TRANSCRIÇÃO 🔗
WEBVTT
1
00:00:00.400 --> 00:00:03.319
Hello, and welcome to First Issues Now, the weekly show
2
00:00:03.359 --> 00:00:07.400
posted daily ish about only the newest first issues released
3
00:00:07.440 --> 00:00:11.080
by insert common company. Here this week, I'll be looking
4
00:00:11.119 --> 00:00:13.400
at the comics release for the week of November twelfth,
5
00:00:13.480 --> 00:00:17.079
twenty twenty five. I honestly don't know if I'm gonna
6
00:00:17.160 --> 00:00:19.760
like this one. The last Hellboy book and their spin
7
00:00:19.839 --> 00:00:21.879
offs I've checked out have all been a bit of
8
00:00:21.879 --> 00:00:24.879
a mixed bag and even got people annoyed with me
9
00:00:24.960 --> 00:00:27.920
for not being all about it. But frankly, even at
10
00:00:27.960 --> 00:00:30.320
its worst, the Hellboy comics are still at the very
11
00:00:30.399 --> 00:00:33.479
least worth checking out if you like the concept and
12
00:00:33.560 --> 00:00:36.520
the big red machine. So let's check out this and
13
00:00:36.600 --> 00:00:38.840
rip the band aid off to see which side I'm
14
00:00:38.840 --> 00:00:41.799
gonna piss off today. This is hell Boy and the
15
00:00:41.880 --> 00:00:45.920
bpr D The ghost Ships of Labrador Number one. Story
16
00:00:45.920 --> 00:00:49.200
by Mike mcnola and Rob Williams. Art by Lawrence Campbell,
17
00:00:49.240 --> 00:00:52.960
colors by Lee Loughridge, with letters by Clem Robbins. A
18
00:00:53.039 --> 00:00:55.640
town overrun by ghost would be enough of a problem,
19
00:00:55.719 --> 00:00:57.880
but hell Boy has an even bigger problem on his
20
00:00:58.000 --> 00:01:01.479
hands when a fellow bpr D, the Agent, disappears among
21
00:01:01.520 --> 00:01:04.840
the paranormal chaos okay, so listid, I'll do the heavy
22
00:01:04.879 --> 00:01:08.879
lifting then jeez, so yes. Red Babe Labrador which is
23
00:01:08.920 --> 00:01:10.640
in Canada. For you guys who think that it's a
24
00:01:10.640 --> 00:01:13.799
weird story set upon a dog has been overrun with
25
00:01:13.920 --> 00:01:16.879
ghosts who are kind of just casually descending one day
26
00:01:16.920 --> 00:01:19.120
and they just stuck around, it actually is kind of
27
00:01:19.120 --> 00:01:23.560
weirdly unique. So agent and exorcist Agatha Blunt of the
28
00:01:23.680 --> 00:01:26.840
bpr D, with her trusty dog Elba, shows up to
29
00:01:26.879 --> 00:01:29.079
the town to see what's going on, but as she
30
00:01:29.120 --> 00:01:31.959
wheels herself into the mist, she and her dog vanished
31
00:01:32.000 --> 00:01:34.840
without a trace. That's where hell Boy and Abe Sapiens
32
00:01:34.840 --> 00:01:37.280
show up to figure things out some more. They have
33
00:01:37.319 --> 00:01:40.400
a shockingly casual conversation with a pair of ghost before
34
00:01:40.439 --> 00:01:43.359
Hellboy gets into a fight with the big, hulking captain
35
00:01:43.400 --> 00:01:47.040
of the ghosts. However, it's never over because when they
36
00:01:47.040 --> 00:01:49.359
do find Agatha after that, she has the truth of
37
00:01:49.400 --> 00:01:51.879
the matter. The ghosts didn't come to take over the town.
38
00:01:52.120 --> 00:01:54.680
They came because they were running away from something in
39
00:01:54.719 --> 00:01:58.719
the ocean, and then a giant fish swallows them up. Dun, dun, dun.
