TRANSCRIPT 🔗
WEBVTT
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You guys both talked to me about working with HBO.
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For me it was great because Edwin Likona is such a good producer.
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He protected me from HBO.
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So I didn't even have to deal with them.
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Till we got to like marketing and doing all that.
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And then there, that's when I was like pushing back and they were pushing and I was pushing back.
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You know, some things worked that I suggested and then some things didn't work that they suggested.
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And you mean like a material?
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What were you pushing?
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No, not material.
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Material, they weren't allowed to talk to me about it.
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What's up, everybody?
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Killing it is coming to you live at Flappers Comedy Club.
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That's right, we're pulling up to tell them jokes.
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You've been enjoying this show, but let's be very, very clear.
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You are looking at three monsters in this business that we call comedy.
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I promise you, you finna have a good time.
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Great time.
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Get those tickets.
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Don't come by yourself.
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Get them tickets right now, flapperscomedy.com.
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You know, I was thinking, uh, you know how some episodes I forget to say people's names.
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Yeah.
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And I realized I be doing so much that I'm just happy that we're started.
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Right, right.
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So it's a bunch of episodes where he likes, you didn't say your name.
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I'm thinking, I'm not thinking, I'm just happy.
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I just want to that we're getting going.
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Um so that's why I was thinking, I was like, why do I be forgetting to say people's names?
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Like the show started two hours ago.
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Right, right, right, right, right, right.
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Just with the setup.
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Yeah, we're getting here and all that.
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Yeah, man.
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So what's up, man?
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Welcome to another episode of Killin' It.
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Um, we're your host, Justin Hyas.
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B.
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T.
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Kingsley.
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And London is on his way.
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Keep it.
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We promise he's coming.
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London is on his way.
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He had an audition.
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You know, he knew he's doing killing it.
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He's killing it, he killing it.
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He's doing shit today.
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He's doing shit today.
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He's doing it today.
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But typically, we're killing it.
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Okay.
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So he's on his way.
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But man, we got a fire ass episode today, man.
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Got a fire episode.
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We got two of the funniest comedians in the game.
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Okay, I gotta say, first of all, you seen them both on Comics Unleashed.
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We all done been on Comics Unleashed.
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Yeah, they're coming on least, baby.
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Everybody's gonna be a good one.
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The giving that keeps on giving.
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Shout out to uh Byron Allen.
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Byron Allen?
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Yeah.
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And Vanessa Grande.
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Super Vanessa Grande.
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And Jody Miller.
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And Jody Miller.
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Uh that's funny.
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Jody hit up the Latin comedians, uh, Vanessa Miller.
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No, I got I got hit up by both.
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I'm not gonna hit that.
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This is the difference.
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Yeah, yeah.
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I ain't really talking to you.
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Oh, yeah.
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You told me that too.
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But when she posted it on Instagram, I was like, I think I could tell people that she was the connect.
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Uh shout out to Vanessa.
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Um uh you seen him in The Unexpected?
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Uh, this fool, two minutes of fame.
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He got a stand-up comedy special out right now called Still Learning.
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And also, Orlando got a stand-up comedy special on HBO Max right now.
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Give it up for Francisco Ramos in Orlando.
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Let me bum.
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Come on.
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We had to get y'all along here.
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Um text to you.
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I just like multiple of their posts.
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They were posting.
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I just say, if you want to get on, just like and share their posts.
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They were
Load full transcript
like, yo, who's this already share?
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And then BT was like, I know him, he's fun.
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But you know, that's some it's some real, I think I told them one time, people be asking to do our podcast, they don't hit the like, they don't hit the like button on no goddamn post.
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They don't even follow you.
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They don't follow them, they don't share.
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And I'm like, so okay.
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So come over here lying.
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No, uh like you do, you know.
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The killing, yeah, but your personal account is not a little bit of a personal, yeah.
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But it has been your episode.
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Well, this has been great.
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Shut up.
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Make sure you follow them on social media.
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Wait, no, joking.
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Um I've been married too many years for a reason because I don't fall into certain traps, and you're really good at setting up those traps.
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I am.
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I haven't been posting those as much lately though.
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You see, I don't I wait, wait, wait, I like your stuff.
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Hey, get go back.
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Ready?
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You can see more buttons at just the players on Instagram, TikTok, and all social media platforms.
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How y'all go about promoting y'all uh your Instagram has popped up and go?
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Oh, Jesus.
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You know, Hasamanac is like, hey man, I gotta follow you.
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But you look like my daughter picked up my phone and all she saw were cheeks.
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I'm like, hey man, what the f your daughter picking up your cell phone?
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Hey, she's three, she should never know cell phone.
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The butt cheese videos, man.
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The butt cheese videos, it's so funny, man.
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I be seeing other people doing ratchet.
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Praise God.
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Praise God.
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Yeah, yeah.
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It's so funny because I be doing posts about how, you know, people told me not to do them.
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Then I look at their Instagram, they're doing the same type of post.
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They're like, man, why are you doing them?
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Then they're like, I got mine, you know.
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So, anyways, um I'm getting back to them when I feel like it.
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I haven't been posting as many butt cheek videos.
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I've been trying to clean up my Instagram a tad.
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However, I what I told my homeboy is the same people you're trying to appease are the same people that ain't supporting you and ain't hiring you, no way.
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Yeah.
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So it's like so do whatever you want.
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So do whatever you want to do.
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Yes.
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Because it ain't like when I cleaned up my Instagram.
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Oh, well, here, I got this movie role for you.
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I got this TV role for you.
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So it's like, man, f all that, man.
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So yeah, post what you want to post.
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Do what's funny to you, man.
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Do what's funny to you.
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Man, this is why I want to kick.
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You gotta kick off real quick.
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This is where I wanted to kick it off from.
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First, where are y'all from?
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Tell tell people where y'all from originally and how y'all got into comedy.
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Okay.
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Uh felt like this is like uh like a naturalization meeting right now.
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No, uh, I was born in Venezuela.
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I grew up I I was born there.
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I moved to until I was 12, I moved to the US in in DC, Maryland.
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That's where I grew up.
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And I grew up there basically, Maryland, you know, you know, uh high school, middle school, high school, college, and then I moved to LA to pursue comedy.
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What year was that?
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Where?
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When you moved to LA?
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Uh 2006 or 7.
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Wow, yeah, we came here at the same time.
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2007.
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Wow, yeah.
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Yeah, I've known you like 19, almost 20 years ago.
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Yeah, man.
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That's crazy.
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That's crazy.
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Yeah, because I mean, like we I mean, I started doing the all the open mic stuff, you know, that little crew.
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Yeah, that little class, which was like with Gerard and Angela Bowers and Josh Adam Myers and Tony Henry Cliff and Amir Kay and all those guys.
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Yeah.
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It's crazy.
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We go batman so long.
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What what about you, Orlando?
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Uh born in Puerto Rico, parents are
Dominican.
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Uh lived in then we left Puerto Rico, Dominican Republic, Dominican Republic, New York City, New York City, Miami, Florida, and then that's where I grew up.
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And then I came here to LA in 2013, at the end of 2013, just to rent the spot.
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And then I went back to Florida and came back like in February of 2014.
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Rent what spot?
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The spot where I was gonna live.
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Oh, you came set everything up.
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Yeah, I came here.
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I I had a plan, I had I had a bag, I I did it right.
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And I had read this thing online on how to move to LA.
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And towards the end of the year, everybody kind of gives up on their dreams, so they move back home.
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So there's a bunch of open spaces.
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That's why I came at the end of 2013.
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Wow.
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Wait, wait, wait, wait.
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I'm sorry, say more words, because that's that's hilarious.
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Uh I know somebody's looking for a spot right now.
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So you're saying that if you just hold what was the information that you saw that it was a blog on on how to move to LA, and clearly it wasn't a young person, it was an older person.
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And they yeah, yeah, and they gave and they're gonna tell me and they gave the game, and they they were like, if you go towards the end of the year, and sure enough, when I came here towards the end of the year in 2013, there was a bunch of vacancies, and then I ended up by the celebrity center on Gramercy and Franklin, right?
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And the lady wanted nine hundred and fifty dollars a month for a studio apartment because there was so she was competing with everybody else.
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And then I told her, hey, I'll give you seven hundred dollars a month.
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And she was just no, it's nine hundred and fifty, and then I go, Whoa, whoa, whoa, whoa.
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Let me finish.
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I'm gonna pay you the whole year in advance.
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You don't even gotta worry about me for the rest of the year.
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And then that's also a negotiation tactic that you can do when you're renting something.
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Yeah, you could either go up to like do six months in advance or a year in advance.
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I don't know how this turned into a real estate podcast.
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No, it all counts.
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It's all game.
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I mean, this that's helpful information.
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Anyone that's moving out here to LA to pursue their dreams, you get that's dope.
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So you went till the end of the year until people go, like, I give up my year.
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I mean, but do people have dreams and calendar years?
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Absolutely.
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Yeah, I was I was just in the gym yesterday saying how I was the only person in the gym.
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You know what I'm saying?
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It's the middle of the year.
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I'm the only person because in the beginning of the year, everybody believes in themselves.
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Well, that's true.
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Yeah, you know, and then by the middle of the year, people don't really by month two or three, people don't feel off.
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Yeah, yeah, yeah.
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But middle of the year, ain't nobody believing in themselves.
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So at the end of the year, people have quit, they done thought about killing themselves, all type of shit.
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And now there's vacancies or apartments.
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Like, finally, I can get on two machines at once.
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That's right.
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And it's psychological too, the end of the year.
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Yeah, so you come like right before Thanksgiving.
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So people are giving up because they want to go home and be their homesick, they miss their family, they've been out here for a year already or two years.
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They don't fucking punch a bunch of casting directors.
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I tried.
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Yeah, they did that whole thing where they got here, they was first that first six months didn't even get a job.
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They just said, I'm gonna go on auditions and do like Uber and stuff.
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No, dude, get a job, get a job that you can quit tomorrow.
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Right.
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You know what I'm saying?
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CVS is always hiring, they always hire, and you just quit.
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Like, oh no, I don't want to get the job.
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Just why?
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If you get if you get an opportunity, just quit the job.
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I mean, that's a that's an interesting subject too, like, because people come out here and they feel like you have to uh struggle.
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And it's like, I mean, yeah, you need to put you don't want to put yourself in a in a living situation where you've lost focus, yeah, but simultaneously, you can't also do the things necessary to f to feed your dream.
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Yeah, like for me, I
worked at a full-time job as I was doing you know, open mics and then started working at the comedy store.
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So I would work like you know, and that was like with iscos hours.
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I would have to be at the job at 6 30 in the morning until like 2 30 in the afternoon.
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You know, it's tough, but like, but uh but I and then after that I then I worked part-time doing uh teaching tennis or or interpreting, you know, so it's like I always felt like you be some people like they wanted to do this whole like starving artists, yeah.
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Starving artists, and I'm like, no, I didn't go to college just to sleep.
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It's hard to be funny when you're hungry.
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You make the bad decisions.
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And you can't create you can't create if you know that the rent is due at the end of the month.
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Maybe some people are like, you know, that usually is like my criminal friends are really good about coming up with creative ways of how they're gonna hustle money because the rent is coming.
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But like an average human being like me, I can't create if I know that the rent is around the corner or the mortgage or the light bill and stuff like that.
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I can't live in the darkness and or dodging my landlord.
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You're writing your script by a candlelight, yeah.
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Got a lighter engine.
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Like the guy from uh CSI, everybody knows CSI Miami, CSI Las Vegas.
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That guy wrote his script while he was a limo driver.
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So he would drop off the passengers and while he's waiting for them, he's in the in the limo writing the script.
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The guy that created CSI?
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Yeah, yeah.
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Wow, I didn't know that.
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See, that's the real that's sacrifice.
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When you can when you can focus and be disciplined about your dream within living life and adulting.
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Because we're in this like new phase now where people don't want to adult anymore.
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Like, like it's like a common thing.
00:11:53.840 --> 00:11:56.159
Like I'm I'm seeing it and show responsibility.
00:11:56.639 --> 00:12:01.840
Yeah, it's just like something will happen and people will be like, like, for example, the the finals happened.
00:12:02.000 --> 00:12:03.440
I'm watching the finals.
00:12:03.679 --> 00:12:11.519
Uh Richard Wemayama doesn't shake everybody's hand, and then on ESPN the next day, they're like, Well, yeah, you know, pro athletes shouldn't have to be sports.
00:12:11.919 --> 00:12:12.879
I'm like, no, yes, you do.
00:12:13.200 --> 00:12:23.440
I was like, you you can't say that you want kids that are 9, 10, 11 to show sportsmanship when they can't control their emotions, but the adults, you could just say, Yeah, yeah, yeah.
00:12:23.519 --> 00:12:23.759
Fuck it.
00:12:23.840 --> 00:12:25.919
You know, I was like, no, he pulled up like say Thomas.
00:12:26.000 --> 00:12:26.159
Yeah.
00:12:27.279 --> 00:12:28.159
And I crucified him for.
00:12:28.320 --> 00:12:30.240
I was like, no, you can't keep moving the goalposts, you guys.
00:12:30.320 --> 00:12:31.200
Sometimes you just gotta adult.
00:12:31.440 --> 00:12:33.039
Sometimes you just gotta call it out.
00:12:33.200 --> 00:12:34.480
Yeah, you gotta do stuff you don't want to do.
00:12:34.559 --> 00:12:38.799
You sometimes you're gonna have to work and focus on your dreams and do comedy at night and be tired.
00:12:38.879 --> 00:12:39.600
That's that's the goal.
00:12:39.919 --> 00:12:44.879
And that's the struggle that people I think that's also the thing that you have to embrace and like.
00:12:45.120 --> 00:12:46.080
I mean, that's the thing.
00:12:46.159 --> 00:12:53.200
That's what you know, Kobe would say, you know, is the the the the the is uh not the destination, but the work that you go, the wake it up early.
00:12:53.440 --> 00:12:54.799
Yeah, I mean, that's part of it.
00:12:54.879 --> 00:13:00.720
I mean, and like if some people want it easy, a lot of people want it easy, and it's like, no, yeah, you gotta really do the work.
00:13:00.799 --> 00:13:06.320
We like I said, I had to like remember go to sleep at like one in the morning, wake up at four.
00:13:06.399 --> 00:13:18.639
Literally, my whole week, I would be like just not sleeping, and I wait till the weekends to go to sleep, and then to kind of recharge, and then and all I did was just work and then and open my eggs and crowd, you know, and you didn't have a life pretty much.
00:13:18.720 --> 00:13:20.080
I was like, but I was like, I chose that.
00:13:20.159 --> 00:13:28.879
I was like, this is the point of like to actually do it right, because it's like some and some people, yeah, might get it easier, but everybody, but that's just uh rarity, you know.
00:13:29.200 --> 00:13:30.080
Those are anomalies.
00:13:30.240 --> 00:13:41.519
I try to p tell people these these certain certain things that happen in the universe that you're like, oh man, this guy, those are anomalies, and that sometimes is to show you, to show you that it is tangible.
00:13:41.679 --> 00:13:49.200
Yeah, you know, my first time in LA, my first week, I went to a Hollywood party, and it was uh and he's the ace to this day.
00:13:49.360 --> 00:13:52.720
They didn't find it.
00:13:53.840 --> 00:14:05.120
I went to Jim Jeffrey's house, and uh at the time he was staying in in the hills, and from his house you could see the comedy store, you could see the laugh factory, and you could see the improv from his house.
00:14:05.200 --> 00:14:10.720
You could see I was like, oh I stood and the
first thing that I said, oh, this is tangible.
00:14:11.360 --> 00:14:16.879
Because it was he had just gotten the second season of of the Jim Jeffrey show of legit.
00:14:17.200 --> 00:14:31.600
It was like it was and that's my friend that I met out while working on the road, and now I got to Hollywood and he lives here, and right he brought us in for his birthday party, and I'm like, everybody else is just like and I'm just like, oh, this is tangible.
00:14:31.840 --> 00:14:33.440
That carried me for that whole year.
00:14:34.159 --> 00:14:34.799
It's just tangible.
00:14:34.960 --> 00:14:36.480
I can actually do three sets a night.
00:14:36.639 --> 00:14:41.919
Yeah, is that what you were like me and you are like that in the same way.
00:14:42.000 --> 00:14:45.360
I'm I'm like uh uh if I can touch it, I can achieve it.
00:14:45.600 --> 00:14:56.720
So like uh we talked about the tickets or something before, but like last night I go to the Sparks game and uh the dude that I know that has tickets also, he got invited down closer.
00:14:56.799 --> 00:14:58.480
So now I'm like, it's a spark.
00:14:58.559 --> 00:15:02.559
So I'm like three rows from from floor seats, and I'm doing like this.
00:15:03.360 --> 00:15:04.879
Yeah, very soon.
00:15:04.960 --> 00:15:06.320
This will be like a whole season.
00:15:06.399 --> 00:15:08.799
It's like if I could touch it, then I can achieve it.
00:15:08.879 --> 00:15:12.080
If I could see it, then you can kind of manifest it in your mind to make it happen.
00:15:12.480 --> 00:15:13.440
I did that with Joe Coy.
00:15:13.519 --> 00:15:19.360
Joe Coy did um, it was the New York Comedy Festival, and he did uh Madison Square Garden.
00:15:19.440 --> 00:15:21.919
The the Madison Square, there's two Madison Square Gardens.
00:15:22.159 --> 00:15:27.919
There's the Hulu Theater, I don't know if it's still named that, which is just a theater where you saw Jada Kiss go off, you know.
00:15:28.000 --> 00:15:29.600
I'm I'm outside that one.
00:15:29.679 --> 00:15:31.919
And then there's Madison, the Garden Inside.
