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This week on the writer Con podcast Don't Quit Write
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every Day. Welcome to writer Kon, a gathering place for
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writers to share their knowledge about writing and the writing world.
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Do you have a desire to write? Every successful writer
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started with their first book. All it takes is determination
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and knowledge, and writer con can provide that knowledge. Your
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hosts are number one national best selling writer William Bernhardt,
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author of more than sixty books, including The Superman Wars,
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and Laura Bernhardt, Award winning author of the Wantlan File
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series and Shadow of the taj.
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Thank you, Jesse Ulrich. Hey, they're writers. Thanks for joining us.
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I have an update on a story we ran on
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one of the podcasts last month. You may recall the
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story about the short story who won that one of
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major prize only to be accused of having been written
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by AI. This was the Commonwealth Prize, and just a
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few days ago, as I speak, the Commonwealth Foundation dismissed
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all those accusations and said that they did a month
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long review and found that quote AI wasn't used in
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quote to write them. Now, this is interesting. The Foundation
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said that it did not use AI detection tools during
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its review, but reached its conclusion by other means. I
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don't know what that would be, probably just reading it
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over and over again. Granted is the magazine that has
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traditionally published the award winnings winners for this and other
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short story competitions, but they announced that they're not going
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to do any of that anymore.
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Quote.
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The twenty twenty sixth selection of the Regional winner winners
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of the Commonwealth Prize caused a great deal of controversy
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based on the speculation that one or more of the
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stories may have been at least partially AI generated, accusations
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that were strongly rejected by the authors. So they saying
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that doesn't really explain why they're discontinuing running the
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stories,
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but they are so perhaps they just think they're better
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at detecting AI, or they don't want to, you know,
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augment other people's mistakes. I don't know, Jesse, you're our
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tech expert. How do you think this should be handled?
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I mean, you got to you kind of.
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You have to prove how you determined whether it was
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written by human being or not. And even if you're
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not going to run it, you have to tell people
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why if you didn't use AI, you had to use
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something because you can't just read it as a human
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being and be like I can one hundred percent guarantee
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this was.
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Not written by AI. Right, Yeah, there's not a oh
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what is that?
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You know, Like you know, like in movies where there's
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always like a new technology or whatever, but there's always
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like the old guy who spent you know, twenty years
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in the forest, who can like track things better than
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the technology can.
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Right.
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We don't have We don't have that person for writing.
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We don't, right, So how very if there's a character
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in the story named Elias Thomas, it's probably Ai. But
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we'll get to that later in the news. Okay, with
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this episode, we are starting our official countdown to writer Con,
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which of course is Labor Day weekend. That's September fourth
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through seventh. This year, the Writer's conference is in Oklahoma
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City at the Hilton Scurvian Hotel. In addition to our
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usual programming, throughout the next two months of this podcast,
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we'll be bringing you sneak previews of some of the
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conference programming and speaking of By the way, the schedule
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is now posted to our website writercon dot com. I
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mean be warned that that's all subject to changes because
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people have lives, and sometimes we have to juggle a
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few things, but that's pretty much the schedule up there.
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I think we're covering every kind of writing there is.
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We have agents covering every kind of writing there is.
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We have the latest on all that's happening in the
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writing world and everything you need to know to succeed
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as a writer. And also speaking of writer Con, today,
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our guest star interview is with Sunday keynote speaker William Martin.
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As you probably know, he's one of the most one
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of the most successful guests we've ever had, and we've
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had some really good guests. He is the King of
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the historical thriller. And that's not a title I awarded,
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that's a title many people have awarded. He's the New
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York Times bestselling author of twelve novels. His first book
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was a New York Times bestseller, For Pete's Sake. He's
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also written a PBS documentary about George Washington and book
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reviews and magazine articles, and a cult classic horror movie.
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His most recent book is December forty one, which Steve Barry,
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another fabulous historical thriller author who was also keynoted at
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Writer con He called it another masterpiece from a master
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and that's exactly what William Martin is so really looking
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forward to talking to him. But first the news news
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story number one, and this is one that perhaps has
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a change of pace. Will actually I think bring joy
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to many hearts. A self published book has now sold
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over two point five million copies. Well it started as
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self published anyway. I mean thousands, if not millions, of
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people pour their heart onto the page and then upload it.
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Remember when we covered the story that said that four
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million books had been published last year, and what about
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three million of them were self published? Anyway, Most of
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those books go largely on read but that is not
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the case for THEO of Golden by Alan Levy. Levi,
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by the way, who is a seventy year old former lawyer,
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judge and singers songwriter. This is his first novel. It's
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almost four hundred pages. It's about an elderly guy who
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travels to a fictional southern
city and for most of
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the book he sits on a park bench. I know,
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I don't know why the Big five didn't pick up
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on this, but anyway, almost three years after he first
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self published it, THEO remains in the top five books
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on Amazon. That's of everything in all categories, not just
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in his category, but overall. It's in the top five
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as we record this. For the past three weeks, it
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has topped the New York Times bestseller list with, as
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I said, two point five million copies sold. The book
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talks about the virtues of close observation and deep conversation
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and offline connections. Basically, the guys on the bench admires
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the portraits lining the walls of a local coffee shop,
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and he comes up with this plan. His mission, his
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mission from God. Laura and I watched The Blues Brothers recently,
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so we're all about a mission from God. His mission
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is to buy and return those portraits to their subject
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and subjects, and you can just imagine the connections. He
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then makes well, this book was still obscure to most
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of the publishing world, but slowly but surely you built
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a readership through what do we always say is the
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best kind of publicity a book can get, word of mouth.
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And also he had the help of his niece who's
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named Aaron Ritchie, and she was working ceaselessly to get
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this thing publicized. He asked her early on and if
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she'd help him with the publishing, I'm going to guess
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he may not be that tech friendly. And she figured
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it out how to upload it, and then she figured
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out how to publicize it. She had all these spreadsheets.
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She was tracking self publishing platforms and wholesale distribution. She
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studied other authors' websites. She made a list of allies
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meaning friends, people he had the author had encountered over
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his very long life, and send everybody email. She shipped
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out free books to book clubs and church groups, and
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I mean,
what else can you say. At the end
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of twenty twenty three, THEO of Golden had sold three
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thousand copies, which would be darn good for most self
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published books, actually most books period.
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Any book.
