TRANSCRIPT 🔗
WEBVTT
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What's up everybody?
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Today's episode is extra special.
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Why? Why? I'll tell you why.
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Tell me why.
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Not only are we broadcasting at the top tier creme de la creme production rental studio of Bergen County, new Jersey, blank space studio.
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But I get the rare opportunity or punishment to hang out with my friend Rocco and his stout mug.
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So do me a favor.
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Strap on.
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Strap in.
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It's going to be a good one, Arches.
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You hear the great news? One news.
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The New York Yankees are finally allowed to have beards.
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Really?
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If you want to watch two guys that have been accused of having beards for years.
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Go to Anti-fog pod on YouTube and hit that like subscribe button.
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I'm rock and I'm Artie.
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All right.
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What's up everybody.
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This is a special treat.
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An in-person interview.
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What do you think? Love it. Love it.
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How are you guys still to rest up in person today, we have Frank white, journalist, photographer Alan Tokyo, veteran vocalist for bands such as Hades, Watchtower and nonfiction.
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Guys, welcome. Thanks.
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Thank you.
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Saucy. Here.
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Yeah. The this is where we start off.
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There's a million fun questions.
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I have nine questions.
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As a music nerd, I love this, but I couldn't get to the whole thing.
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But I read chunks and I clean Kiss Zeppelin.
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I love everything about this book, so kudos to you guys.
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Thank you.
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A while ago, we did an in-person interview with, your friend Chauncey Hayden.
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You came by, you were in the, in the, behind the scenes.
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You gave us a book, and Rocco took it.
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I took it, I thought it was awesome.
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And I'm glad that this interview came to fruition.
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Thank you. Was there, fire first thing I took from this book.
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Okay.
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Now, Rocco and I, we always said this on a podcast.
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For years, we've been in bands.
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We're a little bit behind.
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You guys have been playing in the generation of rock and roll in new Jersey, but I'm so envious of all the clubs that were around.
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Yeah. Years ago.
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Yes, I like it, but I like All right thing, but Starlight Ballroom or or what have got three more, you know, like debonair.
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Yeah. Debonair.
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This is a great venue but I can't like I tried that I said I should probably write things down from, from upstate New York to Garfield to Woodbridge to to, to Hackensack.
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Like you could play anywhere in new Jersey, right?
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Please.
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There was a scene there in the city.
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That's why this book is here.
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That's why this book is here.
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So I just wanted to get that out because the more and more I read this book, I'm like, I can't believe how many, how many places to play.
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Like, I was actually getting, like a little bit pissed off because I'm like, I wish I could have had the opportunity of all these clubs that were out there.
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Sure. Right. So please.
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But that being said, tell us how this book started and why.
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And it's obviously a labor of love, right?
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You guys did work around this for two and a half year. Two and a half years.
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It took. Yeah.
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It was photographer for almost 50 years at this point when I, I had the idea, came up with starter five, I started I actually my mom started teaching me photography at six years old because she was a photographer in the 40s and 50s. Okay.
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So she taught me for about six years before I started, wanting to photograph my first band, which was LED Zeppelin.
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And it just happened to be at Madison Square Garden.
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So I had to come up with a plan to get a camera out of my mom's closet and tell my parents a lie, that I was going around the corner in a friend's house, and I knew how to get into the city because she taught me how to get there because her she'd like to drive.
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So I started going to my first show without them knowing.
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By filming the city then ended up getting a ticket to the orchestra.
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I was able to photograph my first show, and then that led to a second show, third show, and that went on.
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And it just went on for decades.
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And then came up with this idea in 2000, 19 or so, to come up with a book that represented the whole new Jersey heavy metal scene.
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Load full transcript
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And I thought of Jersey metal.
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And then from there I had to find a partner, and along came Allen, because he ended up interviewing, and reviewing my book.
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Ronnie James deal.
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Okay.
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So I ended up doing a partnership together.
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And what year was that?
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Around 2020.
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Won the partnership for the book.
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For deal?
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No. The of the partnership?
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Yeah. Just like during Covid.
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Yeah, yeah.
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Took me the book.
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Took two and a half years to make. Do I help?
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Covid was a great time, actually, to start a project.
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Right. You got to have that kind of how we got into this.
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We we had talked about it for years, but then you got time on your hands.
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Yeah, yeah, yeah. All right.
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So first story and like, you just mentioned Zeppelin, so you like, you took the bus, right?
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And so there was no story.
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I told you that I was 12.
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Wow. Yeah. You guys have kids?
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Very small.
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Okay. But, like, I can't leave my 13 year old alone in the room.
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Yeah.
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No go in the city. I mean, the extent of.
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I think we took the nine to the Willow Brook.
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That's from Bloomfield Avenue.
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And that was like around 13, 14.
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But I wouldn't even imagine going to the garden at that age.
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But that's kudos to you.
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Yes, I did to the Berlin Wall for taking the bus, you know, but, that was because it was just going on like maybe a day or something like that back in the day.
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But to go into the city, my parents, you know, my father would drive on the weekends.
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My mother would go to see her mom, father, during the week, you know, up in the Bronx.
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Yeah.
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So I knew how to take the bus and then the subway up to there, and then I just figured out.
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And I was also into the art.
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And there was this guy called scene that was doing all the graffiti back in those days, you know, on the subway cars.
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And so I got to, you know, copy down some of these stuff, you know, and I just figured out where all the stops were, you know, because I was going there to the house multiple times to see my, my grandparents.
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So you go see Zeppelin.
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You're 12 years old.
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You're by yourself. Yeah. Okay.
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This is how certain movie star know that you're by you're by yourself.
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Literally.
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It's the plot of Home Alone, by the way.
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But, like.
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All right.
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So you navigate in from in this story, I remember you get like a ticket.
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Right.
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Which like, it seems like it was getting tickets to closer to the family whole easier back then. Yeah.
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Like a little cheaper.
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Yeah.
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Oh, I see them.
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Bought five bucks to see kiss.
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Yeah.
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Four bucks to, like, you know, Ticketmaster convenience charge in those days.
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And I remember waiting on line after, you know, soon after to, to get tickets.
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You know, when my parents realized I was going to shows now and so, so I'd be waiting, you know, overnight sometime for tickets in front of the Capital Theater or the garden, you know, Nassau Coliseum.
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Even so, I have a an older brother who introduced me to all this music, so I like what growing up in the 90s, when everybody was, like, into rap, like Benny and Wu-Tang, all that stuff where I am, too.
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But I was also wearing a kiss jacket, the school.
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And then they were like, let that fucking where I was photographing those bands back then was so as well as that, you know.
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So I have an appreciation.
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He used to tell me stories.
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He's like, yeah, I went to see Springsteen at the Capitol Theater.
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I saw he used to tell me stories like, when bands used to play the big venues garden.
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They might stop at the Capitol Theater.
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Yeah, and do another show there under a different name or something.
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So, like, I have an appreciation for those, but, so just as an example, Queen Zeppelin, like, you're there, you're in, you're up front, you're taking pictures.
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Nobody I guess back then nobody's stopping you.
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You look at your skin.
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The security was a lot lighter.
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And so like, they they knew I wasn't going to cause any trouble.
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You know, I had a
camera on my back, you know.
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Oh, let me take a few pictures. It's no big deal.
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They figured it somebody out.
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Yeah, but I wouldn't like, I wouldn't I wouldn't overstep, you know, and try to go into that area or try to get in front of other people.
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I always try to stick to the aisle, you know.
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And that way no one was saving.
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Yeah. No. Yeah.
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Okay. Yeah.
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as the book progressed, I started to see pictures that were like almost backstage though, right.
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Or hanging with.
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So I got back from a lot of those photos came from the bands, themselves.
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I needed photos to kind of put the reader in a spot where, you know, they're inside the club, they're backstage early on to get the idea of how, like, this all started.
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And and I got them from the bands by just contacting them online.
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Would you know if someone gave you their information?
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I feel like back then it was so, so much harder to connect.
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Right now we have the internet.
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We have right ways to use social media.
