626 --> 08:22.250 [SPEAKER_00]: I usually turn off my sound because it just, even if I go and get X, it does like 30 of them and I'm just, I definitely have a virus but whatever. 08:22.850 --> 08:28.593 [SPEAKER_00]: Probably that actually makes a lot of sense because at first, like, when I woke up, it was doing it back to back. 08:28.713 --> 08:32.975 [SPEAKER_00]: And I was like, literally just sounds like someone's I aming you over and over and over again. 08:33.175 --> 08:33.875 [SPEAKER_00]: Yeah, it does that. 08:36.317 -->

08:36.897 [SPEAKER_00]: Tond was like, 08:37.586 --> 08:41.071 [SPEAKER_00]: I was like it's got to be her computer like that's what it is. 08:41.151 --> 08:42.412 [SPEAKER_00]: Do I know why it's doing it? 08:42.492 --> 08:43.894 [SPEAKER_00]: No, is it kind of creepy? 08:43.974 --> 08:51.003 [SPEAKER_00]: Yeah It's when he goes and checks it and he like he closed out of it and then it popped back up And he closed out of it and popped back up. 08:51.083 --> 08:53.507 [SPEAKER_00]: Thankfully that was last like weird thing that happened 08:54.788 --> 09:10.255 [SPEAKER_00]: but in the morning he told me he was like before it woke me up that thing had been going for like 30 minutes but it was very like sparse and barely happening so like it would happen freak him out and he would be like okay whatever it'll be fine and then it would do 09:12.565 --> 09:17.070 [SPEAKER_01]: Oh, so sorry, I usually have the sound off, but then when we record, I have to have the sound. 09:17.370 --> 09:18.592 [SPEAKER_01]: Oh, wait, no, I don't. 09:18.792 --> 09:20.033 [SPEAKER_01]: I wonder why I turned it on. 09:20.053 --> 09:20.874 [SPEAKER_01]: I don't know. 09:21.415 --> 09:27.641 [SPEAKER_01]: Oh, because when I, when I, remember I couldn't hear you guys the other day, oh, yeah, I thought that was it. 09:27.861 --> 09:29.303 [SPEAKER_01]: No, because my headphones weren't plugged in. 09:29.643 --> 09:30.924 [SPEAKER_01]: So I turned it on then. 09:30.944 --> 09:33.107 [SPEAKER_01]: And then I'm on the left and back off. 09:33.147 --> 09:33.367 [SPEAKER_00]: Yep. 09:33.527 --> 09:34.609 [SPEAKER_00]: Yeah, that makes sense. 09:34.809 --> 09:36.051 [SPEAKER_00]: Yeah, oh gosh. 09:36.132 --> 09:37.654 [SPEAKER_00]: That was so sorry. 09:37.674 --> 09:42.903 [SPEAKER_01]: I mean, I'm partially glad that it just wasn't all Loona that was a night. 09:44.105 --> 09:45.107 [SPEAKER_01]: That's not really bad. 09:45.147 --> 09:46.409 [SPEAKER_01]: I was like, oh my words. 09:47.043 --> 09:49.365 [SPEAKER_00]: Well, now I know it's just my house in the street, too. 09:50.085 --> 10:04.296 [SPEAKER_01]: You know what, though, when I first moved in, I had my church people bless the house because I mean, when I moved in, yeah, the closet downstairs had a mirror, like in it. 10:04.376 --> 10:09.820 [SPEAKER_01]: Like almost like, it wasn't locked, but it was like, it was a nice mirror and I was like, I'm not having that mirror. 10:10.101 --> 10:11.582 [SPEAKER_00]: If there's a mirror, walk on. 10:12.062 --> 10:21.346 [SPEAKER_01]: Like my thoughts are what it was was like the the people that staged the house like brought it and then they're like Man, no, but doesn't really we don't need it. 10:21.466 --> 10:22.787 [SPEAKER_01]: They just placed it there. 10:23.307 --> 10:25.668 [SPEAKER_01]: Yeah, but I wasn't taking any chances 10:26.052 --> 10:36.679 [SPEAKER_01]: So, you know what, my house might be haunted, but it hasn't, the ghosty hasn't bothered me quite yet, but, uh, all I can think was, Allie's stays here with two children. 10:36.739 --> 10:45.245 [SPEAKER_00]: Like, I feel like having two children in the house, while everything was going on would be way creepier, because then you're like, not only thinking of yourself, you're like, okay, what do I do? 10:45.325 --> 10:49.748 [SPEAKER_00]: If I have to grab the kids, or like, when they're on different floors of life. 10:50.449 --> 10:51.810 [SPEAKER_00]: You can't do this! 10:51.830 --> 10:52.110 [SPEAKER_01]: Yeah. 10:52.992 --> 11:01.135 [SPEAKER_01]: I was like, at least it's just me and John right now, yes, oh gosh, dang yeah, I wish I would have told you about my airsoft 11:02.303 --> 11:04.524 [SPEAKER_00]: I know that I would have felt so much better. 11:04.564 --> 11:15.186 [SPEAKER_00]: But really, there were so many times, especially after that first pounding, where like we heard any little thing outside, and I immediately was like, pause it, pause it, pause it, I had to make sure they're not coming in the house. 11:15.566 --> 11:17.086 [SPEAKER_00]: I know, because like, what date? 11:17.347 --> 11:20.027 [SPEAKER_00]: What date is your freaking recycle or trash? 11:20.707 --> 11:22.288 [SPEAKER_01]: On the one of the best Fridays. 11:22.548 --> 11:22.808 [SPEAKER_00]: Yeah. 11:23.728 --> 11:30.470 [SPEAKER_00]: Oh, maybe they were, because at one point in sounded, this was after the banging, but there was a point where it sounded like someone 11:32.550 --> 11:34.252 [SPEAKER_00]: That would be probably yeah. 11:34.472 --> 11:35.213 [SPEAKER_00]: Yeah, okay. 11:35.233 --> 11:36.273 [SPEAKER_00]: That makes me feel better about that. 11:36.294 --> 11:44.601 [SPEAKER_01]: Maybe they were like slamming their trash like checking to they see if they got I don't know that it was too far apart for to make sense. 11:45.121 --> 11:50.466 [SPEAKER_00]: Yeah, that was like an hour after we first heard the baby And it literally I thought it was your front door 11:50.964 --> 12:08.022 [SPEAKER_01]: that's creepy and my house is so bad because so you guys my house um i have a split level so the doors in the little middle landing thing but my i love my door i think it's gorgeous but it has three big window pains on it. 12:08.382 --> 12:13.906 [SPEAKER_01]: And so when you're standing at top of the, and then I have a giant window, which doesn't really matter. 12:13.926 --> 12:15.928 [SPEAKER_01]: You can't really see anything out of soup too bad. 12:16.228 --> 12:19.070 [SPEAKER_01]: Giant window above it, and then a side window on the side. 12:19.090 --> 12:22.893 [SPEAKER_01]: So if all these windows are open, well, the side windows, the only one you can close, but if they're open, anyone can see you, no matter where you're at up there. 12:22.933 --> 12:23.533 [SPEAKER_01]: So there have been times. 12:23.553 --> 12:30.158 [SPEAKER_01]: Ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha

ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha 12:30.458 --> 12:39.687 [SPEAKER_01]: when people have knocked on my door and I'm like drop and we all drop to the ground because I'm like I'm like looking at my ring camera and be like who's at the door is it? 12:41.106 --> 12:42.267 [SPEAKER_01]: Gosh, this is stupid. 12:42.287 --> 12:47.211 [SPEAKER_00]: I, well, no, that's exactly John also, he's like looking out the windows. 12:47.331 --> 12:52.255 [SPEAKER_00]: He turned on all your lights and I was like, John, that's not that if you turn on all the lights, they can see in us. 12:52.375 --> 12:57.279 [SPEAKER_00]: We can't wait. 12:57.660 --> 13:00.342 [SPEAKER_00]: But I think his brain was, oh, it's dark and scary. 13:00.382 --> 13:01.603 [SPEAKER_00]: I need the lights. 13:04.265 --> 13:05.646 [SPEAKER_01]: Oh, it's so funny. 13:05.946 --> 13:10.287 [SPEAKER_01]: I don't because I don't have any way decorations up yet so they wouldn't have knocked over anything. 13:10.447 --> 13:11.288 [SPEAKER_01]: I don't know what it was. 13:11.348 --> 13:11.888 [SPEAKER_01]: That's weird. 13:12.428 --> 13:15.169 [SPEAKER_00]: No, you should have seen Luna freak the fuck out. 13:15.329 --> 13:20.471 [SPEAKER_00]: I was like the only reason that didn't freak me out is because I know that she freaks out over everything. 13:20.871 --> 13:25.193 [SPEAKER_00]: But like, how she reacted, I had never seen her react in that way before. 13:25.333 --> 13:28.915 [SPEAKER_00]: So I was like, hmm, maybe something is up weird. 13:29.095 --> 13:32.316 [SPEAKER_00]: But then I just kind of sat there and I was like, I don't know what that just was. 13:33.677 --> 13:36.019 [SPEAKER_00]: I'm just gonna say it here and hope that it goes away. 13:36.039 --> 13:39.221 [SPEAKER_01]: That's so scary. 13:39.842 --> 13:41.463 [SPEAKER_00]: A lot that hasn't happened with me. 13:41.483 --> 13:43.545 [SPEAKER_01]: Good luck. 13:43.925 --> 13:45.146 [SPEAKER_01]: Oh my gosh. 13:45.206 --> 13:47.148 [SPEAKER_01]: I'm gonna be listening for it all the time. 13:47.168 --> 13:48.268 [SPEAKER_01]: Mm-hmm. 13:48.969 --> 13:49.549 [SPEAKER_00]: Yeah. 13:49.690 --> 13:50.010 [SPEAKER_00]: Oh, well. 13:50.473 --> 13:52.695 [SPEAKER_01]: Well, thank you again for watching my house. 13:52.735 --> 13:53.335 [SPEAKER_01]: Yeah, no problem. 13:53.775 --> 13:57.058 [SPEAKER_00]: Any time, especially now that we know that Luna will warm up to us. 13:57.198 --> 13:57.999 [SPEAKER_00]: Yeah, that was awesome. 13:58.779 --> 13:59.139 [SPEAKER_00]: Mm-hmm. 13:59.480 --> 14:01.121 [SPEAKER_00]: I was surprised that she warmed up to John. 14:01.701 --> 14:10.508 [SPEAKER_00]: Of course, when John tried to say goodbye to her and pet her, she was freaked out about him again and like, ran to behind your railing. 14:10.568 --> 14:12.229 [SPEAKER_00]: That's like, sure, that him, like, go. 14:13.910 --> 14:14.570 [SPEAKER_01]: She did though. 14:14.590 --> 14:37.001 [SPEAKER_01]: Like I like randomly like looked in on my camera and when you guys had left She did like step and she was watching you guys drive away like she's like So why are you leaving Yes, so but yeah, go awesome all right well that was our spooky start to our Christmas episode 14:38.192 --> 14:39.012 [SPEAKER_00]: Merry Christmas. 14:39.472 --> 14:41.333 [SPEAKER_00]: We're recording this in October, everyone. 14:41.373 --> 14:42.133 [SPEAKER_00]: Yes, that's why. 14:42.153 --> 14:44.054 [SPEAKER_00]: Because I didn't think about that. 14:44.134 --> 14:45.554 [SPEAKER_00]: And I was like, I've got a picture now. 14:46.154 --> 14:46.935 [SPEAKER_00]: It's perfect. 14:47.015 --> 14:47.555 [SPEAKER_00]: It's fine. 14:47.795 --> 14:48.255 [SPEAKER_01]: All right. 14:48.315 --> 14:52.176 [SPEAKER_01]: Well, we got trigger warnings of, I mean, death and terrorist. 14:52.336 --> 14:52.976 [SPEAKER_01]: Oh, yeah, I guess. 14:53.516 --> 14:54.937 [SPEAKER_01]: This action means just action. 14:55.077 --> 14:55.537 [SPEAKER_01]: Yeah. 14:55.557 --> 14:55.997 [SPEAKER_00]: Yeah. 14:56.057 --> 14:58.378 [SPEAKER_00]: That's what I was like, I wouldn't have realized. 15:00.343 --> 15:01.364 [SPEAKER_01]: All right, here's our synopsis. 15:01.785 --> 15:18.185 [SPEAKER_01]: A New York detective visits is a strange wife or daughter depending what you're reading or watching her workplace in a high-rise building to only become trapped inside when armed terrorists seize control during a holiday party. 15:18.365 --> 15:20.107 [SPEAKER_01]: Isolated from outside health. 15:20.387 --> 15:25.270 [SPEAKER_01]: He must use his ingenuity and determination to take down the attackers. 15:25.770 --> 15:35.977 [SPEAKER_01]: One by one while trying to survive and protect the hostages as the situation escalates, what begins as a personal visit turns into a desperate fight against overwhelming odds. 15:36.317 --> 15:36.817 [SPEAKER_00]: Yeah, cool. 15:37.097 --> 15:43.501 [SPEAKER_01]: Our author is Rodrick Thorpe, a director, is John McTirion, and our 15:49.525 --> 15:57.814 [SPEAKER_01]: This house, uh, the house, the book came out in 1979, and the movie came out July 15th, 1988. 15:58.154 --> 16:00.076 [SPEAKER_01]: That's a nine year difference. 16:00.317 --> 16:02.639 [SPEAKER_01]: And what did you do first? 16:03.140 --> 16:03.680 [SPEAKER_01]: Watched it. 16:04.741 --> 16:05.602 [SPEAKER_01]: I also watched it. 16:05.702 --> 16:12.009 [SPEAKER_00]: But you look like recently, like, yeah, for the first time ever, it was before a John, so at least three years ago. 16:12.786 --> 16:21.148 [SPEAKER_01]: Yeah, but it was that and it wasn't, did you pay attention enough to really remember it because that was when we went to adjust in the Ashley's and we were all talking and stuff. 16:21.248 --> 16:32.191 [SPEAKER_00]: No, I remember I focused on the movie very well, but then