00:15:32.000 --> 00:15:35.600
Yeah, and he did inside Joe Coy, packed it out, sold it out.
00:15:35.759 --> 00:15:37.759
And I got there, I just went with some friends.
00:15:37.840 --> 00:15:40.399
They were like, yo, I got an extra ticket to go see Joe Coy.
00:15:40.480 --> 00:15:42.799
We go see it, sure enough, we're we're by.
00:15:43.120 --> 00:15:50.080
And I just remember like touching like all the guard the gates and as I was walking through.
00:15:50.159 --> 00:15:50.399
Yeah.
00:15:50.559 --> 00:15:52.480
And like, man, you OCD.
00:15:52.639 --> 00:15:53.679
That's what the homie said.
00:15:54.399 --> 00:15:54.879
Nah, nah.
00:15:55.120 --> 00:15:56.159
Just don't worry about it.
00:15:56.399 --> 00:15:57.600
Have you got to play the garden yet?
00:15:57.759 --> 00:15:57.919
No.
00:15:58.159 --> 00:15:58.480
It's coming.
00:15:58.879 --> 00:15:59.200
It's coming.
00:15:59.759 --> 00:16:06.639
When y'all when y'all started y'all comedy career, like the do Puerto Ricans consider themselves Latin also, or is that just like Spanish speaking?
00:16:06.879 --> 00:16:07.039
Latin.
00:16:07.200 --> 00:16:07.360
Okay.
00:16:07.440 --> 00:16:07.600
Yeah.
00:16:07.759 --> 00:16:10.559
So like did y'all face any challenges being Latin comedians?
00:16:10.639 --> 00:16:12.960
Was there anything Yeah.
00:16:13.039 --> 00:16:17.759
Like what what's some of the challenges that you feel like you kind of had to like overcome when you got to LA?
00:16:18.000 --> 00:16:26.639
Well, for me, well, I mean, go 'cause I started in LA and like I uh but yeah, here was because I I started the comedy store right away.
00:16:26.799 --> 00:16:31.039
Late basically I started as a door guy, so I got into that fraternity.
00:16:31.440 --> 00:16:34.639
And and I liked it too because I just wanted to be a comic.
00:16:34.720 --> 00:16:35.679
I just wanted to be funny.
00:16:35.840 --> 00:16:50.480
And also the shows that were here in during that time, Latino shows, were mostly kind of like targeted for like Southern, you know, uh people that live here in California, like southern Latinos, mostly Mexicans, they kind of like that culture.
00:16:50.639 --> 00:16:54.559
Which at that point I was I had no I had no idea, I didn't like what it was.
00:16:54.720 --> 00:16:59.840
I remember going to some shows and I'd be like, people look at me, all these guys, like, who the fuck is this guy?
00:17:00.080 --> 00:17:12.319
You know, because I'm like, hey, all these guys are very tough, you know, and I'm like, and I and they had a lot of references about like, you know, you know, cholos and all this stuff, which I'm like, I don't know.
00:17:12.480 --> 00:17:15.519
So I'm like so I was like, let me go back to the comedy store.
00:17:15.920 --> 00:17:19.200
There's like I'm just gonna, you know, I was like, with all the safe people.
00:17:20.000 --> 00:17:21.039
You speak Spanish though too, right?
00:17:21.119 --> 00:17:32.880
No, no, I do speak Spanish, but it wasn't like because in the in the where I grew up in DC, it's most like like New York or even in the east of uh the US, there's more variety, you know.
00:17:32.960 --> 00:17:38.960
Like and I was like all my friends growing up were like also in DC is a lot of diplomats and international organizations.
00:17:39.039 --> 00:17:47.519
So I had like friends from Mexico, but Brazil and Ecuador and Venezuela and Colombia and um Peru and um Dominican Republic, so like from everywhere.
00:17:47.680 --> 00:18:03.440
So like when I got here, it was just like one, so I was like, and I felt like oh yeah, and they're like, go do this shows, and I'm like, but I felt I felt more comfortable doing again, doing the comedy store than things, because at that time I wasn't, you know, I wasn't even aware of this, you know, of of that.
00:18:03.599 --> 00:18:15.680
So to me, and I and it wasn't like it was more like I wanted to like I also wanted to
be part of it, but I was like, but I felt like I also sometimes I wasn't they learn I wasn't I wasn't part of it.
00:18:16.079 --> 00:18:16.720
You weren't invited.
00:18:16.960 --> 00:18:20.240
I wasn't invited to I wasn't invited to the Carnesada cook out.
00:18:22.319 --> 00:18:23.519
That's hilarious, you know.
00:18:23.759 --> 00:18:29.599
But now no mom is way out of the man, I've always had it easy.
00:18:29.759 --> 00:18:33.200
But I come from Miami, Florida, so it was that balance.
00:18:33.279 --> 00:18:36.960
So uh and I I I came up in gladiator school.
00:18:37.039 --> 00:18:40.400
I came up at the Miami Improv 300 Cedars, Coconut Grove.
00:18:40.799 --> 00:18:45.119
Oh, yeah, so it's like Benji Brown's uh stomping grounds.
00:18:45.279 --> 00:18:45.759
Yeah, yeah, yeah.
00:18:45.839 --> 00:18:47.359
So I used to do like Benji Brown.
00:18:47.440 --> 00:18:55.759
I never headlined, I I just featured because headline, if you were headlining, you were going on uh 12, 1 in the morning if you were the headliner.
00:18:55.920 --> 00:19:01.519
And then I also used to do Marvin Dixon, which was upscale in Fort Lauderdale.
00:19:01.759 --> 00:19:03.519
But then I also did the weekend shows.
00:19:03.599 --> 00:19:09.680
Uh my my whole my whole I I just I always like just I take a beat, man.
00:19:09.759 --> 00:19:20.240
You take a beat with everything, and I look at it and I see the math, and I was just like, oh, if I stay as a if I host, I'll get up more than me over here trying to feature.
00:19:20.480 --> 00:19:25.440
And sure enough, by hosting, I was able to play Miami Improv for a lot of day or West Palm.
00:19:25.519 --> 00:19:28.720
So I could pretty much work almost every weekend as a host.
00:19:28.880 --> 00:19:29.039
Right.
00:19:29.200 --> 00:19:34.640
And then meeting people, and then and that's how I met Bruce Bruce, and then I was able to start opening for Bruce Bruce.
00:19:34.720 --> 00:19:38.079
That's how I met Sebastian Menoscalco before he popped and went to theaters.
00:19:38.240 --> 00:19:39.680
I was his Florida guy.
00:19:39.759 --> 00:19:40.559
You know what I'm saying?
00:19:40.720 --> 00:19:42.799
So it was a lot of big acts that came.
00:19:42.960 --> 00:19:46.960
Michael Yo, when he started building his career, it was like that was the homie.
00:19:47.039 --> 00:19:51.440
I just happened to have my camera rolling, and then me and him became homies, and then that was it.
00:19:51.519 --> 00:19:52.480
We were off to the races.
00:19:52.640 --> 00:19:54.960
Y'all been asking, how can y'all support killing it?
00:19:55.119 --> 00:19:56.480
Well, we got an answer for you.
00:19:56.640 --> 00:19:57.119
We got one.
00:19:57.279 --> 00:19:57.920
Cash app.
00:19:58.079 --> 00:19:58.400
Boom.
00:19:58.559 --> 00:20:02.720
We are independently produced right now, and we're paying for this to give y'all a great show every week.
00:20:02.960 --> 00:20:04.400
Y'all be asking about a Patreon.
00:20:04.480 --> 00:20:06.160
You
don't even have to, this ain't even much about it.
00:20:06.799 --> 00:20:08.079
Just go put something in there right now.
00:20:08.319 --> 00:20:16.000
That Miami improv for the audience watching, as far as stand-up goes, that is a uh It's gladiator school.
00:20:16.559 --> 00:20:16.880
Yeah, it is.
00:20:18.160 --> 00:20:18.960
It's terribly tough.
00:20:19.039 --> 00:20:21.200
There's like a couple of places that are known like that.
00:20:21.279 --> 00:20:24.000
Uh Uptown, the original Uptown was like that.
00:20:24.160 --> 00:20:25.839
The my that is one of them places.
00:20:25.920 --> 00:20:36.640
It's like Well, like on every night back then, every night, the Miami Improv had two police officers at the door in their police that they paid with the squad cars.
00:20:36.799 --> 00:20:37.039
Yes.
00:20:37.519 --> 00:20:38.799
So that was that was it.
00:20:39.039 --> 00:20:46.960
At one point, like the the local um I don't want to say, but the local distributor was actually head of security.
00:20:47.920 --> 00:20:50.559
And he wasn't even uh like security.
00:20:50.640 --> 00:20:54.079
He just since he distributed to the hood, everybody would listen to it.
00:20:54.319 --> 00:20:56.640
Everybody when he stood up, because he loved comedy.
00:20:56.720 --> 00:21:06.079
So he would send one of his goons over to your table and be like, yo, you know, so I've been in there with with Lil Wayne sitting in the back, 300-seater pack.
00:21:06.160 --> 00:21:18.640
He's amongst everybody, big Lil Wayne, you know, like everybody knows him, to like, you know, to to watching Fluffy, Gabriel Iglesias, pull up with his tour bus all wrapped, and I was like, What is this?
00:21:19.039 --> 00:21:23.359
And I saw him that he stayed there that the people drank the bar.
00:21:23.519 --> 00:21:26.880
He stayed there so long, and they were they drank the bar.
00:21:27.680 --> 00:21:36.480
And uh, and then uh it might have been, I don't want to say the name, but the manager turned off the air conditioner so we would leave, so the people would leave, and Gabriel would leave.
00:21:36.559 --> 00:21:39.440
But they started, you know, he was he was just killing it, dude.
00:21:39.519 --> 00:21:40.400
He was killing it.
00:21:40.640 --> 00:21:40.960
You know?
00:21:41.279 --> 00:21:42.240
So it's beautiful.
00:21:42.480 --> 00:21:45.519
Uh uh, so um so what hold on.
00:21:45.680 --> 00:21:48.720
When I got to LA, I was embraced by then.
00:21:48.880 --> 00:21:52.799
People like Francisco, uh, people like Ida Rodriguez, people like Jack.
00:21:53.200 --> 00:21:53.839
But that was like, yeah.
00:21:54.240 --> 00:21:55.599
Yeah, but I got here in 2013.
00:21:56.000 --> 00:21:56.799
When it was a little better.
00:21:57.119 --> 00:21:59.759
Yeah, by then, but yeah, Alfred Robles.
00:22:00.559 --> 00:22:03.039
Uh Nick Guerra, Michael, yo.
00:22:03.359 --> 00:22:11.680
By the time I got here, a lot of these walls had come down where there they people started supporting each other.
00:22:12.880 --> 00:22:13.440
It was mean.
00:22:16.640 --> 00:22:18.079
I walked so you could fly.
00:22:19.279 --> 00:22:19.839
I walked.
00:22:20.400 --> 00:22:30.240
I mean, the uh the the uh the com tell me I I would love we I don't know if you've ever touched that before.
00:22:30.799 --> 00:22:42.559
Tell me about the uh the the likes to touch the manifesto every time I'm around every time I'm around president, I start doing this fucking voice.
00:22:43.680 --> 00:22:44.400
Got a great voice.
00:22:44.640 --> 00:22:47.119
Oh man, Brent's voice is fucking epic.
00:22:47.279 --> 00:22:54.960
The um tell talk to me about the journey of the store because you know, notoriously there's like uh three ways to get in.
00:22:55.039 --> 00:23:02.160
Either you become super, super, super famous, you um it's like I want to say recommendations, yeah, and or you are a doorman.
00:23:02.240 --> 00:23:03.359
And you were a doorman.
00:23:03.440 --> 00:23:03.680
Yes.
00:23:03.920 --> 00:23:06.960
It's always hilarious to me when hilarious people are doormen.
00:23:07.119 --> 00:23:07.440
Why?
00:23:07.759 --> 00:23:08.559
I don't know why.
00:23:08.720 --> 00:23:12.400
I man, I saw Ron Taylor working at the store and I could not stop laughing.
00:23:14.240 --> 00:23:22.880
Everybody that's trying to, it seems like um I think that there is a logic that if you decide to be a doorman, you will be passed.
00:23:22.960 --> 00:23:23.759
And that's not how it works.
00:23:24.640 --> 00:23:25.279
You have to be good.
00:23:25.440 --> 00:23:25.680
Yeah.
00:23:25.839 --> 00:23:27.759
So some of the doormen are great.
00:23:28.000 --> 00:23:29.680
Some of them are, you know.
00:23:30.000 --> 00:23:30.480
Takes a while.
00:23:30.640 --> 00:23:31.440
Hey, man, they figured.
00:23:31.920 --> 00:23:33.519
Can you say their names in Social Security number?
00:23:35.200 --> 00:23:41.119
So uh tell me about the the choice to to even make that choice to make it a journey because your name is for sure on that wall.
00:23:41.279 --> 00:23:44.480
Uh that's as next to the greatest as it should be.
00:23:44.640 --> 00:23:44.880
Yeah.
00:23:45.119 --> 00:23:52.160
No, well, for me, I I would say for me, uh it was different because I started comedy when I moved to LA.
00:23:52.240 --> 00:23:56.160
Like I wasn't doing comedy in DC or Maryland when I was, so I never had any.
00:23:56.319 --> 00:23:58.559
So when I moved here, I was just doing open mics.
00:23:58.640 --> 00:24:04.000
And one of the open mics was the best ones were the improv, the laugh factory, and then the comedy store.
00:24:04.160 --> 00:24:09.680
And and when I got into doing the they started liking me and putting me lower on the on the list.
00:24:09.839 --> 00:24:17.039
And then one day I was just uh you know hanging out, watching a show, and then Tommy, the booker at that time, told me, Hey, do you want to work here?
00:24:20.160 --> 00:24:25.759
Well, but like, so it's I was like, Oh, it's like I was
like, but I have a full-time job.
00:24:25.839 --> 00:24:27.039
It's like, nah, we'll figure it out.
00:24:27.119 --> 00:24:28.000
So I was like, all right.
00:24:28.079 --> 00:24:31.200
So then so for me, I didn't know anything.
00:24:31.359 --> 00:24:34.640
I didn't know, so that for me was easy, I guess, the choice, right?
00:24:34.799 --> 00:24:38.000
Because I didn't have nothing I'm hanging out here anyway.
00:24:38.400 --> 00:24:44.240
Now I'm already doing up at Max, but that's why I'm getting gonna get paid a little bit, but I'm gonna and I and to me, I would say that was my master.
00:24:44.319 --> 00:24:52.480
That's how I really learned how to do those two years I worked at the store is when I really learned how to do comedy because it's also the comedy store wasn't popular back then.
00:24:52.720 --> 00:24:53.119
That's a fact.
00:24:53.279 --> 00:24:54.640
So I was like three people in there.
00:24:54.880 --> 00:25:21.599
So I learned how to do comedy in front of three people, and I learned so I wasn't so I had to just be myself, and that really helped me, and then I saw, and that's how so I met Sebastian, and he's one of the first ones that took me out on the road, you know, and then uh and then other comics like Ian Edwards as well became you know, we became really good friends because of that, and uh Maz Giabrani and all those guys, but like I learned through them, so I always say that the choice of I tell people I did it because I didn't know anything else.
00:25:21.680 --> 00:25:39.119
Like if I would have started like you or somewhere you started in another city and you already kind of like know what you're doing, and to go and work as a door door guy, door person, like it would have been like then I would have to thought about it, but for me it worked because it really got me in stand-up, and then I worked two years.
00:25:39.200 --> 00:25:50.160
I remember I was about to quit because I was like, Alright, I am like I was like, I need I want to get passed, and then finally I I showcased and I got passed, and then I was like, alright, I'm out, and then I got it.
00:25:50.319 --> 00:25:51.759
Y'all be on the road touring.
00:25:51.920 --> 00:25:55.200
How y'all go about promoting y'all shows to make sure y'all got S's and C's?
00:25:55.519 --> 00:25:55.759
Shit.
00:25:56.640 --> 00:25:57.599
I didn't unfollow you.
00:25:57.680 --> 00:25:58.400
I just want to say that.
00:25:58.480 --> 00:25:59.200
I didn't unfollow you.
00:25:59.359 --> 00:26:02.000
I told Hasan, I said, I told Hassan, I said, hey man, just put me on mute.
00:26:02.079 --> 00:26:03.359
He was like, oh, okay, yeah, I'll do that.
00:26:03.599 --> 00:26:04.079
That's true.
00:26:04.960 --> 00:26:07.680
So don't be trying to find clever ways to unfollow me, goddammit.
00:26:09.440 --> 00:26:11.119
But how y'all promote y'all shows?
00:26:11.359 --> 00:26:21.759
Uh well for me, I mean standard right now, obviously uh ads is the thing, and then uh mailing list ads on
which platforms?
00:26:22.000 --> 00:26:22.880
Oh, on meta.
00:26:23.200 --> 00:26:44.480
Okay, you know, like all that stuff, like because a lot of my followers are from Instagram pretty much or Facebook, so to target those, you know, uh uh mailing lists, and then and I what I do also I sometimes I I contact like you know uh uh because I'm from Venezuela, so a lot of Venezuelan people come to the shows, you know.
00:26:44.640 --> 00:26:50.799
Sometimes there most a lot of girl Venezuelan girls want to come and bring their like American boyfriend or husband.
00:26:50.960 --> 00:26:54.480
They're like, oh finally I can they're like this the guy I'm gonna cheat on you with.
00:26:56.880 --> 00:26:58.000
Just take a look at him.
00:26:58.480 --> 00:26:59.200
Take a look at him.
00:27:00.000 --> 00:27:07.440
But I contact so then I have there's associations in states about Venezuelan like community or like businesses and stuff like that.
