Full Transcript for Fabolous talks ‘Ghetto Fabolous’ 25th anniversary, ‘Let’s Rap About It’ podcast, WILDEST tour stories + calls out Fat Joe’s past comments

with the glass. You see what a prescription can do? 00:03:14 Speaker 4: Yo, Fab, I ain't gonna lie. That's my outfit for my video tomorrow, man. 00:03:18 Speaker 2: I'm just letting you know ahead of time. 00:03:19 Speaker 3: Don't think that it's already sitting there. 00:03:22 Speaker 2: What are you talking? What's the flag? You stole his outfit in one? My outfit? I'm just trying to smash it up on the hanger. But in one set? Damn, my shit is there. What are you talking about? I'm wearing that shit tomorrow. Another set? 00:03:38 Speaker 3: You got any more flags? 00:03:42 Speaker 2: You couldn't save that fat. That couldn't have been a you and him moment. Your pops is crazy, bro. No, I'm not. 00:03:49 Speaker 4: He going to be like, yo, see, I pulled up and the next day, fat, you're wearing and got that outfit. 00:03:54 Speaker 2: I got the same shit. I'm being honest with you. That happened to me before. 00:03:59 Speaker 3: It happened before when he was like, yo, he stole my shit. No, that just mean y'all niggas like to spend a lot of money on gear and y'all buy it. 00:04:06 Speaker 2: Brother, when I want to. 00:04:07 Speaker 4: Look like Schoolhouse Rock, I wear that Victor Victor shit you got going on right there. 00:04:13 Speaker 2: Oh, yes, I'm a pill. They saw your face. They saw your face. I am a pill. You can say whatever you want. 00:04:21 Speaker 3: You got the fourth floor face on the Joe and Jada page. 00:04:25 Speaker 2: So we know you want him. We know you a sneakerhead. You just let it go, brother. No, no, no. Don't start this. This is true. Don't start this. Don't start this, man. He know he's a sneakerhead. He wants him. He got him. You got them T.S. You got them T.S. 25,005 minutes. When did you comment about something? He know he wants him. 5,000. 00:04:50 Speaker 3: It's two days in one store. 00:04:54 Speaker 2: He know he wants it. Don't kick my shit. Let me tell you something. 00:04:58 Speaker 3: He know he wants it. We talking about fat. Can I say something? Why you ain't let me get my shit off though? Because you're going the wrong direction here. Thank you, sir. Thank you. 00:05:12 Speaker 2: That's happened to me before, though. 00:05:14 Speaker 1: One time I was doing 106 and Park back in the days. AJ, remember the host that was... Nah, he came in the dressing room. He came in the dressing room, was like, yo, what's up, Fab? Just giving you a rundown. He wasn't dressed yet, but I had... Remember the Jeff Hamilton jacket that got the football patches all over it? I got that jacket. 00:05:35 Speaker 2: I'm dressed for the show already. You're already dressed. 00:05:37 Speaker 1: I came up, they announced to me, freeing AJ. Yo, everybody make some noise for Fabulous. I come out there, AJ got the same jacket on. 00:05:45 Speaker 2: I said, yo, AJ, bro. Nah, you got fat. How you compete what I'm wearing? 00:05:51 Speaker 3: That ain't the same as you got on the head. 00:05:53 Speaker 1: It ain't the same. That was Fabulous. But I had a similar situation. So he let me know that he got this jacket tomorrow. 00:06:01 Speaker 2: I appreciate that. You know, everybody ain't got style. Yeah. 00:06:05 Speaker 4: Everybody ain't original. Everybody needs pointers. They see shit on you. 00:06:09 Speaker 2: They want it. 00:06:11 Speaker 4: You know, I know for a fact, my wife get a bag, the whole crew go and get the same bag, same color, same everything, same thing, same thing. 00:06:18 Speaker 2: Otherwise it's mannequin time. You know what I mean? 00:06:21 Speaker 3: They got to get the mannequins. So they be like, you know, everybody, I look at it as inspiration. You got to switch it up a little bit though. You got to put your own, Tell me about it. I talk her off the cliff all the time. I'll be like, she'll be like, guess what? My friend just got the same bag, same color, same. 00:06:37 Speaker 2: I'll be like, yo. Bags is crazy because you can get another color. In beige? Yeah. Orange? Like, nah, that's the problem. You know what I'm saying? 00:06:46 Speaker 4: But you know, hip hop is all about inspiring people to want to dress better, want to live better. 00:06:51 Speaker 1: They say imitation is the best form of flattery. I think it's just the best form of annoying you. You know what I'm saying? It's annoying to see somebody try to be you when they could just be themselves. 00:07:03 Speaker 2: You know what I'm saying? Couldn't say that no better. 00:07:06 Speaker 4: Now you talking that shit right now. That's that shit. I was worried about you in the back podcast business. 00:07:13 Speaker 2: Yeah. Because you always so quiet. Yeah, that's my vibe. You know what I'm saying? And that's your vibe, but not in this podcast. Yeah, you can't be like that. You talking your shit in this podcast. You got to talk. 00:07:24 Speaker 1: You can't sit up there and not talk. I think it's easier when you're talking amongst your guys or your people that you have that kind of relationship with. 00:07:33 Speaker 2: It's easy. 00:07:34 Speaker 1: I wouldn't be able to do it with somebody that I can't vibe with like that. 00:07:37 Speaker 2: Yeah. You know, besides him being quiet, you've been dropping some jewels on him. That's right. 00:07:44 Speaker 3: Oh, yeah. 00:07:44 Speaker 2: I mean, you got how many years in the business? 00:07:48 Speaker 3: How many years? 20, 25. Bro, we all been through some shit, bro. He's been in the game 20-something years. Yeah, you're going to go through. 00:07:58 Speaker 1: If you've been doing anything for a while, you go through the ups and downs, the peaks and valleys of it. 00:08:05 Speaker 4: I did a show one time in Brazil. When I got to Brazil, I thought it was just sexy Brazil. When I got there, they explained to me I am performing for the biggest warlord in Brazil. 00:08:17 Speaker 2: Wow. 00:08:18 Speaker 4: And it's the city of gods. The guy went, bro, when I go up in there, there's a kid like 12 years old, 60 pounds flat with a