I read it and I thought things were slightly, and I guess I was right there were differences that I didn't remember. 16:32.731 --> 16:35.812 [SPEAKER_00]: So, I think I remembered it well enough. 16:36.312 --> 16:37.852 [SPEAKER_00]: Okay, okay, sounds good. 16:38.192 --> 16:40.813 [SPEAKER_01]: Uh, and what are your thoughts on this story, the plot? 16:41.305 --> 16:44.507 [SPEAKER_00]: I mean, it's very, it's very 80s to me. 16:44.787 --> 16:48.249 [SPEAKER_01]: It's a very much action movie, action book. 16:48.529 --> 16:53.892 [SPEAKER_01]: Like, you doesn't deviate from the, what is the word in action? 16:53.912 --> 16:54.052 [SPEAKER_01]: Action. 16:55.132 --> 17:05.136 [SPEAKER_00]: No, from the stereotype of what you think in the actual movie is so you know what this one really reminded me of and movie was just how the dude read it. 17:05.837 --> 17:08.898 [SPEAKER_00]: It reminded me of the hunt for a red october. 17:08.998 --> 17:10.679 [SPEAKER_00]: What's really the book? 17:10.699 --> 17:10.939 [SPEAKER_00]: Yeah. 17:11.519 --> 17:11.819 [SPEAKER_00]: Yeah. 17:12.360 --> 17:13.300 [SPEAKER_01]: Oh gosh, no way. 17:13.320 --> 17:19.003 [SPEAKER_01]: It was better than all of them. 17:19.083 --> 17:19.843 [SPEAKER_01]: Oh my gosh. 17:20.404 --> 17:29.511 [SPEAKER_01]: Yeah, no, I mean, I, I think it's because it was close enough and I listen, did you ever end up speeding up the audio book guy for the last chapter? 17:29.551 --> 17:29.811 [SPEAKER_01]: Yes. 17:30.332 --> 17:32.513 [SPEAKER_00]: Yeah, I got it only to do it. 17:33.034 --> 17:33.374 [SPEAKER_01]: Yeah. 17:33.574 --> 17:45.544 [SPEAKER_01]: Because you guys we listen to this one because it's impossible to find anywhere, like it's not even unaudible like John found it on YouTube for us couldn't even find a print version of it. 17:46.004 --> 17:47.345 [SPEAKER_01]: Yeah, it's like nowhere. 17:47.897 --> 17:50.859 [SPEAKER_01]: And so, does this book actually exist? 17:51.080 --> 17:51.600 [SPEAKER_01]: I know, right? 17:52.120 --> 17:55.363 [SPEAKER_01]: And so we listen to it as the guy that read it. 17:55.503 --> 17:57.625 [SPEAKER_00]: Gee, how do I understand accent? 17:57.765 --> 17:59.546 [SPEAKER_00]: So at first I was like, I'm going to love this. 17:59.746 --> 18:07.232 [SPEAKER_01]: And then remember we're talking to Aaron Ryan and he's like explained how it sucks to record audiobooks because they make you say it so slow. 18:07.533 --> 18:10.455 [SPEAKER_01]: Well, this guy like took that literally and then like extended it. 18:12.301 --> 18:13.141 [SPEAKER_01]: So freaking slow. 18:13.461 --> 18:15.662 [SPEAKER_01]: I was listening to him on almost two-speed. 18:15.742 --> 18:38.930 [SPEAKER_01]: I never usually go out over 1.5 and I'm like up there at like 275 or 1.75 or like even closer to 2 and it's like normal and I'm like this guy was so freaking slow And then the way he reads it is just like this and he has the weirdest E-nunciations and emotion 18:39.890 --> 19:06.859 [SPEAKER_00]: Yeah, no for real there were times when he would end a sentence on like a cliffhanger But then it would be the next paragraph and nothing about what he was saying before right It was so dude what part so I think hey John made me listen to the winning of the poo one He just found for us and because I think he was trying to redeem himself and he was like look listen And it's actually like there's music in the background and there's cute and okay 19:09.720 --> 19:29.392 [SPEAKER_01]: But anyway, so I'm wondering if you had read this one if you would have liked it better probably probably because we could have found it reminded me a lot of the I mean there was changes but for the most part pretty yeah yeah pretty much the same yeah yeah alright and why did we pick it I threw this one in there for you. 19:30.110 --> 19:31.952 [SPEAKER_00]: because I knew you would be excited to do it. 19:32.493 --> 19:34.115 [SPEAKER_01]: I was excited to do it, thank you. 19:35.156 --> 19:35.516 [SPEAKER_01]: All right. 19:35.877 --> 19:37.438 [SPEAKER_01]: Let's get some super fun facts you went on. 19:37.719 --> 19:46.749 [SPEAKER_01]: I just want to say, I looked up the top 10 Christmas movies of all time and one, two, three, four, five. 19:47.149 --> 19:49.973 [SPEAKER_01]: So five of them, so okay, in die hard. 19:50.573 --> 19:55.436 [SPEAKER_01]: it mentions Christmas in some way 18 times, okay? 19:55.836 --> 20:01.479 [SPEAKER_01]: That's not including, I don't think it includes the music that uses Christmas songs or anything like that, okay? 20:02.159 --> 20:11.644 [SPEAKER_01]: I looked up the top 10 Christmas movies and the one it says, mentions Christmas more than five other Christmas movies. 20:12.084 --> 20:30.352 [SPEAKER_01]: More than half of the top 10 Christmas movies, home alone mentions Christmas 17 times, it's a wonderful life, 10 times, miracle 34, 3, 5 times, 9 times for Christmas, it's 17 times, it's freaking in the title, and the polar express is 14 times, these Christmas, and yet people are like, 20:31.099 --> 20:32.300 [SPEAKER_01]: This is no Christmas movie. 20:32.500 --> 20:36.403 [SPEAKER_01]: I'm like, he literally writes ho-ho-ho on a guy's shirt. 20:36.943 --> 20:39.565 [SPEAKER_01]: He like, come on, they play Christmas music. 20:39.585 --> 20:41.106 [SPEAKER_01]: So, I don't know, what side are you on? 20:41.407 --> 20:44.429 [SPEAKER_01]: I guess I'm never, I'm like, on my soap box, but I don't even know what side you're on. 20:44.469 --> 20:51.214 [SPEAKER_00]: I know, I see why people don't consider it a Christmas movie, but I also see why people, I'm in the middle. 20:51.694 --> 20:54.617 [SPEAKER_01]: I am Switzerland, I'm Swiss, my gosh. 20:55.077 --> 20:58.640 [SPEAKER_01]: I am, it's a Christmas movie that can be enjoyed all year long. 20:59.400 --> 21:22.290 [SPEAKER_01]: Some of them, I understand, I'm like, you know what, I, I like home alone, but I wouldn't want to watch home alone if it