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Back then, it's like, I got to know somebody who know somebody or like that.
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I'm with you. Yeah. I'm, photo agent.
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I run a photo agency called Frank White Photo Agency.
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So I get to find people all the time.
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Awesome.
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You know, and so I took their information and they have photos, and I try to pick all the photos, from the state, you know, wherever, you know, Jersey photographers, they I just want, like, clubs, theaters, arenas that I don't have whatever you might have.
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Let's check it out and we make a decision from the big venues as the Guardian and Brendan Byrne Arena.
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I'm very open, to to little clubs, to the Union Jack, to, circus.
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Circus. Yeah. So stuff.
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I've never even heard hole in the wall.
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Yeah, well, so that means you had to have been going to your going shows a whole time.
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Every day there.
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Like every week, every week, every week.
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They say, are you going to the shows?
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You know, in the beginning, it was mostly the arenas and theaters.
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And then when I was old enough to go into the clubs around, you know, the industry at the in the 1970s, you know, I started going to a mix each week and, you know, I would bring my camera and all the time.
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So you had to have been known by that, like, there's that, there's that guy called Frank.
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Oh, for sure, sure for sure. Yeah.
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Frank Letterman.
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Yeah.
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There were people there like, you know, one guy I worked at Capitol Theater, Jeff Witwer, he would, just say, I know this guy.
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You know, the guy comes here all the time.
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Photographs, you know, even while he's cool.
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You know, this wasn't a trouble.
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Yeah, yeah, yeah. Help me out.
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Sometimes gives you more more of a show, you know, or the Ritz or, you know, or, you know, one of the clubs and, you know, the at the time that was there were around that knew me, you know, so we kind of, you know, make a friendship with them.
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One of the pictures I saw in there, correct me if I'm wrong, willies.
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Yes, but it was that the original, where?
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The stairway.
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Oh, good. Bucket scar. That ballroom.
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That's right.
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Because you saw the building.
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That's when I went to see it.
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They said because you.
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I believe you said it was the first club in, like, the Singer Ville area or something.
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That a Union Jack was sort of near there.
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Right there.
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So. Okay.
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Yeah.
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But, that was sort of like the place to go at that time period.
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Wasn't that big.
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It was I yeah, it was about the same size.
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You know, they might have, they might have maybe did something on the inside, the front.
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You said it was too, but I think, yeah.
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Yes, yes.
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There was like and so we, you know, concentrated on obviously the, the heavy metal artists that came into that room.
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my question would be, okay, you guys get together in 2021 ish to, to write this.
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How do you did you keep journals like how did you recall all these all this information like we were talking about randomly about, a certain show we went to and we looked at a lot of shows.
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I mean, I remember we went to a show, I couldn't say where it was going to say what year it was. Okay.
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How do you have how do you have that that
recall of the dates and the stories and the time? Okay.
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So a lot of times I back in the day when I first started going to shows, you know, I wanted to have everything as a souvenir, you know, from like a t shirt to, maybe the tour program or, the photos.
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Obviously, I wanted to write down something about it, and I would just, you know, start taking some notes, you know, like, I would go in to my grandparents house, you know, just sit there like, you know, just draw.
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You know, I was into art and drawing as a kid.
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So I just would sketch or, you know, write things down.
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And then that kind of kept going.
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But I never considered myself a writer back then because I was more doing things like photography.
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Yeah.
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Level that, you know, nobody else around me was doing, you know.
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So I just kept going with that and with the notes and stuff.
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I just gathered some of them, you know, would gather a flier or, or whatever I could get from the show and have it in my, put it in my, drawers and kept it there until I started getting file cabinet.
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Then I started putting all my stuff in file cabinets.
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Got organized archive this guy. Yeah.
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That's that I like.
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I have like, a dozen file cabinets.
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All that.
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All surround me with everything from, you know, set list.
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You know, invites, you know, our recipes for, you know, for, for parties, photo passes, tickets. Wow.
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Slides, negatives, prints, slides, stuff that you need to look back on.
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And I just keep collecting that over the years.
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It's like you had the foresight back then, but you didn't.
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Yeah, I read a book or something like that.
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But yeah, trying to get the setlists early on, you know, like they, you know, some would still see what they had to remember on the, on the floor, you know.
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So that's what, that's what I love, I love we planned like five minutes ahead of time. You think. Yeah.
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The, what I like is that you actually you would say the show, you know, it was, AC crazy AC, DC opening for like, New Jane or opening for who?
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I forget.
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But other bands that were back then.
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But it's like after their third album, they should be headlining.
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Yeah. Not really, you know.
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Yeah.
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But, you would, you would, you would jot down the setlist, right?
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Yeah.
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Well, you know, like, they want to put things in order, you know.
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So that way, you know, a lot of other people will probably went to that show.
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Yeah. So like, you know, I kind of want to keep things.
00:15:30.320 --> 00:15:32.240
So I don't keep getting emails.
00:15:32.240 --> 00:15:35.399
Hey, you know that song was there instead of, you know.
00:15:35.440 --> 00:15:35.639
Yeah.
00:15:35.639 --> 00:15:42.480
It's like, you know, how to just just check, you know, sometimes with other people or, you know, the setlist.
00:15:42.480 --> 00:15:47.000
I had or wherever I could to figure out, you know, what?
00:15:47.000 --> 00:15:47.840
Everything was in order.
00:15:47.840 --> 00:15:54.559
Even sometimes the internet, you know, you watched the evolution of Sabbath, right?
00:15:54.600 --> 00:15:57.919
Pretty much from when I first started like that.
00:15:58.159 --> 00:15:59.759
Yeah.
00:15:59.759 --> 00:16:08.639
And then I never I didn't I knew a couple of names, like I was talking about my brother would fill me in on some stuff, but I didn't know there was for a minute a Jersey guy got the job.
00:16:09.519 --> 00:16:19.120
You know, if he was like, let's say King Regal and regular Ray Gillen, I think I didn't know that he was in bands like Quest and Harlot back in the day.
00:16:19.120 --> 00:16:24.320
When I started going shows like this, you know, the was six months and said, come on, King.
00:16:24.320 --> 00:16:27.399
And I was at his first show and I read that.
00:16:27.519 --> 00:16:31.039
Yeah, but that's awesome to see, to CDO.
00:16:31.039 --> 00:16:34.679
And then that was pretty cool, is that I'm a I'm a big Kiss fan.
00:16:34.679 --> 00:16:37.679
So when Eric Singer was part of that for a little while.
00:16:38.039 --> 00:16:39.559
So that was really cool.
00:16:39.559 --> 00:16:47.360
to intertwine your life experience with the pictures is a great marine story to tell it to show people.
00:16:47.679 --> 00:16:52.840
And it also, I believe, you know, selling pictures to like, the Rock and Roll Hall of Fame.
00:16:52.840 --> 00:16:55.840
Yes, that's one of the outlets that I work with.
00:16:55.840 --> 00:16:56.559
That's great.
00:16:56.559 --> 00:16:57.799
Yeah, that's also about that.
00:16:57.799 --> 00:16:58.480
That came about.
00:16:58.480 --> 00:17:05.160
It was I was working with a, editor on a book, a long time ago, over 20 years ago.
00:17:05.160 --> 00:17:09.200
And she said, hey, you know, one of my other clients is the Rock Roll Hall of Fame.
00:17:09.200 --> 00:17:13.240
And since you're a photographer for many years, you've shuttled genres of music.
00:17:13.559 --> 00:17:24.519
You know, why don't you, you know, stay in touch with me and I'll put you in touch with the people that need to look at photographs to put in the, the, the program or the television show.
00:17:24.759 --> 00:17:25.599
And I said, great.
00:17:25.599 --> 00:17:29.200
And so we've been working together over 20 years now.
00:17:29.200 --> 00:17:35.279
So I get all the I get all the, the, programs that they give out at the, the hall, over the event happens.
00:17:35.279 --> 00:17:45.200
So, yeah, sometimes my stuff ends up on the TV part of it, you know, maybe flash behind the screen when the guys, like, with black keys and, ducted, Steve Miller.