rocket launcher that can shoot down the plane. 00:08:31 Speaker 2: Talking about Fat Joe, let's smoke a blunt. My asshole got this tight. 00:08:35 Speaker 3: Hey, I can loan you one. 00:08:38 Speaker 2: You got the flags? You done got the flags? Your shit's on the side, right? Oh, I got some flags? Oh, yeah. Okay. When I tell you... I walked up that hill in the favela. I was like, yo, all money ain't good money. 00:08:53 Speaker 4: You ever had a time where you felt like all money ain't good money? 00:08:58 Speaker 2: You was like, yo, what the fuck am I doing here? 00:09:00 Speaker 3: I had a show in Africa. My first one. I went to Swaziland for the president. What's Swaziland? There's a country called Swazi, man? Man, I never been to that one. 00:09:12 Speaker 2: Damn, man. I could chill on that one. I go over there. It's for the president's kids. They were very nice people. They were beautiful. It was almost like some experience you had. His kids went to all. 00:09:26 Speaker 2: The president, I think he had 14 wives or something. Of course. 00:09:31 Speaker 3: He got the crazy crib, and around it is more crazy cribs. Those is his wife's. Now he got the kids. The kids is the one who do the show. They the ones who book me. His kids go to all the best colleges. 00:09:44 Speaker 2: Some go in LA, some go in Dubai. 00:09:47 Speaker 3: We get these kids just pulling up, Jacob watches 745s and this and that. We get off the plane, no, this how powerful it was. 00:09:57 Speaker 2: It's a regular plane. off. Don't worry about customs, no. Don't worry about your luggage, none of that. I was scared, me. 00:10:06 Speaker 3: It's mad people. I ain't know which luggage it is. We got everything. Get in the Phantom. It's like coming to America. Now we go, now I'm in the town. It's one of them shits I'm going to a store. So I'm telling you, I'm going to see the king. Them the king? 00:10:22 Speaker 2: No way. You're not going to his house. 00:10:25 Speaker 3: You can't touch him. You can't even see him. Now I'm getting nervous. Now let me rewind. Before I get there, I'm getting mad tweets. You know what Twitter is, all type of, you don't know what's going on. People's telling me, don't vote it. I'm saying, vote it. 00:10:44 Speaker 2: The bag was right. Back forward. I'm over there. 00:10:47 Speaker 3: I'm going to see the king. The show's tomorrow. I'm on my way to his crib right now. When I get there, everybody's on their knees. His mans, the kids, everything. You got to talk to him on your knees, man. This how royal you be. I'm like, what the fuck is this? 00:11:06 Speaker 2: Him. Not you, though. Man, you come sit next to me. Pictures, all that. They like, what? He's doing some shit that never been done. So you're the only one that didn't have to get on your knees? No knees, none of it. Oh, he wasn't getting on his knees. Yeah, I wasn't getting on my knees. Come on. Flat. Bro, you in one of them countries. Yeah, you got to do whatever the fuck you say. Get

on your knees, crack. No crack is not getting on his knees. Take the flick. 00:11:30 Speaker 3: Sorry. 00:11:31 Speaker 2: When I got kidnapped, I told the nigga, yo, I'm not pussy. While he was manhandling me, I was like, you're my man. When I got kidnapped, I told him I'm not pussy. I am not pussy. I'm telling the nigga, yo, I'm not pussy. Like, don't play with me, like, even though I fuck you up. Okay, what happens? Yo, listen. 00:11:47 Speaker 1: So now, they tell you to get on your knees and swaziland? I'm doing some investigating. I'm seeing what's going on. No, first, his face is on everything. KFC, the airport, the money, the everything. He's like, yo, It's crazy. 00:12:04 Speaker 3: I meet some people that's saying it's not so good what you think of it. 00:12:09 Speaker 2: I'm like, I got mixed emotions. 00:12:12 Speaker 3: Now, fast forward tomorrow to show. Somebody hijacked the equipment. The production shit got to come from Johannesburg. 00:12:23 Speaker 2: They shot it. They shot the equipment. Oh, so it's not a pop now. They shot the equipment. It's active. 00:12:30 Speaker 3: They shot up the equipment. They knocked off the equipment. They got so much bread, they got another equipment. I'm starting to understand. Look, they got so much bread, they just replaced it. Now I'm doing my homework. I'm looking up where the fuck is going on here. I got to go back. When I went to the King's crib, he was showing me suits. for you to come at a time like this? And then me, what is he, what do you mean a time like this? What's a time like this? 00:13:00 Speaker 2: I went and looked. It was warm. I was this stupid. Yo, dog, I was in a 211 trip. I don't know how I was there. It was one of them shits. 00:13:11 Speaker 3: I wasn't, he was saying, you are the greatest person for you to come in right now. And I'm thinking, I'm like, yeah, but anytime this, I look, This shit was cold red. 00:13:24 Speaker 2: It's the middle one. It's going down. 00:13:26 Speaker 1: You ever been in some shit like that? Yeah, like, I think, I was going to say one time we did a show. 00:13:32 Speaker 2: I brought you to Angola. Yeah, Angola. Angola, we did that. 00:13:36 Speaker 1: Anytime I go to any of them countries, we literally look the whole country, see what's going on. Like, it'd be countries having civil wars. And they ain't want to tell you like they told me. 00:13:47 Speaker 2: Or you don't know. 00:13:48 Speaker 1: No, you just going because of the bag or, you know what I mean? It might be a festival that you're doing. You don't know what's going on out there. So I, I try to have my team just look up. Like one time we had, like, I got an offer from Libya. Yo, you got a smarter team than me. Like, nah, we can't. They like, nah, it's, it's, it's a little shaky out there right now. Or like some, you get something in Haiti. They'd be like, nah, don't do it. 00:14:11 Speaker 2: All money ain't good, man. I did hate you. You did everything. You crazy. I did everything. 00:14:16 Speaker 4: Just last week, I went to Romania. It was like 100,000 people. Busta came. They said, Ja Rule ain't coming. I said, Ja Rule ain't coming. It was like, you know, 12 minutes that way is Ukraine. I'm like, once again, my asshole got this small. 00:14:31 Speaker 2: I said, huh? First time I ever caught the phone. Yo. I said, what? He was like, you know, 12 miles this way, Ukraine. The war. Yeah. They said, because Ja Rule been in Africa with me, like the trenches. 00:14:51 Speaker 4: For him not to come? He's tougher than me in them spots. They was like, no, Ja Rule said, because of what, Ja Rule? He said, you know, 12 miles that way, Ukraine. 00:15:03 Speaker 2: I was like, oh. 12 miles ain't that far. Yeah, but it wasn't positive. That's too far for bombs. That's nothing for a bomb. That's an Uber for a bomb. Instead of a bomb and an Uber, it's 12 miles. Just last week, but I didn't hear nothing. I ain't seen nothing. It was a beautiful country, great seafood. 