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Yes, yeah, but it's skyrocketed early in twenty twenty five
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up to one hundred and twenty five thousand copies. And now,
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of course, now the author has been interviewed by Katie
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Kuric and Brauh and he's got the attention of Simon
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and Schuster, and he sold two point five million copies. Jesse,
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what is the moral of this story?
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Well, I believe this This goes to your moral, which
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is like, don't quit. If you have a dream, you
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keep working on it.
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Yeah, so you don't know when it'll happen.
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Yeah, Now, only do you not know when it will happen.
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You don't need you don't need the things. You don't
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need the things you think you need to succeed, right,
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You just need help and a good product.
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Yeah.
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Yeah, Laura, are you like me kind of wishing that
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this guy's niece would publish a manual or something. Maybe
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we could get her to speak a writer con.
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Oh there, let go, that would be awesome.
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She could come and teach something.
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Yes, yeah, this is how I sold for five million
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yeahs of my uncle's book.
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I'd go, yes, Yes, it's a tough code to crack. Absolutely.
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Okay, new story number two, which I was referring to
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earlier when I mentioned Elias, The same character mysteriously keeps
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appearing in AI stories. Okay. Recently, techie people, researchers, people
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who understand all this AI stuff have noticed a weird
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phenomenon when you when anybody prompts chat GPT or Claude
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or any of the popular lms, when you prompt them
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to tell a story, Odds are it will spit out
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a tale featuring this mysterious Elias Thorn guy, who, by
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the way, is usually a lighthouse keeper, sometimes a clockmaker,
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sometimes he's a detective, but whatever form he takes, he
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keeps popping up over and over again. An AI general Stories.
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Two Cornell University researchers sampled over twenty thousand stories generated
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by four different lms, all with the same prompt tell
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me a story, and Elias Thorne appeared in twenty six
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point five percent of them. They also found that eighty
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eight percent of these stories shared the same eleven names, locations,
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and professions like lighthouse keeper, which I don't think has
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turned up once in my sixty seven book history. Apparently
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AI likes it. What's the deal? Is Elias a messenger
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from the future who's figured out how to send a
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message to save humanity. The Cornell group produced a paper
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that speculated, and it's just speculation that AI models, which
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are after all trained on other people's books and large
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data sets, may have been instructed to and here I'm
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quoting avoid references to copyrighted characters, of course, and adult
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content when they come up with stories. And so I
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guess that just leaves Elias Thorn or it could be
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something they call model collapse or sometimes AI inbreeding. The
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basic idea is that as more and more the Internet
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becomes AI generated, future al models will not be scraping
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my books. They'll be scraping other low quality AI slop,
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which will cause them to sped out even lower quality
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AI slop, and on and on and idiocrisy comes for real. Jesse,
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you have repeatedly said that AI should not be used
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for creative work. So what do you think about this?
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I mean, this proves my point.
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Like I love I love like it's such a perfectly
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great fake name.
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It's almost like it's almost you.
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Know, all the theories about how AI came up with
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this sort of name just points points to the fact that, like,
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creativity is hard. And I also love how it made
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him a detective but not a detective. Plus one
other thing,
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which is, you know, the standard rule for detectives lighthouse
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keeper who moved on, a lighthouse keeper who also solves crimes.
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There we go, crimes that happened in the light tower. Yeah,
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this is you know, this is one. I think this
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is good.
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This proves like AI is not ready to do creative work,
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So maybe we shouldn't have it do that. And also
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the more rules you give it, the harder it. Just
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like with real creativity, the more limitations you put on something,
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the harder it becomes. This this exists both for human
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beings and computers, you.
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Know, Is that true?
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Though?
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I think sometimes I do better when I have some
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kind of restriction, you know, like I'm going to write
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an but it's going to be this series character, or
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I'm going to write a book, you know, something that
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it can only be so many words. I think sometimes
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that can help channel create me.
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But not Ai, I think I think it's a little bit.
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It's a little bit of both, where like human beings
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can take restrictions and find creative ways.
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Maybe rather than restrictions, we should say some directions. Yeah,
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that helps give direction to your creativity.
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And yet just like the best example I always use
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in this case is like The Wrath of con Versus,
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the motion picture, like the Wrath of con had a
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much smaller budget, had a lot of restrictions on it,
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and it is by far superior.
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To the motion picture. We've had all the money.
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Very true. So so Laura, I hear you sighn back there.
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Are you thinking about writing another ghost detective series with
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Elias Thorne. The lighthouse.
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Oh, so I sighed, because my current work in progress, Ghosted,
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book six in the law Land Files series has a
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lighthouse in it. So you're saying, like, you've never written
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to the life.
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So now everyone's going to it.
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Now everyone's gonna think that it's AI generated. I definitely
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cannot use the name Elias in there, or I'll open
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myself up to all kinds of criticism. But yeah, it
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does have a lighthouse featuring prominently in it.
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Well, you're ahead of the trend or behind it one
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or the other.
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I don't know what I am anymore, but I do
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like your idea. Maybe ooh, this would be so meta, Jesse.
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If I steal from AI and I take Elias Thorn
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and then start writing a human generated story from the
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AI generated ideas, there we go.
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Yeah, ice plan that that is, Like, here's the thing.
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That's what AI is good. AI is good synthesizing information
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very quickly for you to be like, Okay, I want
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to write a story with this type of character doing
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this type of thing, like give me give me a
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quick like theory, like a quick scene this character would do.
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And then taking that and then actually writing a full story.
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Yes, but all right, but at least we've learned one thing.
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If you're reading a story submitted to a contest or not,
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and the character is named Elias Thorne, yes, that's.
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A there's where you should be suspicious.
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Like listeners by the time this episode comes out. Even
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though this episod's coming out very quickly, I have no
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doubt there'll be both a Twitter account, a Thread's account,
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and a blue Sky account of Elias Thorne.
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Yeah.
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If there isn't, I'm a start one.
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Yeah, I was gonna say, I'm.
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A I'm gonna find out right now we.
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Could boost my readership. Yeah, all right. Craft Corner Our
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Craft Corner segment this time is from Christina Kay. She's
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an author and an author coach who surprised will be
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a writer con this year, more than happy to talk
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to you about how she might be able to help
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you with your writing goals. Her topic
today is how
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to treat your books like a business, not a hobby.
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Take it away, Christina.
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Craft Quarter.