00:17:45.559 --> 00:17:51.279
I saw the photo for a guy who shot him in, like, 1972 or something like that.
00:17:51.480 --> 00:17:52.720
Wow. Yeah.
00:17:52.720 --> 00:17:54.759
So I like, you, like, hippie stuff.
00:17:54.759 --> 00:17:57.599
Yeah. And, that that was behind the screen.
00:17:57.599 --> 00:18:03.640
So I got, you know, some $100 for that photo, and I give, I don't give, like a 60% cut to the, photographer.
00:18:03.680 --> 00:18:13.960
And we get both our names at the end of the show, and, or could run in, like, the way you talk about the band, you know, they have, like, a little five minute behind the music.
00:18:14.200 --> 00:18:16.680
Sometimes the photos go in there.
00:18:16.680 --> 00:18:19.400
So let's talk about Allen for a second.
00:18:19.400 --> 00:18:19.680
Right.
00:18:20.640 --> 00:18:21.880
What's going on in your life?
00:18:21.880 --> 00:18:24.880
Right. You had a musical career.
00:18:25.079 --> 00:18:27.160
We picked up where we left off.
00:18:27.160 --> 00:18:29.440
Were you late 70s, early 80s.
00:18:29.440 --> 00:18:32.319
Talk about where where you were at in relative to music.
00:18:32.319 --> 00:18:34.319
Early 80s. Yeah.
00:18:34.319 --> 00:18:43.480
Well, I was just coming out of high school, and, I was in a band called prophecy that led me into a band called aggressor, and then eventually Hades.
00:18:43.480 --> 00:18:44.759
And then I made my first album.
00:18:44.759 --> 00:18:51.599
So I guess that's we did a 45 first, and it was like 1985 and, first record, like 86 and 87.
00:18:51.599 --> 00:18:58.279
So we started playing a lot of shows, and I kind of joined a band that already had it a buzz going on and a bunch of songs, and people knew about them and stuff.
00:18:58.279 --> 00:19:00.079
So I kind of got lucky that way.
00:19:00.079 --> 00:19:03.079
But that's where I was in the mid to early 80s, for sure.
00:19:03.200 --> 00:19:06.200
And I met, Alan through prophecy.
00:19:06.240 --> 00:19:08.119
I did their photos for them.
00:19:08.119 --> 00:19:12.759
So not only did you find him for this in 2021 or right.
00:19:13.119 --> 00:19:15.519
Yeah. We were the first band to pose for, like, a shoot.
00:19:15.519 --> 00:19:16.359
Yeah. Wow.
00:19:16.359 --> 00:19:21.400
But you guys had that action, and it was right in the middle for the town I grew up in as a child.
00:19:21.400 --> 00:19:24.200
And then I moved over to Bergenfield and then that started.
00:19:24.200 -->
00:19:26.200
I started my career at that.
00:19:26.200 --> 00:19:38.680
The origin story. Right now. So we, Do you guys, by any chance stay in contact all these years for doing anything with rock and roll or just friendship?
00:19:38.759 --> 00:19:44.920
And we kept we constantly ran into each other and we actually ran into each other in California in vacation together for a few days.
00:19:44.920 --> 00:19:46.640
So that's totally by accident.
00:19:46.640 --> 00:19:48.200
Don't a that's cool.
00:19:48.200 --> 00:19:50.160
But yeah, I would see every single show I went to.
00:19:50.160 --> 00:19:51.880
Frank was in the picture, you know.
00:19:51.880 --> 00:19:53.720
Oh, okay. Oh, absolutely.
00:19:53.720 --> 00:19:55.839
So now you're shooting him in.
00:19:55.839 --> 00:19:58.839
What would you, would you say this is the first time?
00:19:58.839 --> 00:19:59.480
Yeah.
00:19:59.480 --> 00:20:03.640
I was in 1982, 83, maybe.
00:20:04.119 --> 00:20:05.799
Oh that's right. Yeah, yeah.
00:20:05.799 --> 00:20:06.920
The 83.
00:20:06.920 --> 00:20:10.200
And you're in prophecy. Prophecy 9480.
00:20:10.400 --> 00:20:11.119
Okay.
00:20:11.119 --> 00:20:16.240
So now, a couple of whatever the time stamp would be a year or two later, you're in 80.
00:20:16.480 --> 00:20:17.759
Yep. Like.
00:20:17.759 --> 00:20:18.279
All right.
00:20:18.279 --> 00:20:21.759
So now he's pretty big in love locally.
00:20:21.759 --> 00:20:23.160
Yeah. Like you guys were really big.
00:20:23.160 --> 00:20:27.839
And our claim to fame, we got to open up with you, I think a couple times.
00:20:27.880 --> 00:20:30.519
The record with the rec room.
00:20:27.880 --> 00:20:30.519
Nice. Nice. Miss that place.
00:20:30.519 --> 00:20:31.359
Yeah. Yeah.
00:20:31.359 --> 00:20:32.799
Nice there a lot.
00:20:32.799 --> 00:20:33.160
Yeah.
00:20:33.160 --> 00:20:35.640
But, I was a deejay there on Thursdays. There.
00:20:35.640 --> 00:20:37.519
Yeah. Yeah, that.
00:20:37.519 --> 00:20:37.880
I'm sorry.
00:20:37.880 --> 00:20:40.519
I've got Hades that I shot at the rec room.
00:20:40.519 --> 00:20:43.319
We'll be at our, believe our next book. Yep.
00:20:43.319 --> 00:20:44.319
Yeah. Oh, yes.
00:20:44.319 --> 00:20:46.119
Because this is a series. Yeah. Right.
00:20:46.119 --> 00:20:54.359
So this is 69 to 86, and then we're gonna go at 86 to 87, oh four, 87 to oh four.
00:20:54.359 --> 00:20:57.000
Yeah. So that's like everything that's the book. Yeah.
00:20:57.000 --> 00:21:00.759
The final volume is 2005 to 2021.
00:21:01.599 --> 00:21:04.039
That's awesome. That's really cool.
00:21:04.039 --> 00:21:07.039
Just talking about opening up for Hades at the rec room.
00:21:07.160 --> 00:21:10.920
Like, to us, it was it was an absolute huge deal, you know?
00:21:10.920 --> 00:21:19.440
No, I mean, when you guys, when you guys were all there was like, okay, this is this is this is a band where this is a real band toward the end, you know, success albums.
00:21:20.480 --> 00:21:21.880
They said they were like, get the fuck off.
00:21:21.880 --> 00:21:24.480
You know? I was like, all right, all right, all right.
00:21:24.480 --> 00:21:26.839
So just, And then what?
00:21:26.839 --> 00:21:28.240
I heard you sing.
00:21:28.240 --> 00:21:29.319
I just wanted to quit music.
00:21:29.319 --> 00:21:32.680
I was like, okay, so I don't have any illusions.
00:21:32.799 --> 00:21:35.480
Ever try to sing half as good as this guy?
00:21:35.480 --> 00:21:37.400
I think I know, but that was the feeling.
00:21:37.400 --> 00:21:49.680
But that was that was like, kind of like, we were young in our venture of of music, but it was like, wow, this is, this was, this is a band that that we looked up to every time a couple, maybe two, three times we opened up for you guys there.
00:21:49.680 --> 00:21:50.960
Always great.
00:21:50.960 --> 00:21:52.920
And guys always packed the plays or just said it was.
00:21:52.920 --> 00:21:53.880
It was a fun vibe.
00:21:53.880 --> 00:21:57.599
That's what I remember about those times, because we were just kind of getting started.
00:21:55.039 --> 00:21:57.599
That's cool, that's cool.
00:21:57.599 --> 00:22:02.880
Yeah, that had to be probably like around 2003 or what?
00:22:02.880 --> 00:22:04.319
No one.
00:22:04.319 --> 00:22:07.200
It's probably more like 99, 2000.
00:22:07.200 --> 00:22:12.240
I was I was getting it right into digital and there's 1000, 2001.
00:22:12.559 --> 00:22:13.319
Yeah, yeah.