00:15:21 Speaker 4: But sheesh, like, Ja Rule knew better than me. 00:15:24 Speaker 2: He didn't show up. No drama, no nothing. Eve showed up. Timberland showed up. 00:15:29 Speaker 4: I mean, but you know, like a festival, big festival, a hundred thousand people. But I do believe if I, if I had that information, I might've not shown up. If I knew somebody would've told me, yo, it's 12 miles from Ukraine. I'm not going, I'm pulling the job over. That's a little bit too close. 00:15:49 Speaker 2: It is tough. 00:15:50 Speaker 1: We also come from like, we travel to LA. We travel to Miami. We travel all these places. And sometimes we out of our environment, even when you go from state to state, but you know, we got connections and stuff there. So we never even think about like, if we go into those other countries, if it's really too much over there, we think, and we go in there to get our bag. 00:16:10 Speaker 2: We do what we do. 00:16:10 Speaker 1: But sometimes it's, They got different things going on. 00:16:14 Speaker 2: Sometimes they got different hood politics going on. 00:16:17 Speaker 1: Even Brazil, how you said Brazil trenches is... I'm telling you. I ain't gonna lie to you, dog. Because I never used to really... It just had to be. 00:16:25 Speaker 3: If nobody ain't get killed then yesterday, I'm gone. 00:16:29 Speaker 2: If it ain't in the news. 00:16:31 Speaker 1: But sometimes the news ain't showing they type of shit going on over there. You started me investigating where I'm going to. 00:16:39 Speaker 2: The news might not be showing where I'm going. I learned all of that from you. Because I never really was doing that. One time they paid me. 00:16:46 Speaker 4: I was going to one of the biggest markets for Fat Joe his whole entire life is the Ivory Coast in Africa. One time I took a show. They paid me in full. I go to the airport. Sia called me. He's like, yo, You don't have to get on the plane. I'm about to get on the plane. I said, what

happened? They killed 500 guys in front of the venue that you're supposed to go to. 00:17:09 Speaker 2: This, this. 00:17:10 Speaker 3: Yo, I was getting on the plane. Not down the block, not around the corner. He was like, if you look at the United. 00:17:18 Speaker 4: States website and it's telling you not to go, this and this and that. Shit, they don't understand that because we travel so much and the bag is out there. Shit that you watch on the news that you don't care about if you never leave New York. 00:17:31 Speaker 2: It affects us. I'm in fucking Paris to do a show and they shoot up all those theaters and we watch the CNN Paris. They're killing 100 people. 00:17:43 Speaker 3: We look and Google that shit was across the street down the block. Yeah. 00:17:47 Speaker 2: We don't watch world news either. 00:17:49 Speaker 1: So even when you, even people here watch the news, they watch like shit that happened in the Bronx, shit that happened in Yonkers. They not really watching what's going on in Libya. Watching the boroughs, maybe a little bit to Florida or something. In our environments, we come from, we come from humble beginnings and rough times. 00:18:09 Speaker 2: So like, you know what I mean? 00:18:10 Speaker 1: When we grew up, you thinking you going, when I went to Paris one time, they said, like the soccer team was playing there and they was like, yo, they shutting everything down because whether they win or lose, they get kind of crazy out here. 00:18:26 Speaker 2: I'm like, Well, how crazy could it... You know what I mean? 00:18:29 Speaker 1: I'm thinking the crowd outside the garden. 00:18:33 Speaker 2: You know what I mean? 00:18:34 Speaker 1: They're going to get a little rowdy, but we're going to be on our... Nah, it went crazy out there. Shit on fire. 00:18:40 Speaker 2: Cars burning. 00:18:43 Speaker 1: Smoke everywhere like it was crazy out there so I got you gotta pay attention to that I said Germany one time when they won that shit. 00:18:48 Speaker 3: You could not sleep the hotel the hotel put a gate they boarded up windows of Goyard and all like they like all of the stores boarded up the windows the hotel the Mandarin closed this gate and you couldn't come in and out of the hotel oh they got the proof for that they say the man we performing for like Look, he was a good guy to me. 00:19:13 Speaker 2: Who? 00:19:15 Speaker 4: No, no, the guy from the favela. He obviously was a beyond dangerous guy. If you're the leader of the whole favela, city of gods, he was killing everything moving, right? 00:19:27 Speaker 2: So we go up there, we perform. It was beautiful. 00:19:30 Speaker 4: When we leaving, I'm watching everybody put a gun on the car. Like, so they give the whole town a gun in case if the enemies come to their concert, So like everybody's walking by throwing a gun on the, like, they all do their collection. 00:19:47 Speaker 2: Yo, this shit out of control. Some money ain't good money. I remember being out. Yo,

these people, then you get mad at your family, right? 00:19:54 Speaker 4: When you walking out that bitch, you're like, yo, these people don't even appreciate this shit. 00:19:59 Speaker 2: They don't know what type of shit I had to do to go get this bag. This shit crazy over here. 00:20:04 Speaker 4: Like, it really is crazy sometimes when we go in these areas. 00:20:09 Speaker 1: And it's not just us. Like, I've heard stories from you. I've heard stories from Swiss. I've heard, you know, people go in places and they ain't want to let us out. 00:20:19 Speaker 2: I'm like, what? 00:20:20 Speaker 1: So I even keep them stories in mind when I be going to them places. 00:20:24 Speaker 2: Too, like, just to be on point. I see Swiss in Saudi Arabia. He look like he was home. Oh, no. Saudi, he got it. Saudi, he got that shit on. He went somewhere, though. 00:20:34 Speaker 1: He went somewhere. He told me it might have been Haiti. He went somewhere. And I'm just a prisoner for. 00:20:40 Speaker 2: A little minute. I'm going to tell you my heyday story. I'm going to tell you what they do, what they do. They had him there for a minute. They had him. He couldn't leave. Yeah. 00:20:48 Speaker 1: This artist I know from Africa said she went somewhere to perform and the guy kept saying, do it again. 