00:27:07.519 --> 00:27:09.920
So like I kind of go, like, hey, can you promote?
00:27:10.000 --> 00:27:15.119
And then I'll kind of like come to your place and you know, kind of do a story on your show, on your restaurant or something like that.
00:27:15.200 --> 00:27:16.000
So little things like that.
00:27:16.240 --> 00:27:18.960
Hold on, you say you'll do a story on your say that again?
00:27:19.119 --> 00:27:25.200
Like if I if they help me promote the show, then I can just go to their restaurant and like do a story and be like, hey, I'm here, you know.
00:27:25.359 --> 00:27:28.480
Oh, like on a Saturday, like Saturday daytime or something like that, go eat at their restaurant.
00:27:28.799 --> 00:27:31.359
Yeah, like you know, and then you go thank you for this.
00:27:31.440 --> 00:27:34.559
Uh come to if you're in you know Dallas, come to this.
00:27:34.880 --> 00:27:35.599
Oh, that's smart.
00:27:35.759 --> 00:27:36.799
You know, that's smart.
00:27:36.880 --> 00:27:37.039
Yeah.
00:27:40.160 --> 00:27:41.839
Yeah, because you're getting the local people.
00:27:42.079 --> 00:27:43.599
Yeah, that's a great idea.
00:27:43.680 --> 00:27:45.119
I never thought, see, I'm glad I asked that question.
00:27:45.359 --> 00:27:45.839
What about you?
00:27:46.160 --> 00:27:46.880
Uh Meta.
00:27:47.119 --> 00:27:48.480
I used to do Google Ads.
00:27:48.559 --> 00:27:49.680
Now I'm doing Meta.
00:27:50.079 --> 00:27:58.079
And uh one of the things that really changed it, I just I did Ontario Improv and I average about 200 people a show.
00:27:58.400 --> 00:27:59.039
And I did.
00:27:59.200 --> 00:28:11.759
And what really the turn was that when I'm advertising, I used to do like general, like to everybody in within the area of um of Ontario.
00:28:11.839 --> 00:28:14.319
Let's just say within 30 miles of Ontario.
00:28:14.400 --> 00:28:21.759
Uh, what I started doing is like I I instead of that, I clicked on people who follow me already follow me, yeah.
00:28:22.079 --> 00:28:24.799
Or are like the people who already follow
me.
00:28:25.039 --> 00:28:25.839
Not in the area?
00:28:26.480 --> 00:28:27.839
Uh yeah, within the area.
00:28:28.240 --> 00:28:28.720
Within the area.
00:28:28.960 --> 00:28:33.279
You talk about on meta, as opposed to doing a uh build out for just the space.
00:28:33.359 --> 00:28:36.720
You said people that already follow me, andor people that in the area.
00:28:36.880 --> 00:28:37.920
Yeah, in the area.
00:28:38.079 --> 00:28:38.319
Yeah.
00:28:38.559 --> 00:28:42.160
So it automatically matches both of them, matches people with people.
00:28:42.480 --> 00:28:44.240
And people that are interested in comedy, you know.
00:28:44.480 --> 00:28:46.480
Come on, come on, they're you gotta sneak in, baby.
00:28:46.559 --> 00:28:47.119
We going, baby.
00:28:47.359 --> 00:28:47.680
We're gone.
00:28:47.839 --> 00:28:48.559
They knew you was coming.
00:28:48.880 --> 00:28:50.720
We knew you were out there putting in the work.
00:28:50.880 --> 00:28:52.240
We know you were putting in the work.
00:28:52.960 --> 00:28:56.480
Ladies and gentlemen, Uncle Marvin is here.
00:28:56.720 --> 00:28:59.039
Uncle Marvin, uh, uh, Uncle Marvin.
00:29:00.079 --> 00:29:01.759
I said I told him you was doing audition.
00:29:02.160 --> 00:29:03.839
He's getting his vengeance this year.
00:29:04.079 --> 00:29:04.240
All right.
00:29:04.559 --> 00:29:06.400
Marvin's getting his vengeance this year.
00:29:06.720 --> 00:29:08.319
They're doing uh, I said he's doing an audition.
00:29:08.480 --> 00:29:09.440
They was like, he's killing it.
00:29:09.519 --> 00:29:10.640
I said, no, he was doing shit.
00:29:10.720 --> 00:29:12.640
I said they were doing shit today.
00:29:17.359 --> 00:29:18.000
But he's here.
00:29:19.119 --> 00:29:19.599
He's here.
00:29:19.839 --> 00:29:31.519
I mean, uh uh Oh, I did have another I did have a follow-up question to that, which was you I know you do Spanish speaking shows and English speaking shows.
00:29:31.839 --> 00:29:34.079
What went behind that decision to do that?
00:29:34.160 --> 00:29:39.440
And do you see a difference in ticket sales between your English shows versus your Spanish shows?
00:29:39.599 --> 00:29:43.440
Yeah, I mean for me it was the the audience they were like kind of asking for it.
00:29:44.000 --> 00:29:46.799
Every time I would go, they're like, hey, when are you gonna do a show in Spanish?
00:29:46.960 --> 00:29:50.240
I wanna bring my my grandma, I don't know, I wanna bring somebody.
00:29:50.319 --> 00:29:59.279
It's like when I do so, like then it depends on the city, and then I'm like, alright, let me just do one show in Spanish, and then I think it's like uh I it it's done well.
00:29:59.359 --> 00:30:09.839
Like I think there like I did one in San Diego recently, and like and there was I did one show in Spanish and the rest in English, and that one worked really well for that one night, you know, compared to the English shows.
00:30:09.920 --> 00:30:14.160
The English show still did well, but like, but it was
good because it was just you know targeted.
00:30:14.240 --> 00:30:23.440
So I'm kind of like still figuring it out, but I'm definitely getting a lot of uh depending on the city, I do I am getting good, you know, a lot of good people to come to the Spanish shows.
00:30:23.680 --> 00:30:27.920
So yeah, I think it's just more for you know we're good, it's still recorded.
00:30:28.319 --> 00:30:30.480
Have you tested uh have you tested Miami yet?
00:30:30.640 --> 00:30:31.200
Oh yeah, yeah.
00:30:31.279 --> 00:30:34.799
I did my Miami, I do like for sure, like more shows in Spanish.
00:30:35.279 --> 00:30:36.880
There's cities that are like New York too.
00:30:36.960 --> 00:30:38.799
I can do one show in Spanish, one show in English.
00:30:39.039 --> 00:30:44.799
So if you have a so if you have five shows in the week, if you got two Friday, two Saturday, one Sunday, maybe you'll do Friday early show with Spanish.
00:30:45.279 --> 00:30:50.720
Or or or sometimes Thursday I'll do the Spanish and then two shows Friday or two shows Saturday, something like that.
00:30:50.880 --> 00:30:51.839
So like it just depends.
00:30:51.920 --> 00:30:59.839
Yeah, or if I do if it's just four shows, then I'll do maybe the one show, the first show Friday on in Spanish, and then the other ones in English.
00:31:00.079 --> 00:31:08.240
The um, I mean, that's a good segue into uh something you guys were both a part of uh that was you know kind of revolutionary.
00:31:08.319 --> 00:31:11.359
Let me call it it was uh Latin Def Jam.
00:31:11.519 --> 00:31:13.680
Entre nosotes.
00:31:14.640 --> 00:31:18.799
Uh you did season three, and you did season four, if I'm correct.
00:31:19.200 --> 00:31:19.519
I don't know.
00:31:19.680 --> 00:31:20.799
I don't yeah, one of them.
00:31:20.880 --> 00:31:21.200
I don't know.
00:31:21.359 --> 00:31:21.680
I like it.
00:31:22.160 --> 00:31:22.799
I was on there, yeah.
00:31:22.960 --> 00:31:24.400
Yeah, you know, it's everywhere.
00:31:24.720 --> 00:31:28.559
Yeah, yeah, that's the that's the homie Edwin Licona and Biva Films with Victor.
00:31:28.720 --> 00:31:30.240
Yeah, and yeah, they put it together.
00:31:30.319 --> 00:31:32.640
It's kind of like it's it's for the culture.
00:31:33.039 --> 00:31:38.079
Yeah, he just said, hey, we gotta we gotta start putting on putting our own thing.
00:31:38.319 --> 00:31:44.720
And they brought me on, co-signed, you know, by Ida Rodriguez, she co-signed for me, and then they brought me on.
00:31:44.960 --> 00:31:52.640
Yeah, but I mean talk speak to the entity of working when you know you're gonna be working with uh HBO, even pre-cause this is a pre-year special, right?
00:31:52.799 --> 00:31:53.039
Yeah.
00:31:53.200 --> 00:31:54.319
Yeah, so talk talk to me.
00:31:54.480 --> 00:31:59.519
You guys both talked to me about working with HBO and in that way when the when the project happens.
00:32:00.240 --> 00:32:04.720
It was great because for me it was great because Edwin Licona is such a good producer.
00:32:04.880 --> 00:32:11.759
He protected me from HBO, so I didn't even have to deal with them till we got to like marketing and doing all that.
00:32:11.920 --> 00:32:26.640
And then there, that's when I was like pushing back, and they were pushing, and I was pushing back, and they were pushing, and then you know, some things worked that that that that that I suggested, and then some things didn't work that they suggested.
00:32:26.799 --> 00:32:27.680
And you mean like on material?
00:32:27.759 --> 00:32:28.559
What what were you pushing about?
00:32:28.880 --> 00:32:32.640
No, not material, material they weren't allowed to talk to me about it.
00:32:34.079 --> 00:32:35.680
So no, no, they trusted me.
00:32:35.759 --> 00:32:40.400
They they they okay we trust and and again Edwin Licorn, great producer.
00:32:40.480 --> 00:32:43.200
He was he he just he played guard for us.
00:32:43.279 --> 00:32:50.720
He just I don't know if he if uh if you got the same room, but it was it was with me.
00:32:51.200 --> 00:32:51.599
Yeah, yeah.
00:32:52.000 --> 00:32:56.799
But I I was just like he protected me, and that's what's good about a great producer.
00:32:56.880 --> 00:33:03.920
And like I know that you guys are now in the market for someone to volunteer to come and do some producing on this show.
00:33:04.000 --> 00:33:07.839
It's like that's what you need from a good producer, someone that just protects you guys, right?
00:33:08.000 --> 00:33:12.079
Yeah, but but I guess you maybe you want to say, hold on, real quick, hold on, hold on.
00:33:12.720 --> 00:33:13.359
Protect it, protect it.
00:33:13.680 --> 00:33:16.400
I say what was he protecting you from?
00:33:16.640 --> 00:33:17.119
Them.
00:33:17.839 --> 00:33:18.240
Who's them?
00:33:19.279 --> 00:33:20.480
Their creative input.
00:33:20.880 --> 00:33:22.559
And what was some of their creative input that you did?
00:33:22.960 --> 00:33:24.960
I never know because it never made it down to me.
00:33:25.519 --> 00:33:31.359
So that's what a good manager does, that's what a good agent does, even if he just chooses to translate it in a different way.
00:33:31.599 --> 00:33:31.839
Got it.
00:33:32.160 --> 00:33:32.720
You know what I'm saying?
00:33:32.880 --> 00:33:34.960
Because I'm me, I'm with my hair out.
00:33:35.039 --> 00:33:50.240
I'm talking about my wife, I'm talking about getting into a fight at amnesia uh in the in the late 2000s uh with you know with the with a whole Jamaican crew, but then everybody thinks I'm one of the Marley kids because I got long dreadlocks.
00:33:50.319 --> 00:33:57.200
So he's I'm talking about all this stuff, and you know, there's a guy right now on HBO who has a whole special about colors.
00:33:59.359 --> 00:34:04.960
And they cur uh curated that's the word curated that, right?
00:34:05.039 --> 00:34:05.599
Yeah, you know?
00:34:05.920 --> 00:34:06.960
We need the color special.
00:34:07.119 --> 00:34:07.279
Yeah.
00:34:07.519 --> 00:34:08.719
My
bad, go for it, Francis.
00:34:08.880 --> 00:34:16.159
So no, but for me it was it was great because it was like my first kind of like show after last comic standing.
00:34:16.239 --> 00:34:22.480
That was like the last, the next kind of like little like stand-up special thing that looked good.
00:34:22.559 --> 00:34:25.039
I mean, it was for HBO, so that's pretty cool that it happened.
00:34:25.280 --> 00:34:27.760
And for and and and and Edwin was great too.
00:34:27.840 --> 00:34:33.519
I think I I mean I wasn't I did just one of the showcases, so I had like my set, but it came out really good.
00:34:33.599 --> 00:34:35.840
I had like complete, I could do whatever I want.
00:34:36.079 --> 00:34:37.599
It was it came out really great.
00:34:37.679 --> 00:35:02.960
It did great for me, and also it helped me kind of also have a relationship with HBO because then I I I I co-wrote and directed a a short that after we did it, we put it out on um on festivals, and then HBO contacted us to put it on uh on their streaming platform, like HBO Max for like, you know, they licensed it for like two years, so I think that also helped the fact that I was like, hey, I'm already you already have me in Entry and O'Stin, you know, kind of family.
00:35:03.440 --> 00:35:04.079
Part of the ecosystem.
00:35:04.400 --> 00:35:04.639
Exactly.
00:35:04.719 --> 00:35:05.519
So it was good.
00:35:05.920 --> 00:35:17.280
When did you guys feel like uh if this stand-up thing was not just uh just something a hobby or something where you feel like oh I can actually live off this, I can pay some bills, I can really pursue this.
00:35:17.440 --> 00:35:18.239
When did that happen?
00:35:18.480 --> 00:35:19.519
Uh 2013.
00:35:20.159 --> 00:35:29.679
Uh for me, well, for me, I I took me a while because I moved here kind of like, all right, let's see if I'm good at it, but I had a date day full-time job.
00:35:30.079 --> 00:35:36.639
And then I uh two years into while I was still working, I got the whole I did the voice of the monkey in Rio.
00:35:37.280 --> 00:35:40.239
So that kind of like gave me like, oh well, that's kind of weird.
00:35:40.480 --> 00:35:54.079
I mean, not like a little confidence of like, well, but even then I was still working and then like and then finally when I quit, you know, the job that I had the full-time job, and I still did like tennis, for teaching tennis and all this stuff.
00:35:54.400 --> 00:36:01.599
I was still make now still making more money on on stand up, but it was like my thing was gradual, kind of like going like, can I still make money?
00:36:01.760 --> 00:36:04.880
Can I still become you know this professional or something?
00:36:04.960 --> 00:36:16.880
So it took me I and and a comic told me growing uh when I was at the store, told me like you start making or you can start living off comedy, the average is gonna be like five, six, six years or seven years.
00:36:17.280 --> 00:36:25.760
And and basically for me it was like when I was kind of living off just comedy and a little and acting, you know, was around that that mark for me.
00:36:26.079 --> 00:36:27.119
And why 2013?
00:36:27.199 --> 00:36:28.400
What was a particular project?
00:36:28.880 --> 00:36:30.159
No, 2013.
00:36:30.239 --> 00:36:34.079
Uh you know, look, man, I read I read a good uh book.
00:36:34.239 --> 00:36:35.599
It's a children's book.
00:36:35.840 --> 00:36:37.920
I still go back and I reread it.
00:36:38.079 --> 00:36:41.760
Is uh, you know, Will Smith has recommended it a bunch of times.
00:36:41.840 --> 00:36:44.960
I got to read it in school before Will Smith recommended it.
00:36:45.119 --> 00:36:50.800
And I have it hardcover and I give it away to people, and I have an audio called The Alchemist by Pablo Coelho.
00:36:50.960 --> 00:36:51.679
Oh no, that's a great book.
00:36:51.920 --> 00:36:58.639
Yeah, which is which is if you just follow Santiago's journey, it's like and what the alchemist is telling.
00:36:58.800 --> 00:37:02.000
The second that you decide, it all works out for you.
00:37:02.239 --> 00:37:05.679
Yeah, and I decided in 2013, I decided.
00:37:13.039 --> 00:37:18.320
Moved to Los Angeles, and then it was I got here and like uh it's similar story.
00:37:18.480 --> 00:37:22.719
I got here and I got like a like a$5,000 Walmart commercial.
00:37:23.039 --> 00:37:23.360
Jeez.
00:37:23.840 --> 00:37:31.599
Just when I came just to just to just to lease the joint where I told you, I just came to lease the place and I got a$5,000 commercial.
00:37:31.679 --> 00:37:32.480
I just landed.
00:37:32.559 --> 00:37:38.639
I I just so happened to be in LA leasing the spot and I was going back home when they were like they brought me in.
00:37:38.719 --> 00:37:44.960
Yeah, you got this$5,000, and then they gave me an extra$500 to go shoot with a little handheld camera.
00:37:45.119 --> 00:37:46.639
Oh, we're gonna do this for the internet.
00:37:46.880 --> 00:37:47.119
Uh-huh.
00:37:47.440 --> 00:37:49.280
The one for the internet ran longer.
00:37:49.519 --> 00:37:54.320
Right, you know, and uh then that came in um in Florida.
00:37:54.400 --> 00:38:06.239
I won like Florida's funniest comedian, and then I come here and it's like my first spot here is in the hottest night at that time in Los Angeles, which was Comedy Juice at the at the improv.
00:38:07.840 --> 00:38:10.960
Yeah, so I just came into that, but I had decided.
00:38:11.039 --> 00:38:14.239
I was just like, I'm I'm in this, and then it was off to the running.
00:38:14.559 --> 00:38:15.840
Yeah, I read the same book too.
00:38:15.920 --> 00:38:17.280
The alchemists and the science.
00:38:17.360 --> 00:38:21.679
You gotta follow the science, and the universe tells you, kind of like pushes you.