wasn't in December, but this one I could watch all the time, but I know it's a Christmas movie, like I will watch it in December, but I was watching other times seeing it in this list, I am now realizing that I actually think that I think nightmare for Christmas is a Halloween movie. 21:24.236 --> 21:27.058 [SPEAKER_01]: I saw that and I was like, why would it be on that list? 21:27.198 --> 21:32.320 [SPEAKER_01]: I mean, I guess so, but on the top 10 list that was listed as one of them. 21:32.521 --> 21:34.261 [SPEAKER_01]: And it meant you could get so many times. 21:34.301 --> 21:36.422 [SPEAKER_00]: That's a pretty, that's a, I was gonna say. 21:36.482 --> 21:39.204 [SPEAKER_01]: I ain't, but yeah, I would consider it more Halloween also. 21:39.664 --> 21:43.926 [SPEAKER_00]: But anyways, I just felt that very interesting, and I was like, I need to mention that. 21:44.046 --> 21:44.486 [SPEAKER_00]: I like it. 21:45.227 --> 21:45.587 [SPEAKER_00]: Good fun. 21:45.607 --> 21:46.648 [SPEAKER_01]: Fantastic. 21:46.868 --> 21:55.452 [SPEAKER_01]: I also didn't know until last year that Malcop is die hard for Thanksgiving or Black Friday. 21:56.172 --> 21:56.953 [SPEAKER_00]: Oh, I guess it. 21:57.653 --> 21:59.435 [SPEAKER_01]: Oh god, I'm glad I'm not the only one. 21:59.695 --> 22:00.896 [SPEAKER_00]: No, I wouldn't. 22:01.016 --> 22:03.779 [SPEAKER_00]: Well, also I saw Malkop before I saw a diehard. 22:04.039 --> 22:04.980 [SPEAKER_01]: So that's true. 22:05.140 --> 22:06.461 [SPEAKER_01]: But now we're looking back. 22:06.501 --> 22:09.384 [SPEAKER_01]: They even quote some of the same things. 22:09.924 --> 22:15.910 [SPEAKER_01]: They like it's a total, it's a total spoof on diehard. 22:16.030 --> 22:17.792 [SPEAKER_00]: And I just, yeah. 22:17.892 --> 22:18.833 [SPEAKER_00]: Oh, I guess I get it. 22:18.953 --> 22:19.673 [SPEAKER_00]: He's a Malkop. 22:20.474 --> 22:23.997 [SPEAKER_01]: The people come in, they lock down, they hold the hostages. 22:24.377 --> 22:28.920 [SPEAKER_01]: There's the one jerk co-worker of what's her name. 22:29.801 --> 22:38.787 [SPEAKER_01]: And he has to go around and he, instead of picking up detonators from the people, he has to write codes on his arms of all these places. 22:38.847 --> 22:46.373 [SPEAKER_01]: It's like, it's exactly the same, except Black Friday, Spoof, and I'm like, oh my gosh, so funny. 22:46.833 --> 22:48.574 [SPEAKER_00]: Oh gosh, anyways, okay. 22:50.205 --> 22:53.248 [SPEAKER_00]: We're supposed to do this quick and here we are, half hour and nine in the start yet. 22:54.770 --> 23:04.661 [SPEAKER_01]: Okay, number two, the costume department had 17 undershirts of various stages of damage and everything like that on hand for Will Bruce Willis. 23:05.121 --> 23:11.388 [SPEAKER_01]: And in 2007, Bruce Willis donated one of John McLean's undershirts to the Smithsonian Museum. 23:11.668 --> 23:12.448 [SPEAKER_00]: That's amazing. 23:13.288 --> 23:14.469 [SPEAKER_00]: That's hilarious, actually. 23:14.969 --> 23:15.729 [SPEAKER_01]: All right, number three. 23:15.969 --> 23:24.831 [SPEAKER_01]: Years later, Ronald Reagan rented the building's top floor of his office after her top floor as his office, after retiring from politics. 23:25.511 --> 23:30.652 [SPEAKER_01]: And when the secret service swept the place beforehand, they were alarmed, find bullet casings. 23:31.012 --> 23:35.493 [SPEAKER_01]: They suspected foul play, but before someone realized they were left over from the film shoot. 23:36.256 --> 23:39.825 [SPEAKER_00]: That's hilarious, could you imagine Ronald Reagan's like, oh fuck! 23:42.697 --> 23:49.642 [SPEAKER_01]: Number four, Alan Rickman nearly passed up the role of Hans Gruber, which ended up being his first film role. 23:49.942 --> 23:57.167 [SPEAKER_01]: He had only arrived in Hollywood two days earlier and was appalled by the idea of his first role being the villain in an action film. 23:57.567 --> 24:05.773 [SPEAKER_01]: To a degree Rickman was right to be considered concerned considering his performance as Hans Gruber also hailed the actor that he struggled 24:11.877 --> 24:12.518 [SPEAKER_00]: Yeah, what? 24:12.538 --> 24:13.418 [SPEAKER_00]: That doesn't happen. 24:13.899 --> 24:24.967 [SPEAKER_01]: No, I can't turn that down and five Bruce Willis was mainly known for playing comedy roles It like in moon lighting at the time. 24:25.007 --> 24:34.175 [SPEAKER_01]: So when the first trailer dropped people were like, oh my gosh, it's gonna be a comedy and They had to remove Bruce from the film 24:34.795 --> 24:43.040 [SPEAKER_01]: The movie poster because everyone was like, it's going to be a comedy, but then when they saw that he was doing action, it's they were like, oh, good. 24:43.100 --> 24:44.121 [SPEAKER_00]: You can do that too. 24:44.141 --> 24:52.766 [SPEAKER_01]: I think it's hilarious because I think of Bruce Will is as action versus comedy for Jeremy to me too, like, that's so funny. 24:53.226 --> 24:54.907 [SPEAKER_00]: Actually, no, who am I really? 24:55.108 --> 24:58.670 [SPEAKER_00]: I think of, I think of him as suspense because of the sixth sense. 24:59.130 --> 25:02.192 [SPEAKER_00]: Oh, that's that's my Bruce Will is movie. 25:02.924 --> 25:03.890 [SPEAKER_01]: Oh, man, this is my short. 25:07.659 --> 25:14.223 [SPEAKER_00]: I was sitting there and I was like, wait, actually, I don't really think of him as an action star because I just think of him as a dead psychologist. 25:16.344 --> 25:19.006 [SPEAKER_01]: Nice, that's what I should read, right? 25:19.826 --> 25:30.593 [SPEAKER_01]: I should watch that and that's a great Halloween movie for us to know what, because I need to, I want some that are not going to, I'm like you said, I'm alone in my now we think content house. 25:30.993 --> 25:34.815 [SPEAKER_01]: I need some that are not super scary, but so that's a good way. 25:34.876 --> 25:35.476 [SPEAKER_01]: Okay, I'll do that. 25:35.696 --> 25:39.939 [SPEAKER_00]: I think you

would like good boy, too, because the dog's sweet, the dog was really sweet, and that one. 25:40.340 --> 25:40.980 [SPEAKER_00]: He doesn't die. 25:41.180 --> 25:45.063 [SPEAKER_01]: He's going to ask if he dies because he doesn't die. 25:45.123 --> 25:45.524 [SPEAKER_01]: All right. 25:45.544 --> 25:51.669 [SPEAKER_00]: So there is a dog death because he's kind of got a ghosty dog that's like helping him. 25:52.569 --> 25:53.791 [SPEAKER_00]: Yeah, that's good. 25:54.511 --> 25:56.774 [SPEAKER_01]: But other than that. 25:56.814 --> 25:58.075 [SPEAKER_01]: Maybe I will. 25:58.595 --> 26:00.177 [SPEAKER_00]: That was good. 26:00.397 --> 26:00.798 [SPEAKER_01]: All right. 26:00.938 --> 26:01.939 [SPEAKER_01]: So we get started. 26:02.239 --> 26:02.559 [SPEAKER_01]: All right. 26:02.619 --> 26:03.100 [SPEAKER_01]: Here we go. 26:03.140 --> 26:03.520 [SPEAKER_01]: Finally. 26:03.600 --> 26:03.901 [SPEAKER_01]: Okay. 26:04.421 --> 26:05.542 [SPEAKER_01]: First big changes. 26:05.582 --> 26:06.323 [SPEAKER_01]: They changed names. 26:06.783 --> 26:07.084 [SPEAKER_01]: All right. 26:07.204 --> 26:10.167 [SPEAKER_01]: So we got like Joe. 26:10.427 --> 26:12.049 [SPEAKER_00]: I literally sat there and I was like. 26:12.569 --> 26:13.870 [SPEAKER_00]: I thought I was John McLean. 26:14.071 --> 26:15.312 [SPEAKER_00]: And I had to like Google it. 26:15.372 --> 26:16.373 [SPEAKER_00]: I was like, what the fuck? 26:17.057 --> 26:22.140 [SPEAKER_00]: Then I realized, oh, yes, this is what we're doing on script for yes. 26:23.081 --> 26:35.790 [SPEAKER_01]: So Joe Leeland, I think is Joe I think is Joe it's for sure Leeland or Leeland or whatever was on his way to the airport because he's going to California to see his daughter and grandkids for Christmas and on the way there. 26:36.290 --> 26:57.533 [SPEAKER_01]: he got into a fender bender as the guy in the other cab full of doubt at him and uh wheel and showed him his cop gun and let him know hey you better knock it off and they got to the airport and he let the cops know what the airport hate this guy in the cab because the cab followed them is given my cab driver hard time they're like oh 26:57.593 --> 27:21.904 [SPEAKER_01]: All right, all right, and so I guess there's security and he told there's a US martial on board and it reveals that he created the safety protocol that only one US martial can be on board so that they don't have or maybe more than one US martial, but only one gun can be on board so that they don't have a bunch of guns on board and he realized that that's not happening now because he's finding board with the gun. 27:23.185 --> 27:24.166 [SPEAKER_01]: And he loves to fly. 27:24.486 --> 27:43.641 [SPEAKER_01]: He like flew his whole life and these like came up with the, you know, like I just said the US Marshall thing and we found background That he on his work and he was like super invested and that's why his marriage fell apart and then there's this flight attendant that's super flirty with him and they end up kissing and said that they would meet up tomorrow. 27:43.801 --> 27:47.965 [SPEAKER_01]: So here's some differences pretty none of this happens in the movie. 27:48.125 --> 27:49.346 [SPEAKER_01]: It's pretty much nothing. 27:50.803 --> 27:53.605 [SPEAKER_00]: He's not going to his daughter and grandkids. 27:53.645 --> 27:55.767 [SPEAKER_00]: He's going to his wife and children. 27:55.787 --> 27:56.407 [SPEAKER_00]: And child. 27:56.848 --> 27:57.828 [SPEAKER_00]: Yeah. 27:57.848 --> 27:58.529 [SPEAKER_00]: And they'll be girl. 27:58.829 --> 27:59.910 [SPEAKER_00]: His daughter is like four. 28:00.510 --> 28:00.671 [SPEAKER_00]: Right. 28:00.691 --> 28:01.751 [SPEAKER_00]: Not a grown-ass woman. 28:02.412 --> 28:02.692 [SPEAKER_01]: Yes. 28:03.072 --> 28:03.272 [SPEAKER_01]: Yeah. 28:03.353 --> 28:04.533 [SPEAKER_01]: And he hates flying. 28:04.734 --> 28:05.995 [SPEAKER_01]: That's a difference in the movie. 28:06.135 --> 28:06.295 [SPEAKER_00]: Yep. 28:06.575 --> 28:07.135 [SPEAKER_00]: And then yeah. 28:07.215 --> 28:08.316 [SPEAKER_00]: And then he doesn't. 28:08.877 --> 28:10.998 [SPEAKER_00]: He doesn't ever get a cab driver instead. 28:11.058 --> 28:12.339 [SPEAKER_00]: He gets a limo driver. 28:12.479 --> 28:12.800 [SPEAKER_01]: Yes. 28:13.540 --> 28:13.981 [SPEAKER_01]: That is. 28:14.181 --> 28:14.401 [SPEAKER_01]: Yes. 28:14.521 --> 28:16.783 [SPEAKER_01]: He does get that when he gets off the plane. 28:17.303 --> 28:34.569 [SPEAKER_01]: Alright, so then in the book, we have a flashback to how we broke up with his wife and this led to his alcoholism, but he's sober now, but it didn't save his marriage and his wife died eight years after they got divorced, and so bummer, but now he's at the place where his daughter works. 28:35.249 --> 28:55.881 [SPEAKER_01]: This cab driver dropped him off and he noticed that this like van is outside like someone's holding a radio to their mouth and the guy noticed him too, and so he went inside and he told the front desk about it and they're like, all right, we'll call someone there's a jeweler store across street, so maybe there's scope of things out and everything like this and it is Christmas Eve they're at like a Christmas party right now. 28:56.062 --> 28:58.043 [SPEAKER_00]: Yeah, it's literally Christmas Eve. 28:59.063 --> 29:18.130 [SPEAKER_00]: Uh, so the, the cab driver, the limo driver and him are like chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit-chit 29:28.673 --> 29:32.676 [SPEAKER_00]: I have too many cases that are left up unfulled right now, so I have to stay. 29:32.836 --> 29:40.501 [SPEAKER_00]: So then when the limo driver is dropping him off at his wife's work,