00:20:54 Speaker 2: Like she sang this song. That's the same guy. That's the same guy. Do it again. That guy did it to me. That guy did it to me. So he go, he go, no, no. One more time. One more time. Shake your ass this time. To my lady. Sing it to my lady. Sing it. Nah. You know, because you're over there. I don't care who you got. I was in Angola one time. I had a security. He looked like a midget by the time they finished with us. That motherfucker was like, because they got machine guns and you got nothing. 00:21:22 Speaker 4: I don't care how tough you is. But damn, I was going to say, when I went to Haiti, this only happened in Haiti. This is a true story. This is crazy. 00:21:33 Speaker 2: So when I get to Haiti, we go to do a concert. They immediately take me to the president, the White House. This is before the last earthquake. That house is demolished because of the earthquake. They took me in there. So I go in there. I meet the president, this, this, that, his son, good people. What was his son's name? Oliver. Oliver. But it's Oliver. And all I know is the president walked me into an SUV and said, now they're going to take you somewhere. You know, just good people. Don't worry. The man's this card that the president of Haiti put me in took me to the biggest drug gang infested killer. When they tell you not to go and stop. And it was the. 00:22:22 Speaker 3: Killer of all of Haiti's house. 00:22:25 Speaker 2: His mother was my fan. He wouldn't want a president. Send me to this dude Like He was like Yo Joe You know We love you here My mother's a big fan And this This the circle That's so late It's the most Crenshaw You know Niggas send me to Chicago Old

block Boom. 00:22:45 Speaker 3: I'm like yeah Compton I'm up in there Yo this this that Yo I run everything So no one's gonna touch you Thank you for coming To see my mother. 00:22:52 Speaker 2: I said yo How the president Of Haiti Lines you up With the bad guys Like, nah, this shit crazy. It could be anybody. 00:23:03 Speaker 1: Robert Kraft told us a story that Pooin took his Super Bowl ring. 00:23:08 Speaker 2: He said he was... Who took it? He went to see Pooin and he took his shit. He took it and put it on. I like this. And walked off. What you going to do if Putin. 00:23:19 Speaker 1: Take your Joe and Jada chain and just throw it on and walk off? 00:23:23 Speaker 2: I like this. Hold on, Putin. I seen shit in Russia. First of all, in. 00:23:27 Speaker 4: Russia, I didn't see no violence. But when I tell you, I seen guys on a date with their girlfriend giving them flowers with 10 dudes with machine guns around them. Like, you can't even be like, you can't kiss your girl on the cheek without a 10 clip with machine guns. 00:23:47 Speaker 2: I didn't see no violence, but I anticipate they blow shit up on me. Everybody got you. Wow, security, right? Russia is tough. No, no. You know how you see shit in a movie sometimes? You can see shit over there and be like, yeah. Guy giving this girl. 00:24:04 Speaker 4: A flower by a water fountain. 10 security women. So I go like this. I go, right? Scott Storch, rest in peace, Raul. I go with a billionaire dude. He's my neighbor in Miami. The nicest guy you ever seen in your life. When I go over there, I didn't know. I went over there, a hundred Rolls Royces. Any car you want to get in. So I come, I sit down in the Rolls Royce. 00:24:30 Speaker 2: They drive. 00:24:30 Speaker 4: All right, there's a cat story, by the way, guys. America, I'm sorry you guys ain't live like this. I'm just, this is too hard to believe. We drive for like an hour. All of a sudden, there's a gate, like a gate to a store in the middle of a forest, in the middle of a. 00:24:49 Speaker 2: Thing, right? 00:24:50 Speaker 4: They open the shit up. Another hundred dudes with machine guns. Then it goes up. It's my man's house. 00:24:57 Speaker 2: Yo, what's up? This, this, that. 00:24:59 Speaker 4: So his wife is Miss Russia. He has got stores producing her album. God forbid what Scott Storch was charging them, because he was like, Jesus! Like, then you had it happen. They had castles and shit. So I go there, I go in his house, I'm like, yo, what's up? Like you, with the king, I'm like, come here, Vlad. And his people look like, should we kill this guy or not? But he's my neighbor. In Miami, he's the sweetest guy in the world. So he's like, yo, Joe, what's up? 00:25:30 Speaker 2: This, this, that. 00:25:30 Speaker 4: So I look, I go in the house, see his wife, I know her. And I said, yo, what's that? It was equipment, like band equipment. He's like, Pussycat Doll. Huh, Pussycat Doll? Last night they performed for dinner. 00:25:43 Speaker 2: We eat dinner. My wife's favorite, Pussycat Doll. I said, yo. 00:25:48 Speaker 1: They bag is serious. No, the bag is not even a bag. I ain't never seen so many full length to the floor. 00:25:55 Speaker 2: Nah. Every woman dance. Let me tell you what this guy does. This guy goes like this. He says, you hungry? 00:26:02 Speaker 3: Yeah. 00:26:03 Speaker 4: So we go to a restaurant. Now, the restaurant has nothing but Rolls Royces, Ben's Trucks. It had to be the most. 00:26:11 Speaker 2: Poppin' shit. 00:26:12 Speaker 4: They walk inside and threw the whole restaurant. And these guys in this restaurant can't be no bums. Like, Ben's Trucks, all of them got machine guns. All of them got, they threw the whole restaurant. Yo, everybody got to go. Everybody left. Imagine somebody coming Prime 112 or something and be like, yo, Brooklyn Chop House, everybody out. Everybody out now. 00:26:35 Speaker 2: This, that. Niggas left with their bodyguards jumping in their trucks. I'm like, this, we going there. They got one black lady in the whole Russia store. Right? That's a fact. 00:26:48 Speaker 1: No. 00:26:50 Speaker 2: We was the only black people I seen out there. I ain't seen no black people out there. One black lady. Listen. We sit down at the table. They bring a piano. And the lady starts playing the piano, singing Stevie Wonder and shit like that. In the restaurant. So I go like this. I said, look at him. I said like this. Because everybody likes. So you need some... Middle East guys, they'll tell you it's Oyu or their family's Oyu. Italians make up a story. My uncle's the best hibachi player. Nobody tells you how they really got the bag, right? So I'm looking at this shit. I've never seen nobody with this type of juice. I said, yo, Vladimir, let me ask you. How did you get this? Like, I'm thinking they made up AI, the spaceship. What happened? So we took this shit. My crew, the toughest crew, we took all of these. You see this? We run this shit. First guy I ever kept it real with me. Because, you know, everybody wants to tell you success, though. You might have a girl, she got divorced from a man, took 50 million. She out here doing interviews how she's a fucking entrepreneur of all entrepreneurs. 