00:38:22.000 --> 00:38:25.280
And there's there's that beginning, that beginner's luck is that's a real thing.
00:38:25.440 --> 00:38:26.079
How does it end?
00:38:26.159 --> 00:38:27.519
I keep starting it, I never finish.
00:38:27.840 -->
00:38:28.159
Alchemist?
00:38:28.239 --> 00:38:28.800
Yeah, the alchemist.
00:38:29.760 --> 00:38:30.639
I try to read the book.
00:38:31.039 --> 00:38:31.840
Don't spoil it, the Lord.
00:38:33.360 --> 00:38:34.000
He gets beat up.
00:38:34.159 --> 00:38:36.559
He gets beat up at the in the pyramids of Egypt.
00:38:36.719 --> 00:38:41.199
Okay, and then he gets to see that he's digging for the treasure, and the treasure was a oh man.
00:38:41.280 --> 00:38:41.920
I'm Messiah.
00:38:42.639 --> 00:38:43.920
No, no, no, he needed to be a good thing.
00:38:45.760 --> 00:38:46.400
I don't think it's a good thing.
00:38:50.000 --> 00:38:50.639
He ain't gonna read it.
00:38:52.159 --> 00:38:52.800
Don't even read it.
00:38:53.199 --> 00:38:54.559
Get the audio book unless you're not.
00:38:54.639 --> 00:38:57.840
Yeah, while you drive it, and the and the actor, I can't think of his name.
00:38:57.920 --> 00:38:59.039
It's an amazing actor.
00:38:59.119 --> 00:38:59.199
Okay.
00:38:59.440 --> 00:39:00.480
That's doing the voiceover for it.
00:39:00.639 --> 00:39:01.440
That's doing the voiceover.
00:39:01.519 --> 00:39:02.320
It's an amazing actor.
00:39:02.559 --> 00:39:04.400
I get like halfway through it, then I'm like, man.
00:39:04.639 --> 00:39:06.800
I mean, that's a great conversation.
00:39:07.199 --> 00:39:08.400
You gotta finish your story.
00:39:08.559 --> 00:39:10.079
The um Which one?
00:39:10.559 --> 00:39:12.000
The the the story.
00:39:12.159 --> 00:39:15.440
The whole book is about you finish, following your story, your personal story.
00:39:15.599 --> 00:39:22.239
Okay, your personal legend that that legend that the universe, God, whatever you want to call it, puts you, everybody's here for a reason.
00:39:22.400 --> 00:39:22.639
Yeah.
00:39:22.880 --> 00:39:26.559
And and the and and and the universe wants you to fulfill that reason.
00:39:26.719 --> 00:39:29.679
And sometimes we're so stuck in something else that we don't see the signs.
00:39:29.920 --> 00:39:40.960
Yeah, that's why we I tell people, like, you know, in the industry, like, if you're if the industry is telling you that you're good at this, at writing, or acting, or or producing, do that.
00:39:41.199 --> 00:39:52.800
Doesn't mean you can't then do stand-up or whatever, but like don't like people sometimes want to be like, but I want to be this, and I'm like, don't force it's like I was like the the the basketball analogy of like you can be a great player.
00:39:52.960 --> 00:40:03.679
Can there's only one LeBron, but then you can be Steve Kerr and be a great you know, role player and then become a great manager or become or Pelinka, be a great, you know, general man, president of operations.
00:40:03.840 --> 00:40:08.800
You're still in the game, and you're still doing, but like but there's only one LeBron, there's only one Kobe.
00:40:08.880 --> 00:40:11.440
I mean, like, I mean, like, you gotta like that'd be the problem.
00:40:11.599 --> 00:40:12.400
Everybody wants
to be LeBron.
00:40:13.280 --> 00:40:14.320
I mean, it's like you're not LeBron.
00:40:14.559 --> 00:40:14.719
Right.
00:40:14.880 --> 00:40:16.320
And you can do very well not be a LeBron.
00:40:16.639 --> 00:40:16.960
Exactly.
00:40:17.280 --> 00:40:20.719
I mean, speak you just brought up the voiceover for what's the name?
00:40:20.880 --> 00:40:30.400
Speak to uh the voiceover for Rio and and when that happens, and the we don't have enough conversations about voiceover because we all know it's very lucrative.
00:40:30.639 --> 00:40:38.159
Yeah, it's like that's uh to me, that's the the best job you can have if you get like in a regular show, like uh a family guy.
00:40:38.320 --> 00:40:39.840
You can see me on Lil Kev on beat.
00:40:40.079 --> 00:40:44.000
Come on, play it on season two coming soon.
00:40:44.320 --> 00:40:44.800
All right, go on.
00:40:45.039 --> 00:40:45.760
Yeah, no, that's great.
00:40:45.840 --> 00:40:46.400
That's a good one.
00:40:46.719 --> 00:40:55.199
Yeah, so what what was it when when that uh opportunity, your because your voice is one of the things we I talk about all the time is like um uh who was that?
00:40:55.360 --> 00:41:01.599
Nav Green was here and was like, you know, there's having your comedic sensibilities, and then sometimes you're just blessed with certain tools.
00:41:01.679 --> 00:41:07.199
Like vocally, you have a uh a thing that works for your voice that was seen for this character.
00:41:07.360 --> 00:41:07.440
Yeah.
00:41:07.840 --> 00:41:08.960
How did how did that come about?
00:41:09.039 --> 00:41:14.880
How did it like I said, I was working, that was two I uh I remember 2006, that was like in 2008.
00:41:15.119 --> 00:41:21.039
So I was still work, I was still doing open mics, and I was still working full-time at my job in investment.
00:41:21.119 --> 00:41:27.679
And I remember oh, and I got recommended by shout-out to Skylar Stone, if you don't know, you know Skylar.
00:41:27.840 --> 00:41:29.760
So like everybody needs to know Skylar.
00:41:30.000 --> 00:41:30.400
Yeah, yeah.
00:41:30.719 --> 00:41:31.280
He hooked up.
00:41:32.320 --> 00:41:45.840
He hooked a lot, he hooked a lot of people, but like, so like I remember I I I he he invited me to open for him one show, and I and and then he's like uh afterwards, he's like, Hey, do you are you uh are you are you Brazilian?
00:41:45.920 --> 00:41:47.039
I'm like, no, I'm from Venezuela.
00:41:47.119 --> 00:41:48.400
So can you do a Brazilian accent?
00:41:48.480 --> 00:41:49.599
I was like, uh yeah, sure.
00:41:49.679 --> 00:41:50.000
I know.
00:41:50.079 --> 00:41:54.400
And I was like, so I was like, all right, I'm gonna potato potato.
00:41:55.920 --> 00:42:02.800
So I got he invited I got a meeting with the casting director of Fox, and I remember literally, because I used to work, you know where the CA is?
00:42:02.880 --> 00:42:03.119
Yeah, yeah.
00:42:03.280 --> 00:42:04.960
I used to work in those Twin Towers.
00:42:05.119 --> 00:42:06.719
So I will literally I walked.
00:42:06.880 --> 00:42:08.400
I was like, I I was in my job.
00:42:08.480 --> 00:42:12.159
I was like, I was like, hey, I gotta go to the doctors to do those auditions.
00:42:12.480 --> 00:42:15.519
I walked and I did that, and I remember doing the audition.
00:42:15.679 --> 00:42:16.880
I had no idea what voiceover.
00:42:16.960 --> 00:42:18.400
I never took any classes, nothing.
00:42:18.480 --> 00:42:20.960
This is not even not taking acting classes.
00:42:21.199 --> 00:42:29.360
And I went and I'm like, I'm I started doing it, and I'm doing like a Brazilian accent in English, you know, and then the casting editor stops me, he's like, What are you doing?
00:42:29.519 --> 00:42:31.199
I was like, Well, is he is he in the Brazil?
00:42:31.679 --> 00:42:33.599
He's like, Yeah, but like you already have an accent.
00:42:33.679 --> 00:42:38.800
He's like, Do you think Americans are gonna know the difference between a Venezuelan accent and a Brazilian accent?
00:42:38.880 --> 00:42:50.800
Just do you, and that really helped me kind of like let it go let it go, and I just started like going riffing and doing, and and then I had a couple of callbacks, and then I got it, and I was like, but it was just the fact that they had you do a callback, yeah.
00:42:52.400 --> 00:42:53.360
Yeah, no, I did.
00:42:53.599 --> 00:42:54.800
Kevin, you know you owe me.
00:42:55.599 --> 00:42:56.159
You know you like it.
00:42:56.239 --> 00:43:00.639
But it was perfect, but it was like completely, and again, those are the alchemists.
00:43:00.880 --> 00:43:07.760
The alchemist literally telling him like, how the hell in two years when I first moved here, you know, like that I got that.
00:43:08.000 --> 00:43:16.559
Which also is a retrospect too, because then when you get it, then your mind starts thinking, oh now I I did it, or I what I mean, and like that doesn't mean anything.
00:43:16.639 --> 00:43:19.679
It's just a little, it's a little good step, but doesn't change your whole life.
00:43:19.920 --> 00:43:27.199
Yeah, but the homie Pat in Oswald, me and Justin were talking about it, he gave me he get one of the jewels he told me about this town.
00:43:27.360 --> 00:43:30.159
He said, never get too high and never get too low.
00:43:30.239 --> 00:43:30.400
Yeah.
00:43:30.639 --> 00:43:34.639
Especially when you're uh uh you're in a low moment right now.
00:43:34.800 --> 00:43:42.719
Yeah, like uh like right now, everything like just on the completely being transparent, you could tell I did therapy.
00:43:42.880 --> 00:43:47.840
Um, like like right now, I'm in a I'm in a sit-down moment.
00:43:48.239 --> 00:43:51.519
I don't know what he has planned for me, the creator, the universe.
00:43:51.599 --> 00:43:52.800
But he told me to sit down.
00:43:52.880 --> 00:43:53.840
And I'm sitting down.
00:43:54.000 --> 00:43:55.440
Yeah, I'm sitting down.
00:43:55.519 --> 00:43:59.840
I'm not trying to force anything, but the emails
that used to get answered aren't getting answered.
00:44:00.159 --> 00:44:03.119
The phone calls that used to get picked up, they're not getting picked up.
00:44:03.599 --> 00:44:04.400
But it's alright.
00:44:04.480 --> 00:44:06.480
Something bigger is coming around the corner.
00:44:06.639 --> 00:44:07.920
I just need to sit down.
00:44:08.559 --> 00:44:12.719
Sit down because if I mess around and I start, I'm gonna miss it.
00:44:13.199 --> 00:44:23.119
Yeah, the stillness, stillness is a very it's a it's a necessity for how how you're gonna move through everything in essence of like it it it assesses your clarity.
00:44:23.280 --> 00:44:25.119
It's like no, this is this and this is that.
00:44:25.280 --> 00:44:32.000
And it's like, but if when you're doing shit, yeah, well, it's like when you're doing shit, it's like it's hard to to what to use.
00:44:32.400 --> 00:44:45.440
And you guys know it's like acting, you know, if you're like really still and chill, like you're acting better if you're fucking thinking about anything, thinking about why is that person not it's like you're not concentrating the moment, then it's just and the same thing with life, you know.
00:44:45.920 --> 00:44:51.599
Oh well, I was when you say you sitting still, what exactly are you doing with it?
00:44:51.920 --> 00:44:52.719
I get it, I got it.
00:44:53.440 --> 00:44:55.280
What exactly are you doing with your day?
00:44:55.519 --> 00:44:57.280
Are you just like chilling?
00:44:57.360 --> 00:44:58.239
Are you watching TV?
00:44:58.320 --> 00:44:58.880
Are you writing?
00:44:58.960 --> 00:45:01.039
Like, what are you doing with your day?
00:45:01.280 --> 00:45:03.920
I'm working like inside.
00:45:04.159 --> 00:45:05.679
I'm working on a script right now.
00:45:05.760 --> 00:45:07.599
I make sure I bang out one page.
00:45:07.840 --> 00:45:08.400
Got it.
00:45:08.559 --> 00:45:12.559
I'm not forcing it every I'm not like you know, stuff like that.
00:45:12.719 --> 00:45:15.760
Um me and BT, we have a show at the laugh factory tonight.
00:45:15.840 --> 00:45:19.599
I'll grab, I'll put my bullet points of like what do I want to do tonight?
00:45:19.679 --> 00:45:20.639
What what set?
00:45:20.960 --> 00:45:22.800
You know, sit down, being chill.
00:45:22.880 --> 00:45:25.679
Just uh I'm not I'm not saying just sit there and don't do anything.
00:45:26.079 --> 00:45:29.920
Well, I just want to be clear for people because there's some people that are gonna be like, see, don't do shit.
00:45:30.000 --> 00:45:30.559
You know what I'm saying?
00:45:30.880 --> 00:45:31.360
Don't do shit.
00:45:32.880 --> 00:45:36.880
So that um um go out for walks, breathe.
00:45:37.840 --> 00:45:38.400
Breathe, bro.
00:45:38.800 --> 00:45:39.760
Live, yeah, yeah.
00:45:39.920 --> 00:45:47.360
Yeah, it's like it's like uh it's like I that's you think right now I'm not even breathing the way I'm supposed to be, breathe.
00:45:47.599 --> 00:45:48.239
Breathe, bro.
00:45:48.400 --> 00:45:52.480
Yeah, and and uh go outside, talk to the trees.
00:45:52.639 --> 00:45:54.480
The trees carry messages, yeah.
00:45:54.639 --> 00:45:54.960
You know?
00:45:55.280 --> 00:45:57.199
Hey man, I want to hit that power ball.
00:45:57.360 --> 00:45:59.039
I say that to my trees every day.
00:45:59.360 --> 00:46:00.960
Yeah, they're not listening, yeah.
00:46:01.360 --> 00:46:03.039
My two pomegranates aren't listening.
00:46:03.679 --> 00:46:07.679
One of them is, the the third one is, but the other two are teaming up against the third one.
00:46:08.000 --> 00:46:15.840
What's a what's a what's a hard rejection that made you press forward when you could have just tapped out?
00:46:16.079 --> 00:46:17.280
And what's one of those hard notes?
00:46:17.519 --> 00:46:32.719
I don't know if it's an audition or if it's a show, it's a project, and you got to know and you made a choice to say, you know what, as much as it as much as it was painful for you to receive, he's like he used that to kind of move forward.
00:46:33.199 --> 00:46:37.119
Uh Tommy at the comedy store told me to sit down.
00:46:37.519 --> 00:46:38.880
He told me to sit down.
00:46:39.119 --> 00:46:44.480
Uh at the time, uh Sebastian Menascalco co-signed for me because he had worked with me on the road.
00:46:44.639 --> 00:46:47.679
Bobby Lee co-signed for me because he had worked on the road and everything.
00:46:47.760 --> 00:46:49.039
So I get to LA.
00:46:49.199 --> 00:46:52.239
I'm already working on the road, I'm a working comic.
00:46:52.480 --> 00:46:56.079
And uh they introduced they they co-signed with me with Tommy.
00:46:56.239 --> 00:46:59.440
Tommy says, sit down, and then why do you say sit down?
00:46:59.519 --> 00:47:00.000
What do I mean sit down?
00:47:00.159 --> 00:47:05.039
Like sit down, like in the back of the room of the OR, and then he started putting, he goes, I'm gonna put you up.
00:47:05.440 --> 00:47:10.239
And then he put up comic after comic after comic, and then the chef went up.
00:47:10.880 --> 00:47:11.440
That's hilarious.
00:47:12.000 --> 00:47:12.159
You know?
00:47:12.559 --> 00:47:17.679
And I giggled, and then the chef was doing material in Spanish, and then you know.
00:47:17.920 --> 00:47:20.639
You thought you were the first, Francisco, but you fucking was it?
00:47:20.719 --> 00:47:21.519
It was the chef.
00:47:21.760 --> 00:47:22.880
But the chef ain't regular.
00:47:26.239 --> 00:47:27.440
Praise gang.
00:47:28.239 --> 00:47:30.000
I didn't know, I didn't know who it was.
00:47:30.239 --> 00:47:30.480
Right.
00:47:30.639 --> 00:47:37.280
I didn't know who he was, and then there uh he goes up, and then I say, Oh, it hit me.
00:47:37.360 --> 00:47:38.320
I was in the back of the room.
00:47:38.480 --> 00:47:42.079
I say, Oh, this is uh this is a fraternity.
00:47:42.320 --> 00:47:46.719
Yeah, I'm I'm never I I went to college, I didn't pledge.
00:47:47.360 --> 00:47:53.440
All right, and then I just I looked at Tommy in his face, he
looked at me and I went and I went home.
00:47:54.639 --> 00:47:57.199
But you can become undeniable.
00:47:57.360 --> 00:48:07.039
So then doing sets, doing sets, doing sets, doing sets, doing sets, doing sets, um Regine, uh that's the word that changed.
00:48:07.360 --> 00:48:19.360
Uh Emily LaFord came in there, and off of being nice, connections, networking, she was stuck, she was in a bun, and she needed a feature down in uh down in La Jolla.
00:48:20.159 --> 00:48:24.559
And I had they had just introduced me to her, and she goes, You want to do La Jolla this week?
00:48:24.719 --> 00:48:26.159
I said, Let's go, Pat, let's go.
00:48:26.320 --> 00:48:30.239
Years this when I first got here, fast forward, she becomes the new booker.
00:48:30.480 --> 00:48:30.800
Wow.
00:48:31.039 --> 00:48:32.159
Gives me my shot.
00:48:32.480 --> 00:48:36.239
I auditioned, and then I get the phone call, and now the names on the wall.
00:48:36.639 --> 00:48:37.679
Woo, fine, nice.