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I'm going to bet you anything I can tell you
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in thirty seconds flat, whether you're building an author business
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or you're simply financing a very expensive hobby. Do you
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have a one year publishing plan, a three year vision statement,
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a budget? How About a marketing strategy that does not
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depend on hoping your next TikTok post goes viral. An
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email list that you're growing, a system for tracking your numbers,
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how about an LLC that is legally established to protect
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your business. If you answered no to most of those congratulations,
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you're exactly in the same boat as thousands of super
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talented authors. That's actually good news, because none of those
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things have anything at all to do with your talent.
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They have instead, everything to do with learning to think differently.
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For the past twenty years, I've helped authors successfully launched
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not just their books, but their careers by teaching them
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what actually works in today's publishing and marketing worlds. Here's
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the biggest mindset shift I can give you in this
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short video. Authors write books, CEOs build assets. Every book
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you published should strengthen your brand, grow your readership, expand
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your email. Most importantly, increase your revenue, and move you
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one step closer to the author career that you know
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you've been dreaming about. We are living in a time
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when independent authors have more opportunity than ever before at
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building thriving, profitable careers with more freedom, more control, and
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a larger share of the profits than ever before. But
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there's a catch. Writing a great book is not enough anymore.
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You have to build a great business around it. Stop
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asking yourself what should I write next? Instead, ask yourself
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what would the CEO of my author empire do next?
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And then go do that. I will be speaking on
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Saturday and Sunday for this year's WRI six and I
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can't wait to meet you there. In the meantime, you're
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welcome to find and follow me on almost all social
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00:20:09.240 --> 00:20:14.200
media outlets at Christina k Official, or you can visit
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my website learn more about me and my services and
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offers and all my successful clients at christinaka dot com. Otherwise,
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I will see you at Write.
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Thank you, Christina. Now let's talk to William Martin. William Martin,
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welcome back to the podcast.
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Hello, glad to be back.
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Yeah, great to have you here. All right, as you
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already know, we have a traditional opening question. If you
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could offer writers one piece of advice, what would it be?
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Don't quit write every.
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Day, let's due when that's okay?
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Well, they together, they work together. It's exciting every day,
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right right, don't quit. Write every day and hope that
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no matter what, someday you'll get to the end of
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a book.
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Which you know, I think they will if they don't quit,
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and you can, yeah, well finish a fight draft.
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I have, I have a time. My plan is to
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be in this room where the sausage gets made for
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about eight hours every day. The people have have goals
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in terms of words or sentences. You know, Stephen King
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has has I think a a word count. Robert B.
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Parker used to write five pages a day, you know,
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the author of the Spencer no the late author of
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the Spencer novels, quit and he'd write five pages and quit.
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And this was on the Spencer books, which were doing
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quite well. Five pages and quit, and quite often he'd
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be done at noon, and so he started writing new
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characters the Jesse Stone novels, and there were other characters.
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Maybe you will get that far if you write every day.
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But you know, I personally, one book, one book at
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a time has always been an and for me it's
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eight hours a day, and they those eight hours might
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sometimes produce two sentences and sometimes might produce twenty pages.
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And you just have to understand your own creative process
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and recognize that for some people it's going to be
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slower than for others. However, I think it was Louis
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Lamore who said, but whatever you do, start writing, because
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you don't get water until you turn on the faucet.
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That's the great way of putting. When did you realize
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you wanted to be a writer?
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Well, I realized first that I wanted to be a
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movie director, and I probably just I probably decided that
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when I was seeing movies like Lawrence of Arabia and
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Meet Me on the Bounty and The Longest Day How
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the West Was Won, all of those big, thundering epics
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of the early nineteen sixties, many of which are still
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better than the movies they make today as far as
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I'm concerned. You're not the only one the grandeur. And
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yet the complexity of Lawrence of Arabia is is something
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that has very seldom been achieved in movies, from Birth
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of a Nation to the present. And anyway, I saw
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those movies and I saw the first of all the
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adventure they depicted. But I thought a lot about the
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adventure that must have been involved in the creation of them,
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which was a little bit naive of me, because you
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know that that kind of adventure can be pretty hellish.
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And I saw all of that, and I thought I
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want to be a movie director. And I followed that
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belief all through college, where I directed theater and did
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my senior honors thesis in the movies of John Ford,
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the Great movie Director. And then I went to the
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USC Film School and I said, I said to my father, Dad,
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I want to go to film school. He said, film school.
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I'd really rather see you go to law school. If
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you don't do what you want to do when you're young,
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you'll spend the rest of your life looking over your shoulder.
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This is true.
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So about thirty years later, when my son, who will
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be at writer con also said to me, Dad, I
390
00:25:32.079 --> 00:25:34.960
want to go to film school. I said, film school.
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I'd really rather see you going to law school. But
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as your grandfather said to me, etcetera, etcetera. So I
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went to the USC Film School and met a lot
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of people who ultimately turned out to be pretty successful,
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and I worked with them on their on We would
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create creative teams to work together, and I worked with
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Robert Elswid who's Academy Award winning a cinematographer shot There
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will be Blood, among other things, and people who became
399
00:26:13.119 --> 00:26:18.119
important in the production of movies and the production of
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television shows. But what I figured out as I was
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00:26:23.759 --> 00:26:26.640
going through film school was that the quickest way into
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00:26:26.680 --> 00:26:30.440
the movie business was to come with a script under
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your arm, and not a script for a sixteen minute,
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00:26:34.759 --> 00:26:40.759
sixteen millimeters student film, but a script of one hundred
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and twenty pages that grabs you on the first page
406
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and doesn't let you go until the last page. And
407
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so I focused more and more on writing screenplays, and
408
00:26:55.480 --> 00:27:02.039
out of that learned the mechanics of storytelling. Wrote a
409
00:27:02.079 --> 00:27:08.079
couple of screenplays. The first one that really developed into
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a mature piece of work became ultimately my eleventh novel.
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But that's a story for a different time, right exactly. Anyway,
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I found my way into the into the business of
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writing by thinking that it was the back door into
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the business of directing. I wrote screenplays, nobody wanted to
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produce them, even though I made a few good contacts
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in Hollywood. Nobody at that time in the late the
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00:27:43.799 --> 00:27:51.599
mid seventies wanted to produce movies, big historical movies, which
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was the kind of thing that I was writing, and
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my agent actually sent to me once after I after
420
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I submitted to her a big splay about the battle
421
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for water rights in the Southern CALIFORNI in southern California
422
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in the nineteen twenties, she said, Oh, too bad. George
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00:28:08.039 --> 00:28:12.680
Stevens and John Ford are dead. You know. I was
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almost as if in my storytelling instincts and in the
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00:28:16.200 --> 00:28:19.799
things that excited me, I was about a generation too late.