00:22:13.319 --> 00:22:16.079
Because we did Sage's, we had a metal deal with kind of out of nowhere.
00:22:16.079 --> 00:22:18.160
So we did Save yourself in 98.
00:22:18.160 --> 00:22:21.799
Downside 99, I believe in 2000 we'll put out a damnation.
00:22:22.119 --> 00:22:22.440
Okay.
00:22:22.440 --> 00:22:25.160
So it would have been probably around I think it was the. Yeah.
00:22:25.160 --> 00:22:29.920
Yeah, I remember, reading, I guess, where you guys were.
00:22:29.920 --> 00:22:30.880
Hades called it quits.
00:22:30.880 --> 00:22:33.880
I remember reading of I said to you this was back.
00:22:34.039 --> 00:22:34.519
What? You're in it.
00:22:34.519 --> 00:22:38.200
Did he stop playing, like, like the first time?
00:22:38.400 --> 00:22:43.359
Yeah, I had no, I guess the final time, I guess, I guess it would have been in early 2000.
00:22:43.839 --> 00:22:46.160
It was, in one of the magazines.
00:22:46.160 --> 00:22:50.799
I was, I forgot this is what it says.
00:22:50.960 --> 00:22:59.319
Hades hangs up the pitchfork, and it was, like, very, like, funny the way the band Metal Maniacs maybe very, very sad.
00:22:59.319 --> 00:23:01.000
That sounds about right.
00:23:01.000 --> 00:23:10.599
But I, I want to go back to the clubs like, what what was the vibe back then saying, give me, like, 72, 73.
00:23:10.599 --> 00:23:11.920
You're there.
00:23:11.920 --> 00:23:13.200
People are.
00:23:13.200 --> 00:23:16.000
Well, like, what was a rock vibe back then?
00:23:16.000 --> 00:23:18.680
I see celebration, I see
celebration in the blood.
00:23:18.680 --> 00:23:20.440
So friends. Yeah. So no.
00:23:20.440 --> 00:23:27.559
So basically, like, I was a little young to really appreciate that scene at that early time in the early 70s.
00:23:27.599 --> 00:23:38.039
So, you know, I would be watching a lot of the, the music I like that was on TV at the time now versus rock concert in concert, you know, even Ed Sullivan or whatever.
00:23:38.480 --> 00:23:58.039
But, you know, so I was getting prepared, I guess, to want to go see music and and being a photographer in my mind, like, I have the confidence to want to photograph music and be a part of, like a new scene that, you know, was, explored by a lot of the people that I was hanging out with.
00:23:58.279 --> 00:24:06.160
And I and I just, took it very, you know, naturally, when I started to, photograph any of the shows I was able to get to.
00:24:06.400 --> 00:24:10.440
And, I loved it because they were always out there.
00:24:10.440 --> 00:24:12.400
There were always coming week after week.
00:24:12.400 --> 00:24:27.720
And even in the clubs, I noticed, you know, when I was picked up, maybe like the newspapers, they would have like, so many more clubs to go to that, you know, people knew that they could make money on liquor and alcohol and they knew there was a big drinking, you know, scene.
00:24:27.839 --> 00:24:30.480
So a lot of people said, you know what?
00:24:30.480 --> 00:24:31.400
There's an empty space.
00:24:31.400 --> 00:24:33.400
I want to make that into a bar, you know?
00:24:33.400 --> 00:24:35.680
And the next thing you know, someone else said, hey, you know what?
00:24:35.680 --> 00:24:37.480
I might do the same thing over in this town.
00:24:37.480 --> 00:24:42.759
And then by year, you know, it just happened and started to sprinkle out all over the state.
00:24:42.759 --> 00:24:44.839
I don't forget drinking age was 18.
00:24:44.839 --> 00:24:47.200
Yeah. I wanted to bring that up.
00:24:44.839 --> 00:24:47.200
Thank you.
00:24:47.200 --> 00:24:49.279
Do you think that helped a lot? Yeah.
00:24:50.759 --> 00:24:54.599
Are you honestly part of the Jersey scene was run by the mob.
00:24:54.599 --> 00:24:55.640
You know, some of the.
00:24:55.640 --> 00:24:55.799
Yeah.
00:24:55.799 --> 00:25:00.799
You know, you know, the bars and bars would stay open till like three, four in the morning.
00:25:01.240 --> 00:25:09.160
You know, bands would have to play like 4 or 5, sets a night back in those days, you know, they wanted to keep people out there drinking there.
00:25:09.160 --> 00:25:14.079
You know, there wasn't a big the DWI laws, you know, so, yeah, they figured it out.
00:25:14.480 --> 00:25:17.079
You know, let's just keep serving them and that's what.
00:25:17.079 --> 00:25:20.079
And that's why the places kept going.
00:25:20.200 --> 00:25:39.160
Because they were able to make so much money, you know, the drinking and you know, and then the band started to get really, really good, you know, you know, starting the scene started exploding and some of these bands started to take off on their own direction and end up into a bigger, acts and, cover acts, tribute acts like a lot of these.
00:25:39.160 --> 00:25:49.279
They're doing, like, set 4 or 5 sets a night and then, like, they're doing their, their, their, their Sabbath, their trip decided that night they're doing their tribute to kiss that night.
00:25:49.279 --> 00:25:50.279
Yeah. You know.
00:25:50.279 --> 00:25:50.480
Yeah.
00:25:50.480 --> 00:25:56.480
Tribute bands as far back as, like, you know, them at seven, you know, and they were making, like, making good money, like they were doing this probably.
00:25:57.039 --> 00:26:12.480
I mean, they probably that day jobs, but I'm sure that they were you know, there were certain bands that actually moved from down south, up north to just play because they knew the scene was so great that they would get money all the time by playing different clubs, you know.
00:26:12.480 --> 00:26:14.160
Yeah, we got this cafe. Mr..
00:26:14.160 --> 00:26:16.279
Right here, the playing that night there.
00:26:16.279 --> 00:26:22.799
And they just figured, you know, we'll just rent a house, live, you know, live together and then make money together.
00:26:22.799 --> 00:26:23.799
And that's what they did.
00:26:23.799 --> 00:26:25.880
And a lot of them didn't work day jobs, believe it or not.
00:26:25.880 --> 00:26:29.160
But we just interviewed Ken Neal, the original bass player for Twisted Sister.
00:26:29.160 --> 00:26:29.480
Okay.
00:26:29.480 --> 00:26:35.000
Those guys were actually back then, like Frank said, playing a lot, but they didn't have jobs.
00:26:35.000 --> 00:26:36.279
You know, that's how they made the money.
00:26:36.279 --> 00:26:40.839
Another weird question that we asked Twisted Sister back then.
00:26:41.000 --> 00:26:42.920
Yeah, no, we fuck with them.
00:26:42.920 --> 00:26:50.160
The way they look, the way they look, they look huge on stage, I know, but like oh yeah, man, oh man.
00:26:50.599 --> 00:26:53.599
Like like, they were some ugly girls.
00:26:53.839 --> 00:26:54.240
Yeah.
00:26:55.359 --> 00:26:57.960
But like, you know, like deciding to say, like, he's cool as fuck.
00:26:57.960 --> 00:27:01.279
Like just in what he stands for, how intelligent he is.
00:27:01.279 --> 00:27:01.839
Number one.
00:27:01.839 --> 00:27:23.319
Yeah, but the way they look, I understand it was like that glam rock look, but, like, they were like a biker gang when they got off that stage or wore the same, you know, cut off jackets, patches, you know, just like a biker group would really, you know, and, they, it's, you know, they're all like tall guys, you know, so, you know, they look, you know, like they were always hitting the ceiling.
00:27:23.319 --> 00:27:23.559
Yeah.
00:27:23.559 --> 00:27:32.319
The big clubs I always go to see, you know, in fact, in some of my photos you can see like the, like, almost touching the ceiling,
you know, and said I was sitting right there.
00:27:32.319 --> 00:27:34.680
It's right above them, you know, their platforms on too.
00:27:34.680 --> 00:27:35.720
Yeah.