00:27:59 Speaker 3: But we know how she got the bag, right? But this guy here, he said, yo, we took this shit. 00:28:06 Speaker 2: It is what it is. We got the strongest crew. I mean, my brother's the treasury. My other brother has all the aluminum. We run this shit. You know, we Putin's crew. I was like, oh, shit. You get to see all that. You know, you get to see shit when you travel that world. 00:28:22 Speaker 1: You're going to have memories and stories for days if you travel. 00:28:26 Speaker 2: I'm scared to go places like that. Nah, you got to go. You got to see it for yourself. 00:28:32 Speaker 3: Abroad is a fair broad. You see abroad, you helpless. You know what I've learned? The things that really matter, you can't rush them. 00:28:48

Speaker 2: Facts. 00:28:49 Speaker 3: You can't rush the sauce. You can't rush the music. You can't rush relationships. And you definitely can't rush great tequila. 00:28:57 Speaker 4: That's why 1800 Tequila stands out. The name goes all the way back to the 1800s when the Beckman family started making tequila. And that patience, that attention to the craft has been passed down through more than 11 generations. 00:29:13 Speaker 2: That's legacy. 00:29:14 Speaker 3: Sometimes you just got to let something cook. Juan Beckman Vidal aged. 00:29:20 Speaker 2: 1,800 aneo longer than he. 00:29:22 Speaker 3: Even had to because he knew it wasn't ready yet. 00:29:24 Speaker 2: I respect that. 00:29:25 Speaker 3: Don't put it out just because you can put it out. 00:29:28 Speaker 2: Put it out when it's right. That applies to a record, a. 00:29:31 Speaker 3: Conversation, a move, a making, and clearly a bottle of tequila. 00:29:36 Speaker 2: Once you get it right, you share it with your people. That's always best. part of the story. 00:29:41 Speaker 3: Good tequila, good conversation, and the people around you really appreciate both. 00:29:46 Speaker 2: Passion, hard work, honesty. 00:29:48 Speaker 3: Those words are written on every bottle of 1800. And honestly, that's the foundation for anything built to last. So take your time with what you're creating. And when the moment is right, share it with your people. 00:30:01 Speaker 2: 1800 Tequila. Good stuff takes time. And the best stuff's meant to be shared with your people. 00:30:11 Speaker 4: That trip for Russia. I was getting on the plane and it was trying to take my watch, the TSA, Russia TSA. It was like, dude, when you had. 00:30:20 Speaker 2: The Breitlings and shit with the big diamonds, they was pulling my watch. I'm like, yo, they pulling Tug of War with my watch. Hey, leave the watch. I said, yo, I ain't leaving shit. Like, they pulling the watch. I said, yo, get the fuck. Yo, they was trying to rob me. entering the plane. You want me to go there? No, I'm just saying, it ain't wrong. So I stood back. 00:30:42 Speaker 4: They said, if you don't give me the watch, you missing the plane. I said, I'm missing the plane. So I get in the airport. They ain't know Vladimir was my man. 00:30:50 Speaker 2: So I call him. I tell him, He booked us on a flight to, like, France and then the U.S. It was beautiful. If you do go to Russia, Kiss, you got to know Vladimir. Mikhail or something. You got to know one of them. Mikhail Vladimir. You going to know him, baby. You need a Vladimir in your cola. Come on, Kiss. I ain't going nowhere. Vladimir, I love you. 00:31:13 Speaker 1: I ain't coming over there. And it's always a Vladimir. It's a Vladimir in my story. That's a name over there. No, that's a comment. That's like Jose in Puerto Rico. 00:31:22 Speaker 2: Jose? Like Vladimir. Is Mad Vladimir over there? Yeah, but this is the one. The one I'm talking about. Oh, shit. This guy here. What a life. They're serious people, though. I ain't going to lie. I see serious. 00:31:39 Speaker 3: No, no, no, no. 00:31:40 Speaker 2: Hold on, hold on. I ain't going to lie to you. The women look serious. 00:31:43 Speaker 1: The men, it look like nobody joking play over there. 00:31:47 Speaker 2: They probably joke amongst themselves. Rush is dead serious. Let me tell you something. Even in playing, they dead serious. They playing. Remember Drago? 00:31:54 Speaker 1: It was mad Drago's over there. I'm telling you. I don't know if that's crazy. Drago like this. 00:32:00 Speaker 4: You know what I did see over there that was crazy? So we went to like an after-hour spot. Your man, Jacob DeJula, slipped out, you know, bloated, drinking. Hey, Joe, how are you? 00:32:11 Speaker 2: Yeah, he's Russian. 00:32:12 Speaker 4: No, he was there. He came out that after-hour. Yo, Joe, how are you, buddy? Oh, you made it out here? I'm like, yo, Jacob, what's up? 00:32:23 Speaker 1: They also are very proud people too like how we proud to be from New York and we represent that like I feel like Russia or Russians represent Russia wherever they go like how you said when you was in Miami and met him like they they had that they they project that they proud. 00:32:39 Speaker 4: Of where they from I'll tell you an ill story I shouldn't be telling but I'm gonna tell it who saying this All right, fuck it. 00:32:46 Speaker 2: But I mean, like. 00:32:47 Speaker 3: He the illest thing I've ever talked to. 00:32:51 Speaker 2: The crowd, they in the barbershop. They engaged. They not talking about the real. That's the real. I like to hear stories. A friend of mine, a friend of ours, actually, not who, friend of ours, he got robbed for like a million dollars. 00:33:11 Speaker 4: He was using this guy as an accountant. And the guy just bounced with his paper, right? And you know the story, right, man? And the man, they went to the airports and all that, and they found out that he went to Russia. 00:33:29 Speaker 2: Don't go there. 00:33:30 Speaker 4: Our guy, he knows some serious Russians. So he goes to Russia. He says, yo, I'm looking for this guy. And in Russia, everything is cameras and worse than here. So they had the juice. So they was like, look, this guy walks in this house. Guy that robbed him walks in this house. They know where he's at and everything. Man said he came outside. The niggas was like, yo, put him in the bench. Our friend was there. Oh, I meant to give you your money back. 00:34:04 Speaker 2: This, that, please. Do you know who these guys are? This. He got his money back. Russia, they'll find you. Like, you can't hide him. 00:34:13 Speaker 4: Like, Don't give a fuck. They went and found that motherfucker and got him his million dollars back. Russians are serious. They got that shit on lock. 00:34:22 Speaker 3: For all the real ones out there, we keeping it 1800. 1800. 00:34:27 Speaker 4: We're toasting to 25 years of ghetto fabric. 00:34:31 Speaker 2: You usually do the