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But I thinking that all this is going to lead
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somehow to humanoids of the deed.
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From the deep. Well, we'll get we'll get to that,
429
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we'll get to a second. But eventually I would go around,
430
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go around the movie producers and pitch ideas, and one
431
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of them finally said to me, you know the way
432
00:28:40.920 --> 00:28:45.880
you write, You ought to write a novel. And at
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00:28:46.039 --> 00:28:48.920
just about that time, there was a strike in Hollywood,
434
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and I had had it in my head that maybe
435
00:28:51.359 --> 00:28:55.880
I could write a novel. It's all storytelling. And I
436
00:28:56.000 --> 00:28:59.920
had a story about buried treasure beneath the streets of Boston,
437
00:29:01.200 --> 00:29:07.799
which became that book right there, Back Bay, which came
438
00:29:07.839 --> 00:29:13.359
out in nineteen eighty, which will be fifty years come
439
00:29:14.799 --> 00:29:20.119
in twenty thirty and that's what we celebrates, right. Yeah,
440
00:29:20.160 --> 00:29:22.200
Well I'm going to celebrate in a very big way
441
00:29:22.400 --> 00:29:25.160
at that one. But I'll tell you about that in
442
00:29:25.160 --> 00:29:35.839
a minute. That the process though with back Bay was
443
00:29:35.960 --> 00:29:38.720
basically applying the things that I knew as a screenwriter
444
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about grabbing a reader and the beginning of a story
445
00:29:42.480 --> 00:29:49.359
and sustaining dramatic tension and the plot velocity right the
446
00:29:49.359 --> 00:29:55.359
way I put it all together from my screen screenwriting training.
447
00:29:55.960 --> 00:29:59.160
And since then I have been learning more and more
448
00:30:00.079 --> 00:30:07.039
about the business of writing novels and developing as a stylist,
449
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which I would admit I really wasn't when I wrote
450
00:30:11.319 --> 00:30:15.000
back Bay. But we can talk more about style when
451
00:30:15.599 --> 00:30:17.559
when I'm there at writer Con.
452
00:30:18.519 --> 00:30:21.359
Everybody had to write a first books.
453
00:30:20.799 --> 00:30:24.960
That's right, yeah, required, But my first book was a
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00:30:25.000 --> 00:30:29.000
New York Times bestseller because that's the thing strike that
455
00:30:29.000 --> 00:30:32.839
that hit back Bait, and I was too young and
456
00:30:33.400 --> 00:30:40.680
inexperienced to fully appreciate what has happened, but I was
457
00:30:40.720 --> 00:30:41.759
glad that it did.
458
00:30:42.279 --> 00:30:47.519
Yeah. Yeah, but still Humanoids of the Deep, Okay, I
459
00:30:47.559 --> 00:30:50.799
got this cult horror film. Where did that come from?
460
00:30:51.200 --> 00:30:54.319
So one of the things that I did in the
461
00:30:54.359 --> 00:31:00.640
process of trying to develop a screenwriter was to make connections,
462
00:31:00.680 --> 00:31:04.720
make friends. And one of my professors at USC actually
463
00:31:04.799 --> 00:31:09.759
wrote movies for Roger Corman, the king of the B Pictures,
464
00:31:10.160 --> 00:31:16.000
who wrote He wrote Bloody Mama, Death Race two thousand,
465
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kind of movies that there are certain people out there
466
00:31:18.880 --> 00:31:20.880
who are saying, Oh, that's a great one, that's a
467
00:31:20.880 --> 00:31:26.480
great one. Ron mccorman made what I called exploitation films,
468
00:31:27.039 --> 00:31:33.519
and so I got to know his story editor, a
469
00:31:33.559 --> 00:31:37.200
wonderful woman by the name of Francis Dole, who has
470
00:31:37.279 --> 00:31:40.640
recently passed away. But just about the time that I
471
00:31:40.680 --> 00:31:42.920
was finishing the writing of Back Bay, she called me
472
00:31:43.039 --> 00:31:47.559
up and said, we have an assignment for you. Now,
473
00:31:48.839 --> 00:31:54.119
Roger Corman gave you an assignment. It meant that that
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00:31:54.200 --> 00:31:59.039
movie was going to get made, no matter so in
475
00:31:59.119 --> 00:32:04.880
a town where where everybody is writing a screenplay, including
476
00:32:04.920 --> 00:32:12.839
the guy parking cars outside of the restaurant that you've
477
00:32:12.920 --> 00:32:18.359
just gone to, everybody has an idea for screenplay. But
478
00:32:18.519 --> 00:32:22.039
to know that something that you had written was going
479
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to be put before cameras and turned into film that
480
00:32:28.000 --> 00:32:30.319
was unbelievable. So who was I to turn down the
481
00:32:30.359 --> 00:32:34.759
opportunity to do that? All that she gave me was
482
00:32:34.799 --> 00:32:39.400
the title and the tagline, both of which had come
483
00:32:39.559 --> 00:32:43.359
from a guy who I guess was a real estate
484
00:32:43.400 --> 00:32:45.920
agent who had decided he wanted to be a movie producer.
485
00:32:45.960 --> 00:32:49.039
And he went to Roger Corman and said, I'll finance
486
00:32:49.119 --> 00:32:52.039
this movie. And Roger Corman, of course, being a man
487
00:32:52.079 --> 00:32:57.400
who loved outside finance, particularly when he knew that he
488
00:32:57.440 --> 00:33:01.319
could control the project, said okay, I'll do it. And
489
00:33:01.359 --> 00:33:04.519
the title was Humanoids from the Deep and the tagline
490
00:33:05.559 --> 00:33:08.039
forgive me.
I did not come up with this. The
491
00:33:08.079 --> 00:33:13.880
tagline was they're not human, but they hunt human women,
492
00:33:14.920 --> 00:33:22.440
not killing for mating. And on that basis I wrote
493
00:33:22.440 --> 00:33:26.039
that movie. And it was about six months later that
494
00:33:26.160 --> 00:33:30.759
Back Bay became a New York Times bestseller, and I
495
00:33:30.799 --> 00:33:34.160
didn't need to worry about pleasing Roger Corman again in
496
00:33:34.200 --> 00:33:36.440
my career. Did he know?
497
00:33:36.799 --> 00:33:39.759
I mean, I could have seen him re releasing it
498
00:33:39.799 --> 00:33:42.359
as by the best selling author.