he's like, well, let me, I'm going to stay here. 29:40.741 --> 29:50.207 [SPEAKER_00]: So you tell me if you're good to go and you're staying here with your wife or if you need me to take you to a hotel and then he goes and parks in the parking garage. 29:50.447 --> 29:54.330 [SPEAKER_00]: So now he's got a little limo buddy friend that's just hanging out with him. 29:57.652 --> 30:01.374 [SPEAKER_01]: Waiting for him, doesn't he never leaves, even though when he hears the truth? 30:01.414 --> 30:08.256 [SPEAKER_01]: He's just locked, I would be like, He's so cute, seriously, my gosh. 30:08.597 --> 30:10.998 [SPEAKER_00]: Instead he's like, let me find him on the radio. 30:11.058 --> 30:11.858 [SPEAKER_00]: How can I help? 30:12.333 --> 30:13.214 [SPEAKER_01]: Yeah, I was right. 30:13.735 --> 30:14.536 [SPEAKER_01]: I got something. 30:14.736 --> 30:15.076 [SPEAKER_01]: All right. 30:15.176 --> 30:32.315 [SPEAKER_01]: Well, Lealing goes upstairs to find his daughter Stephanie and when he's up there He meets this jerk rivers who I believe is supposed to be the to God the main what's our main talk What's the something tower He's one of our two 30:32.755 --> 30:52.382 [SPEAKER_01]: Anyways, he's like the main boss is rivers, but he's not because rivers clearly does cocaine with Stephanie and Ellis, who's this other guy, and He's just okay, and I think he even like trying to offer is he trying to offer is that the movie I'm thinking 30:53.342 --> 31:19.706 [SPEAKER_01]: uh Leland any I don't remember but it was like he's like that was the movie okay anyways so so he's he went to Stephanie's place and like he saw this van pull off the ramp and he made a phone call to this flight attendant he's walking around barefoot because the she does this trick to help wake himself up where he washes his feet and cold water and it helps wake him up and so then all of a sudden the phones go dead and he's here screaming and he pulls his gun 31:20.106 --> 31:24.651 [SPEAKER_01]: And you saw that there were four men's with guns in the lobby and he quickly snuck past them to go to the stairs. 31:24.892 --> 31:30.057 [SPEAKER_01]: Okay, so in the movie, he's like, he doesn't, I don't even think he means maybe he does. 31:30.995 --> 31:34.316 [SPEAKER_01]: the main boss guy, but I don't think it's the main boss guy. 31:34.396 --> 31:35.456 [SPEAKER_01]: It's the jerk guy. 31:35.916 --> 31:38.516 [SPEAKER_01]: That's like happened in the room and it's like, yeah, you're here. 31:39.076 --> 31:39.336 [SPEAKER_01]: Right. 31:39.757 --> 31:50.458 [SPEAKER_01]: But his shoes are off because some guy on the plane told him, hey, if you're freaked out about flying, you got to ground yourself by curling your toes into the carpet, which is what he ended up doing. 31:50.718 --> 31:54.819 [SPEAKER_01]: And then he wasn't on the phone talking to a flight attendant because he's married. 31:54.839 --> 31:58.300 [SPEAKER_01]: He was, I think he was just doing his 32:00.794 --> 32:02.435

[SPEAKER_01]: I don't think he'd call anyone to call me. 32:02.655 --> 32:04.456 [SPEAKER_01]: Oh, the, oh, the, our guy. 32:04.776 --> 32:06.217 [SPEAKER_01]: Yeah, he's called the limo guy. 32:06.677 --> 32:07.738 [SPEAKER_01]: And then that's when the phones went in. 32:07.898 --> 32:09.279 [SPEAKER_01]: And that's when everything went down. 32:09.299 --> 32:10.320 [SPEAKER_01]: So here we go. 32:10.400 --> 32:14.682 [SPEAKER_01]: Leeland is going upstairs to explore the other floors and he's getting the layout. 32:14.702 --> 32:21.166 [SPEAKER_01]: Like he knows, like, okay, the best offices would have this side of the building, blah, blah, blah, blah and all he knows all the story stuff. 32:21.626 --> 32:49.424 [SPEAKER_01]: but he comes up with a skateboard and a skate plan and he remembers the conference he went to where he talked about terrorist attacks and this guy let it and basically is like hey this happens to me I'm gonna kill everybody because they're all bad guys and they're all scum and so it kind of like stuck with him so I guess another big difference and probably why I felt like the book was so different from the movie is that 32:50.584 --> 33:11.462 [SPEAKER_00]: We don't get any of the like background story or anything like this like once he has walked in that building he is in action mode where he's just finding weapons finding the detonators finding all of that so none of this gets told who's to say that's not part of his character, but none of this gets told. 33:11.682 --> 33:28.578 [SPEAKER_01]: So Leeland is now running around, he's getting his bearings, he's over here in conversations, and at one point he feared out that Gruber is the headhunter, but that's like a nick name, he's used, he's like real name is like something Tom or whatever, and he realizes that they have rivers, 33:29.198 --> 33:55.380 [SPEAKER_01]: And they're talking to him and then they end up shooting and killing him and like he realizes it's just going to be a couple more people and then eventually they're going to get Stephanie's daughter and so he runs another floor that has more space and he's trying to come up with another plan pretty much all of that does happen yeah I think so I don't isn't his name grubber in the movie yes it it's not a nickname no yeah that's it's really 33:55.719 --> 34:02.085 [SPEAKER_01]: That's why I was also thoroughly confused when I read this because they call him Gruber for half the book and then they switch to his other name. 34:02.285 --> 34:05.528 [SPEAKER_00]: That's why I didn't get when I never knew who was who. 34:06.069 --> 34:07.069 [SPEAKER_01]: Yeah, I was like, wait, what? 34:07.410 --> 34:09.992 [SPEAKER_01]: Yeah, it took me a little bit to realize that they were the same person. 34:10.052 --> 34:11.514 [SPEAKER_01]: That's okay, so don't. 34:11.614 --> 34:11.854 [SPEAKER_01]: All right. 34:12.194 --> 34:27.141 [SPEAKER_01]: Okay, so there's his brother terrorist that comes in attacks Leeland or McLean

or whatever and he didn't want to kill him at first But he had to he thought he had so he like yeah true you could just knock these guys out dude 34:27.621 --> 34:28.441 [SPEAKER_01]: Yeah, right. 34:28.582 --> 34:54.694 [SPEAKER_01]: So I broke his neck and then he hooked him up to a desk chair and rolled into the elevator and sent him down and now he had one of their machine guns this part was very accurate actually And then he climbed on top of the elevator and he was super sneaky so that they didn't discover him He wrote a note that he has a machine gun now and um, but they quickly oh, he said we have machine guns But they quickly decide for that this is a lie because they they're 34:55.254 --> 34:58.737 [SPEAKER_01]: probably tricking us, and there's probably only one guy up there. 34:59.157 --> 35:07.783 [SPEAKER_01]: And he stayed pretty quiet, and he didn't want to blow his cover, and eventually they found him, and this whole shoot out happened, but he's able to escape. 35:07.843 --> 35:11.185 [SPEAKER_01]: And he found the AC ducks in the ceiling or whatever. 35:11.506 --> 35:12.767 [SPEAKER_01]: And that was his way to move around. 35:13.287 --> 35:16.029 [SPEAKER_01]: Very classic John McLean scenes. 35:16.990 --> 35:18.811 [SPEAKER_00]: Yep, that happens. 35:19.368 --> 35:30.733 [SPEAKER_01]: Yep, he gets to the roof and he starts to do like the strobe light signal thing like with Morris code, but it's just attracting all the bad guys downstairs, so he's like, oh, it's a bad idea. 35:31.153 --> 35:35.135 [SPEAKER_01]: He also tried to radio out, but Gruber is the one that answered. 35:35.255 --> 35:38.697 [SPEAKER_00]: I don't remember him doing this trove light, but everything else does have to think he did. 35:38.717 --> 35:39.898 [SPEAKER_00]: I think it's just the radio. 35:40.998 --> 35:51.533 [SPEAKER_01]: he ended up climbing in the elevator shaft but it's really dangerous and at one point he really fell and he smacked his gun on the head and he blocked out a little bit that does happen right or am I making that up? 35:52.194 --> 35:52.995 [SPEAKER_01]: I think it does happen. 35:53.015 --> 35:56.100 [SPEAKER_01]: I don't know if he blocked out but he did like start to fall. 35:56.480 --> 36:13.313 [SPEAKER_01]: But what I, I appreciate what I appreciate about in the book is that they made him an actual person where as like in the scene he freaked out so much he ended up getting sick or when he killed the guy the first time he's like he's I can never go back. 36:13.353 --> 36:16.876 [SPEAKER_01]: I just killed somebody and like he really had emotions. 36:17.276 --> 36:23.641 [SPEAKER_01]: Whereas you know Bruce Willis is an action character and like he's like whatever and he like shoots his machine gun everywhere and like 36:24.201 --> 36:43.418 [SPEAKER_01]: jumps off and bring the rodeo yeah I didn't daily right so I did appreciate that because a lot of action books even I feel like take the role of I do this all the time type of thing um so it was kind of it was kind of refreshing to be like oh you you are you're 36:45.439 --> 36:47.020 [SPEAKER_00]: You care about killing these people. 36:47.280 --> 37:00.524 [SPEAKER_00]: Yes, but anyways, actually yeah, because like he even keeps a tally and it's not like a oh, I'm so glad I have all these people dead It's a holy shit like I'm doing this more and more now like yeah, what am I doing? 37:01.120 --> 37:16.013 [SPEAKER_01]: Yeah, so he is on the roof now and the guys there from the terrace team also and like they're like asking questions and everything, but then they end up doing another shoot off and he ended up shoving them off the roof. 37:17.033 --> 37:24.218 [SPEAKER_01]: And he's hoping someone notices down below and is like, hello, can you help us in here? 37:24.919 --> 37:29.241 [SPEAKER_01]: And then he keeps going and then he found another one, another terrorist, and it's a girl. 37:29.582 --> 37:32.103 [SPEAKER_01]: And he felt horrible, but he killed her too. 37:32.744 --> 37:37.107 [SPEAKER_01]: And he hears on the walkie that this guy named Carl, 37:37.927 --> 37:43.712 [SPEAKER_01]: wants to kill Leland himself, because the first guy he killed was his brother. 37:43.732 --> 37:47.434 [SPEAKER_01]: And so, and Carl, let's flip that there's only nine of them left. 37:47.454 --> 37:49.055 [SPEAKER_01]: So now he knows he has a number of how many are in the building. 37:49.075 --> 37:52.638 [SPEAKER_01]: I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I- 37:52.978 --> 37:54.359 [SPEAKER_00]: The Carl part happens. 37:54.499 --> 37:55.060 [SPEAKER_01]: That's about it. 37:55.480 --> 37:57.762 [SPEAKER_01]: There's no girl terrorists at all. 37:58.042 --> 37:58.382 [SPEAKER_01]: All right. 37:58.462 --> 38:01.585 [SPEAKER_01]: Well, Leland's going through the building is trying to figure out where to go next. 38:01.625 --> 38:09.130 [SPEAKER_01]: And then he ends up sending sending like another there's another shootout thing and they ends up stepping on a bunch of broken glass. 38:09.531 --> 38:10.792 [SPEAKER_01]: So now he's like feet are 38:11.432 --> 38:13.453 [SPEAKER_01]: cut up like crazy. 38:13.473 --> 38:18.155 [SPEAKER_01]: He's trying to figure out where a bandage might be and freaking those shootout happens. 38:18.575 --> 38:22.397 [SPEAKER_01]: Finally he spots a bandage and bandages up his feet and he gets a walking. 38:22.417 --> 38:24.818 [SPEAKER_01]: He's able to walk you the police for in chat for a little bit. 38:24.878 --> 38:26.439 [SPEAKER_01]: Leeland doesn't realize 38:27.799 --> 38:49.073 [SPEAKER_01]: Uh, or he does realize and he's like, hey, the other guys are listening in on this line as well and uh, so that that he's like, okay, they're trying to get information from inside and the and the police are getting information from out like it's it's just pure chaos