00:48:38.159 --> 00:48:41.039
But it was kind of like persist, persist, persist.
00:48:41.119 --> 00:48:41.760
You know what I'm saying?
00:48:42.239 --> 00:48:43.760
What was your note, Francisco?
00:48:44.480 --> 00:48:45.519
I have a lot.
00:48:47.119 --> 00:48:47.840
Where do I go?
00:48:49.039 --> 00:49:08.079
Ah man, I think uh it was I think for me it was uh it was more of like an acting thing when I was like I was about to like it was the same thing, it was pretty close, and it was a show that I got, you know, it was like when they did pilot season and I reboot I love Lucy and I uh that's the one I've been pitching.
00:49:08.719 --> 00:49:11.440
Oh man, you know, but I know it could work.
00:49:12.159 --> 00:49:16.559
But uh but it was like I got to the audition and I got the call back, right?
00:49:16.960 --> 00:49:20.880
The producer session, it was kind of like you already like I had to sign the the thing.
00:49:20.960 --> 00:49:25.840
I was like you and then I didn't get it, like it was like the last step.
00:49:26.079 --> 00:49:29.760
It was like almost I didn't test, but almost the last step before testing, and I didn't get it.
00:49:29.840 --> 00:49:37.519
And that like really it was very early on, but I remember feeling bad, but then also like at that point, because I'm like, ugh, I guess I'm not good at this.
00:49:37.599 --> 00:49:56.000
But now I remember for me, then I was like, I'm glad that because I wasn't I wasn't I was green, I was still very green, and I was like, I even I and I realized I didn't even know at that time, but now I'm like I'm glad I didn't get it because I and that's what life maybe tells you when you don't get stuff, it's sometimes that's good.
00:49:56.239 --> 00:49:57.599
Oh rejection is God's protection.
00:49:58.159 --> 00:50:02.639
Exactly, because happened if I would like rejection is God's protection.
00:50:02.880 --> 00:50:18.960
Hey me praise But I but yeah, I think now I'm like because uh let's say if I would like actually got the table read and you get fire of the table reach we've you know heard that's even more I think mentally messed up.
00:50:19.039 --> 00:50:21.360
So I think I'm glad that I didn't get to that point.
00:50:21.440 --> 00:50:27.280
So so then I could still work on the acting and then and there's a lot of stuff in my life that I'm like, why didn't I get it?
00:50:27.440 --> 00:50:29.840
I was like, and then I see it, I'm like, I'm glad I didn't get it.
00:50:29.920 --> 00:50:30.559
Because I wasn't ready.
00:50:30.639 --> 00:50:33.039
I was just it was then you're so ready for the next one.
00:50:33.360 --> 00:50:45.599
And now I'm ready because now you're like and auditions too, like they're like auditions, there's auditions that you're like, man, like this really like I can't believe I didn't get it, or I why and then I'm like, I wasn't ready for that part.
00:50:46.400 --> 00:50:47.920
And it was What's the math?
00:50:48.079 --> 00:50:53.199
It was gonna be like you get and then if you get it, then you might not do anything with it, or it does nothing happen.
00:50:53.280 --> 00:50:55.760
So it's like it's kind of like protecting you.
00:50:55.840 --> 00:51:01.840
So that that was my next question, which is do y'all get how like how often are y'all auditioning?
00:51:02.000 --> 00:51:09.119
And do y'all feel like I don't know, the roles represent you correctly, or what type of roles do you get auditions for?
00:51:09.360 --> 00:51:11.039
If you are getting auditions.
00:51:11.360 --> 00:51:13.440
Yeah, no, I mean I do get auditions here and there.
00:51:13.519 --> 00:51:16.239
I mean, some I mean, I think it's definitely gotten better now.
00:51:16.320 --> 00:51:16.400
Okay.
00:51:24.239 --> 00:51:24.960
He did a rivalry.
00:51:25.440 --> 00:51:47.840
Yeah, so that but back then it wasn't hit or rivalry, it was just like the the the the the token kind of like you know, the typical, like, and I'm like, and I would get this stuff and I'd be like, and uh my thing was like I didn't care like about the role, but my thing was like I didn't want to be known just only as that at that point because I have nothing else to fall back on.
00:51:48.639 --> 00:51:52.639
My comedy wasn't because I was like, I always call like the Brock back man kind of like thing.
00:51:52.719 --> 00:52:00.079
Like those guys, they already established, so it's like, but if you just do one guy, then then I didn't want to become the guy.
00:52:00.559 --> 00:52:02.719
People was like, wait, what I want to do this, I want to do that.
00:52:02.880 --> 00:52:09.519
And I remember one time I told the it was for uh looking in HBO, I remember, I think it was a show.
00:52:09.760 --> 00:52:13.599
It was like it was like basically like sex in the city about guys in HBO.
00:52:13.679 --> 00:52:18.000
And I remember getting reading the pilot, and the part that I got was the Samantha of the role.
00:52:18.239 --> 00:52:23.599
Like in the like in the in the in the in in three scenes, he's sucking
dick, you know.
00:52:23.840 --> 00:52:33.119
Like I'm going like Hollywood, and I'm going, and this is like very little, still, I mean still kind of like maybe open mics.
00:52:33.280 --> 00:52:39.599
I don't know, maybe I was a little passive, but it's like watching in the shadows, like I've tried to deal with it.
00:52:39.920 --> 00:52:41.599
Hollywood, don't do it.
00:52:42.079 --> 00:52:47.679
So I was like, I remember telling the the the the the the agent, I was like, nah, I can't, not this one.
00:52:47.840 --> 00:52:50.639
Like I feel like I know so I was like, because I was like, it was too much.
00:52:50.800 --> 00:52:56.800
I was like, oh, so I wasn't gonna even do a good job because it was like it was at that, you know, and I'm thinking about my mom.
00:52:57.119 --> 00:52:58.559
I can't suck dick believable.
00:53:00.239 --> 00:53:01.440
I have to practice first.
00:53:01.679 --> 00:53:01.920
Yeah.
00:53:02.639 --> 00:53:07.599
Um I have to ask, what's the uh well uh the audition acting thing too?
00:53:07.840 --> 00:53:14.480
Uh when we were right now I'm not getting anything, but when we used to go in person, I used to get a lot.
00:53:14.719 --> 00:53:15.599
Before pandemic, I think.
00:53:15.920 --> 00:53:17.679
Yeah, before the pandemic, I used to get a lot.
00:53:17.760 --> 00:53:28.559
But then it was also weird because it's uh uh does casting was in uh the I don't know if they don't know that we look like this on the East Coast.
00:53:28.719 --> 00:53:29.039
Right.
00:53:29.280 --> 00:53:45.360
So they I would get brought in for a lot of like Mexican roles, and it was like then it's uh is Jesus Trejo and and and Saúl, and it's all the homies that I know, and then me just standing there, and it was like, and I always I'm glass half full guy.
00:53:45.440 --> 00:53:47.039
I was like, okay, I'm gonna stand out.
00:53:47.119 --> 00:53:54.639
I always said, man, I'm gonna be like Luis Guzmán, which is the dad in the Adams family, which once I hit it, then there's gonna be boom.
00:53:54.719 --> 00:53:57.920
Boom, and then it's gonna be, oh, he has a hundred films under his belt.
00:53:58.480 --> 00:54:02.239
You know, and that's that's what I that's I'm waiting on that moment to arrive.
00:54:02.800 --> 00:54:05.519
Yeah, you know, that's a great person that you just brought up.
00:54:05.599 --> 00:54:06.159
I love that dude.
00:54:06.559 --> 00:54:14.639
We have to talk about um the I want to talk about the expectation versus the reality of doing late night.
00:54:14.800 --> 00:54:22.639
What did you expect going in and when when it once it happens, what do you expect on the other side versus what it actually ended up being?
00:54:23.199 --> 00:54:24.320
Like the tonight show.
00:54:24.480 --> 00:54:24.719
Yeah.
00:54:25.760 --> 00:54:26.800
So you're on Fallon.
00:54:26.960 --> 00:54:27.119
Yeah.
00:54:27.280 --> 00:54:30.960
Yes, I've done Fallon, uh Humble Bragg, I've done it five times.
00:54:31.280 --> 00:54:33.360
So, shout
out to Michael Cox.
00:54:34.400 --> 00:54:35.840
Hey, we brag brag with you, baby.
00:54:37.519 --> 00:54:39.599
Yeah, yeah, it's it's it's a blessing.
00:54:39.760 --> 00:54:41.440
Is uh shout out to Michael Cox.
00:54:41.519 --> 00:54:52.159
He saw me at multiple festivals, and then uh I met him at the at the improv, introduced to him by Josh Sandoval, who was also producing for America's Got Talent.
00:54:52.239 --> 00:54:53.920
Fast forward, I end up on America's Got Talent.
00:54:54.159 --> 00:54:54.960
Oh, we're gonna get to that today.
00:54:55.119 --> 00:54:58.239
As a as a as an established comic already.
00:54:58.480 --> 00:55:01.119
Um I wasn't expecting anything, dude.
00:55:01.280 --> 00:55:03.280
Honestly, I'm not trying to be humble.
00:55:03.360 --> 00:55:06.239
I I just I didn't even know that that was an option for me.
00:55:06.559 --> 00:55:07.199
Gotcha.
00:55:07.440 --> 00:55:14.719
I I I always aimed, I always, dude, I I there's other podcasts where people I thought I was moving to LA.
00:55:14.800 --> 00:55:18.000
I was gonna be a character actor, I was gonna be Luis Guzmán.
00:55:18.079 --> 00:55:19.920
Whatever Luis Guzmán doesn't take, I'm gonna take.
00:55:20.079 --> 00:55:20.559
Right, right, right.
00:55:20.800 --> 00:55:24.800
I'm gonna be his little brother, I'm gonna be his son, I'm gonna whatever he don't know.
00:55:24.880 --> 00:55:26.400
Because he's priced out, okay.
00:55:26.480 --> 00:55:27.920
I Lando will do it for 10.
00:55:28.000 --> 00:55:28.079
Yeah.
00:55:28.719 --> 00:55:28.800
Yeah.
00:55:29.360 --> 00:55:30.960
I do the same for Donald Glover.
00:55:31.039 --> 00:55:33.679
Anybody turn down, I'll do it.
00:55:33.760 --> 00:55:34.480
Go for it.
00:55:34.719 --> 00:55:43.440
So, um, so then um when I got there, uh between Michael Cox, the producers, and Jimmy Fallon, he's really that dude.
00:55:43.599 --> 00:55:47.360
He's really just happy, go lucky, wow, kind, and everything.
00:55:47.519 --> 00:55:48.960
That's because he's always drunk.
00:55:49.679 --> 00:55:50.480
And employed.
00:55:50.960 --> 00:55:51.599
Being employed.
00:55:52.320 --> 00:55:52.960
I'm just talking shit.
00:55:53.280 --> 00:55:54.559
Rumors, how about rumors?
00:55:54.639 --> 00:55:55.360
I'm just talking shit.
00:55:55.519 --> 00:55:55.840
Come on.
00:55:56.960 --> 00:55:58.400
Anyway, and employed.
00:55:58.719 --> 00:55:58.880
Yes.
00:55:59.199 --> 00:55:59.920
That's what he's saying.
00:56:00.079 --> 00:56:01.679
I love that London said that.
00:56:02.159 --> 00:56:04.559
He's like, um, he's that guy.
00:56:04.800 --> 00:56:05.440
Did it.
00:56:05.599 --> 00:56:11.039
Um, what it did for me, I which my mom's super proud.
00:56:11.119 --> 00:56:13.440
Uh, you know, relatives started calling her up.
00:56:13.519 --> 00:56:19.760
I started getting asked for loans, and I was just like, nah, dog, I make about as much as a garbage man that puts in overtime.
00:56:19.840 --> 00:56:20.159
That's all.
00:56:20.239 --> 00:56:20.320
Yeah.
00:56:20.480 --> 00:56:22.400
And garbage men don't even put in overtime.
00:56:22.480 --> 00:56:22.639
Right.
00:56:22.960 --> 00:56:23.599
You know what I'm saying?
00:56:24.000 --> 00:56:26.480
So that happened.
00:56:26.719 --> 00:56:34.239
But um, and and then it did that first one did open the door to more festivals than I did Moontower.
00:56:34.559 --> 00:56:35.920
Then, yeah, it did.
00:56:36.079 --> 00:56:36.800
Wow, man.
00:56:36.960 --> 00:56:39.840
Just right now, why looking at it with the wide lens.
00:56:40.079 --> 00:56:42.400
Off of my first episode, that got me Moontower.
00:56:42.639 --> 00:56:51.440
Moontower got me just for laughs, and then that got me into the room with Fox where I was able to sell a show, and we were going, the script got approved.
00:56:51.519 --> 00:56:56.480
Shout out to Chris Turner, she was my showrunner, and um, then the pandemic hit.
00:56:56.559 --> 00:56:59.840
We were doing a multicam, and then everything just got blown up.
00:57:00.800 --> 00:57:02.159
We made it to the front of the line.
00:57:02.239 --> 00:57:04.800
Me and Justin were just talking about this off camera.
00:57:04.960 --> 00:57:06.400
I made it to the front of the line.
00:57:06.559 --> 00:57:10.559
I took my shot, it didn't quite go in, it danced around the rim.
00:57:10.719 --> 00:57:10.880
Right.
00:57:11.440 --> 00:57:13.440
You know, it it there wasn't no one there.
00:57:13.599 --> 00:57:15.599
OG wasn't there to tip it back in.
00:57:15.760 --> 00:57:20.079
And then they said, All right, Orlando, do you want to go home or do you want to go back to the end of the line?
00:57:20.320 --> 00:57:21.840
So I'm going back to the end of the line.
00:57:22.159 --> 00:57:25.199
And right now, I honestly feel like I'm halfway back up.
00:57:25.360 --> 00:57:25.519
Yeah.
00:57:25.599 --> 00:57:26.159
That's the same thing.
00:57:26.239 --> 00:57:27.599
And you never know what's gonna happen in front of you.
00:57:27.679 --> 00:57:29.519
Some people are gonna leave the line, some people are gonna stay there.
00:57:29.599 --> 00:57:30.960
Some people it's a marathon.
00:57:31.199 --> 00:57:32.320
Some people are gonna miss their shots.
00:57:32.400 --> 00:57:32.559
Yes.
00:57:32.800 --> 00:57:33.119
All of that.
00:57:33.360 --> 00:57:33.920
It's a marathon.
00:57:34.480 --> 00:57:36.480
I'm halfway back up to take the shot.
00:57:36.639 --> 00:57:38.960
And man, you put me back in the pitching room.
00:57:39.039 --> 00:57:39.519
I got it.
00:57:39.679 --> 00:57:44.000
When I saw my my TV show, um, it was in the room.
00:57:44.079 --> 00:57:46.639
At the end of my pitch, I was like, hey, let's get the lawyers.
00:57:46.800 --> 00:57:48.480
Everybody used that line, by the way.
00:57:48.559 --> 00:57:50.639
Let's hey, let's get the lawyers involved.
00:57:50.800 --> 00:57:50.960
Yeah.
00:57:51.679 --> 00:57:54.800
And the lady at Fox was like, Yeah.
00:57:55.199 --> 00:57:59.920
And then my manager and Chris Turner
and uh everybody kind of looked at each other.
00:58:00.079 --> 00:58:01.599
Did we just saw this in the room?
00:58:01.760 --> 00:58:02.079
Yeah, yeah.
00:58:02.159 --> 00:58:02.800
Bring the lawyers in.
00:58:02.960 --> 00:58:03.920
And then I just walked out.
00:58:04.000 --> 00:58:04.800
I was just like, yeah, yeah.
00:58:05.280 --> 00:58:06.320
What was the process of that, man?
00:58:06.559 --> 00:58:07.039
Of pitching.
00:58:07.440 --> 00:58:08.079
Get the lawyers.
00:58:08.159 --> 00:58:08.559
It's great.
00:58:08.880 --> 00:58:09.760
I love get the lawyer.
00:58:10.079 --> 00:58:10.400
Yeah, all right.
00:58:11.280 --> 00:58:11.760
So before you get it.
00:58:11.840 --> 00:58:13.199
Yeah, yeah, and you did a round them up.
00:58:13.599 --> 00:58:15.440
And they start coming inside the paperwork and you walk out.
00:58:15.599 --> 00:58:16.480
All right, man, well, you know, yeah.
00:58:18.559 --> 00:58:25.599
Before that, before the line of get the lawyers, um, which reminds me of I just saw a movie recently.
00:58:25.920 --> 00:58:26.480
Uh oh.
00:58:27.360 --> 00:58:28.079
Pretty woman.
00:58:28.159 --> 00:58:35.199
At the end of Pretty Woman, when uh I've I've I've got the the lead male actor, but he said something on the same line, which is he worked at a deal.
00:58:35.440 --> 00:58:35.599
Right.
00:58:35.760 --> 00:58:38.480
Richard Getty, and he kind of said the same thing, which was get the lawyers.
00:58:38.719 --> 00:58:40.320
What was the process before get the lawyers?
00:58:40.480 --> 00:58:40.960
What was that?
00:58:41.119 --> 00:58:45.039
Just you had an idea one day of your story.
00:58:45.119 --> 00:58:45.599
What was that?
00:58:45.840 --> 00:58:50.639
John Cryer's company from Two and a Half Men, Discount Sushi, saw me.
00:58:50.800 --> 00:58:56.960
They saw me on TV off of the Tonight Show and off of everything that is starting to happen.
00:58:57.119 --> 00:58:58.719
Man, I'm so grateful for the Tonight Show.
00:58:58.800 --> 00:59:02.079
I'm having a moment of gratitude because I I hadn't zoomed out in a while.