499
00:33:43.279 --> 00:33:48.359
Well, you know that the problem was that I I
500
00:33:48.480 --> 00:33:52.799
had a dispute over the ending of the movie, which
501
00:33:52.839 --> 00:33:56.200
I kind of a ripoff of Alien, which was a
502
00:33:56.200 --> 00:33:58.880
big movie in that particular summer, you know, the one
503
00:33:58.920 --> 00:34:01.440
with the baby pot that where the monster pops out
504
00:34:01.440 --> 00:34:06.119
of a John Hurts chest. That's you know, it's one
505
00:34:06.160 --> 00:34:09.440
of the most shocking incident incidents moments in the history
506
00:34:09.440 --> 00:34:10.199
of cinema.
507
00:34:10.360 --> 00:34:13.159
And he remember seeing that in the theater and the
508
00:34:13.199 --> 00:34:16.320
woman in front of him literally leaped out of her chair.
509
00:34:16.880 --> 00:34:22.199
Yep, yep. Well, uh, they decided after they saw that
510
00:34:22.840 --> 00:34:25.039
that that was how they wanted to end the movie.
511
00:34:25.480 --> 00:34:29.679
And Francis Dole, who was an english woman with a
512
00:34:29.679 --> 00:34:33.840
wonderful accent, would say, now, Bill, have you decided to
513
00:34:33.880 --> 00:34:40.360
write Birth of Monster Baby? I'd say, I'm not going
514
00:34:40.400 --> 00:34:46.920
to write that scene. In retrospect, I should have kept
515
00:34:46.920 --> 00:34:48.719
my name on the movie because I have gotten a
516
00:34:48.760 --> 00:34:53.760
lot of a lot of mileage from it, and uh
517
00:34:54.880 --> 00:34:57.679
learned a lot from it also, you know, and a
518
00:34:57.719 --> 00:35:04.400
lot of what I learned I I applied to subsequent
519
00:35:04.400 --> 00:35:09.840
books that I wrote. And that's that's a truth. No
520
00:35:09.880 --> 00:35:14.800
matter what you write, whether you're write a drawer full
521
00:35:14.840 --> 00:35:18.760
of short stories that you can't get published in the
522
00:35:18.800 --> 00:35:22.360
New Yorker, well maybe one day one of those short
523
00:35:22.400 --> 00:35:25.920
stories will break through for the New Yorker. I personally
524
00:35:26.039 --> 00:35:31.079
am totally incapable of writing a short story. I've never
525
00:35:32.000 --> 00:35:35.159
I've never been able to work. It's very hard work.
526
00:35:35.280 --> 00:35:40.079
People don't people don't understand. Oh, well, I can't write
527
00:35:40.119 --> 00:35:42.639
a novel, so I'll just write a few short stories.
528
00:35:42.800 --> 00:35:46.440
Now that doesn't work as long.
529
00:35:46.280 --> 00:35:47.920
And then you've got nowhere to send.
530
00:35:47.719 --> 00:35:52.719
It, right exactly. And the other one that falls under
531
00:35:52.760 --> 00:35:58.280
that that that label, I guess would be the children's book.
532
00:35:58.880 --> 00:36:03.519
You know, the children's book is a very difficult thing
533
00:36:03.599 --> 00:36:08.119
to write. It's like writing high coup, it's like writing poetry.
534
00:36:08.440 --> 00:36:11.239
And when when you when you meet someone who says, well,
535
00:36:11.320 --> 00:36:13.320
I can't write a novel for grown up, so I'll
536
00:36:13.320 --> 00:36:17.000
write a children's book, I say, well, you really, you
537
00:36:17.079 --> 00:36:20.800
might want to rethink that, because it's a it takes
538
00:36:20.880 --> 00:36:26.000
a very special set of skills and experience, and it
539
00:36:26.039 --> 00:36:33.280
isn't easier as it may appear. No, no, no.
540
00:36:31.480 --> 00:36:36.960
Now, Laura, you want to ask him about that PBS documentary, right, yes.
541
00:36:37.320 --> 00:36:41.400
So from Humanoids from the Deep to a PBS documentary
542
00:36:41.400 --> 00:36:44.440
on George Washington. Yes, well that age tell us about
543
00:36:44.480 --> 00:36:45.119
that one.
544
00:36:46.440 --> 00:36:50.679
That might I'm much prouder of George Washington, the man
545
00:36:50.760 --> 00:36:56.400
who wouldn't be king. But people seen it, well, you know,
546
00:36:56.480 --> 00:37:00.320
a show, a show like that in those days, even
547
00:37:00.360 --> 00:37:04.760
on the American experience on PBS, UH, that show would
548
00:37:04.840 --> 00:37:08.400
have been seen by six to eight million people, which
549
00:37:08.480 --> 00:37:16.199
a pretty good number of people. Yeah. Yeah, it is
550
00:37:16.239 --> 00:37:21.000
a sad fact of life. In my estimation that well,
551
00:37:21.039 --> 00:37:25.639
I've written some pretty good selling or well selling books,
552
00:37:26.360 --> 00:37:32.079
that the sum total of all the novels that I
553
00:37:32.119 --> 00:37:36.800
have written and all of their sales can't equal the
554
00:37:36.880 --> 00:37:42.280
number of people who have probably seen that awful movie. However, George,
555
00:37:42.320 --> 00:37:47.360
George Washington, the man books that you'd written, No, no,
556
00:37:47.440 --> 00:37:51.360
I had. I had a friend who's still working. David
557
00:37:51.400 --> 00:37:55.280
Sutherland is his name. He's a one of the last
558
00:37:55.320 --> 00:37:59.599
of the cinema verite filmmakers uh and and actually did
559
00:37:59.599 --> 00:38:04.800
a most of the films that he made would take
560
00:38:04.880 --> 00:38:07.400
him into someone's home, like he did one called The
561
00:38:07.480 --> 00:38:11.639
Farmer's Wife in
Nebraska about a farmer. Another one was
562
00:38:11.679 --> 00:38:17.039
about a cowgirl, and he would follow that family around
563
00:38:17.239 --> 00:38:20.440
with the cameras and then create something out of it
564
00:38:20.559 --> 00:38:26.599
that would become a PBS special then, and they asked
565
00:38:26.679 --> 00:38:29.440
him for some reason, I think because he had done
566
00:38:29.440 --> 00:38:34.400
films about art and had been able to animate the
567
00:38:34.440 --> 00:38:38.960
works of certain artists very vividly. Could he go back
568
00:38:39.000 --> 00:38:43.639
to the eighteenth century and animate the imagery that was
569
00:38:43.679 --> 00:38:48.559
available to us of Georgia Wellington as general and president
570
00:38:48.599 --> 00:38:53.960
and so forth and so on. And so he asked
571
00:38:54.440 --> 00:38:58.280
me if i'd write it, and I said, I'll write
572
00:38:58.280 --> 00:39:01.079
it if you let me narrate it, because I was
573
00:39:01.119 --> 00:39:04.880
angling to make myself the Road Company David McCullough. That
574
00:39:04.920 --> 00:39:08.440
didn't end, but uh, but it was a wonderful experience
575
00:39:08.480 --> 00:39:12.320
writing that film, and it's a nice we have all
576
00:39:12.480 --> 00:39:16.320
We have talked many times since about trying to do
577
00:39:16.400 --> 00:39:22.280
one on uh maybe the famous movie director for American
578
00:39:22.400 --> 00:39:26.960
masters or uh, maybe for the American experience, but we
579
00:39:27.079 --> 00:39:33.440
haven't uh, we haven't managed to coordinate our time schedules.