so they're trying to figure out how to communicate without giving too much away, but 38:49.433 --> 38:50.654 [SPEAKER_01]: They're not really much you can do. 38:51.375 --> 39:05.404 [SPEAKER_01]: And so, um, more bad guys keep coming and shooting at Leeland and he's able to like blow part of the building apart, which got another guy and just all the action crap. 39:05.645 --> 39:11.709 [SPEAKER_00]: Yeah, um, I correct me if I'm wrong, but isn't he bandaging like a wound on his arm, not his feet? 39:11.869 --> 39:18.932 [SPEAKER_01]: I think he's doing both because his feet were, he didn't have shoes on, so I'm sure at some point his feet got all cut up to him. 39:18.992 --> 39:22.693 [SPEAKER_01]: I remember him correctly, but yeah, I'm sure he got shot in the arm and stuff. 39:22.713 --> 39:23.433 [SPEAKER_00]: Mm-hmm, yeah. 39:24.033 --> 39:27.875 [SPEAKER_00]: And so that's what he was bandaging up when he was talking to the cop. 39:28.035 --> 39:29.095 [SPEAKER_00]: Then that's what does happen. 39:29.615 --> 39:29.775 [UNKNOWN]: Cool. 39:30.196 --> 39:33.957 [SPEAKER_01]: Now we have our head cop on the radio, the owl, Powell. 39:34.197 --> 39:36.438 [SPEAKER_01]: Leela's just over how ungrateful. 39:37.907 --> 39:43.109 [SPEAKER_01]: Oh, no, no, no, okay, the head cup is not Al, Al has been the one talking to him. 39:43.149 --> 39:45.370 [SPEAKER_01]: The head cup of the whole place gets on. 39:45.691 --> 39:47.071 [SPEAKER_01]: And he's just like, you need to stop. 39:47.091 --> 39:48.492 [SPEAKER_01]: You're not being helpful, blah, blah, blah, blah. 39:48.512 --> 39:51.433 [SPEAKER_01]: And he's just like, whatever, I'm helping in here, whatever. 39:52.194 --> 39:59.517 [SPEAKER_01]: And so, then, Alice gets on the radio, which was one of the workers that works with Stephanie. 39:59.757 --> 40:02.718 [SPEAKER_01]: And he's like, hey, you just need to go show them where the detonators are. 40:02.778 --> 40:04.399 [SPEAKER_01]: Like, otherwise they're going to kill me. 40:04.479 --> 40:05.920 [SPEAKER_01]: Like, he's like, ta-ha. 40:06.800 --> 40:14.582 [SPEAKER_01]: And Leland's just like, it's happening, like, stopped, like, they will kill you and then, like, he's like, just tell where it is. 40:14.602 --> 40:18.743 [SPEAKER_01]: And so he just stayed radio silent and then sure enough he ended up getting shot. 40:19.203 --> 40:24.065 [SPEAKER_01]: And, um, uh, but they ended up, like, we're not pleased, huh? 40:24.165 --> 40:26.905 [SPEAKER_00]: I know that's supposed to say cops, but cops outside. 40:28.206 --> 40:32.727 [SPEAKER_01]: No, so they were not, they were not happy at all because they're like, you guys killed a guy, blah, blah, blah, blah. 40:33.632 --> 40:37.693 [SPEAKER_01]: And anyways, but he agreed for some reason. 40:38.033 --> 40:40.093 [SPEAKER_01]: Oh, I think they said they're just going to keep shooting people. 40:40.533 --> 40:48.055 [SPEAKER_01]: So he agreed to put the detonator somewhere and then the team can

go and get them that happens. 40:48.575 --> 40:58.056 [SPEAKER_01]: So there's another girl who got busted on the roof and he's like shooting it up and I need to take my medicine. 41:01.697 --> 41:12.580 [SPEAKER_01]: And she's like, I don't know, she's just get shot up and then like he ends up calling the cops again and they're got them all caught up on what's happening and how many people he's getting. 41:12.780 --> 41:18.302 [SPEAKER_00]: Only the cop part happens and maybe, especially since it's all with his wife not his daughter. 41:18.822 --> 41:24.908 [SPEAKER_01]: Yeah, okay, so Lillin told the cops to go get Kathy and Kathy was the freaking flight attendant. 41:25.168 --> 41:31.354 [SPEAKER_01]: He met for an hour, maybe a little longer because he was flying from like wherever. 41:31.754 --> 41:40.623 [SPEAKER_00]: See, to me, when I was reading this part, I felt like this was a flight attendant that he continuously had a thing for whenever he went flying somewhere. 41:41.204 --> 41:43.906 [SPEAKER_00]: Oh, I feel like they met the first time. 41:44.447 --> 41:49.092 [SPEAKER_00]: No, no, I think they were together and like had an actual relationship. 41:49.492 --> 41:53.917 [SPEAKER_00]: But it wasn't an actual relationship because he didn't want a full-on relationship. 41:54.938 --> 42:01.065 [SPEAKER_01]: Oh, that makes more sense because I'm like, this is a stupid, she's meant you for like four hours when you're playing. 42:01.305 --> 42:02.286 [SPEAKER_00]: And she was like, 42:03.707 --> 42:30.043 [SPEAKER_00]: I almost started going, God, that's so dumb, and then I was like, wait, I didn't feel like that when I read it and I was like, oh, because I now realize what, okay, well that's more sense than that's funny though that you did not I mean, I don't think they explained it very well, I think it was a Like off-handed comment that he made about like This is who I always see when I'm playing, or like she's fun for when I'm out on something like that. 42:30.223 --> 42:30.683 [SPEAKER_00]: I missed it. 42:30.764 --> 42:32.625 [SPEAKER_01]: Well, he went and told the cops together 42:33.285 --> 42:46.973 [SPEAKER_01]: So she came, or he was on the radio with them, and he let him know that it's a flight attendant, and they're like, this is an awful idea, and he tries to convince the cops, like, oh, because they want to do a helicopter in the sky. 42:46.993 --> 42:48.054 [SPEAKER_01]: He's like, you are stupid. 42:48.354 --> 42:49.755 [SPEAKER_01]: You were going to get blown out of the sky. 42:49.775 --> 42:52.737 [SPEAKER_01]: They literally have rocket, like, launchers to shoot at you. 42:53.117 --> 43:01.462 [SPEAKER_01]: And they're like, no, we're going to have you, like, get up on the helicopter and, or no, you're going to be our ground control, so that we can get into the building or whatever. 43:01.662 --> 43:02.683 [SPEAKER_01]: And he's like, this is so dumb. 43:03.043 --> 43:05.204 [SPEAKER_01]: And so he's on the roof. 43:05.284 --> 43:10.227 [SPEAKER_01]: Okay, because he's like barricaded on the roof, I think, because the bad guys are like in the stairwell or something like that. 43:10.527 --> 43:15.910 [SPEAKER_01]: So he decides he needs to like, he ties like rope or some type of string around him. 43:16.230 --> 43:22.133 [SPEAKER_01]: And so he like propels into a window below on the next level or something like that. 43:22.773 --> 43:26.955 [SPEAKER_01]: And that was another moment where he's like, threw up because he was so scared and I was like, real person. 43:28.276 --> 43:29.617 [SPEAKER_00]: Could you imagine having to do that? 43:29.697 --> 43:30.497 [SPEAKER_00]: I want to do it. 43:31.017 --> 43:31.517 [SPEAKER_00]: No way. 43:32.037 --> 43:32.938 [SPEAKER_00]: I'll just die. 43:32.978 --> 43:34.258 [SPEAKER_00]: I'll just die. 43:34.278 --> 43:35.599 [SPEAKER_00]: Yeah, this is it. 43:35.679 --> 43:36.479 [SPEAKER_00]: I did what I could. 43:36.499 --> 43:40.200 [SPEAKER_00]: Oh, gosh. 43:40.540 --> 43:41.581 [SPEAKER_00]: So there's no Kathy. 43:42.061 --> 43:43.781 [SPEAKER_00]: So that part doesn't happen. 43:44.442 --> 43:48.443 [SPEAKER_00]: And the helicopter thing does happen, but it's to make a big explosion. 43:48.783 --> 43:51.425 [SPEAKER_00]: because basically everything he says, no, don't do it. 43:51.485 --> 43:54.488 [SPEAKER_00]: That's dumb happens in the movie. 43:56.309 --> 44:12.862 [SPEAKER_01]: All right, so he found this news station now that he's on this one floor and he's watching the channels and they're interviewing people and one of them is Kathy and she's defending him and gets annoyed when the news people are like, well, he's a bad guy, he's helping them. 44:13.042 --> 44:14.363 [SPEAKER_01]: And he's like, oh, he's a huge beast. 44:14.383 --> 44:16.185 [SPEAKER_00]: You guys right now he bought this chick. 44:16.545 --> 44:19.990 [SPEAKER_00]: After only knowing him for four hours, like, vouching for him. 44:20.310 --> 44:23.074 [SPEAKER_00]: Yes, that's why I thought it was so freaking weird. 44:23.094 --> 44:24.376 [SPEAKER_01]: I was like, what the heck? 44:26.899 --> 44:28.261 [SPEAKER_01]: Like, she is psycho. 44:28.301 --> 44:29.883 [SPEAKER_01]: That's, she's just crazy. 44:29.903 --> 44:30.484 [SPEAKER_01]: She's what's out. 44:33.703 --> 44:34.324 [SPEAKER_01]: Oh my gosh. 44:34.684 --> 44:36.807 [SPEAKER_01]: Well, then the interview switches to Allen. 44:36.847 --> 44:43.033 [SPEAKER_01]: He's a young guy and he's like stop blocking the radio frequencies. 44:43.073 --> 44:45.256 [SPEAKER_01]: You idiots, Leeland is alive in there. 44:45.316 --> 44:54.906 [SPEAKER_01]: He's trying to like help us because they don't know if he's alive because he's gone radio silent now because he doesn't want Gruber and them to hear his conversations or know where he is. 44:55.587 --> 44:59.650 [SPEAKER_01]: So, um, none of that happens except for the radio silent part. 44:59.670 --> 45:02.391 [SPEAKER_00]: Yeah, because