00:59:02.239 --> 00:59:05.440
Sometimes we're too zoomed in and we don't see the whole picture.
00:59:05.599 --> 00:59:08.320
Now I zoom out and they say, oh, this added to this, this added to this.
00:59:09.360 --> 00:59:12.239
And then John Cry, they brought me in, him and his wife, Joy.
00:59:12.400 --> 00:59:15.519
And then they were like, and they brought in Chris Turner.
00:59:15.679 --> 00:59:21.440
And uh Chris, I I would just I was I was going to generals and I would go to generals and pitch other comics.
00:59:21.519 --> 00:59:23.280
I'd be like, man, you don't want to mess with me.
00:59:23.360 --> 00:59:26.159
You need Sammy OB as hello crap, dog.
00:59:26.400 --> 00:59:26.719
I think.
00:59:26.880 --> 00:59:44.400
But that's the way I I was in uh I was in I I I read the room really fast, so I was you know I sat at Comedy Central and a general and they were all around, and I was pitching uh other
comics to them right there in Santa Monica, I think, when their office were.
00:59:44.719 --> 00:59:49.280
Anyway, so they bring me up, they bring in uh Chris Turner, legendary writer.
00:59:49.360 --> 00:59:50.719
She wrote on the Cosby show.
00:59:50.800 --> 00:59:54.880
She wrote uh every show that you can imagine she's been a part of.
00:59:55.039 --> 00:59:56.400
Me and her got together.
00:59:56.639 --> 01:00:03.119
We offer one of my bits, we came up with the concept, did wrote the whole thing out, did it at the house.
01:00:03.199 --> 01:00:07.280
It was the first time that I was having, oh, this is how it's when you do it like really cool.
01:00:07.599 --> 01:00:11.119
It's when you have when you're heh, this is the best part.
01:00:11.199 --> 01:00:12.079
I'm giving you game.
01:00:12.800 --> 01:00:13.840
Come on, this is killing it.
01:00:14.960 --> 01:00:15.760
This so far.
01:00:16.239 --> 01:00:23.920
We were writing the script, and uh uh Chris wrote most of the script, and now it's time to touch up the script and put it in my voice.
01:00:24.000 --> 01:00:31.760
So now she brings me over to the crib and she has a writer's assistant, and me and Chris are just sitting next to each other looking at the big screen like this.
01:00:32.079 --> 01:00:35.920
And I'm like, no, I will say this, da-da-da-da-da-da-da-da-da-da-da-da-da.
01:00:36.079 --> 01:00:42.000
And I would see just the words appear, and I'll be like, I'm not worrying about spelling or punctuation.
01:00:42.320 --> 01:00:43.599
Yeah, that's what the fuck I was saying.
01:00:44.159 --> 01:00:55.280
Being creative, yeah, and then shout out to the homie Jim Jeffries also when he his show legit, his two seasons, he had a court stenographica or whatever it is, the one of those people.
01:00:56.480 --> 01:01:04.480
And he would just be on the couch like this, writing the script, and and she would be off to the side just and then he would get the number.
01:01:08.239 --> 01:01:13.519
And there's a there's a flow pattern to that where you can fall quicker into the flow.
01:01:14.400 --> 01:01:21.519
But wait a minute, when you was in the room pitching the show, did y'all have a pitch deck, or did you just kind of like, yo, this is what the show is?
01:01:21.760 --> 01:01:27.440
Yeah, we have a pitch deck, this is what the show is, but we didn't even well shout out to Chris Turner.
01:01:27.599 --> 01:01:45.119
We rehearsed this pitch so much, and then we would go to like friends, and like so by the time and then we went, we went CBS MBC, everybody passed on it, we end up at Fox, and as soon as I walked into Fox, I was like, Oh, this is it, and then that was it.
01:01:45.199 --> 01:01:46.320
But I was dialed in.
01:01:47.599 --> 01:01:48.400
I was being quiet.
01:01:48.719 --> 01:01:51.679
I think it was Rail who's who mentioned going over somebody.
01:01:52.880 --> 01:01:57.039
I think it was Rail would talk about just going over your picture, making sure that flow and just letting
it be a little bit more than that.
01:01:58.000 --> 01:01:58.480
Like a stand-up.
01:01:58.800 --> 01:01:59.119
That's what it is.
01:02:00.800 --> 01:02:05.119
Yeah, we were just talking, we were just having this conversation, and uh, the homie was there.
01:02:05.280 --> 01:02:12.800
I remember so vividly, I'm walking through Fox, and he's also walking through like that courtyard area uh that you did ballers with.
01:02:12.960 --> 01:02:14.480
Big dude Sinners.
01:02:14.880 --> 01:02:15.920
Uh uh Omar Miller, yeah.
01:02:16.079 --> 01:02:16.480
Yeah, yeah, yeah.
01:02:16.639 --> 01:02:16.960
Omar.
01:02:17.039 --> 01:02:20.159
And I was like, man, what why did you move to I started complaining?
01:02:20.880 --> 01:02:22.239
Why did you move to Los Angeles?
01:02:22.400 --> 01:02:23.519
You should have stayed in Miami.
01:02:23.599 --> 01:02:24.480
That was a better vibe.
01:02:24.639 --> 01:02:26.079
You didn't even touch on cocaine.
01:02:27.599 --> 01:02:31.760
I was just I was just having my geeked out moment about ballers because I'm a big fan.
01:02:31.840 --> 01:02:33.519
It was with the little Wayne intro.
01:02:33.679 --> 01:02:34.880
It was an amazing show.
01:02:35.360 --> 01:02:36.880
Someone overthought that show.
01:02:37.039 --> 01:02:38.719
Man, keep it simple, smart, bro.
01:02:38.800 --> 01:02:39.920
Yeah, I thought it too.
01:02:40.320 --> 01:02:41.039
That does it too.
01:02:41.119 --> 01:02:41.440
Yeah, yeah.
01:02:41.679 --> 01:02:52.159
And um saw him, went in, pitched, and and just it was just like, man, you could really, if you just stay quiet, I swear to you, you can hear it, man.
01:02:52.320 --> 01:02:54.079
You can hear it, you can feel it.
01:02:54.159 --> 01:02:56.400
You could be like, oh, this is it.
01:02:56.559 --> 01:02:56.960
Yeah.
01:02:57.840 --> 01:02:59.519
Every time I bomb, I felt it.
01:02:59.760 --> 01:03:03.599
Every time I go on stage, I said, Oh, there's gonna be a hot one right here.
01:03:04.239 --> 01:03:04.639
Like that.
01:03:04.719 --> 01:03:08.400
And I've gone on stage and bombed, and I just like, could I saved it?
01:03:08.480 --> 01:03:08.960
I tried.
01:03:09.039 --> 01:03:09.199
Yeah.
01:03:09.360 --> 01:03:10.400
But there was some the room.
01:03:10.639 --> 01:03:11.679
Sometimes you gotta sit in it, bro.
01:03:11.920 --> 01:03:15.599
Yeah, you walk and boy, I saw a comic eat it the other day and he left.
01:03:15.679 --> 01:03:16.719
I said, You can't leave.
01:03:17.039 --> 01:03:18.639
You gotta sit down and stay.
01:03:18.719 --> 01:03:19.280
What you run up?
01:03:20.480 --> 01:03:21.440
What you run up in it?
01:03:21.679 --> 01:03:22.559
You gotta sit in it.
01:03:22.800 --> 01:03:23.760
Well, he's early comic.
01:03:23.920 --> 01:03:26.400
Like, he's that like, all right, now I can I can go home.
01:03:26.480 --> 01:03:30.639
You know, I I know I've messed up or I I need to go fix something, or I could go get another stage.
01:03:30.800 --> 01:03:32.320
He just a newer comic.
01:03:32.400 --> 01:03:33.119
No, no, no, no, no.
01:03:33.199 --> 01:03:33.599
You sit here.
01:03:33.679 --> 01:03:34.239
Yeah, you gotta do that.
01:03:34.480 --> 01:03:36.000
You sit here and you let us ridicule you.
01:03:37.679 --> 01:03:39.679
If you can stay there for them for them hugs, yeah.
01:03:41.519 --> 01:03:41.760
Yeah, yeah.
01:03:42.559 --> 01:03:44.079
I can't wait till I I haven't seen him since.
01:03:44.639 --> 01:03:46.000
Okay, I can't wait till I see him again.
01:03:46.079 --> 01:03:47.360
If he jumped off something.
01:03:47.519 --> 01:03:49.920
Um everybody, stop what you're doing right now.
01:03:50.079 --> 01:03:52.079
Make sure you subscribe to Killin' It Pie.
01:03:52.320 --> 01:03:52.960
Boom.
01:03:53.519 --> 01:03:55.920
The you guys can both speak to this.
01:03:56.159 --> 01:03:57.840
But hold up, so we wrap it up.
01:03:58.159 --> 01:04:01.760
When you're in that room and you pitch, have that pitch down.
01:04:02.079 --> 01:04:02.400
Yeah.
01:04:02.639 --> 01:04:04.480
But also be present.
01:04:04.880 --> 01:04:07.039
So don't just follow the script.
01:04:07.119 --> 01:04:07.280
Yeah.
01:04:07.599 --> 01:04:08.000
Be present.
01:04:08.159 --> 01:04:11.280
You know where the script, you know what you want to say, you know where you want to go.
01:04:12.079 --> 01:04:12.960
Be present.
01:04:13.360 --> 01:04:17.760
If you wrote something that's good, if you wrote something that's really gonna touch them, it's gonna touch them.
01:04:18.559 --> 01:04:23.599
Yeah, because a part a high level part of it gotta be how much they want to work with the person that they're being.
01:04:23.840 --> 01:04:24.320
A hundred percent.
01:04:24.559 --> 01:04:29.519
Yeah, because look, if they're meeting you, it's because they already like the idea.
01:04:30.159 --> 01:04:31.920
So now they're just it's literally that.
01:04:32.000 --> 01:04:33.760
It's like, do I get a good vibe with this person?
01:04:34.079 --> 01:04:35.599
And do you know it because you do it?
01:04:35.920 --> 01:04:36.480
It's a lot of investment.
01:04:36.639 --> 01:04:41.599
So it's like if I'm gonna give this money, is it's gonna be uh drunk guy that's gonna come here or is he gonna miss the stuff?
01:04:41.679 --> 01:04:42.800
Is it gonna be cool to the crew?
01:04:42.880 --> 01:04:44.480
It's gonna be easy is he gonna take notes?
01:04:44.639 --> 01:04:45.920
Is he gonna not take notes?
01:04:46.000 --> 01:04:46.719
It's all that stuff.
01:04:46.800 --> 01:04:51.119
So it's like it's all the the the at that point it's not it's an interview.
01:04:51.199 --> 01:04:57.119
It's like when you go to an interview, you see the resume, they already like you because they qualify.
01:04:57.280 --> 01:05:00.320
So now it's like I might do I get a sense of this person.
01:05:00.559 --> 01:05:00.960
That's it.
01:05:01.119 --> 01:05:15.760
And so all my and and to and to all my uh and to all my minorities, people of color, uh Latinos, black people, everybody, our time is coming again, and it's gonna run we're gonna run the table for a while.
01:05:16.400 --> 01:05:23.760
So um I come from that era where I saw Moesha, I come from that era living single, I come from that era there.
01:05:24.000 --> 01:05:32.960
We're about cause they can't I they always go back to the same thing when they when they can't save it, and they can't save it.
01:05:33.199 --> 01:05:34.719
So they need us to save it.
01:05:34.880 --> 01:05:35.440
That's what we're doing.
01:05:35.599 --> 01:05:43.199
So they need a living color again, they need living single, they need they need uh New York undercover, they need all those shit.
01:05:43.840 --> 01:05:45.199
We were running the table, bro.
01:05:45.840 --> 01:05:51.840
He talks about that with Tubi as far as like how they make Yeah, how how we push those numbers.
01:05:51.920 --> 01:05:53.599
We move those we move the new like that.
01:05:53.760 --> 01:05:55.039
And Tubi's nothing but Fox.
01:05:55.280 --> 01:05:55.920
That's it is Fox.
01:05:56.239 --> 01:05:57.920
And who what put Fox on the mat?
01:05:58.079 --> 01:05:59.760
Look at Fox early when they were trying to
01:06:00.159 --> 01:06:03.199
Crack through and saying that's always and Fox just bought Roku.
01:06:03.599 --> 01:06:05.280
Yeah, and Fox bought Roku.
01:06:05.599 --> 01:06:06.800
And they're in the process of buying Roku.
01:06:07.039 --> 01:06:07.119
Yeah.
01:06:07.519 --> 01:06:16.239
I mean, uh that that was a great segue for um I like to speak of us in legacy in full.
01:06:16.320 --> 01:06:16.480
Yeah.
01:06:16.800 --> 01:06:30.320
Um you guys are on the forefront of like leading the next like generation of like comics, especially Latino, like you know, Latin comics, is like what does that do you feel that?
01:06:30.719 --> 01:06:34.320
Do you feel being on the forefront like you guys are the headliners now?
01:06:34.559 --> 01:06:40.000
The we know the things that are lining up, it's like everything's already moving in that way.
01:06:40.239 --> 01:06:43.679
Do you you we've seen the people before you and what they've done?
01:06:44.079 --> 01:06:44.639
Do you feel that?
01:06:44.719 --> 01:06:45.760
Do you feel that pressure?
01:06:45.840 --> 01:06:48.559
Like, do you feel what's coming next or what's behind you?
01:06:49.039 --> 01:06:50.559
I mean, it's not pressure.
01:06:50.639 --> 01:06:54.400
I feel like it's more like it's it's uh it's excitement.
01:06:54.639 --> 01:06:57.599
You know, I feel like it's that was crazy.
01:06:58.320 --> 01:06:59.119
It was behind you, it's crazy.
01:06:59.280 --> 01:06:59.679
It was behind you.
01:06:59.840 --> 01:07:00.239
I let it go.
01:07:00.400 --> 01:07:00.800
Well, go ahead.
01:07:02.480 --> 01:07:06.159
No, I feel like it's more excitement than than than anything else.
01:07:06.239 --> 01:07:22.159
Not pr it's more like using uh because now I feel like uh now the whole like when I started it's more about you were just one type of comic or one type of
character, one thing, like people would see you very now.
01:07:22.239 --> 01:07:24.559
You're like, no, you don't have you can be a lot of things.
01:07:24.639 --> 01:07:29.039
You or you can or you can do sh uh talk about stuff that's not necessarily Latino.
01:07:29.280 --> 01:07:35.119
So more about the story and then being Latino, you're just it's just one of the uh ingredients of it.
01:07:35.519 --> 01:07:36.000
You know what I mean?
01:07:36.320 --> 01:07:38.719
So now people are more open to that stuff.
01:07:38.880 --> 01:07:41.840
Like I see it with like Bad Bunny, for example.
01:07:41.920 --> 01:07:46.159
Like it's crazy to me how like him, like the music.
01:07:46.320 --> 01:07:56.400
I I remember being to in Austin and like going to this like bar that's like very like cowboy, cowgirls bar, and like you listen to Bad Bunny and in Spanish.
01:07:56.639 --> 01:07:57.360
And it's like what?
01:07:57.599 --> 01:07:58.480
It's like so.
01:07:58.559 --> 01:08:29.039
I think the ing the culture is getting more you know acceptable and people are more open to it, so which is great because now you don't have to explain much more stuff, which is gonna make make it more easier to for people to actually like the story for what it is and not because sometimes I think people will be like, Oh, it's uh like I think sometimes me and and uh I think Chris Estrada, we have this stuff where we're like clubs sometimes or people they think like we're like uh we're just doing comedy for Latino audiences.
01:08:29.119 --> 01:08:30.960
It's like no, I'm doing comedy for everybody.
01:08:31.119 --> 01:08:33.039
Yeah, like I'm just my perspective.
01:08:33.359 --> 01:08:33.680
Exactly.
01:08:33.760 --> 01:09:08.720
It's just but I'm talking about you know, relationships and and family and everyday stuff and work and you know observation, so it's like nothing to do with like being like and and I think now people are more acceptance of that, and I feel like that's great because I feel like it's gonna open more doors for for projects, for shows, for movies, for stories to be told that are not just uh the same things that we've heard before, but more elevator, and I feel like that's a cool thing with stand-up and anything else, is like you uh you're uh uh you're always uh evolutionized, you know.
01:09:08.800 --> 01:09:13.840
Like you're not the stuff that was done 20 years ago was great, but now you don't now do something else.
01:09:15.760 --> 01:09:16.560
I love it, man.
01:09:16.720 --> 01:09:17.359
I love it.
01:09:17.520 --> 01:09:20.079
And uh because I I love giving game.
01:09:20.319 --> 01:09:23.439
I don't like to gossip, I love giving game though.
01:09:23.600 --> 01:09:24.319
I love it.
01:09:24.479 --> 01:09:27.439
So um uh I'm excited about it.
01:09:27.680 --> 01:09:31.439
If anybody's coming up and I know them, uh reach out to me.
01:09:31.600 --> 01:09:36.880
I get I get a lot of like calls, the texts, and I also go above and beyond.
01:09:36.960
--> 01:09:48.159
If if any of the homies is doing the tonight show, um I s and they don't know me, and then you know, through Ida, I found out that like, oh Orlando, they look at you like a big bro.
01:09:48.319 --> 01:09:52.319
They look at you like and like an uncle and stuff, the newer generation.
01:09:52.479 --> 01:09:52.720
Right.
01:09:52.880 --> 01:09:55.680
So that's why because they get weird when I'm like calling them.
01:09:55.840 --> 01:09:57.600
Hey, I get their number from somebody.
01:09:57.760 --> 01:09:59.600
Hey, listen, you're about to do the tonight show.
01:09:59.680 --> 01:10:00.720
This is what it's gonna be like.