580
00:39:34.519 --> 00:39:37.559
So it might happen. It might. It might be fun.
581
00:39:37.679 --> 00:39:39.679
That sounds very fun. That kind of combines both of
582
00:39:39.719 --> 00:39:42.599
your interests. Yes, film writing brings.
583
00:39:42.320 --> 00:39:45.519
It all together. Yeah, yeah, yeah.
584
00:39:45.920 --> 00:39:49.599
And you talked about how you spend eight hours every
585
00:39:49.679 --> 00:39:53.760
day focused on your writing. Can you write more specifics
586
00:39:53.800 --> 00:39:55.760
like what your process looks like?
587
00:39:55.840 --> 00:39:56.559
Are you are you.
588
00:39:56.559 --> 00:39:59.280
A pants or a planner? Do you outline how do
589
00:39:59.280 --> 00:40:00.199
you approach a new well?
590
00:40:00.920 --> 00:40:04.119
You know, I've been sort of I've taken my foot
591
00:40:04.159 --> 00:40:09.920
off the gas pedal the last few years. When I
592
00:40:10.079 --> 00:40:13.599
was in the midst of writing December forty one, my
593
00:40:13.719 --> 00:40:18.360
last novel, I had a heart attack sitting right here.
594
00:40:18.480 --> 00:40:22.239
I'm sorry, that's all right, it's fine. I was sitting
595
00:40:22.280 --> 00:40:28.119
right here, and I had promised them the book in
596
00:40:29.239 --> 00:40:35.039
six weeks. I had targeted the date a week before
597
00:40:35.159 --> 00:40:37.360
my daughter's wedding, so i'd have the book out of
598
00:40:37.400 --> 00:40:42.119
my house so forth. And I was sitting here and
599
00:40:42.280 --> 00:40:46.400
I was saying to myself, I need six months, not
600
00:40:46.599 --> 00:40:50.480
six weeks, to finish this. And then I found a
601
00:40:50.480 --> 00:40:53.599
little funny pain here and it started to travel, and no,
602
00:40:54.239 --> 00:40:58.119
it didn't stop, it didn't go away. I went downstairs.
603
00:40:58.159 --> 00:41:01.320
I walked up and down the driveway to try to
604
00:41:01.440 --> 00:41:05.000
walk it off. That I do not suggest to anyone
605
00:41:05.079 --> 00:41:09.239
that thinks this might be happening. Went next door to
606
00:41:09.320 --> 00:41:12.800
my neighbor who was a retired ear nose and throat specialist.
607
00:41:12.880 --> 00:41:16.920
He wasn't home, so I kept walking up and down
608
00:41:16.960 --> 00:41:21.800
the driveway. Chris, my wife, wasn't home. Then my neighbor
609
00:41:21.880 --> 00:41:25.480
pulled in and he looked over and he said, were
610
00:41:25.480 --> 00:41:28.559
you looking for me, Bill? And I said, well, yeah,
611
00:41:30.400 --> 00:41:33.960
little pain. So forth get in the car, and he said,
612
00:41:34.000 --> 00:41:36.760
it's probably nothing, but let's go down to the hospital,
613
00:41:36.760 --> 00:41:42.920
which is six minutes away. And I was fortunate. By
614
00:41:43.000 --> 00:41:48.039
the end of the afternoon, I had a stint and
615
00:41:48.119 --> 00:41:52.719
I was sitting in my hospital bed calling my sons
616
00:41:52.760 --> 00:41:55.079
and saying, you know how, I tell you guys, sometimes
617
00:41:55.119 --> 00:42:00.079
you eat too much cheese. Well, I have now compelling
618
00:42:00.119 --> 00:42:06.599
evidence to support that theory. But anyway, so I had
619
00:42:06.599 --> 00:42:11.719
the heart attack. And while I was having the the
620
00:42:11.719 --> 00:42:13.920
camera put up through my arm and a cross into
621
00:42:13.920 --> 00:42:17.920
my heart and they're they're studying the veins. I'm thinking
622
00:42:17.920 --> 00:42:21.239
to myself, I don't have any more to prove. I'm
623
00:42:21.280 --> 00:42:25.599
not going to kill myself anymore. And my editor went
624
00:42:25.639 --> 00:42:29.280
along with that. He actually he said take all the
625
00:42:29.320 --> 00:42:34.480
time you need. And eventually I spent another year writing
626
00:42:34.639 --> 00:42:39.079
December forty one and then said, I'm going to spend
627
00:42:39.079 --> 00:42:42.840
some time traveling and wondering about I'll get to my
628
00:42:42.880 --> 00:42:45.039
next novel eventually, but it is coming.
629
00:42:45.840 --> 00:42:47.559
It's important to have that balance.
630
00:42:47.599 --> 00:42:48.400
It is.
631
00:42:48.559 --> 00:42:51.199
It's so important, I think, to fight burnout.