Al's like not a young guy. 45:02.691 --> 45:06.133 [SPEAKER_00]: No, he's isn't he the dad from the show with D-Burkle. 45:06.354 --> 45:06.634 [SPEAKER_00]: Yes. 45:06.694 --> 45:07.154 [SPEAKER_00]: What is it? 45:07.494 --> 45:08.055 [SPEAKER_00]: What does that show? 45:08.695 --> 45:09.676 [SPEAKER_00]: Pan, no. 45:09.996 --> 45:13.378 [SPEAKER_00]: Family, uh, family matters matters. 45:13.758 --> 45:15.079 [SPEAKER_00]: No, I'm gonna read something. 45:15.319 --> 45:16.900 [SPEAKER_00]: Family matters. 45:17.340 --> 45:18.381 [SPEAKER_00]: Oh yeah, it was family matters. 45:18.781 --> 45:19.001 [SPEAKER_00]: Okay. 45:19.541 --> 45:22.683 [SPEAKER_00]: I was getting it confused with family ties, but then you know, I was too. 45:22.703 --> 45:23.683 [SPEAKER_00]: What is family ties? 45:24.263 --> 45:29.745 [SPEAKER_00]: Family ties is the, um, the one about the family. 45:29.825 --> 45:30.686 [SPEAKER_00]: That was Michael J. 45:30.726 --> 45:31.886 [SPEAKER_00]: Fox's first TV show. 45:32.186 --> 45:32.746 [SPEAKER_00]: Oh, yeah. 45:32.766 --> 45:32.866 [SPEAKER_00]: Yeah. 45:33.006 --> 45:33.226 [SPEAKER_00]: Okay. 45:33.627 --> 45:40.529 [SPEAKER_00]: Which I then, oh my god, there's too many sitcoms from that era because I was getting family ties mixed up with step by step. 45:42.790 --> 45:43.631 [SPEAKER_01]: Too many. 45:43.752 --> 45:44.452 [SPEAKER_01]: I look for good. 45:44.593 --> 45:47.396 [SPEAKER_01]: I might we don't do sitcoms anymore like we used to man. 45:47.596 --> 45:48.978 [SPEAKER_00]: Oh, I missed them. 45:49.399 --> 45:50.320 [SPEAKER_00]: I know. 45:50.340 --> 45:50.660 [SPEAKER_00]: I agree. 45:50.680 --> 45:52.022 [SPEAKER_01]: Yeah, for sure. 45:52.102 --> 45:53.785 [SPEAKER_00]: Anyways, someone's man. 45:54.025 --> 45:55.367 [SPEAKER_01]: Yeah, seriously. 45:55.387 --> 45:56.308 [SPEAKER_01]: Okay, here we go. 45:56.328 --> 45:56.949 [SPEAKER_01]: So again, 45:58.290 --> 46:13.202 [SPEAKER_01]: Leo is getting no appreciation for this hard work, and he's getting pissed off at these cops, and he keeps watching the news and Kathy comes back on, and the news anchors chatting with her, and he hears somebody crunching glass, so he knows that they're up here. 46:13.302 --> 46:25.771 [SPEAKER_01]: So he does another couple fights shoots people, and then a walkie goes off, and it's Gruber, and he's talking about, I think your daughter wants to talk to you, and she's like, Dad, please, you have to listen to them, and so they 46:26.892 --> 46:28.353 [SPEAKER_01]: who Stephanie is. 46:29.094 --> 46:38.763 [SPEAKER_00]: So the TV part doesn't happen again, but then him hearing crunching glass and more fights happen and Gruber gets his wife not his daughter. 46:39.063 --> 46:39.263 [SPEAKER_00]: Right. 46:39.623 --> 46:44.248 [SPEAKER_01]: Okay, so he immediately goes straight to work to try and save her and like everybody else, right? 46:44.668 --> 46:50.813 [SPEAKER_01]: And he keeps talking to Tony aka Gruber and he gets close to all the victims or the hostages or whatever. 46:51.294 --> 46:52.135 [SPEAKER_01]: And, um, 46:52.775 --> 46:54.617 [SPEAKER_01]: His grandkids are there too. 46:54.677 --> 46:56.699 [SPEAKER_01]: I don't even know they were there until this moment. 46:57.299 --> 47:02.624 [SPEAKER_01]: Yeah, same I'm sure it mentioned it earlier, but like their part of the hostages was as well. 47:02.985 --> 47:09.951 [SPEAKER_01]: So he's able to like get all the hostages out, but Gruber currently has Stephanie with a gun. 47:10.011 --> 47:11.873 [SPEAKER_01]: So he has to go get her. 47:12.213 --> 47:16.257 [SPEAKER_01]: He walk he's down that he sent them all down this elevator shaft like. 47:16.737 --> 47:17.598 [SPEAKER_01]: meet someone down there. 47:17.618 --> 47:18.738 [SPEAKER_01]: They're still a guy down there. 47:19.038 --> 47:35.446 [SPEAKER_01]: And then he's back talking with Tony and he tells him to come upstairs and Leland sends the elevator So he can kind of gauge what floor he's on and he knew it was a trap because right away when the elevator opens like he hears gunshots and He'd calculate that he's on the 38th floor. 47:35.906 --> 47:40.109 [SPEAKER_01]: So he's on his way upstairs very slowly because his feet are all bloodied and 47:41.409 --> 47:44.411 [SPEAKER_01]: He is then learning on the walkie as group is talking to him. 47:44.431 --> 48:02.999 [SPEAKER_01]: What his daughter does for this company and she sends weapons to Chile And they don't use them appropriately and so she's like helping like weaponize the world and so groupers is just here to help and Stop a company like this and Yeah, and eventually Leland gets to the floor. 48:03.019 --> 48:04.420 [SPEAKER_01]: No, I'm gonna stop right there. 48:04.500 --> 48:05.180 [SPEAKER_01]: Are there different? 48:05.340 --> 48:10.143 [SPEAKER_00]: Oh, obviously his grandkids aren't there because he has no grandkids for little children 48:11.003 --> 48:17.467 [SPEAKER_01]: Yeah, no little children, hostages, uh, remember what the company does in the movie. 48:17.607 --> 48:19.669 [SPEAKER_00]: It's definitely not weapons to chili. 48:20.389 --> 48:23.491 [SPEAKER_00]: It is something, isn't something in trades or something. 48:23.651 --> 48:26.433 [SPEAKER_01]: I think so, but is that like where was there? 48:26.453 --> 48:30.976 [SPEAKER_01]: I can't remember if they were there because they were pissed at what they were doing or they just wanted money. 48:31.236 --> 48:32.036 [SPEAKER_01]: They just wanted money. 48:32.677 --> 48:33.457 [SPEAKER_00]: They just wanted money. 48:33.657 --> 48:34.298 [SPEAKER_00]: I'm pretty sure. 48:34.991 --> 48:40.779 [SPEAKER_00]: and i'm pretty sure you find all that out right before they shoot the guy uh-huh yeah but the elevator park does happen 48:41.915 --> 48:46.940 [SPEAKER_01]: So eventually, Leland gets to the floor, and the shootout happens with Tony or Gruber or whatever. 48:47.901 --> 48:50.904 [SPEAKER_01]: And I keep