01:10:00.800 --> 01:10:03.199
You're gonna wake up, you're gonna have a little bit of anxiety.
01:10:03.359 --> 01:10:09.760
If you're staying in the hotel, go down to the gym, go run for 30 minutes on the treadmill or walk, whatever you can do.
01:10:09.840 --> 01:10:10.800
Don't worry about your clothes.
01:10:10.880 --> 01:10:12.239
They're gonna press them when you get there.
01:10:12.319 --> 01:10:13.760
They're gonna also do your hair.
01:10:13.920 --> 01:10:15.359
Okay, your makeup is done.
01:10:15.600 --> 01:10:20.560
15 minutes before it's your call time to go on stage, get everybody out of the dressing room.
01:10:20.720 --> 01:10:22.399
Michael Cox will take care of that for you.
01:10:22.479 --> 01:10:26.000
Tell him, hey, I need 15 minutes, and then go over your set with your bullet points.
01:10:26.079 --> 01:10:27.359
I have a whole spiel that I do.
01:10:27.920 --> 01:10:30.560
Uh the homie Chris Sosa, I just walked through.
01:10:30.720 --> 01:10:32.479
Yeah, uh, he he hit me up.
01:10:32.560 --> 01:10:34.560
Hey, Lando, you did America's Got Talent.
01:10:34.640 --> 01:10:37.199
I go, This is your America's Got Talent vibe.
01:10:37.279 --> 01:10:38.000
You're gonna go there.
01:10:38.079 --> 01:10:39.520
They're gonna put a microphone on you.
01:10:39.680 --> 01:10:42.800
As soon as they put that microphone on you, watch everything that you say.
01:10:43.279 --> 01:10:45.279
Okay, don't make fun of anybody else.
01:10:45.359 --> 01:10:49.439
Don't, don't, don't, don't shit on another act and whatnot.
01:10:49.600 --> 01:10:52.159
Also, that crew is called the B-Story crew.
01:10:52.319 --> 01:10:54.720
They're not gonna leave you alone till the last second.
01:10:54.800 --> 01:10:58.479
I made a great mistake on um uh hilarious.
01:10:58.560 --> 01:11:01.680
I think it was hilarious, it was me, Matt Rifa, Ali Sadiq.
01:11:01.760 --> 01:11:06.720
Yeah, uh I it was Josh on the Vall produced that show.
01:11:06.960 --> 01:11:11.760
And before I was getting on stage, I got upset with the B-Story people.
01:11:11.840 --> 01:11:14.000
And I, hey, yo, I need to concentrate.
01:11:14.079 --> 01:11:17.119
And I took off the mic, and they're just trying to do their job.
01:11:17.359 --> 01:11:18.399
Lesson learned.
01:11:18.720 --> 01:11:19.199
You know?
01:11:19.359 --> 01:11:29.199
So I told them, yo,
all the way, Chris, all the way to right before you grab that microphone to go on stage, B story producers gonna be asking you the same question.
01:11:29.279 --> 01:11:30.319
You how do you feel?
01:11:30.399 --> 01:11:31.119
How do you do that?
01:11:31.840 --> 01:11:33.600
And it's like you're just trying to lock in.
01:11:33.680 --> 01:11:36.000
Don't worry, you just block that out, play the game.
01:11:36.319 --> 01:11:37.199
Give them something, yeah.
01:11:37.439 --> 01:11:49.039
I just I give everybody like I I love giving game, and I get excited, and and you know, Renee Vaca and uh and uh uh Ralph Barbosa, hey man, you're making money right now.
01:11:49.119 --> 01:11:50.479
Hey, buy a laundromat.
01:11:50.560 --> 01:11:52.159
You're making money, buy a laundromat.
01:11:52.800 --> 01:12:01.520
You're staying in Texas, buy a laundromat or buy a barber shop, something that is just a drop that's gonna in the bucket, four thousand dollars a month, it's always gonna drop.
01:12:01.600 --> 01:12:07.840
You know that four grand is gonna come from the barber shop, or if you have a laundromat, you know the same thing.
01:12:08.399 --> 01:12:10.239
Passive income, passive income.
01:12:10.399 --> 01:12:13.199
I'm not an investor guy, I'm a simple man with a simple plan.
01:12:13.840 --> 01:12:16.000
My uncles own barbershops and bodegas.
01:12:16.159 --> 01:12:17.119
That's all that I know.
01:12:17.279 --> 01:12:19.039
I can't tell you about the stock market.
01:12:19.199 --> 01:12:20.720
You could hire someone to do that.
01:12:20.800 --> 01:12:20.960
Right.
01:12:21.119 --> 01:12:29.359
But I could tell you right now that if you just went out on that road and you came back home with 50 G's, you can buy a barber shop with 50 G's in Texas.
01:12:29.760 --> 01:12:30.079
All right.
01:12:30.319 --> 01:12:31.520
We gotta we we gotta go.
01:12:31.680 --> 01:12:32.239
You gotta go.
01:12:32.479 --> 01:12:32.880
We have to go.
01:12:33.119 --> 01:12:35.520
Unless you got something very I I didn't know.
01:12:36.479 --> 01:12:37.680
I think we touched on AGT.
01:12:37.760 --> 01:12:42.560
I just wanted to make sure I we didn't um I just wanted to know about the decision about doing it.
01:12:42.880 --> 01:12:44.720
Uh I did America's Got Talent.
01:12:44.800 --> 01:12:46.000
I'm a touring stand-up.
01:12:46.239 --> 01:12:50.319
I I'm already working cruise ships, I'm working corporate gigs, and I'm working clubs.
01:12:50.560 --> 01:12:54.560
I I I make a living as a stand-up, I'm proud of it.
01:12:55.039 --> 01:12:57.840
But I do a lot of stuff that other comics don't want to do.
01:12:57.920 --> 01:13:06.720
There's comics that don't want to do cruise ships, there's comics that don't want to do uh corporate gig, there's comics that don't want to be at a club Thursday through Sunday.
01:13:06.800 --> 01:13:06.880
Right.
01:13:07.279 --> 01:13:07.600
You know?
01:13:07.840 --> 01:13:09.680
They want to be there Friday and Saturday.
01:13:09.760 --> 01:13:10.239
So do I.
01:13:10.319 --> 01:13:15.600
I only want to be there Friday and Saturday and go home on Sunday and be back home with my with my wife.
01:13:15.920 --> 01:13:20.319
But listen, America's Got Talent, just amplified.
01:13:20.880 --> 01:13:23.359
The bookings got bigger, the price went up.
01:13:23.520 --> 01:13:25.520
Yesterday's price is not today's price.
01:13:27.680 --> 01:13:28.000
Yeah.
01:13:28.159 --> 01:13:28.640
All right, man.
01:13:28.720 --> 01:13:32.319
We got a game on this show called Kill It or Let Live.
01:13:32.560 --> 01:13:33.439
Okay, kill it.
01:13:33.680 --> 01:13:35.279
I know you've seen the show, he's never seen it.
01:13:35.359 --> 01:13:36.399
So I see it.
01:13:36.880 --> 01:13:39.199
So I'm gonna say something, I'm gonna throw out a topic.
01:13:39.439 --> 01:13:41.680
If you're not messing with it, you're gonna say uh kill it.
01:13:42.000 --> 01:13:44.000
But if you like it, you're gonna say let it live.
01:13:44.720 --> 01:13:45.520
It's for both of y'all.
01:13:45.680 --> 01:13:47.840
Kill it or let live.
01:13:48.319 --> 01:13:51.920
The universal language is now Spanish.
01:13:52.399 --> 01:13:55.760
Everybody in the entire world now speaks Spanish.
01:13:56.239 --> 01:13:57.520
First and only language.
01:13:57.920 --> 01:14:02.560
But in order for this to happen, you gotta hook up with your first favorite cousin.
01:14:05.119 --> 01:14:05.680
Kill it.
01:14:05.760 --> 01:14:06.159
Kill it.
01:14:06.800 --> 01:14:07.520
Yeah, kill it.
01:14:07.600 --> 01:14:08.399
Well, I mean, I don't know.
01:14:08.560 --> 01:14:11.039
I don't want the whole and I don't want everything to be Spanish.
01:14:11.279 --> 01:14:11.760
Okay, that's cool.
01:14:12.479 --> 01:14:15.119
You need to have another language so you can talk shit.
01:14:15.359 --> 01:14:16.399
That's hilarious.
01:14:17.039 --> 01:14:20.159
Why wouldn't that's how you let the air out of the bag, bro?
01:14:20.720 --> 01:14:21.760
That's hilarious.
01:14:22.079 --> 01:14:23.760
We don't we don't know other languages.
01:14:24.000 --> 01:14:25.119
Do y'all know other languages?
01:14:28.479 --> 01:14:34.159
No, but you know, you know, you know, you know some, you know, you know some St.
01:14:34.479 --> 01:14:35.199
Pete language.
01:14:35.359 --> 01:14:42.960
Right, right, you know some content, and and you know some Bay Area in Houston.
01:14:43.039 --> 01:14:48.079
You got a lot of stuff you got a lot of stuff that you could say on the slide that you're like, oh, okay.
01:14:48.560 --> 01:14:49.039
Right, absolutely.
01:14:49.359 --> 01:14:49.840
All right, all right.
01:14:50.479 --> 01:14:52.079
Kill it or let live.
01:14:52.640 --> 01:14:55.199
You never argue with the I did have it on this one.
01:14:55.359 --> 01:14:56.399
Kill it or let live.
01:14:56.479 --> 01:15:00.079
You never argue with your wife for the rest of your life.
01:15:00.159 --> 01:15:02.560
You don't have no arguments, it's just peace, love, and harmony.
01:15:02.640 --> 01:15:05.359
Y'all laugh, y'all eat, everything is great.
01:15:05.680 --> 01:15:08.079
The best relationship in the world, right?
01:15:08.319 --> 01:15:11.840
But in order for you to accomplish it, to never argue with your wife.
01:15:12.000 --> 01:15:12.319
Never.
01:15:12.720 --> 01:15:13.439
You know what I'm saying?
01:15:13.520 --> 01:15:16.960
It is the best relationship ever of all time.
01:15:17.199 --> 01:15:17.359
Yeah.
01:15:17.600 --> 01:15:24.720
But in order for you to accomplish this, you have to bomb on stage every night for 45 minutes for one year.
01:15:25.199 --> 01:15:26.800
Every night for 45 minutes?
01:15:27.039 --> 01:15:29.359
Uh uh kill it.
01:15:32.000 --> 01:15:34.159
Well, also, I'm not uh I'm not married anymore.
01:15:36.079 --> 01:15:37.920
But in this scenario, you're married, but I can't.
01:15:38.159 --> 01:15:41.199
No, but it's it's I mean that's that's first of all.
01:15:41.279 --> 01:15:47.119
I re I even if that happens, it's always gonna be, and also it would get boring if you're not arguing with your wife.
01:15:47.279 --> 01:15:49.279
I feel like that's the perfect thing.
01:15:49.520 --> 01:15:52.560
I feel like it's gonna be if it's too nice, everything there's gotta be a little bit.
01:15:52.960 --> 01:15:55.680
I would be saying no to two of my favorite things.
01:15:55.760 --> 01:15:56.079
Yeah.
01:15:56.319 --> 01:16:01.520
Being of service on stage and making people laugh, and arguing with my wife every once in a while.
01:16:01.840 --> 01:16:02.159
I love it.
01:16:03.359 --> 01:16:04.079
One year, I love it.
01:16:04.239 --> 01:16:04.560
I love it.
01:16:04.960 --> 01:16:06.880
A little bombing, like then you're done.
01:16:07.039 --> 01:16:08.560
Like, you don't have a career after that.
01:16:08.640 --> 01:16:10.479
Like every three years.
01:16:10.640 --> 01:16:17.439
Like, I was gonna say, like, we'll give you a year where we like yo Francisco's, he's gonna think amazing's coming.
01:16:18.079 --> 01:16:21.359
People know, and then uh, I think I know the answer to this next one then.
01:16:22.159 --> 01:16:23.920
They're so goddamn practical.
01:16:24.239 --> 01:16:25.680
Kill it or let live.
01:16:25.840 --> 01:16:26.720
This is the last one.
01:16:26.880 --> 01:16:28.000
Kill it or let live.
01:16:28.079 --> 01:16:31.840
You get to perform at the Super Bowl in the World Cup.
01:16:33.520 --> 01:16:34.720
Whenever you want to.
01:16:34.960 --> 01:16:35.279
Okay.
01:16:35.680 --> 01:16:40.239
And they pay you a hundred million dollars every time you perform.
01:16:40.319 --> 01:16:40.560
Uh-huh.
01:16:40.880 --> 01:16:45.359
Super Bowl, World Cups, anytime you want to, a hundred million dollars every time you perform.
01:16:46.159 --> 01:16:52.720
But in order for this to happen, Latin music has to cease to exist.
01:17:15.840 --> 01:17:17.279
A lot of people are sick.
01:17:18.720 --> 01:17:21.680
I don't want to bring that up within the Latin community, but whatever, whatever.
01:17:22.640 --> 01:17:25.039
No, no, I mean I mean Latin music is is great.
01:17:25.119 --> 01:17:26.399
Well, so which kind all of them?
01:17:26.560 --> 01:17:27.119
All Latin music.
01:17:27.359 --> 01:17:28.079
All Latin music.
01:17:29.199 --> 01:17:31.680
That makes your mouth memories, everything.
01:17:33.359 --> 01:17:34.239
Nah, I can't do that.
01:17:34.479 --> 01:17:35.119
I couldn't do that.
01:17:35.199 --> 01:17:35.279
Yeah.
01:17:37.920 --> 01:17:42.000
That's a great lead-off into uh Okay, so uh Kill Three, Cut Five.
01:17:42.239 --> 01:17:43.680
Uh Lando go you first.
01:17:44.000 --> 01:17:45.119
Kill three, cut five?
01:17:45.199 --> 01:17:48.239
Is is is so I'm sorry, keep three, kill five.
01:17:48.560 --> 01:17:49.520
So you don't know what's coming next.
01:17:49.680 --> 01:17:50.319
The blind list.
01:17:50.800 --> 01:17:51.119
Ready?
01:17:51.359 --> 01:17:52.000
Kill three.
01:17:52.239 --> 01:17:52.960
No, you keep three.
01:17:53.039 --> 01:17:54.479
You keep three and you're kill five.
01:17:55.039 --> 01:17:55.760
But you don't know what's coming next.
01:17:55.920 --> 01:17:56.800
You don't know what's coming next.
01:17:57.039 --> 01:17:57.279
Okay.
01:17:57.439 --> 01:17:57.840
All right.
01:17:57.920 --> 01:18:02.000
Uh this is uh superstars, uh Latin superstars.
01:18:02.720 --> 01:18:04.000
I ain't gonna say genre, nothing.
01:18:04.079 --> 01:18:04.479
It's just super.
01:18:04.800 --> 01:18:05.840
But why am I killing them?
01:18:06.000 --> 01:18:06.720
You only you get to kill.
01:18:06.960 --> 01:18:07.920
Oh, I can only keep three.
01:18:08.720 --> 01:18:08.960
Oh, okay.
01:18:09.279 --> 01:18:09.760
You're not killing them.
01:18:10.560 --> 01:18:11.199
Bad Bonnie.
01:18:12.239 --> 01:18:13.920
Bad Bonnie, we start Bad Bonnie.
01:18:14.079 --> 01:18:16.640
Oh do I kill him or if you want to?
01:18:16.720 --> 01:18:17.199
You get to keep it.
01:18:17.279 --> 01:18:18.000
Yeah, you only get to kill it.
01:18:18.960 --> 01:18:19.279
I'll keep it.
01:18:19.359 --> 01:18:19.680
I'll keep it.
01:18:19.760 --> 01:18:20.159
He's done so.
01:18:20.399 --> 01:18:21.760
All right, it's gonna be some good shit.
01:18:23.920 --> 01:18:24.399
All right, cool.
01:18:24.640 --> 01:18:25.600
Fat Joe.
01:18:27.119 --> 01:18:27.760
Kill it.
01:18:27.920 --> 01:18:28.560
Oh damn.
01:18:28.880 --> 01:18:29.680
Caddibi.
01:18:30.079 --> 01:18:30.640
Kill it.
01:18:31.119 --> 01:18:33.760
Oh Juan Carlo Espanzito.
01:18:34.159 --> 01:18:34.479
Oh.
01:18:34.880 --> 01:18:35.439
Juan Carlo.
01:18:35.680 --> 01:18:37.680
Juan Carlo Esposito from uh Breaking Bad.
01:18:38.000 --> 01:18:38.399
He's amazing.
01:18:38.640 --> 01:18:39.439
The bad guy.
01:18:40.720 --> 01:18:41.359
Breaking Bad.
01:18:41.439 --> 01:18:42.239
He's also in Spider Man.
01:18:42.479 --> 01:18:42.960
School days.
01:18:43.199 --> 01:18:43.680
Yeah, everything.
01:18:44.319 --> 01:18:45.039
Yeah, yeah, yeah.
01:18:45.279 --> 01:18:46.000
Oh, with
the good hair.
01:18:47.119 --> 01:18:47.760
With the Italian.
01:18:48.640 --> 01:18:49.359
Yeah, yeah, with the hair.
01:18:49.680 --> 01:18:50.479
He's Italian.
01:18:50.720 --> 01:18:51.039
Is he?
01:18:53.279 --> 01:18:54.239
Yeah, he's Italian, dude.
01:18:54.479 --> 01:18:54.720
Is he?
01:18:54.800 --> 01:18:55.359
Yes, Posito?
01:18:55.600 --> 01:18:56.560
Giancarlo Esposito?
01:18:56.720 --> 01:18:56.800
Yeah.