632
00:42:51.960 --> 00:42:58.639
Yes, that's part of it, you know. I meant at
633
00:42:58.679 --> 00:43:04.320
some point that one point
I was producing books almost
634
00:43:04.320 --> 00:43:09.960
won every two years. And and when you write books
635
00:43:10.000 --> 00:43:14.159
that are as big and long and research intensive as
636
00:43:14.199 --> 00:43:18.960
I write, they that that can be a lot of work,
637
00:43:19.519 --> 00:43:26.599
you know. And I truly hate sitting up here after
638
00:43:26.679 --> 00:43:30.559
supper at seven o'clock at night hoping that I can
639
00:43:30.639 --> 00:43:34.519
squeeze out a few more pages in order to get
640
00:43:34.519 --> 00:43:41.519
close to my my next deadline. And and that's that's
641
00:43:41.559 --> 00:43:43.599
when I that's when I say I'm too damn old
642
00:43:43.639 --> 00:43:45.440
for this. So and I.
643
00:43:45.880 --> 00:43:48.599
Think I think people who still have a day job
644
00:43:48.639 --> 00:43:51.440
and are trying to squeeze in that time so well
645
00:43:51.559 --> 00:43:54.360
and finish the next book, I think they're going to
646
00:43:54.400 --> 00:43:57.960
really connect with that idea as well. It's it's so
647
00:43:58.079 --> 00:44:00.760
easy to just keep pushing, pushing, right, and the next
648
00:44:00.760 --> 00:44:03.239
thing you know, you're burned out, your health is defraying,
649
00:44:03.320 --> 00:44:04.840
your relationships are suffering.
650
00:44:05.360 --> 00:44:09.760
Yeah. Absolutely, this is the this is the flip side
651
00:44:09.800 --> 00:44:13.360
of that business that I offered at the beginning about
652
00:44:13.480 --> 00:44:16.159
write every day. So forth, you should try to write
653
00:44:16.199 --> 00:44:22.639
every day. But I personally have an enormous amount of
654
00:44:22.639 --> 00:44:26.000
respect for people who keep a day job and also
655
00:44:26.119 --> 00:44:31.519
write books because I have been among the lucky ones
656
00:44:31.960 --> 00:44:37.440
in that I have. I have never I've never had
657
00:44:37.440 --> 00:44:40.440
to have a day job since I quit construction work.
658
00:44:41.000 --> 00:44:42.639
The writing is your day job.
659
00:44:42.760 --> 00:44:44.400
I said to my wife. I said to my wife,
660
00:44:44.400 --> 00:44:47.360
after I graduated from the US and Film School, just
661
00:44:47.840 --> 00:44:50.239
give me a year to write. She was working in
662
00:44:50.280 --> 00:44:52.800
the scientific lab at the time, and so she said, okay,
663
00:44:53.360 --> 00:44:57.840
And that was just about enough. I got my I
664
00:44:57.880 --> 00:45:04.599
got my princely Advanced bay of seven thousand, five hundred
665
00:45:04.599 --> 00:45:11.760
dollars and in well in late nineteen seventy seven. And
666
00:45:13.199 --> 00:45:15.960
that book made a lot more than seventy five hundred dollars.
667
00:45:16.079 --> 00:45:17.840
I am healthy. Yeah.
668
00:45:17.840 --> 00:45:20.400
Well, that's the nice thing about a small advance, isn't it.
669
00:45:20.760 --> 00:45:21.719
The book does.
670
00:45:21.519 --> 00:45:26.159
Well right right,
That book bought this house that I
671
00:45:26.280 --> 00:45:32.159
mean right now. Years later, Yeah, subsequent subsequent books heeded it.
672
00:45:32.440 --> 00:45:35.440
And because it gets.
673
00:45:35.159 --> 00:45:39.440
Colder for the furniture, right, Okay, we've hit the mark.
674
00:45:39.519 --> 00:45:42.280
I'm going to cut into that I call the lightning round.
675
00:45:42.639 --> 00:45:45.239
I want you to know that I tailored two of
676
00:45:45.280 --> 00:45:51.159
these questions just for you, knowing your extensive historical and
677
00:45:51.480 --> 00:45:55.800
really pretty much every kind of knowledge. So first one,
678
00:45:56.639 --> 00:46:01.599
if you could steal something from any library or museum
679
00:46:02.159 --> 00:46:04.639
in the world, what would you take.
680
00:46:06.559 --> 00:46:11.840
I would steal. I would go with Peter Fallon, the
681
00:46:11.840 --> 00:46:16.599
main character in several of my novels, who is involved
682
00:46:16.639 --> 00:46:20.119
in a lot of this stuff, and steal a first
683
00:46:20.119 --> 00:46:25.000
folio of Shakespeare. Oh well, nice, And I know and
684
00:46:25.039 --> 00:46:27.079
I know where to find a couple of them. I've
685
00:46:27.119 --> 00:46:28.920
actually been my hands.
686
00:46:30.280 --> 00:46:32.679
And that would worry about taking care of it though,
687
00:46:32.760 --> 00:46:33.039
you know.
688
00:46:33.039 --> 00:46:37.039
That would be worth but that would be worth about
689
00:46:37.039 --> 00:46:37.800
fifty million.
690
00:46:38.639 --> 00:46:41.760
Oh my god. After the Superman book people came out,
691
00:46:41.800 --> 00:46:43.519
people would say, would you like to have an Action
692
00:46:43.639 --> 00:46:47.880
Comics number one? The last one sold for about fifteen million. Yeah. No,
693
00:46:48.320 --> 00:46:51.480
I don't want that. I don't want the responsibility for that.
694
00:46:52.159 --> 00:46:55.679
Yeah. Well, well right in this line of books behind me,
695
00:46:55.920 --> 00:47:02.559
I have a plan from the second folio of Shakespeare,
696
00:47:02.840 --> 00:47:09.159
from the sixteen hundreds, certain books, certain dealers will if
697
00:47:09.440 --> 00:47:14.199
if the volume is just too hard to sell, to
698
00:47:15.159 --> 00:47:19.920
deteriorated and stained, they will take out razor out the
699
00:47:20.000 --> 00:47:24.400
plays that are that are still legible, and they'll sell
700
00:47:24.400 --> 00:47:27.280
those individually. And so I I have a copy of
701
00:47:27.320 --> 00:47:32.840
Loves Loves Labors one over there. Actually it's Love Loves
702
00:47:32.960 --> 00:47:37.519
it's actually Loves Labors Lost, Loves Labor's Loss. But in
703
00:47:37.639 --> 00:47:42.079
Harvard Yard. My novel about Harvard with Peter Fallon. In it,
704
00:47:42.480 --> 00:47:46.000
he tries to find loves labors one which they think
705
00:47:46.360 --> 00:47:47.320
Beer wrote and.
706
00:47:47.920 --> 00:47:51.239
Lost it was
registered, but nobody's.