thinking, because this is Tony too. 48:50.924 --> 48:52.926 [SPEAKER_01]: Oh, that's right, bed, bed, bed, bed, yeah. 48:53.046 --> 48:53.387 [UNKNOWN]: Oh, my God. 48:53.487 --> 48:53.907 [UNKNOWN]: Oh, my God. 48:54.748 --> 48:55.449 [SPEAKER_00]: Oh, my God. 48:55.469 --> 48:55.849 [SPEAKER_00]: Oh, my God. 48:55.869 --> 48:56.269 [SPEAKER_01]: Oh, my God. 48:56.369 --> 48:56.790 [SPEAKER_01]: Oh, my God. 48:56.830 --> 48:57.350 [SPEAKER_01]: Oh, my God. 48:57.671 --> 48:58.311 [SPEAKER_01]: Oh, my God. 48:58.331 --> 48:58.692 [SPEAKER_01]: Oh, my God. 48:58.712 --> 48:59.072 [SPEAKER_01]: Oh, my God. 48:59.172 --> 48:59.533 [SPEAKER_01]: Oh, my God. 48:59.553 --> 48:59.833 [SPEAKER_01]: Oh, my God. 48:59.873 --> 49:00.173 [SPEAKER_01]: Oh, my God. 49:00.193 --> 49:00.594 [SPEAKER_01]: Oh, my God. 49:00.614 --> 49:01.094 [SPEAKER_01]: Oh, my God. 49:01.214 --> 49:01.655 [SPEAKER_00]: Oh, my God. 49:01.715 --> 49:02.035 [SPEAKER_00]: Oh, my God. 49:06.399 --> 49:16.341 [SPEAKER_01]: Um, well, the shootout happens is Stephanie also gets shot and stomach and, um, Gruber and her both fall out the window and die. 49:16.481 --> 49:20.502 [SPEAKER_00]: Yeah, uh, John's wife does not die in the movie. 49:21.242 --> 49:33.085 [SPEAKER_00]: Um, instead of Gruber is holding on to his wife's hand and holding on to her bracelet and John has to reach down and unclassed her bracelet to let Rubber fall to his death. 49:33.845 --> 49:34.105 [SPEAKER_00]: Yes. 49:35.542 --> 49:40.904 [SPEAKER_01]: So Leland is going upstairs or downstairs and he's like trying to downstairs. 49:41.264 --> 49:43.885 [SPEAKER_01]: He's like trying to face the fact that his daughter is dead now. 49:44.465 --> 49:47.486 [SPEAKER_01]: And on his way to the 40th floor, wait, why is he going upstairs? 49:48.366 --> 49:49.247 [SPEAKER_01]: He was going upstairs. 49:49.927 --> 49:51.107 [SPEAKER_01]: So he had to jump off the building. 49:51.567 --> 49:55.228 [SPEAKER_01]: I don't like comb it suicide at one point before he talked himself out of it. 49:56.429 --> 49:56.609 [SPEAKER_00]: Oh. 49:56.729 --> 50:00.610 [SPEAKER_01]: I think he was and then he realized I have my grandkids and everything like that. 50:00.690 --> 50:01.731 [SPEAKER_01]: So I think he's going up to him. 50:01.891 --> 50:02.771 [SPEAKER_00]: I got to be for them. 50:03.253 --> 50:03.493 [SPEAKER_01]: Yeah. 50:04.254 --> 50:09.699 [SPEAKER_01]: And so, um, he, there's like on the 40th floor, he sees another girl, one of the last terrorists. 50:10.059 --> 50:13.001 [SPEAKER_01]: And he, like, convinces her to bring her gun to him. 50:13.021 --> 50:14.042 [SPEAKER_01]: And then he shoots her. 50:14.082 --> 50:15.744 [SPEAKER_01]: That does not happen pretty much. 50:15.784 --> 50:17.225 [SPEAKER_00]: Now John McLean is the hero. 50:18.406 --> 50:21.809 [SPEAKER_00]: And everyone's talked to him and was like, oh my gosh, we thought you were the bad guy. 50:21.829 --> 50:22.530 [SPEAKER_00]: We're so sorry. 50:22.590 --> 50:23.170 [SPEAKER_00]: Let's talk. 50:25.332 --> 50:31.014 [SPEAKER_01]: So Alice on the walking asks him what he's doing and Leland, I'm now, he's like, I killed 11 of them. 50:31.034 --> 50:34.275 [SPEAKER_01]: There's one more and he's like, what are you talking about? 50:34.315 --> 50:35.516 [SPEAKER_01]: We saw two bodies fall. 50:35.536 --> 50:37.617 [SPEAKER_01]: He's like, yeah, one of them was like, daughter. 50:37.737 --> 50:39.317 [SPEAKER_01]: He's like, oh, I'm sorry, man. 50:39.677 --> 50:42.698 [SPEAKER_01]: And then he's like, it's Carl. 50:42.718 --> 50:43.939 [SPEAKER_01]: Carl's the last one I haven't killed. 50:44.019 --> 50:46.660 [SPEAKER_01]: And he really wants me dead because I killed his brother. 50:47.615 --> 51:07.573 [SPEAKER_01]: And him and Al and now Kathy are all chatting and then he's like, okay, police are going to come in and get you when you hear them put your hands on your head and they'll know that that's you and not one of the back guys and so they do all that and then they get him out and right as he's like, 51:08.073 --> 51:09.834 [SPEAKER_01]: Getting over to the police place. 51:10.334 --> 51:32.467 [SPEAKER_01]: That's when Carl comes out and he comes out with a gun He's like shooting down all these people and he like gets the like reporter and like doctors and like everybody But then Al shoots him He's dead and then Leeland is very appreciative of appreciative of him But he's like I'm ready to go to the hospital now and that's how the book ends 51:35.328 --> 51:43.411 [SPEAKER_00]: Um, so Al does ask him how many are left and he tells him and, um, they do see something about the bodies that fell. 51:43.671 --> 51:46.511 [SPEAKER_00]: I, I think they are asking like, oh, who fell? 51:46.611 --> 51:48.532 [SPEAKER_00]: And he's like, it's Gruber and they're like, what? 51:48.632 --> 51:49.952 [SPEAKER_00]: No, that can't be. 51:50.033 --> 51:51.213 [SPEAKER_00]: And he's like, it's Gruber. 51:52.502 --> 51:56.165 [SPEAKER_00]: or something like this there. 51:56.946 --> 52:00.108 [SPEAKER_00]: And then he doesn't say anything about Carl wanting him dead. 52:00.368 --> 52:03.671 [SPEAKER_00]: Carl just walks out and goes to shoot at John. 52:03.791 --> 52:05.613 [SPEAKER_00]: So literally like it's more epic. 52:05.753 --> 52:08.175 [SPEAKER_00]: It's not that shooting people is epic. 52:08.255 --> 52:11.197 [SPEAKER_00]: But it's more epic in the book where he comes out on a rampage. 52:11.778 --> 52:12.038 [SPEAKER_01]: Yeah. 52:12.398 --> 52:19.644 [SPEAKER_00]: First is the movie where he comes out holding and gun up in the air and then aims and owl shoots him before he can do anything. 52:19.944 --> 52:35.495 [SPEAKER_01]: the movie I don't know if they did this in the book and I missed it but the movie was nice because Al shared that he wasn't on the line cop anymore he was like at a desk behind off because he accidentally shot a kid and so this was like his redemption 52:36.577 --> 52:46.061

[SPEAKER_01]: But not really because he shot another person, but in the movie it was his redemption because now he shot a actual bad guy, not a kid Yeah, it's kind of never thought of it like that before. 52:46.101 --> 53:04.708 [SPEAKER_01]: That's kind of not great falls on It's movies like these, which is why when we hear about actual shootings, we're like, well, it's a bummer instead of horrified like we should be huh But yep But anyways, we're not gonna get political here 53:05.788 --> 53:08.289 [SPEAKER_01]: Uh yeah, I don't know. 53:08.489 --> 53:09.449 [SPEAKER_01]: That's not the reason. 53:09.509 --> 53:11.390 [SPEAKER_01]: He just ended up saving him in the book. 53:11.430 --> 53:13.171 [SPEAKER_01]: Yeah, that wasn't like a redemption thing. 53:13.831 --> 53:14.031 [SPEAKER_00]: Yeah. 53:15.852 --> 53:16.072 [SPEAKER_00]: Cool. 53:16.592 --> 53:16.932 [SPEAKER_00]: That's it. 53:16.952 --> 53:23.754 [SPEAKER_00]: I mean, it kind of was because the cops in the book also didn't like really believe John up and that's right. 53:24.155 --> 53:25.075 [SPEAKER_00]: They saw a proof. 53:25.844 --> 53:26.244 [SPEAKER_00]: Right. 53:26.304 --> 53:29.466 [SPEAKER_00]: And they're like, oh shit, you're right, there are people in there with you. 53:30.707 --> 53:30.927 [SPEAKER_00]: Great. 53:31.947 --> 53:34.589 [SPEAKER_00]: But yeah, I'm just on a walkie-talkie-haven fun guys. 53:36.350 --> 53:36.970 [SPEAKER_00]: I'm trapped. 53:37.010 --> 53:38.371 [SPEAKER_00]: There's bad guys in here. 53:39.191 --> 53:47.256 [SPEAKER_01]: My favorite is like, when he walkies in the movie, at the very beginning, and he walkies, and they're like, um, this is an emergency line. 53:47.416 --> 53:49.097 [SPEAKER_01]: He's like, no freaking. 53:49.897 --> 53:52.759 [SPEAKER_01]: It doesn't sound like I'm ordering a pizza. 53:53.099 --> 53:54.561 [SPEAKER_01]: He's reporting all these people dead. 53:54.581 --> 53:56.823 [SPEAKER_01]: This is an emergency line. 53:57.403 --> 53:58.204 [SPEAKER_00]: Yeah. 53:58.344 --> 53:59.285 [SPEAKER_00]: Excuse me. 53:59.325 --> 53:59.986 [SPEAKER_00]: We cannot help. 54:00.727 --> 54:01.247 [SPEAKER_01]: Yeah, right. 54:01.387 --> 54:01.708 [SPEAKER_01]: All right. 54:01.808 --> 54:04.330 [SPEAKER_01]: Anyways, Okidoki, that is that. 54:04.390 --> 54:04.891 [SPEAKER_01]: There we go. 54:04.951 --> 54:05.872 [SPEAKER_00]: We did it. 54:06.432 --> 54:07.253 [SPEAKER_01]: We did it. 54:07.273 --> 54:07.793 [SPEAKER_00]: We did. 54:08.114 --> 54:08.394 [SPEAKER_01]: Yes. 54:08.934 --> 54:10.456 [SPEAKER_01]: So have you seen any of the other diehards? 54:11.257 --> 54:11.417 [SPEAKER_01]: No. 54:12.284 --> 54:13.566 [SPEAKER_01]: I've seen, I saw it. 54:14.447 --> 54:16.871 [SPEAKER_01]: Last time I watched all of them was when the new one came to theaters. 54:16.891 --> 54:18.252 [SPEAKER_01]: I think it was like 2013. 54:18.292 --> 54:19.294 [SPEAKER_01]: I think I just looked this up. 54:19.334 --> 54:21.717 [SPEAKER_01]: So

we like binge them all to go see the new one. 54:21.877 --> 54:22.919 [SPEAKER_01]: And I have not watched them since. 54:23.019 --> 54:25.703 [SPEAKER_01]: And now I'm like kind of like, the other ones are not Christmas movies. 54:29.018 --> 54:33.481 [SPEAKER_00]: So you watch this one like Christmas day and start your miracle there. 54:33.501 --> 54:33.761 [SPEAKER_00]: You go. 54:33.841 --> 54:34.561 [SPEAKER_00]: That's what I got to do. 54:34.582 --> 54:35.862 [SPEAKER_00]: We're only goodness. 54:36.042 --> 54:36.463 [SPEAKER_01]: All right. 54:36.483 --> 54:37.603 [SPEAKER_01]: I am D.B. 54:37.683 --> 54:41.086 [SPEAKER_01]: credited 74 people for this movie and our first one. 54:41.106 --> 54:42.206 [SPEAKER_01]: Of course is Bruce Willis. 54:42.266 --> 54:42.807 [SPEAKER_00]: Amazing. 54:43.387 --> 54:45.748 [SPEAKER_00]: He does very good in the action role. 54:45.788 --> 54:46.409 [SPEAKER_01]: He really does. 54:51.911 --> 54:52.552 [SPEAKER_01]: Butelia. 54:52.672 --> 54:57.636 [SPEAKER_01]: Amelia, butelia, Bonnie, butelia, played Holly, Genero McLean. 54:57.736 --> 55:00.699 [SPEAKER_00]: Yeah, she was really good for what she was. 55:01.479 --> 55:03.041 [SPEAKER_01]: Right, what she was not in the book. 55:03.561 --> 55:04.322 [SPEAKER_00]: Mm-hmm. 55:05.122 --> 55:10.347 [SPEAKER_01]: We have Reginald Vel Johnson, played Al Powell. 55:10.627 --> 55:11.608 [SPEAKER_01]: I loved him so much. 55:11.768 --> 55:12.529 [SPEAKER_01]: I love him too. 55:12.969 --> 55:13.570 [SPEAKER_01]: Did you know? 55:15.751 --> 55:20.992 [SPEAKER_01]: a few years ago he was on dancing with the stars and he honestly was awful, right? 55:21.332 --> 55:29.795 [SPEAKER_01]: But he had such a fan base that he made it to like the final four because it's based on people voting for him. 55:30.395 --> 55:40.517 [SPEAKER_01]: And so he just had people voting for him and he there is no like people that got out that could actually dance and he's up here just because everybody's diehard fans 55:44.178 --> 55:45.039 [SPEAKER_01]: It's just so cute. 55:45.279 --> 55:46.741 [SPEAKER_01]: I would watch him and they're like my wife. 55:46.761 --> 55:48.882 [SPEAKER_01]: He's still there and she's that's what she told me I was like, oh my God. 55:50.063 --> 55:50.984 [SPEAKER_01]: We got Paul Gleason. 55:51.024 --> 55:54.267 [SPEAKER_01]: He's doing tea Robinson the main cop guy. 55:54.287 --> 55:59.651 [SPEAKER_01]: He did really good We have a Defero white played our guy. 55:59.932 --> 56:04.576 [SPEAKER_00]: He does not look like himself at all and this big That is literally what I was just gonna say. 56:04.856 --> 56:06.577 [SPEAKER_00]: He was such a baby in die heart. 56:06.617 --> 56:09.900 [SPEAKER_01]: He was honestly He used my favorite character in the whole movie. 56:10.140 --> 56:11.281 [SPEAKER_00]: I know he's so good 56:13.548 --> 56:35.029 [SPEAKER_01]: I love what he's just listening in on their conversation and then like John says something and he