toast. Do it. There's nothing wrong with partners. You can do it. It's okay. 25 years and they gave me the boot off. Look at this shit. 00:34:40 Speaker 4: 25 years of 1800 celebration. 00:34:42 Speaker 2: Ghetto fabulous. 25 more. 25 more. God bless. 25 more. Over the shoulder. Jerry Chase. 00:34:46 Speaker 3: Two things. 00:35:02 Speaker 2: Two thick nights to rip. They gave me the poodle. Beautiful. Two things. Beautiful. 25 years. Y'all don't fabulous. How does it feel? You doing the tour? You doing the one night only? You doing anything you do? I don't know. 00:35:13 Speaker 1: I kind of like internally like always celebrate it in a sense. 00:35:17 Speaker 2: Not always like in the public. Also because it's more intimate. Family more. Yeah. I like it that way too. 00:35:23 Speaker 1: But I also the date that that first album dropped was 9-11. So like, you know, just to To be considerate of the lives lost and the tragedy of that day, like, I can't pop out. But, you know, it's always, you know, internally, it's with friends and fam to celebrate 25 years and anything you do. 00:35:42 Speaker 2: You know what I'm saying? That's the moment. 00:35:43 Speaker 3: It was the same day that Jay-Z album came out, too, right? When that first happened, they called me like, yo, man, you see what's happening, man? Everything's canceled. 00:35:54 Speaker 2: So I'm like, what? 00:35:55 Speaker 1: I'm thinking it was Hov. Like I'm a young MC. I'm just coming in the game. I'm thinking Hov shut me down. You know what I mean? They like, nah, turn on the TV. And I turn on the TV, the plane. That's the first thing I see is the plane going to building. So I'm like, but I'm still not really understanding what that was. Cause I'm like, it's a movie or something, but, Then like a few minutes later, another person, I'm like, well, nah, this is serious. 00:36:17 Speaker 4: I was watching that shit from Edgewater. I used to live in a townhouse on the water. So we outside on the balcony, my man Flex Recipes called me and I'm looking and we see the building go down. It's a lady right next to me. She's butt naked in the balcony. whatever she butt naked I'm not looking at her like she butt naked I'm looking like fucking end of the world yeah right so I'm not that's not 9-11 the building no it ain't nothing like. 00:36:53 Speaker 2: That real real things going on I understand I'm getting. 00:36:56 Speaker 3: Man about two three years ago I'll never forget where we at uh what's that river palm lady walks in where her family's just fat yo I'm the lady from 9-11 that was on the balcony next to you. 00:37:08 Speaker 4: I say, yo, I tell these guys the story all the time. Lady really exists. She was butt naked on the balcony. It's 9-11. The fucking buildings come down. 00:37:19 Speaker 2: I got a question. I got a question. Hold on. I lived in Queens when that happened. No, I lived in Edgewater. Hold on. The lady was next to you butt naked? She lived. She was my next door neighbor.

Who was she butt naked for? Somebody called and told her 9-11. She come out the balcony like, you think it's the end of the world? Did y'all kiss? I look in the front of my house. 00:37:42 Speaker 4: I wouldn't face the end of the world with a sweatsuit on. Listen, in the front of my house, There was a pool, like, in the complex. There was one man, I ain't lying to you, he was just standing there with all his clothes on at the pool. 00:37:54 Speaker 2: Like, he was bugging. Like, that shit was really traumatizing. There was a. 00:37:59 Speaker 4: Dude just sitting in the beach chair just staring at nothing. 00:38:03 Speaker 2: Nigga, like, he was schizophrenia for that day. He was just sitting there. I looked at him. It was bugged out that 9-11 was... some other shit. 00:38:12 Speaker 1: I wasn't even thinking about the album after that started. I had to like, I'm trying to check in with people. I'm, I'm trying to figure out what's going on. You trying to watch the news. You trying to like, I went back to my projects that day and was like tapping it with the hood and just seeing what was going on. Like all kinds of, it was a different time. 00:38:31 Speaker 2: You know what I'm saying? 00:38:31 Speaker 4: I lived across, I lived, I lived on the water across from the West side. When I tell you them planes, The shit we ain't supposed to see The war They came They was like My little fucking house Was shaking like The army shit Tanks They had tanks On the west side Mad tanks All the time I'm looking right. 00:38:56 Speaker 2: At it Fighter planes And all that was The. 00:38:58 Speaker 4: Fighter planes Was going like this The little bullshit Townhouses Was shaking Like Fighter planes The fucking helicopters that blow shit up. 00:39:09 Speaker 2: Like all that shit. I'm watching all that shit out the window. 00:39:11 Speaker 1: You know, the craziest moment of that day. And when I went back to my projects, we went to the roof of my building. You could smell, you know, when someone's on fire, you could smell fire. We're in Brooklyn? 00:39:24 Speaker 2: I'm in Brooklyn. 00:39:25 Speaker 1: In Bed-Stuy. I could smell fire. You could see the smoke. shit in the air but you could smell it too I was just like man this is crazy And that's how I knew, like, you know what I mean? 00:39:36 Speaker 2: This was real. People started coming home, like, coming down, you see them with lights. Yeah, yeah, I seen that. It was a crazy time, bro. 00:39:42 Speaker 4: You know what happened was they have no planes flying. So, we don't know that, like, right now, planes pass us every day and we so used to it. It's like, but when no planes pass, it's like, Silence up there. So we was outside and all that. We was like, damn, ain't no plane. I remember when the first plane just, they were like, all right, planes can fly again. 00:40:06 Speaker 2: Then you heard the noise. Where you was at that day, Kiss? I was in the crib, in the bed, in the YL, watching the news. 00:40:17 Speaker 3: Then I started seeing people coming up the hill from the Metro Northwest. 