707
00:47:51.079 --> 00:47:54.599
Yeah, yes, yeah.
708
00:47:53.679 --> 00:47:55.840
Okay, I totally didn't stump you with that. So let
709
00:47:55.840 --> 00:47:59.440
me try again. You could jump at, mister history, if
710
00:47:59.480 --> 00:48:07.800
you could jump up into a time machine and change anything, Okay.
711
00:48:05.519 --> 00:48:10.159
I would go back sixty million years and I would
712
00:48:10.199 --> 00:48:13.679
just adjust the rotation of the Earth by it, I
713
00:48:13.719 --> 00:48:20.039
don't know, maybe about about six hours, so that the
714
00:48:20.079 --> 00:48:25.599
asteroid that hit the Yucatan Peninsula and Gulf of Mexico
715
00:48:26.519 --> 00:48:30.679
would hit in the Pacific because if that asked and
716
00:48:30.760 --> 00:48:32.840
I was just reading all this the other day, and
717
00:48:32.880 --> 00:48:33.480
I'm saying.
718
00:48:33.400 --> 00:48:34.800
You'd save the dinosaurs.
719
00:48:35.480 --> 00:48:42.960
No, well, listen, who knows. But the asteroid, the asteroid
720
00:48:43.039 --> 00:48:48.719
hitting the Gulf of Mexico, it hit a very shallow
721
00:48:48.800 --> 00:48:52.119
limestone seabed, and the limestone reacted in such a way
722
00:48:52.119 --> 00:48:55.880
that it went up into the air and became sulfuric acid.
723
00:48:56.239 --> 00:48:59.000
So after everything else was over with, the Earth was
724
00:48:59.039 --> 00:49:04.159
surrounded by this orbit of sulfuric acid in the little pellets.
725
00:49:05.119 --> 00:49:08.000
If it had hit in the Pacific. It would have
726
00:49:08.119 --> 00:49:12.559
caused probably a tidal wave and an explosion and so forth,
727
00:49:12.960 --> 00:49:18.519
but the effects might not have been as as completely catastrophic.
728
00:49:19.320 --> 00:49:23.400
So who knows what might have emerged. Who knows what
729
00:49:23.440 --> 00:49:24.400
we would be like.
730
00:49:24.639 --> 00:49:26.480
It could be humanoids from the deep.
731
00:49:26.840 --> 00:49:32.039
I know. That's great. I thought about I thought about
732
00:49:32.039 --> 00:49:37.000
that answer, and I figured you'd like that. That's that's
733
00:49:37.079 --> 00:49:41.000
the big picture. And then all of these in all
734
00:49:41.039 --> 00:49:42.840
of these books, I like to think about a big
735
00:49:42.880 --> 00:49:43.639
picture behind.
736
00:49:44.199 --> 00:49:48.320
It's so smart. Yeah, great, regret. I have to wrap
737
00:49:48.360 --> 00:49:51.599
this up. Okay, we will see you again at Ryder
738
00:49:51.679 --> 00:49:53.239
Con in September.
739
00:49:53.800 --> 00:49:53.960
Good.
740
00:49:54.000 --> 00:49:56.360
Until then, thanks for being on the podcast.
741
00:49:56.639 --> 00:50:01.559
Good okay having me, Yes and my son Dan Man.
742
00:50:02.519 --> 00:50:07.039
We'll be talking about games, writing games.
743
00:50:07.119 --> 00:50:09.679
Yes, podcast too. But yeah, I'll be back to writer
744
00:50:09.840 --> 00:50:10.480
conn all.
745
00:50:10.480 --> 00:50:13.000
Right, thanks for being okay, take care.
746
00:50:24.360 --> 00:50:28.519
Just a few parting words. Writer Con is September fourth
747
00:50:28.559 --> 00:50:32.599
through seventh and Oklahoma City at the historic and haunted
748
00:50:32.920 --> 00:50:36.920
Sturvan Hotel. Laura and I will be there, Jesse will
749
00:50:36.960 --> 00:50:41.679
be there, about sixty other writers agents will will be there.
750
00:50:42.199 --> 00:50:45.519
William Martin will be there with his son Dan Martin.
751
00:50:45.920 --> 00:50:49.320
As we know and you know, a whole bunch more.
752
00:50:49.360 --> 00:50:52.079
And like I said, the schedule is on our website,
753
00:50:52.159 --> 00:50:55.000
so go check it out. It is not too time
754
00:50:55.079 --> 00:50:58.880
to register and make plans to attend writer Con. The
755
00:50:58.960 --> 00:51:04.679
website is predictably writer con dot com. I also have
756
00:51:04.760 --> 00:51:07.079
to put in one more plug for my new book,
757
00:51:07.280 --> 00:51:10.559
The Superman Wars. Remember this is a book about a
758
00:51:10.559 --> 00:51:14.639
writer just like you, and the struggle struggles he suffered
759
00:51:14.679 --> 00:51:18.519
are sadly very much with us today. Some of the
760
00:51:18.679 --> 00:51:23.239
scams targeting targeting writers take a slightly different shape today,
761
00:51:23.239 --> 00:51:27.599
but man, the vultures are still with us. And Jerry Siegel,
762
00:51:27.679 --> 00:51:29.840
the kid who came up with the idea for Superman,
763
00:51:30.280 --> 00:51:33.840
was the first American writer to sue his publishers to
764
00:51:34.000 --> 00:51:37.199
stand up for his rights, and many other writers now
765
00:51:37.440 --> 00:51:40.920
benefit from what turned out to be the most important
766
00:51:40.920 --> 00:51:45.679
creator writes battle of modern times. Let me also say,
767
00:51:45.679 --> 00:51:48.039
if you haven't joined the writer Con Facebook group, you
768
00:51:48.079 --> 00:51:51.280
should do it now. Join this wonderful community of writers.
769
00:51:51.280 --> 00:51:53.440
They'll keep up to date. It doesn't cost a thing.
770
00:51:53.639 --> 00:51:55.840
I'll post a link in the show notes. All right,
771
00:51:56.960 --> 00:52:02.280
until next time, people keep writing, And remember you heard
772
00:52:02.320 --> 00:52:05.440
it from William Martin, so you know it must be true.
773
00:52:05.559 --> 00:52:08.159
You've heard it from me a few times too. You
774
00:52:08.360 --> 00:52:13.440
cannot fail if you refuse to quit. All right, See
775
00:52:13.480 --> 00:52:14.119
you next time.