just starts cracking up in the limo, limo, we have heart, buncher, bonnet, bonnet, bonnet, bonnet, bonnet, bonnet, that's right, played Ellis, he did good, he didn't slime me ball. 56:37.451 --> 56:47.040 [SPEAKER_01]: And James, she get to play Tagaki, Tagaki, Tagaki, Tagaki, Tagaki, Tagaki, Tagaki, Tagaki, Tagaki. 56:47.983 --> 56:50.426 [SPEAKER_00]: He did good for what he was again. 56:51.126 --> 56:51.427 [SPEAKER_01]: Yes. 56:51.887 --> 56:55.551 [SPEAKER_01]: And of course, we have Allen Rickman as Hans Gruber. 56:55.711 --> 56:59.415 [SPEAKER_00]: My favorite line in the whole movie is going to get misconstrued right now. 56:59.935 --> 57:06.001 [SPEAKER_00]: It's the Yippie Ka mother fucker, but it's when Allen says it not Bruce. 57:06.041 --> 57:06.382 [SPEAKER_00]: Yes. 57:08.403 --> 57:16.508 [SPEAKER_01]: It's the best because he just like drags out that and you'd be K.A. 57:17.008 --> 57:18.449 [SPEAKER_01]: Motherfucker. 57:18.769 --> 57:21.130 [SPEAKER_00]: But it's also in his like knees laying voice. 57:21.170 --> 57:21.511 [SPEAKER_00]: Yes. 57:22.791 --> 57:26.393 [SPEAKER_01]: Trying to be German in a English accent. 57:26.593 --> 57:26.873 [SPEAKER_00]: Yes. 57:30.881 --> 57:43.524 [SPEAKER_01]: Me and all right, and then we'll just do it because he ended the movie with bang we got Alexander God Okay, people like Carl he was fine. 57:44.084 --> 57:45.084 [SPEAKER_01]: Yeah, pretty good bad. 57:45.124 --> 57:50.045 [SPEAKER_01]: Yeah Oh, Gidoki is the theme of the book and movie the same. 57:50.065 --> 57:52.565 [SPEAKER_01]: Yeah, yeah, do the character stay true. 57:52.905 --> 57:55.626 [SPEAKER_01]: No I don't think any of them really do 57:56.723 --> 57:56.883 [SPEAKER_00]: Nope. 57:57.163 --> 57:57.304 [UNKNOWN]: Nope. 57:57.544 --> 57:57.864 [SPEAKER_00]: Nope. 57:57.924 --> 57:58.064 [SPEAKER_00]: No. 57:58.084 --> 58:02.909 [SPEAKER_01]: I mean, they all say motives, but not really kind of, but not. 58:03.089 --> 58:03.430 [SPEAKER_00]: Yeah. 58:03.730 --> 58:04.631 [SPEAKER_00]: There don't act like that. 58:05.051 --> 58:06.232 [SPEAKER_01]: And then there's made up ones. 58:06.332 --> 58:07.614 [SPEAKER_01]: And yeah. 58:07.654 --> 58:08.835 [SPEAKER_00]: Mm-hmm. 58:08.935 --> 58:14.701 [SPEAKER_00]: And what do you prefer not shocking at all? 58:14.741 --> 58:16.222 [SPEAKER_00]: I prefer the movie. 58:16.963 --> 58:19.065 [SPEAKER_01]: It's like you can't not prefer the movie. 58:22.224 --> 58:24.465 [SPEAKER_01]: The book is like, no one even knows about the book. 58:24.525 --> 58:27.046 [SPEAKER_00]: We've been unable to find it. 58:27.226 --> 58:30.587 [SPEAKER_01]: And yeah, so that gives it a disadvantage. 58:30.967 --> 58:34.348 [SPEAKER_01]: But yeah, but yeah. 58:34.988 --> 58:38.730 [SPEAKER_01]: So I agree, Ruby. 58:39.110 --> 58:45.352 [SPEAKER_01]: I was pleased that it was pretty much the same, but we're just slight differences. 58:45.912 --> 58:46.072 [SPEAKER_01]: Yeah. 58:46.252 --> 58:50.774 [SPEAKER_01]: And then like I said, I like the fact that he was more of a person. 58:51.554 --> 58:52.315 [SPEAKER_01]: And stuff like that. 58:52.455 --> 58:54.215 [SPEAKER_01]: But no, we all the way. 58:56.136 --> 58:59.337 [SPEAKER_00]: It's it's much better than listening to that dude. 58:59.658 --> 59:02.159 [SPEAKER_01]: Yes, that's for sure. 59:03.439 --> 59:04.119 [SPEAKER_00]: So bad for him. 59:04.460 --> 59:10.522 [SPEAKER_00]: All right, I commend it to a friend. 59:11.721 --> 59:13.283 [SPEAKER_01]: I would $100,000. 59:13.383 --> 59:26.076 [SPEAKER_00]: I, the only reason I ever watched it was because of, you know, so, yeah, yeah, but I also would recommend the movie to a friend. 59:27.898 --> 59:29.139 [SPEAKER_01]: I would recommend the book too. 59:29.339 --> 59:30.500 [SPEAKER_01]: I would just say read it. 59:31.101 --> 59:35.185 [SPEAKER_01]: Don't audio book it or if you don't audio book it, find someone else. 59:36.528 --> 01:00:00.957 [SPEAKER_00]: I was going to say I would have to read it to determine if I would like recommend it if you physically read it but this audio book didn't do it for me so much that I will not be rereading this book there oh my gosh but yeah all right do we have a sneak peek this week we sure do 01:00:02.155 --> 01:00:06.226 [SPEAKER_00]: Well, like always, this is where we tell you about our website. 01:00:06.667 --> 01:00:09.475 [SPEAKER_01]: I just website went off script.com. 01:00:11.103 --> 01:00:28.747 [SPEAKER_01]: On there, we have links to our socials, our YouTube, our news letter sign up, our little free library sign up, all the things you check out and do it all, give us a rating, go subscribe. 01:00:29.327 --> 01:00:32.748 [SPEAKER_00]: That's the best way to help a little podcast like us. 01:00:33.048 --> 01:00:35.809 [SPEAKER_01]: you're watching it on YouTube, do all the things. 01:00:36.089 --> 01:00:37.210 [SPEAKER_00]: Like, subscribe. 01:00:37.550 --> 01:00:38.650 [SPEAKER_00]: What else can you do? 01:00:39.350 --> 01:00:40.091 [SPEAKER_00]: Comment. 01:00:40.671 --> 01:00:41.351 [SPEAKER_01]: Comment. 01:00:41.391 --> 01:00:42.532 [SPEAKER_01]: That's what I was thinking of. 01:00:45.833 --> 01:00:46.353 [SPEAKER_01]: Yes. 01:00:47.113 --> 01:00:47.674 [SPEAKER_01]: Oh, man. 01:00:47.914 --> 01:00:52.315 [SPEAKER_01]: And we probably won't have many sub, but who knows maybe we will buy this time in the season. 01:00:52.335 --> 01:00:52.515 [SPEAKER_01]: Yeah. 01:00:53.096 --> 01:00:53.676 [SPEAKER_00]: Actually, we might. 01:00:53.896 --> 01:00:54.456 [SPEAKER_00]: I think we might. 01:00:54.636 --> 01:00:57.237 [SPEAKER_00]: I think once we start recording season 10, I think we can 01:00:59.958 --> 01:01:00.999 [SPEAKER_01]: All right, let's try it. 01:01:03.179 --> 01:01:03.600 [SPEAKER_00]: We'll see. 01:01:03.700 --> 01:01:06.861 [SPEAKER_01]: But for sure, we'll have an episode next week for Yuckus. 01:01:06.901 --> 01:01:08.782 [SPEAKER_01]: It's already recorded and ready to go. 01:01:08.802 --> 01:01:11.343 [SPEAKER_01]: It is a dog named Christmas. 01:01:11.363 --> 01:01:12.343 [SPEAKER_01]: It's not cute. 01:01:12.703 --> 01:01:12.924 [SPEAKER_00]: Yep. 01:01:13.244 --> 01:01:14.964 [SPEAKER_00]: It's already edited and everything. 01:01:15.265 --> 01:01:16.825 [SPEAKER_00]: Look at that, they were on the roll. 01:01:17.205 --> 01:01:17.766 [SPEAKER_01]: Oh, man. 01:01:17.926 --> 01:01:18.246 [SPEAKER_01]: All right. 01:01:18.326 --> 01:01:21.287 [SPEAKER_01]: Well, I'm going to do a take from Nyquill and go to sleep. 01:01:21.607 --> 01:01:22.808 [SPEAKER_01]: The with that. 01:01:23.148 --> 01:01:23.668 [SPEAKER_00]: Deserve it. 01:01:24.048 --> 01:01:24.649 [SPEAKER_00]: Thank you. 01:01:25.249 --> 01:01:26.489 [SPEAKER_01]: Die hard. 01:01:26.509 --> 01:01:27.890 [SPEAKER_01]: Went off script. 01:01:29.506 --> 01:01:29.747 [SPEAKER_00]: Bye. 01:01:29.807 --> 01:01:30.607 [SPEAKER_00]: Bye. 01:01:30.627 --> 01:01:30.707 [SPEAKER_00]: Bye. 01:01:30.727 --> 01:01:33.229 [SPEAKER_00]: I'm going to say in her piece. 01:01:35.690 --> 01:01:36.671 [SPEAKER_01]: Thanks for sticking with us. 01:01:37.131 --> 01:01:38.072 [SPEAKER_01]: We hope you enjoyed it. 01:01:38.432 --> 01:01:43.875 [SPEAKER_01]: If you did, we would greatly appreciate it if you gave us five beautiful stars reviewed and subscribed. 01:01:44.396 --> 01:01:53.882 [SPEAKER_00]: You can also follow us on Facebook at Offscrapped on Instagram at Offscrapped podcast 21 and on TikTok at Offscrapped underscore pod. 01:01:54.402 --> 01:01:58.129 [SPEAKER_01]: Shout out to Madamashan creations for our adorable logo art. 01:01:58.510 --> 01:02:05.161 [SPEAKER_01]: An Adam Daniel for our incredible theme song, and to create us in a file production for producing our podcast. 01:02:05.622 --> 01:02:06.564 [SPEAKER_01]: See you next time!