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ABOUT THIS EPISODE

Today on “The Daily,” we present Episode 3 of “1619,” a New York Times audio series hosted by Nikole Hannah-Jones. You can find more information about it at nytimes.com/1619podcast.

Black music, forged in captivity, became the sound of complete artistic freedom. It also became the sound of America. Guest: Wesley Morris, a critic-at-large for The New York Times.

This episode contains explicit language.

Background reading: 

  • “The proliferation of black music across the planet — the proliferation, in so many senses, of being black — constitutes a magnificent joke on American racism,” Wesley Morris writes.
  • The “1619” audio series is part of The 1619 Project, a major initiative from The Times observing the 400th anniversary of the beginning of American slavery. Read more from the project here.
English
United States
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TRANSCRIPT

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