00:40:22 Speaker 2: With the white, with the debris on them. Yeah, people had to walk home that day and all. I'm in George Washington Bridge. You had to walk home? 00:40:29 Speaker 5: I was stuck on the subway for almost three hours in Brooklyn at Kingston and Troop. 00:40:34 Speaker 2: Yeah, the one in Jersey. No, I was living in Far Rockaway. I think I'm back in Far Rockaway. You walked off? I was on the platform. I was on the platform. I saw the first plane hit. In the building. 00:40:47 Speaker 5: I saw the first plane hit. And we thought, like everyone else, we thought it was a Cessna or some whatever. 00:40:51 Speaker 2: We thought it was an accident at first. Yeah, exactly. So I get on. The second one, it was over. Yeah, second one, you knew it was real. 00:40:57 Speaker 5: We're there for about three hours. Then they back us to the station before we get out. And I can look over from Brooklyn downtown. And exactly like you said, you could see everything billowing up. 00:41:07 Speaker 2: Smell it. 00:41:08 Speaker 4: Bro, my Uncle Dan worked in the building that fell down. Now, Uncle Dan was there when they tried to blow it up the first time, the blind chic, right? Dan, so he already went through that. So when the plane hits the thing, they telling everybody. I still ain't see this on a documentary. They telling everybody on the loudspeaker. They got a loudspeaker for. 00:41:31 Speaker 2: The whole building. Don't panic. Don't rush. 00:41:35 Speaker 4: This building's strong. It's going to be all right. Uncle Dan ran the fuck up out that building. About 10 minutes later, that whole shit came down. That shit, like, you know. 00:41:47 Speaker 2: Yeah, God bless, man. God bless the. 00:41:50 Speaker 1: Everybody lost their lives in that. But I also think it's a part of American history now. 00:41:57 Speaker 2: It is. 00:41:58 Speaker 1: It's the thing that we've never seen before or seen since. You know what I'm saying? It's a milestone or like a moment in American history. 00:42:08 Speaker 2: It is. 00:42:09 Speaker 4: You dropped the album on that day. That's fucking nuts. 00:42:12 Speaker 2: That's crazy. 00:42:14 Speaker 4: That's how close we are to, like, shit happen. They be trying to tell people all the time. We are part of American history, too. 00:42:23 Speaker 2: Yes. Like, hip-hop is American history. At this point, we at, like, nothing gets sold or nothing. 00:42:32 Speaker 1: It's a universal language. It got us in Russia. It got us in Haiti, it got us all around the world. So it's definitely a part of American history to me. 00:42:41 Speaker 2: So when you decided, since when you been getting flopped? I mean, I think for New Yorkers, like, it start in the hood. I think, like, you know, like, now. 00:42:51 Speaker 1: kids or like, you know, with social media, they could look at their favorite artists. 00:42:56 Speaker 2: You should never be wet.

00:42:58 Speaker 1: Aesthetics and stuff that you could see online. We took it. I took it from my hood. I seen what was popping in our hood. I even think the rappers back in the day, like say like a, uh, like LL, he took his style from what he was seeing in the streets. 00:43:17 Speaker 2: I couldn't believe that when you said it. The one leg up. Yeah, I could. The tango. You know that. Yeah, I think that's what. I never knew that. I thought, as a fan, I thought LL invented the style. 00:43:27 Speaker 3: One day I seen the interview and he was talking about, yo, I got that from drug dealers. 00:43:31 Speaker 2: Yeah, that's where I got my shit from. I was like, huh? I was influenced by what I was seeing in my hood. 00:43:37 Speaker 1: I never looked at magazines or like, stuff like that. Instead, I wanted to, I wanted to dress like the people in my neighborhood. I wanted to wear the stuff that, you know, the fly guys in my neighborhood was, was where, so like mine came from just being a teenager in that time. Now you can look on, you could take your whole aesthetic. You should never be whack. 00:43:57 Speaker 2: Yeah. Right now, you should never be whack. You can switch up. You look at. 00:44:00 Speaker 4: Fucking Instagram, it's like, yo, it's the black T and this, that's what it is. Or it's just like, if you come out looking corny, 20, 26, You don't have eyes. 00:44:11 Speaker 2: You do it every day. Huh? Some of your favorite rappers do it every day. You got to stop, man. You got to stop. Niggas is nasty out there. It ain't no secret. Even us on the sneaker side, I don't think none of us just thought. became popular. 00:44:30 Speaker 1: Like you had to, I started getting sneakers from the fifth grade from my uncle buying me Air Max in the fifth grade. 00:44:37 Speaker 2: I'm like, I seen the way I felt. 00:44:40 Speaker 1: I seen how the people in my class recognize these kicks when I came. 00:44:44 Speaker 2: So it was a, it started a long time ago. 00:44:47 Speaker 3: Right. 00:44:48 Speaker 4: So we were so fucked up that I couldn't get it. Niggas was rocking pro kids, which is nothing to brag about. I was rocking the jocks turbo with strap. 00:44:55 Speaker 2: Yeah. 00:44:56 Speaker 4: This shit ain't even, this shit ain't even have laces. 00:44:59 Speaker 2: You got a strap. My nigga like, niggas used to be. 00:45:02 Speaker 3: Like, yo, he got the jocks turbos with the strap. 00:45:06 Speaker 2: Like, they crucified me. But when you could get it, you got it. 00:45:10 Speaker 4: I'm trying to tell you now, one day, my moms, God bless my moms, man, she understood. My father from Cuba, You always want to save a dollar. My moms knew we had to get fly. So one day she gave my father $ 150 so I could buy, he could buy me a bubble goose. So I'm like telling her, like, your mama don't send me with him. Like, send me with my brother. Not with him. We go to Jew Man, name of the store. And the man start arguing for like, had to be about $ 5. 00:45:43 Speaker 2: Over $ 5. Yo, I got $ 135. They was like, Cuba is $ 150. 00:45:49 Speaker 4: $ 130. And they loved it. They was just bartering and this and this and that. And then they came out, Cuba, I got something for you. They brought out a plastic V-Bomb. 00:46:01 Speaker 2: Cuba, $ 45 deal. The nigga bought the $ 45 plastic V-Bomb. Damn, right? Mm-hmm. 00:46:09 Speaker 4: I went to school. That shit melted in the radiator. These niggas, you know, I grew up in the South Bronx. 