00:27:35.720 --> 00:27:38.720
That, Jesus Christ, I'm sure that.
00:27:38.759 --> 00:27:44.680
Yeah, that we would have made he went from platforms so high heels, you know, that was high enough to give more of a show that.
00:27:44.680 --> 00:27:44.960
Oh, God.
00:27:46.480 --> 00:27:50.599
So let's talk about okay, you guys talk, get together.
00:27:50.759 --> 00:27:55.599
We're going to read a book, talk about that process of putting butts in here.
00:27:56.240 --> 00:28:00.039
You know, and then on paper, you know, pictures obviously.
00:28:00.160 --> 00:28:03.799
So we talked about it and he made money as an editor.
00:28:04.039 --> 00:28:08.720
So I said, okay, we'll have you start doing the editing for the stories that we write.
00:28:08.720 --> 00:28:13.119
You know, and I'm kind of like writing notes and then putting them into for, you know, sentence form.
00:28:13.119 --> 00:28:17.599
And then it's given to him and then he's doing his magic to get everything, you know, just right.
00:28:17.960 --> 00:28:27.000
And he was writing for years, you know, and, so I figured it would be a great pair to do this, book.
00:28:27.000 --> 00:28:33.359
And it did so well, Allen, you know, he's been around for many years, you know, writing and singing and stuff.
00:28:33.359 --> 00:28:40.519
So he was the perfect person to talk from, from the stage point of view and my my point of view from the from the pit.
00:28:40.880 --> 00:28:42.799
Yeah. Literally perfect person. Right.
00:28:42.799 --> 00:28:49.000
You've played all the clubs at the clubs you wrote for Stepping Out, which was like the Bible around back in the day. Three years.
00:28:49.000 --> 00:28:50.119
Yeah, I love that.
00:28:50.119 --> 00:28:52.319
I that was my there's a good run.
00:28:52.319 --> 00:28:52.599
Yeah.
00:28:52.599 --> 00:29:00.960
You going going to I used to deliver pizza for many years and I use it on my way of stepping out.
00:29:01.160 --> 00:29:05.759
Where are we not playing this weekend right now? But like, that was like, you know.
00:29:05.759 --> 00:29:08.759
Yeah, I'm probably the guy who delivered it wherever you picked it up.
00:29:09.759 --> 00:29:12.359
So there's a little section in the back that.
00:29:12.359 --> 00:29:13.839
Thank you. Right.
00:29:13.839 --> 00:29:17.400
We both I think both of you thanked your family.
00:29:17.440 --> 00:29:19.079
Your family. Right.
00:29:19.079 --> 00:29:21.039
Because it took a lot of time.
00:29:21.039 --> 00:29:23.759
Oh, definitely.
00:29:21.039 --> 00:29:26.759
You know, you know, like, how how are those sessions between you two coming up?
00:29:26.920 --> 00:29:32.160
You know, what are a few hours every week, you know, and go through the process, you know, page by page.
00:29:32.160 --> 00:29:34.440
Sometimes we'd skip some pages, you know, here we go.
00:29:34.440 --> 00:29:36.920
I got a great story, you know, put that together.
00:29:36.920 --> 00:29:44.319
Well with the photos that I had, I try to make sure that all the stories had some kind of image to, to match what I was talking about.
00:29:44.359 --> 00:29:44.720
Yeah.
00:29:44.720 --> 00:29:50.839
And then, you know, we found, like, Vance had some fliers, you know, and collectors had some.
00:29:51.119 --> 00:30:03.079
We get, images from different sources, but, you know, see here in new Jersey, you know, to make it authentic, how much stuff did it look like?
00:30:03.079 --> 00:30:07.519
Or what did it was that was there, like, I think we really trimmed it down.
00:30:07.640 --> 00:30:10.039
You know, we cherry picked everything.
00:30:07.640 --> 00:30:10.039
Yeah.
00:30:10.039 --> 00:30:11.839
You know, make sure that that, like, you know.
00:30:11.839 --> 00:30:15.640
Hey, do you think this photo really looks worthwhile for this page?
00:30:15.640 --> 00:30:25.240
You know, like, sometimes we'd go back and forth, you know, you know, just on the creative end of it, just making sure that it looked way different than any other book I've ever seen.
00:30:25.240 --> 00:30:29.839
And plus, you know, I'm not gonna I'm not reading books while I'm making this book.
00:30:29.839 --> 00:30:35.400
You know, it's just all to our heads, you know, and just going right into the computer and seeing how each page looks.
00:30:35.400 --> 00:30:41.920
And, you know, he's great at what he does, you know, putting the, you know, the book together, you know, and making sure that everything is nice and straight.
00:30:41.920 --> 00:30:44.079
You know, the bags look just right.
00:30:45.079 --> 00:30:45.920
It's beautiful.
00:30:45.920 --> 00:30:48.319
So you guys did a great job.
00:30:48.319 --> 00:30:51.400
There's there's one picture in there that I wanted to ask about.
00:30:51.400 --> 00:30:54.799
If you can give me more information, if there's any other stories there for there.
00:30:55.480 --> 00:30:59.200
As a little boy, my mom would take me back and forth to my grandmother's.
00:30:59.359 --> 00:31:02.519
She was on the border of the infield, and, East Orange.
00:31:03.200 --> 00:31:06.200
So we used to pass a place called the Dirt Club.
00:31:06.240 --> 00:31:06.799
All right.
00:31:06.799 --> 00:31:09.799
And every time I used to go to my mom, my.
00:31:10.039 --> 00:31:11.839
What's the dirt club? Right.
00:31:11.839 --> 00:31:14.359
That's a little plane. And my.
00:31:11.839 --> 00:31:14.359
I think I'm my brother.
00:31:14.359 --> 00:31:17.440
My dad was in the car one day and like, oh, that's a rock club.
00:31:17.799 --> 00:31:19.960
I was like, oh, cool.
00:31:19.960 --> 00:31:21.279
What do they do there?
00:31:21.279 --> 00:31:23.319
Yeah, the dirt club. Yeah.
00:31:23.319 --> 00:31:26.960
I don't know if there was a I did see a picture of it in here.
00:31:26.960 --> 00:31:27.440
Right.
00:31:27.440 --> 00:31:33.400
But I don't
know if there was much to tell about it, but could you give me some my own personal curiosity as you begin your life?
00:31:33.480 --> 00:31:35.839
Were you there? Did you go there a lot?
00:31:33.480 --> 00:31:35.839
Yeah, I went there.
00:31:35.839 --> 00:31:37.279
I went there a bunch of times.
00:31:37.279 --> 00:31:39.240
I knew Johnny Dirt.
00:31:39.240 --> 00:31:40.960
I was on the corner.
00:31:40.960 --> 00:31:44.960
Oh, yeah, that's Jack. Brother Johnny would actually.
00:31:44.960 --> 00:31:46.000
One day he came up to me.
00:31:46.000 --> 00:31:47.240
He goes, Frank, this is for you.
00:31:47.240 --> 00:31:53.240
And he gives me this bag of dirt, dirt club, you know, you know, and dayglo letters.
00:31:53.240 --> 00:31:56.240
And my sister went there once, and she got a tiny little bag.
00:31:56.599 --> 00:32:02.880
So I was thinking about putting that, like, in the next book, you know, a photo of that, along with photos that we have of Johnny hanging out.
00:32:02.880 --> 00:32:06.359
And I think one was with, Billy Monroe from the band Monroe.
00:32:06.400 --> 00:32:07.119
Okay. Yeah.
00:32:07.119 --> 00:32:17.640
Monroe was playing all over new Jersey back then, and they kind of like, you know, was just wanted to keep everything local with those guys, you know, for the time being.
00:32:17.640 --> 00:32:20.000
And, you know, I would run into them.
00:32:20.000 --> 00:32:26.400
But that club, you know, had different types of music, new wave, hardcore rock, heavy metal.
00:32:26.519 --> 00:32:28.279
I saw the band def play there.
00:32:28.279 --> 00:32:29.440
Okay. Well, yeah.