40
00:01:59.400 --> 00:02:01.239
This is another that's a perfect example of what I
41
00:02:01.280 --> 00:02:03.319
mean when I say I've never been a fan of
42
00:02:03.359 --> 00:02:06.959
two part Hellboy stories. This is a fantastic issue and
43
00:02:07.040 --> 00:02:09.680
it showcases why the Hellboy universe is a brilliant thing
44
00:02:09.719 --> 00:02:12.439
to read. It is fun, it is engaging. It is
45
00:02:12.520 --> 00:02:15.639
a universe that can have ghosts just show up and
46
00:02:15.800 --> 00:02:18.800
stare at a lamp, praising the majestic nature of it
47
00:02:18.840 --> 00:02:22.159
being an indefinite light source on a stick. Agatha is
48
00:02:22.159 --> 00:02:24.280
also really neat for the first few pages that we
49
00:02:24.360 --> 00:02:26.360
see her in, and even the sheriff, who has no
50
00:02:26.400 --> 00:02:29.000
idea what's going on, is a really fun read too.
51
00:02:29.360 --> 00:02:32.439
The art is spectacular, as it always is, and the
52
00:02:32.520 --> 00:02:35.879
writing is tight, fun and just worth looking at. It's
53
00:02:35.919 --> 00:02:39.120
also great, but the issue is that you can also
54
00:02:39.199 --> 00:02:41.560
see why Hellboy has always been a top seller when
55
00:02:41.560 --> 00:02:46.039
it comes to graphic novels and anthology bundle books rather
56
00:02:46.159 --> 00:02:50.039
than single issues. This is a great first half and
57
00:02:50.120 --> 00:02:53.400
even has a great cliffhanger where everyone, including some of
58
00:02:53.439 --> 00:02:56.439
the ghosts, are swallowed by a giant fish. It's great,
59
00:02:56.599 --> 00:02:59.400
but it also gives the feeling that there needs to
60
00:02:59.479 --> 00:03:02.560
be more. It's frontloaded with the characters, but when you
61
00:03:02.599 --> 00:03:05.439
split a book in half at the climax, it feels
62
00:03:05.520 --> 00:03:08.360
like there's no way to go up in the next issue.
63
00:03:08.439 --> 00:03:11.000
It's less a two part story and a story that
64
00:03:11.080 --> 00:03:13.919
has been split into two halves. Yes, that makes sense
65
00:03:13.960 --> 00:03:16.840
in my head. Regardless, my verdict for this book is,
66
00:03:17.039 --> 00:03:20.080
as it often is with Hellboy, read it. Read it
67
00:03:20.120 --> 00:03:22.840
means that you should absolutely read it for all the
68
00:03:22.879 --> 00:03:25.719
reasons that I've said in this it is definitely worth reading.
69
00:03:26.039 --> 00:03:28.360
Give it a digital buy so that you can read it,
70
00:03:28.439 --> 00:03:31.080
but when it comes to a physical buy, go for
71
00:03:31.400 --> 00:03:35.280
when these are bundled together so you can see both parts. However,
72
00:03:35.520 --> 00:03:37.759
I'd also say if you look at a couple of
73
00:03:37.759 --> 00:03:40.479
the variants, you may want a hard copy because those
74
00:03:40.479 --> 00:03:43.319
covers are nice. I know that really makes us feel
75
00:03:43.360 --> 00:03:48.000
like a wash ending hah yeh well, but maybe I'm wrong.
76
00:03:48.400 --> 00:03:50.360
Let me know what your thoughts of this issue are
77
00:03:50.680 --> 00:03:53.719
over on Facebook at the Comic Archivist, on Twitter at
78
00:03:53.800 --> 00:03:56.639
First Issues Now, or even on Blue Sky at AJAC
79
00:03:56.879 --> 00:03:59.240
does it All, don't forget to like, share, follow, and
80
00:03:59.280 --> 00:04:01.319
do all the stuff that I'm being told is important
81
00:04:01.319 --> 00:04:04.199
to continue doing these And while you're at it, check
82
00:04:04.199 --> 00:04:07.400
out the other podcast from carry On Productions, like Killing
83
00:04:07.439 --> 00:04:11.159
fifteen minutes, mithing fifteen minutes, and blanking fifteen minutes. They're
84
00:04:11.199 --> 00:04:14.360
all pretty sweet in their own way. More than anything, though,
85
00:04:14.639 --> 00:04:15.879
Staggled and Inklings