01:18:59.119 --> 01:18:59.760
He's got an Italian.
01:19:02.000 --> 01:19:02.960
All right, I'll replace him.
01:19:03.039 --> 01:19:03.520
Don't worry about it.
01:19:03.600 --> 01:19:04.000
I'll be back.
01:19:04.159 --> 01:19:05.359
I'll take Carly B then.
01:19:06.000 --> 01:19:06.399
No, no, no.
01:19:06.479 --> 01:19:06.720
I'm not.
01:19:08.960 --> 01:19:11.600
So Giancarlo Esposito's a uh Giancarlo.
01:19:12.079 --> 01:19:12.399
Giancarlo.
01:19:12.800 --> 01:19:13.359
Giancarlo.
01:19:14.880 --> 01:19:16.479
Uh Rico Suave.
01:19:20.399 --> 01:19:21.920
Suave La Rico.
01:19:22.239 --> 01:19:23.119
Damn, you're right.
01:19:23.199 --> 01:19:23.600
You're right.
01:19:23.680 --> 01:19:25.439
He's Italian and African American.
01:19:25.680 --> 01:19:27.680
Yeah, because we've been trying to claim him for years.
01:19:27.840 --> 01:19:27.920
Right.
01:19:29.359 --> 01:19:31.279
He just plays, he's just his like his very big.
01:19:31.359 --> 01:19:32.720
That's like Oscar Isaac.
01:19:33.039 --> 01:19:36.239
Yeah, that's like Richie's brother in La Bamba Ridge.
01:19:37.359 --> 01:19:38.319
He's not Mexican.
01:19:38.880 --> 01:19:40.479
But his black.
01:19:40.880 --> 01:19:42.319
Yeah, everybody thinks he's Mexican.
01:19:43.039 --> 01:19:44.079
Yeah, but he's Puerto Rican.
01:19:44.239 --> 01:19:45.119
What's Oscar Isaac?
01:19:45.279 --> 01:19:45.439
What?
01:19:45.520 --> 01:19:46.239
What's Oscar Isaac?
01:19:46.479 --> 01:19:47.520
He's from Guatemala.
01:19:47.680 --> 01:19:48.319
Oh, okay.
01:19:48.720 --> 01:19:49.039
All right, cool.
01:19:49.199 --> 01:19:54.560
Guatemala in in I mean uh Oscar Isaac's in in uh in John Carlos Parties.
01:19:54.880 --> 01:19:55.119
Yeah.
01:19:55.439 --> 01:19:55.760
What?
01:19:55.920 --> 01:19:56.720
John Isaac?
01:19:57.680 --> 01:19:58.079
Yeah, yeah, yeah.
01:19:58.239 --> 01:19:59.199
You keep or kill?
01:19:59.359 --> 01:20:00.479
Kip, keep, keep, keep.
01:20:00.640 --> 01:20:01.359
Oh, okay.
01:20:01.439 --> 01:20:04.399
So you kept Bad Bunny and Oscar?
01:20:04.560 --> 01:20:05.199
Oscar Isaac.
01:20:05.359 --> 01:20:07.119
Suave, I was serious about Rico Suave.
01:20:07.439 --> 01:20:07.680
No.
01:20:07.840 --> 01:20:09.279
Yeah, keep him, keep him, keep him.
01:20:09.439 --> 01:20:09.520
Wow.
01:20:09.840 --> 01:20:10.239
Keep Rico.
01:20:10.960 --> 01:20:11.520
Rico's like.
01:20:11.680 --> 01:20:12.880
No, because that was a big deal for us.
01:20:13.520 --> 01:20:14.079
For Latinos.
01:20:14.479 --> 01:20:15.680
Alright, so you kept it.
01:20:16.079 --> 01:20:16.399
That's a three.
01:20:17.039 --> 01:20:20.239
And that launched, like Rico Suave, I think launched.
01:20:21.279 --> 01:20:22.239
Their senensis.
01:20:23.039 --> 01:20:24.720
That might have gave us ice Q.
01:20:25.119 --> 01:20:25.600
Hey, listen.
01:20:26.560 --> 01:20:28.399
That might have gave us priority records.
01:20:29.119 --> 01:20:29.920
No argument for me.
01:20:30.319 --> 01:20:40.800
So you got Bad Bunny, you got Oscar Isaac, you got uh Rico Suave, you killed Fat Joe and Cardi B, uh Minuto, Ricky Martin, and Eva Legoria.
01:20:41.039 --> 01:20:41.439
All gone.
01:20:41.520 --> 01:20:43.920
Damn, Eva Longoria done did a lot for y'all people, man.
01:20:44.319 --> 01:20:47.119
Yeah, Lee, y'all don't fucking did that, but Eva Langoria, man.
01:20:48.800 --> 01:20:55.840
Eva Longoria gave us uh gave us, she was the last bit of money that pushed it over the edge so we could see John Wick.
01:20:56.319 --> 01:20:56.560
That's right.
01:20:56.800 --> 01:20:57.279
Yeah, right.
01:20:57.439 --> 01:20:57.680
That's right.
01:20:58.000 --> 01:20:58.880
All right, uh, and I mean.
01:20:59.520 --> 01:21:04.399
But she's also best friends with uh uh the villain's wife, that Faiso's wife.
01:21:04.560 --> 01:21:05.199
That's good to know.
01:21:06.479 --> 01:21:09.359
Yeah, me and Francisco talk basketball all the time.
01:21:09.439 --> 01:21:09.920
Oh, yeah.
01:21:10.560 --> 01:21:13.279
So he's gonna fucking take this and he's gonna like it.
01:21:13.600 --> 01:21:14.000
Pause.
01:21:14.720 --> 01:21:18.000
Top keep three kill five wizards players.
01:21:18.159 --> 01:21:20.000
I don't even think it works even with the pause.
01:21:20.239 --> 01:21:20.640
All right, too.
01:21:21.119 --> 01:21:22.159
That was too seductive.
01:21:22.479 --> 01:21:22.880
John Wall.
01:21:23.359 --> 01:21:24.319
He said pause.
01:21:27.199 --> 01:21:27.520
Hello.
01:21:28.399 --> 01:21:29.520
You stand at me too.
01:21:30.640 --> 01:21:31.039
Pause.
01:21:31.359 --> 01:21:32.800
Yeah, but it was.
01:21:33.039 --> 01:21:36.159
Yeah, keep three kill five uh Wizards players.
01:21:36.319 --> 01:21:36.560
Okay.
01:21:36.720 --> 01:21:37.520
John Wall.
01:21:37.680 --> 01:21:38.239
Hmm.
01:21:40.800 --> 01:21:43.119
I'm telling you right now, it's a little bit keeping.
01:21:43.359 --> 01:21:43.920
All right, cool.
01:21:44.159 --> 01:21:45.439
Uh keeping John Wall.
01:21:45.600 --> 01:21:46.239
Michael Jordan.
01:21:46.720 --> 01:21:48.079
Oh, yeah, he did play.
01:21:48.560 --> 01:21:50.640
But we're talking Jordan.
01:21:52.000 --> 01:21:53.199
Michael Jordan for the Wizards.
01:21:53.439 --> 01:21:54.159
Wizards Jordan.
01:21:54.319 --> 01:21:54.720
Yep.
01:21:54.880 --> 01:21:56.239
Nah, I gotta let him go.
01:21:56.479 --> 01:21:58.239
Why kill Michael Jordan?
01:21:59.199 --> 01:22:00.000
Nick Young.
01:22:00.880 --> 01:22:01.439
Nah, nah.
01:22:01.760 --> 01:22:02.000
Gone.
01:22:02.159 --> 01:22:02.640
Oh, wow.
01:22:02.720 --> 01:22:03.600
Bradley Bill.
01:22:04.239 --> 01:22:05.039
Oh, keep.
01:22:05.359 --> 01:22:06.399
Okay, okay, okay.
01:22:06.560 --> 01:22:08.079
Antoine Jameson.
01:22:10.399 --> 01:22:12.560
I'm waiting for somebody else to kill it.
01:22:12.720 --> 01:22:14.479
Damn, he killed Michael Jordan.
01:22:14.640 --> 01:22:15.600
Gilbert Arenas.
01:22:16.000 --> 01:22:16.319
Come on, man.
01:22:16.479 --> 01:22:17.279
Oh, man, Gilbert.
01:22:17.680 --> 01:22:18.239
Come on, man.
01:22:18.479 --> 01:22:18.720
Gil.
01:22:19.039 --> 01:22:19.359
Come on.
01:22:19.439 --> 01:22:20.159
With the pistol.
01:22:20.399 --> 01:22:21.359
Yeah, with the pistol.
01:22:21.520 --> 01:22:21.680
Come on.
01:22:22.079 --> 01:22:22.720
Come on, Gil.
01:22:23.199 --> 01:22:23.760
Yeah, yeah.
01:22:24.239 --> 01:22:27.039
But I'm uh But I'm waiting for C Webb.
01:22:27.119 --> 01:22:27.920
Yeah, go with your heart.
01:22:28.720 --> 01:22:29.680
He might not be on here.
01:22:29.760 --> 01:22:30.319
I don't know.
01:22:30.560 --> 01:22:32.159
Or Juwan Howard.
01:22:33.520 --> 01:22:34.479
Gilbert Arenas.
01:22:35.039 --> 01:22:36.479
I'm gonna, I already got two.
01:22:36.720 --> 01:22:38.239
I'm gonna, I'm I'm thinking teams.
01:22:39.119 --> 01:22:40.479
Okay, Kwame Brown.
01:22:41.439 --> 01:22:42.159
John, John.
01:22:42.560 --> 01:22:44.319
All right, so so then you gotta keep the last one.
01:22:44.640 --> 01:22:48.159
So you kept Ja Wall, you killed Michael Jordan, you killed Nick Young, you killed Bradley Bill.
01:22:48.399 --> 01:22:54.640
No, I kept you kept Bradley Bill, you killed Antoine Jameson, you killed Gilbert Arenas, and Kwame Brown, you kept Earl De Pearl Monroe.
01:22:54.800 --> 01:22:55.520
Alright, man.
01:22:57.119 --> 01:23:00.239
Let's see where I think Kwame Brown had to do.
01:23:01.439 --> 01:23:02.399
Who was the last dude?
01:23:02.640 --> 01:23:03.600
Earl De Pearl Monroe.
01:23:03.760 --> 01:23:05.359
He sounded like he wore shorts that came up to us.
01:23:05.680 --> 01:23:06.000
He did.
01:23:06.159 --> 01:23:06.640
He definitely did.
01:23:09.199 --> 01:23:09.920
Spin the ball up.
01:23:10.399 --> 01:23:15.359
So last but not least, man, for both of you guys, you're uh this is the manifested moment, man.
01:23:15.439 --> 01:23:17.680
You're killing it in every version career-wise.
01:23:17.840 --> 01:23:18.720
What does it look like?
01:23:18.880 --> 01:23:25.680
What is uh envisioning for the people behind the camera, in front of the camera, specials, uh, you know, what does it look like?
01:23:26.640 --> 01:23:30.399
The ultimate goal for me is Madison Square Garden.
01:23:30.560 --> 01:23:31.439
Sold-out shows.
01:23:31.600 --> 01:23:32.560
Two sold-out shows.
01:23:32.720 --> 01:23:32.880
Boom.
01:23:33.199 --> 01:23:34.239
Madison Square Garden.
01:23:34.720 --> 01:23:36.560
Not in the round regular concert.
01:23:36.640 --> 01:23:41.199
I want everybody, I don't want people to be looking at screens, just straight shot.
01:23:41.359 --> 01:23:43.199
I'm at the
Oh, you want back on the wall?
01:23:43.279 --> 01:23:43.439
Okay.
01:23:43.520 --> 01:23:43.760
Uh uh.
01:23:44.239 --> 01:23:44.560
Okay.
01:23:44.960 --> 01:23:53.359
Uh the uh I'm gonna have um, I'm gonna have um Jada Kiss is gonna come out and she he's gonna do the the New York giant.
01:23:53.600 --> 01:24:01.199
Uh Fernandito Villalona is gonna do the Dominican Festival, and then uh I'm gonna have like Angie Martine.
01:24:01.279 --> 01:24:03.359
And if I could go do that one.
01:24:05.279 --> 01:24:08.079
Um definitely Cyfus gonna be DJing.
01:24:08.560 --> 01:24:10.399
Um and it's just gonna be an event.
01:24:10.479 --> 01:24:13.920
I'm gonna have like traditional dancers from the Dominican Republic and everything.
01:24:14.159 --> 01:24:14.479
See it.
01:24:14.640 --> 01:24:15.520
I that's the goal.
01:24:15.600 --> 01:24:17.279
I see it, it's clear everything.
01:24:17.439 --> 01:24:24.479
I want more things, but that's but I figured if I can achieve that, then all this, these other things are just line up.
01:24:25.279 --> 01:24:27.840
So that that keeps my mind from being scattered.
01:24:28.239 --> 01:24:28.560
Got it?
01:24:29.760 --> 01:24:29.920
Love it.
01:24:30.079 --> 01:24:30.399
Love it, man.
01:24:30.560 --> 01:24:31.039
All right, come on.
01:24:32.239 --> 01:24:33.199
Francisco Ramos.
01:24:33.600 --> 01:24:38.399
Uh I think for me it's just uh, I mean, I do one not just one thing.
01:24:38.479 --> 01:24:57.680
I feel for me it's just like the the the epitome of not of success of like of when I don't have to worry about works anymore, I can just say no, and I just pick and choose what I want to do in terms of acting, shows, producing, writing, because I love that, directing, all that stuff.
01:24:57.760 --> 01:25:24.079
So I like I I like I wanna do a l a little bit of everything, but to me to get to the point of manifesting that success where I'm like, alright, I I can now pick and choose who I wanna work with, what I want to work with, who I wanna help, who I wanna produce, who I wanna and not just just me being the forum, but also behind the camera and pushing people out, uh, you know, also say that who's the new talent or somebody that I believe in that didn't get their shot either.
01:25:24.239 --> 01:25:25.520
Because people always go like the new one.
01:25:25.600 --> 01:25:29.119
It's like what about the people that are still doing it that haven't got their shots?
01:25:29.279 --> 01:25:30.720
So push that forward.
01:25:30.960 --> 01:25:33.760
And uh and that's what I wanna get to.
01:25:33.840 --> 01:25:44.640
That's kind of like my you know, not just one specific thing, but like that idea of being like, All right, now I made it in terms of like alright, I don't have to now worry about the next thing.
01:25:45.119 --> 01:25:47.520
Uh tell the people where to follow you, we get on out of here.
01:25:47.680 --> 01:25:55.119
Uh follow me, F Ramos Comedy on Instagram, uh, all social media's F Ramos Comedy, and also watch my special, still learning.
01:25:55.199 --> 01:25:56.560
Yes in all platforms.
01:25:56.720 --> 01:26:00.640
Uh you can watch on all platforms, also listen to it in Spotify, iTunes everywhere.
01:26:00.800 --> 01:26:01.439
So check it out.
01:26:01.600 --> 01:26:03.600
F Ramos Comedy, Francisco Ramos.
01:26:04.560 --> 01:26:05.600
Uh hey Lando.
01:26:05.760 --> 01:26:07.199
Uh hey Lando everywhere.
01:26:07.439 --> 01:26:08.960
My name is Orlando Labor.
01:26:09.119 --> 01:26:10.159
She's in Labor.
01:26:10.399 --> 01:26:13.039
And uh have a special on YouTube 30 minutes.
01:26:13.279 --> 01:26:14.560
Uh say yes to no.
01:26:14.720 --> 01:26:17.359
It's also streaming as an album and everything.
01:26:17.520 --> 01:26:19.199
Uh thank you for having us.
01:26:19.359 --> 01:26:25.119
And uh uh my last uh jewel that I want to drop is don't block other people's blessings.
01:26:25.600 --> 01:26:28.319
There's a lot of people out here blocking other people's blessings.
01:26:28.399 --> 01:26:31.039
They don't even know that they're doing it, they're just doing it.
01:26:31.279 --> 01:26:32.000
Just don't do it.
01:26:32.239 --> 01:26:32.720
Don't do it.
01:26:33.279 --> 01:26:33.680
Like that.
01:26:34.159 --> 01:26:34.720
Nice.
01:26:34.960 --> 01:26:38.239
Uh man, make sure y'all like, comment, subscribe.
01:26:38.319 --> 01:26:40.319
We appreciate y'all checking out the show.
01:26:40.560 --> 01:26:45.439
Um, and we've been your host, Justin Hyers at Justin Hyers on all social media platforms.
01:26:45.600 --> 01:26:47.520
Uh, at real Lendon Brown, Lendon Brown.
01:26:47.760 --> 01:26:49.199
Uh BT Kingsley, man.
01:26:49.279 --> 01:26:51.199
At BT Kingsley on everything, man.
01:26:51.359 --> 01:26:52.640
And London's here, baby.
01:26:52.720 --> 01:26:53.359
We told you he'd make it.
01:26:53.600 --> 01:26:54.479
Come on, somebody.
01:26:55.359 --> 01:26:57.359
And these have been our phenomenal guest.
01:26:57.520 --> 01:27:00.319
Yes, Francisco Ramos in Orlando Labor.
01:27:00.720 --> 01:27:01.359
Come on.
01:27:02.640 --> 01:27:04.079
Happy Juneteenth, everybody.
01:27:04.159 --> 01:27:07.199
It's tomorrow, just in case this is all air before that.
01:27:07.359 --> 01:27:09.439
This this episode, this episode is airing.
01:27:11.600 --> 01:27:14.720
October 3rd, 2023.
01:27:15.039 --> 01:27:15.439
That's great.
01:27:15.520 --> 01:27:16.560
That makes you have a bank.