00:32:29.440 --> 00:32:29.839
Know.
00:32:29.839 --> 00:32:30.319
Yeah.
00:32:30.319 --> 00:32:34.759
And, so they're, I think they're going in our, our next signs as well.
00:32:34.759 --> 00:32:35.480
Yeah. That's.
00:32:35.480 --> 00:32:42.200
Oh. And so the aquarium the local people that you have probably all the time, they've always had it.
00:32:42.240 --> 00:32:44.359
They hosted some nights there. Okay.
00:32:44.359 --> 00:32:49.559
You know, so and it was really cool because it was right off the Garden State Parkway, you know, very convenient.
00:32:49.640 --> 00:32:50.319
Yeah.
00:32:50.319 --> 00:32:53.440
Would any bigger big acts go to that kind of.
00:32:53.480 --> 00:32:55.039
What was the venue like inside?
00:32:55.039 --> 00:32:56.720
I never really went to the club myself.
00:32:56.720 --> 00:33:03.240
Was it like, would you equate it to, it almost had like a Cbgb kind of vibe.
00:33:03.240 --> 00:33:03.599
Okay.
00:33:03.599 --> 00:33:08.799
But maybe a little bit more clean or not. And, and looking about, you know, great.
00:33:08.799 --> 00:33:10.480
And I think that band here.
00:33:10.480 --> 00:33:10.880
Yeah.
00:33:10.880 --> 00:33:18.279
Now we sort of like, you know, it was this kind of club where you bump into, like, different rockers, you know, people and see the wall.
00:33:18.559 --> 00:33:19.400
Oh, it was cool.
00:33:19.400 -->
00:33:22.400
Another cool, another cool venue in there.
00:33:24.039 --> 00:33:29.359
I had the pleasure under age come to the studio one to see Ace Fraley.
00:33:29.880 --> 00:33:37.039
Oh. And one of the, one of the coolest things was that I was my brother and I pretty much no, no Rose we were up front.
00:33:37.559 --> 00:33:40.279
You know, you can pretty much touch with Les Paul.
00:33:40.279 --> 00:33:44.640
And the best thing was he came out the band the smoke you know.
00:33:44.640 --> 00:33:49.039
Right. Yeah. Looks over and goes where are we.
00:33:49.039 --> 00:33:50.519
Sit down.
00:33:50.519 --> 00:33:54.000
And they were like, North New Jersey. You.
00:33:55.279 --> 00:33:56.799
Some people think it's Brattleboro.
00:33:56.799 --> 00:33:59.079
Yeah, yeah, it's it's north newer.
00:33:59.079 --> 00:33:59.480
Yeah.
00:33:59.480 --> 00:34:03.680
So then we we grew up more going to tequila Joe's right.
00:34:03.759 --> 00:34:06.480
It turned into tequila Joe's right afterwards.
00:34:06.480 --> 00:34:09.320
But studio one.
00:34:09.320 --> 00:34:12.320
You guys have any stories about studio One?
00:34:12.559 --> 00:34:14.840
And then we forget lugging the gear up and down those stairs.
00:34:14.840 --> 00:34:18.119
That was three, two, three levels, right?
00:34:18.320 --> 00:34:20.119
A lot of good shows there. That for sure.
00:34:20.119 --> 00:34:20.519
Okay.
00:34:20.519 --> 00:34:24.000
Somebodys car always got broken into a car for the course.
00:34:24.000 --> 00:34:31.800
You know, my fortunately was safe through the years where you might got broken into in New York, you know, at like Lemoore East and then Lemoore Point.
00:34:32.440 --> 00:34:39.079
But yeah, I used to go there and I remember Patricia, you know, taking a doing this, a lot of the promoting there.
00:34:39.079 --> 00:34:44.840
Dan Davis, you know, you know, some bands like Fear Factory, trickster.
00:34:45.400 --> 00:34:48.320
Yeah, they were new Jersey band.
00:34:48.320 --> 00:34:49.239
Yeah. Right. Yeah.
00:34:49.239 --> 00:34:50.079
Yep, yep.
00:34:50.079 --> 00:34:50.360
Yeah.
00:34:50.360 --> 00:34:52.159
Did you guys play with that at all?
00:34:52.159 --> 00:34:54.920
I was there playing with trickster. There a different kind of band.
00:34:54.920 --> 00:34:58.519
They were, they were a Christian band all the way back home safe.
00:34:59.639 --> 00:35:02.840
But, they wouldn't turn a club back in the early days, just like us.
00:35:02.840 --> 00:35:06.840
You know, they became really big tricks, I think.
00:35:06.840 --> 00:35:09.480
Triggered by the overdub, possibly over the fur kiss.
00:35:09.480 --> 00:35:11.000
They did? Yeah.
00:35:11.000 --> 00:35:14.800
That's, my my first show was 1990 Nassau Coliseum.
00:35:15.039 --> 00:35:16.719
Hot in the shade tour.
00:35:16.719 --> 00:35:19.239
Okay, so that was. I was like, ten.
00:35:19.239 --> 00:35:20.119
Yeah, 11.
00:35:20.119 --> 00:35:25.480
You know, and then my second show shortly after that was you
can maybe help me out.
00:35:25.519 --> 00:35:27.920
What was the theater connected to?
00:35:27.920 --> 00:35:31.960
Madison Square Garden itself saying get a felt for form.
00:35:32.079 --> 00:35:36.079
And then it became, a couple other names since then.
00:35:36.159 --> 00:35:39.159
All right. That's theater was, ozone.
00:35:39.280 --> 00:35:44.199
Oh. With so 90, I don't know what tour that would have been, but like, Zach Wilde was very skinny.
00:35:44.199 --> 00:35:46.079
Wow. And wearing, like, bellbottoms. Yeah.
00:35:46.079 --> 00:35:49.159
You know, like, he wasn't that biker biker guy.
00:35:49.159 --> 00:35:51.079
Friends got shots of him in that era.
00:35:51.079 --> 00:35:53.480
Oh, they're so funny.
00:35:53.480 --> 00:35:55.159
Like like I saw that.
00:35:55.159 --> 00:35:56.920
I was like, wow.
00:35:56.920 --> 00:35:59.559
Like, life is just different, you know, ten, 11 years old.
00:35:59.559 --> 00:36:00.639
Like, what is this?
00:36:00.639 --> 00:36:02.239
Which that's what I'm just.
00:36:02.239 --> 00:36:04.119
I'm assuming what you felt.
00:36:04.119 --> 00:36:06.280
I went to the Hot and Shade party.
00:36:06.280 --> 00:36:08.360
Check out this had. Yeah, it had a dance there.
00:36:08.360 --> 00:36:10.239
The Charlie O's after the garden show.
00:36:10.239 --> 00:36:12.079
Really? Yeah. The same tour.
00:36:12.079 --> 00:36:12.840
Good times.
00:36:12.840 --> 00:36:15.800
Yeah, I got it was close dancing, like half naked.
00:36:15.800 --> 00:36:16.400
Yeah.
00:36:16.400 --> 00:36:26.639
Jim put his mouth over the top of the cake, you know, because it was a pyramid, you know, I got a nice shot of that, you know, it was just like rotary, you know, and, like, guys from Skid Row were there.
00:36:27.079 --> 00:36:34.840
Yeah, we were all everybody's girlfriends, you know, there were dancers, you know, got photos of them, like, you can see right through.
00:36:35.280 --> 00:36:36.079
Yeah, it was great.
00:36:36.079 --> 00:36:36.559
Yeah.
00:36:36.559 --> 00:36:42.400
We have such, an affinity and love for these clubs, right, right.
00:36:42.400 --> 00:36:43.039
The clubs.
00:36:43.039 --> 00:36:48.000
So when we got into it early 2000, we played a lot of the cool clubs.
00:36:48.280 --> 00:36:51.280
But wait, when they're way past their prime, when there wasn't a scene there. But.
00:36:51.280 --> 00:36:54.760
Yeah, but Cbgb was at the underground.
00:36:54.760 --> 00:36:55.559
Continental.
00:36:55.559 --> 00:36:58.480
Like the city clubs, all the cool places.
00:36:58.480 --> 00:37:02.960
But when they really work for it, yeah, yeah, they kind of became popular.
00:37:02.960 --> 00:37:04.239
Like the later on.
00:37:04.239 --> 00:37:06.559
Yeah. Jersey clubs kind of simmer down a bit. Yeah.
00:37:06.559 --> 00:37:09.599
There were it's like oh strawberry for the Yankees.
00:37:09.960 --> 00:37:10.800
Yeah.
00:37:10.800 --> 00:37:13.400
There's hum. Yeah.
00:37:13.400 --> 00:37:22.119
But in the book seeing these, these these Jersey clubs were writing like mothers and like places like that.
00:37:22.360 --> 00:37:24.239
But isn't that it?
00:37:24.239 --> 00:37:28.519
I echo Archie's sentiment of I was a jealous that.
00:37:28.519 --> 00:37:30.920
Oh, my God, this would have been this would be great.
00:37:30.920 --> 00:37:33.280
You know, playing in that time. Right.
00:37:33.280 --> 00:37:38.800
And what this book, how you guys did it, is it fits together perfectly.
00:37:38.800 --> 00:37:46.719
It's like it's it's almost like a, a novel and a photo essay all together, to me.
00:37:46.719 --> 00:37:47.360
And so this will be.
00:37:47.360 --> 00:37:50.480
It'll sound like a weird, comparison.
00:37:50.719 --> 00:37:52.840
This was like The Sopranos for me.
00:37:52.840 --> 00:37:54.159
And I'll tell you what. Wow.
00:37:54.159 --> 00:37:57.159
A Jersey kid, right?
00:37:57.199 --> 00:37:59.599
I saw it. Watch The Sopranos or nobody's going to get this.
00:37:59.599 --> 00:38:01.280
Oh, people in Jersey are going to get this.
00:38:01.280 --> 00:38:03.639
No, that translates all over the world.
00:38:03.639 --> 00:38:06.199
All over the country. And that's not.
00:38:03.639 --> 00:38:06.199
And that's what this book is to me.
00:38:06.199 --> 00:38:08.000
Wow. It's about Jersey.
00:38:08.000 --> 00:38:09.760
But it's so relatable.
00:38:09.760 --> 00:38:14.920
And the iconic places it translates across the country that that that's my thought.
00:38:14.920 --> 00:38:17.480
That's cool. Dude.
00:38:14.920 --> 00:38:17.480
I'm a huge Sopranos fan.
00:38:17.480 --> 00:38:17.719
Yeah.
00:38:17.719 --> 00:38:19.960
So I can understand where you're coming from here, you know?
00:38:19.960 --> 00:38:37.639
And like, I put a lot of time and effort through the years photographing, collecting stories in my head, you know, just writing notes down, making sure I had everything, you know, for this book, you know, to make it the best it could be.
00:38:38.079 --> 00:38:44.360
Because no one out there was doing a book similar to this around the country that I know, you know.
00:38:44.480 --> 00:38:46.159
And so I figured, you know what?
00:38:46.159 --> 00:38:50.119
This is really pack of points with this one, you know, and that's what we did.
00:38:50.239 --> 00:38:59.000
You know, we made sure that I can tell you see, it as much as it comes across it, if it seems like everything had a purpose and and an impact.
00:38:59.000 --> 00:39:01.599
Right. Each story. Cool.
00:38:59.000 --> 00:39:01.599
Thank you. Thanks.
00:39:01.599 --> 00:39:02.559
What's great?
00:39:02.559 --> 00:39:05.000
One more, maybe tell.
00:39:05.000 --> 00:39:06.880
We can get from you.
00:39:06.880 --> 00:39:13.239
One of the last stories I read last night before I went to bed was Metallica coming to Old Bridge?
00:39:13.239 --> 00:39:20.800
Okay, like, if you're kind of put it, if you're, like, a big Metallica fan, you might know a lot about them.
00:39:21.320 --> 00:39:27.039
But this was like their
first time, I believe, possibly leaving home.
00:39:27.039 --> 00:39:27.599
Right.
00:39:27.599 --> 00:39:30.280
Coming to new Jersey, a fucking old bridge.
00:39:30.280 --> 00:39:31.199
Yeah. Right.
00:39:31.199 --> 00:39:31.559
Yeah.
00:39:31.559 --> 00:39:34.559
And shacking up with anthrax in the city.
00:39:34.880 --> 00:39:38.079
Please give us any type of information or any type of.
00:39:38.159 --> 00:39:40.880
How was it back then?
00:39:38.159 --> 00:39:42.719
Which of those guys are photographing those guys, seeing those guys at that time?
00:39:42.719 --> 00:39:53.920
It was their first trip to the East Coast and they heard about Johnny Z, and they wanted Johnny Z, heard of them, and they wanted to kind of like, you know, meet up and see some of their shows live.
00:39:53.920 --> 00:39:58.599
So they kind of made arrangements to play a couple, have them play a few places close by.
00:39:59.159 --> 00:40:10.639
And, the old Bridge Militia had started, which was a bunch of guys and girls from, the old bridge area, and they got a group together of people that would help out bands when they came by.
00:40:11.039 --> 00:40:22.519
And when the guys from, Metallica came to the old bridge area and they were right there to help them, you know, hey, come on, stay over our house.
00:40:20.159 --> 00:40:22.519
Yeah. So.
00:40:22.519 --> 00:40:26.599
And, you know, PA, you hang out, you know, beach guys, you know, set up.
00:40:26.639 --> 00:40:27.920
Yeah, that's what they did.
00:40:27.920 --> 00:40:34.519
You know, they got those guys where they told Johnny all about them, you know, and they were having fun, you know, just with them.
00:40:34.519 --> 00:40:41.239
And then the next thing you know, they're they're starting to play a couple shows and you know, showcasing to everybody in the area what talent they had.
00:40:41.239 --> 00:40:45.159
But yeah, where do they play.
00:40:45.159 --> 00:40:51.760
Like their first little, a story I read it had, one guitar.
00:40:51.920 --> 00:41:02.280
It was like a that you get guys, like, partying somewhere at the house, or maybe there was like some venue, but there was like one guitar and Mustaine and Hetfield were like, kind of fighting about who's gonna play guitar, but that's the in the metal house.
00:41:02.880 --> 00:41:05.280
Yeah. Okay. Yes. All right.
00:41:05.280 --> 00:41:12.800
And were you, were you there for that one and you were telling the story, but, no, but we were told if I guys at all.
00:41:12.840 --> 00:41:14.480
Okay, that were there. All right.
00:41:14.480 --> 00:41:18.320
And then how about what was the first time you saw Metallica?
00:41:18.320 --> 00:41:28.960
I saw Metallica on April 8th, 1983, at the Paramount Theater in Staten Island, when it was, the, it was, Metallica, the Rods and Vandenberg.
00:41:30.199 --> 00:41:35.960
And then the following night they played the same, same show over at L'Amour in Brooklyn.
00:41:36.039 --> 00:41:45.159
And then after that, that was,
a few days later, that's when, Dave, you know, was fired and, brought in Kirk right there after.
00:41:45.440 --> 00:41:49.679
And they started doing a lot of the smaller club shows, but in, in new Jersey.
00:41:49.800 --> 00:41:52.519
Yeah. And that's, you know, where the old bridge militia come in.
00:41:52.519 --> 00:41:58.480
And they also it's like like you show up pictures and look how they're playing South River, new Jersey, South American church, right.
00:41:58.519 --> 00:42:00.719
But yet live there.
00:41:58.519 --> 00:42:00.719
There was nothing down there. Yeah.
00:42:00.719 --> 00:42:02.960
Where do they played? South at the union.
00:42:00.719 --> 00:42:02.960
Yeah.
00:42:02.960 --> 00:42:12.159
I think you can check like, that and then fast forward to how many years later they're playing, see at MetLife Stadium.
00:42:12.159 --> 00:42:12.400
Yeah.
00:42:12.400 --> 00:42:14.719
Two nights not no repeat songs.
00:42:14.719 --> 00:42:16.400
Yeah, yeah. And I was it, I believe it.
00:42:16.400 --> 00:42:18.960
I was in the snake pit as well.
00:42:18.960 --> 00:42:22.599
So that so your career and it's not stopping I don't know.
00:42:22.599 --> 00:42:23.199
You're not at all.
00:42:23.199 --> 00:42:25.599
So your career has lasted a long time.
00:42:25.599 --> 00:42:26.719
Yes. 50 years.
00:42:26.719 --> 00:42:30.480
Both of you get to enjoy a lot of metal history in new Jersey. Yep.
00:42:30.480 --> 00:42:30.639
Yeah.
00:42:30.639 --> 00:42:34.960
And and now we're making a no budget documentary film called Jersey metal.
00:42:34.960 --> 00:42:37.079
Also on making the second book.
00:42:37.079 --> 00:42:39.039
And you guys are part of it now. Awesome.
00:42:39.039 --> 00:42:40.280
Yeah, I very cool.
00:42:40.280 --> 00:42:45.840
I love that, from two schmucks from new Jersey that have played some of these clubs.
00:42:45.880 --> 00:42:50.440
We played members of the bartender there. You did you break your ankles?
00:42:50.440 --> 00:42:52.320
I'm off the stage. I jumped off the stage.
00:42:52.320 --> 00:42:56.480
Yeah, yeah, I think it's a nice thing he's broke his ankle.
00:42:56.519 --> 00:42:58.880
We left our banner.
00:42:56.519 --> 00:42:58.880
There was a fucked up night.
00:42:58.880 --> 00:43:00.880
Oh, man, we got to play.
00:43:00.880 --> 00:43:02.000
I got up a rock.
00:43:02.000 --> 00:43:04.239
I got a gig at from.
00:43:04.239 --> 00:43:05.840
This is. This is insane.
00:43:05.840 --> 00:43:07.239
It was a Monday night.
00:43:07.239 --> 00:43:09.039
I'm like, it's the city. This kind of.
00:43:09.039 --> 00:43:10.480
It's like open mic night.
00:43:10.480 --> 00:43:12.280
I'm working on stage.
00:43:12.280 --> 00:43:15.039
We get there, we start putting the banner up.
00:43:15.039 --> 00:43:18.039
The sound guy goes, get your fucking banner off that.
00:43:19.360 --> 00:43:19.880
Okay.
00:43:19.880 --> 00:43:22.119
Yeah, I thought it was like a vent or something in the banner.
00:43:22.119 --> 00:43:23.199
Whatever.
Right.
00:43:23.199 --> 00:43:29.440
So we go on. There was a shoot once again, the bartender there, his girlfriend, maybe a couple.
00:43:29.760 --> 00:43:30.719
We played our set.
00:43:30.719 --> 00:43:32.920
We played like it was packed.
00:43:30.719 --> 00:43:32.920
We had a great time.
00:43:32.920 --> 00:43:34.239
We got to play CBGB's.
00:43:34.239 --> 00:43:36.960
We took a piss in the famous bathroom.
00:43:34.239 --> 00:43:36.960
We did.
00:43:36.960 --> 00:43:39.760
So we got off stage and it was like.
00:43:39.760 --> 00:43:42.199
Like a fucking movie. Yeah.
00:43:42.199 --> 00:43:44.440
Come on in there. Off stage.
00:43:44.440 --> 00:43:47.440
Let's go off on the fucking club.
00:43:44.440 --> 00:43:47.440
But like.
00:43:47.559 --> 00:43:49.719
But people start to come in. I'm like, what the fuck with it?
00:43:49.719 --> 00:43:51.039
All right, what do you say?
00:43:51.039 --> 00:43:52.360
What do you say on Monday night?
00:43:52.360 --> 00:43:55.079
You're doing much like a Monday afternoon.
00:43:52.360 --> 00:43:55.079
That's the.
00:43:55.079 --> 00:43:57.199
00 when we got the place.
00:43:57.199 --> 00:43:59.440
Yeah, yeah. Let's go. We got to play.
00:43:59.440 --> 00:44:02.000
We got to play all bridge right before they closed.
00:44:02.000 --> 00:44:04.119
Okay. So that was cool. Yeah.
00:44:04.119 --> 00:44:05.679
Sorry, sorry. Yes. Burchill.
00:44:05.679 --> 00:44:07.119
Right before they closed right now.
00:44:07.119 --> 00:44:11.199
So we, we we got to experience images at Fairview.
00:44:11.840 --> 00:44:15.880
Out plays a lot and some of those show they'll be our next book.
00:44:16.199 --> 00:44:17.960
Yeah. Awesome. We can't wait.
00:44:19.239 --> 00:44:21.039
Thank you so much for here.
00:44:21.039 --> 00:44:21.519
Thank you. Guys.
00:44:21.519 --> 00:44:25.159
So we want you out again for the next book tour release.
00:44:25.159 --> 00:44:27.960
Tell everybody where they can get this book.
00:44:27.960 --> 00:44:28.280
Sure.
00:44:28.280 --> 00:44:29.960
Jersey man on Booking.com.
00:44:29.960 --> 00:44:32.079
And we got a ton of merch, too.
00:44:32.079 --> 00:44:33.880
That's right. Awesome. Cool.
00:44:33.880 --> 00:44:35.880
Frank White, Alan Tokyo.
00:44:35.880 --> 00:44:37.159
Everyone out there.
00:44:37.159 --> 00:44:41.199
Merck. Music nerds, get this book.
00:44:41.199 --> 00:44:44.159
Go. Thanks, boys. All right.
00:44:41.199 --> 00:44:44.159
Thank you guys.
00:44:44.159 --> 00:44:45.280
That's also very cool.
00:44:45.280 --> 00:44:53.280
Awesome, If you just saw us talking to Frank and al from Jersey metal, you're sipping on a clubbing kettle.
00:44:53.639 --> 00:44:57.760
You have your foot all the way down on the gas pedal, and you want the best in life.
00:44:57.760 --> 00:45:00.159
You should never settle.
00:45:00.159 --> 00:45:01.119
Then you just watch.
00:45:01.119 --> 00:45:02.559
Not these two fucking guys.
00:45:02.559 --> 00:45:05.559
Podcast. We.
00:45:07.360 --> 00:45:12.840
I just want to say thank you so much to Frank white and Alan, you all for coming down. Jersey metal book.
00:45:12.840 --> 00:45:15.639
Please go get their book and support.
00:45:15.639 --> 00:45:18.159
The book is phenomenal for music nerds like us.
00:45:18.159 --> 00:45:21.039
You're going to enjoy new Jersey local metal.
00:45:21.039 --> 00:45:24.840
And even if you're not a music nerd and you're from Jersey or you're just.
00:45:24.840 --> 00:45:27.840
That's a band's support. Get the book.
00:45:28.039 --> 00:45:35.960
And I also want to say thank you so much to Blank Space Studios in Midland Park, new Jersey for having us blank space, that studio for all your rental needs.
00:45:36.199 --> 00:45:39.000
Check them out and, enjoy.
00:45:43.800 --> 00:45:46.599
too much of a shadow on the nothing but your nuts here.
00:45:46.599 --> 00:45:48.639
Whatever the fuck is in your pocket.
00:45:48.639 --> 00:45:50.159
Right? Whatever's in your pocket.
00:45:50.159 --> 00:45:51.199
This. Yeah. Oh.
00:45:51.199 --> 00:45:54.199
My dick. Okay. You got a square dick?
00:45:54.519 --> 00:45:57.519
What do Michael Hutchence.
00:45:58.119 --> 00:45:59.760
Right. Yeah.
00:45:59.760 --> 00:46:00.400
Okay.
00:46:00.400 --> 00:46:02.199
What's your Michael Hutchence from?
00:46:02.199 --> 00:46:04.440
Hutchins. Hutchins?
00:46:04.440 --> 00:46:05.400
Hutchins?
00:46:05.400 --> 00:46:07.199
No. Hutchins here from right.