00:46:17 Speaker 2: These niggas is mean and vicious. Yo, you got the plastic niggas making names for the V-bomber. Shit melted in the thing, but you know, shit happened to me, you know, so I had to get, I had to get to the bag. 00:46:32 Speaker 4: You can't fly. I never, I never, I risked my life so many times just to get fly. It was like, it was out of control, but I had to have it. 00:46:41 Speaker 1: But the hood, the hood styled us before anybody else to style us. Even when I wasn't in the game yet and I'm watching, Joe or y'all had the Fatigue suits and Like my hood was wearing Fatigue even like the Nas era Where everybody was wearing the Army shit that's what we wore Like so that was like the hood You know what I'm saying so that's what we got It wasn't just about yo the rappers wearing that We wearing what the hood is wearing And that's what we represented so that's how I got into like really Getting fresh and stuff like that Just seeing the people around me getting fresh For real You. 00:47:18 Speaker 4: Smoke the pure, that's the problem. They gave this nigga the pure. Yo, somebody okay. Somebody give him the halfway weed. Don't give him the whole, the pure, the hot juice. That motherfucker come in the pot. 00:47:33 Speaker 2: Like, yeah, look. I'm over here listening to you. We did a live show. 5,000 people for some more. Joe and Jada, that shit ain't easy. He high as fuck. I'm like this. I'm like, yo, kiss. He looking at me like, you better shit. I'm looking at you like, I'm listening to you. He looking at me like, yo, you better get to talking, nigga, because don't wait on me. That motherfucker sitting there like, Look, you know when you trapped, like, the movie Get Out? He was trapped in your kiss. Are you in there, kiss? Kiss, are you in there? He looking at me like, this thing is crazy. Ah! I've been doing this shit with him so long. I don't like to interrupt you. And it's hard to interrupt you. So once you. 00:48:23 Speaker 3: Turn that issue, he got to sit back and look at you with that. 00:48:27 Speaker 2: Face and let you go. I'm looking at him. I said, yo, I need some kind of help with that. Nah, go. Let me go. I've never seen. 00:48:35 Speaker 3: You need to tell them one of your famous stories, Joe. 00:48:44 Speaker 2: I said, yo. 00:48:47 Speaker 1: He's like, if I can throw three Joe stories in there, we can finish the whole show. 00:48:51 Speaker 2: They wanted to hear it, though. He said, you know. Man's stuck in his own. Yo, he's like,

you know. Tell him one of these stories. One of these stories, Joe. I'm like, oh. Tell you about the time. Nah, you a funny dude. Your pops is crazy. 00:49:13 Speaker 1: I do think y'all, you know, I want to say congratulations. I do think y'all compliment each other, you know, on the show. When I see it, I see, like, y'all bringing both of y'all personalities. 00:49:26 Speaker 2: They work together. So, you know. It works. It works. This guy here. I don't think two Joes on the same show could work. Oh, no. 00:49:37 Speaker 1: See? 00:49:38 Speaker 4: I already said if it was me and Tony Yayo, we had beef with the whole back community. 00:49:44 Speaker 2: We had beef with the past. This is the perfect oil and vinegar. Yo, Joe, chill. Let me pull him back. 00:49:52 Speaker 4: Calm down. Let me not let him go too crazy. If it was too wild for the night, crazy guys, it's over. 00:49:58 Speaker 1: Sometimes things work together that people don't expect. I wouldn't store it, but that's how you look at peanut butter and jelly. 00:50:06 Speaker 2: It just works together. Oh, no, it's perfect, man. I wouldn't do it with nobody else. And we having a hell of a run, huh? Definitely, my brother. I love it. He's like, whatever you say. That's like, in your show, I guess Jim Jones is the fat Joe, right? 00:50:26 Speaker 1: I would say Maino. I would say Maino is more in your. 00:50:30 Speaker 2: No, Maino's my favorite on the pod. I'm not trying to disrespect... Because he says the most craziest shit. No, no, no, no, no. He has stories. He's unapologetically him. He actually is... saying the real, his truth. Yeah, he's unapologetically him. That's what you... He got a battle rap of 50 Cent and all that. Jim Jones is like... Jim Jones? That's the third rail right there. All day, every day, he's surfing on the third. He love that shit. Every day is in the. 00:51:00 Speaker 3: Are you nuts? At least they ain't no talking some normal shit. 00:51:04 Speaker 2: Nah, they figured it out. I think y'all fit. 00:51:06 Speaker 3: Cause with this shit, it takes a, you got to shoot a few and then you go and start, it starts morphing into what it ain't. Nobody, maybe, maybe Marv Auburn and them can sit down and say what they want. 00:51:17 Speaker 2: Davies just want to look sexy no matter what. Davies can be out of baptism. Nah, let me tell you something. That nigga do this Quentin Oz, he be like this. Y'all niggas show my... 26 people got shot. This, that, Dave. He's like this. For whoever watching that. 26 people got shot throwing over the rails. He don't give a fuck. This guy's crazy, dog. But I'm happy for you guys, man. You know what I'm saying? I told Jim Jones when he started, I said, yo, you are perfect for this. 00:52:00 Speaker 4: You know what I mean? I'd say, yo, you all perfect for this. You got something to say. You know, with us, it's like we had to figure to join out where, you know, everybody around us was. 00:52:12 Speaker 2: Getting rich off the shit. Nobody told me, yo, it's the bag over here. Yeah. That's how I look. 00:52:17 Speaker 1: Like, there's some research and I just thought, you know, it's one of the biggest growing. 00:52:23 Speaker 2: uh, things in a platform. 00:52:25 Speaker 3: Yeah. 00:52:25 Speaker 1: And I, and even our culture as hip hop, hip hop, the hip hop culture is now tapped in the podcast and, you know, seeing different people talk about different things. Like, podcasting has been around for a long time, but hip hop wasn't tapped into it all the time. 00:52:40 Speaker 2: You know what I mean? 00:52:41 Speaker 1: Like Joe, Joe buttons has been doing it for a while, but it was like his own audience. 00:52:47 Speaker 2: Yeah. I will say Jim is Western. 00:52:52 Speaker 1: Like he was, he was genius about, seeing that we could be a show because again, like how you said, I was, I'm not a big talker. So like, it wasn't something that I saw in the cards is what I wanted to do. But then when he put it together and was like, yo, we should do this. And we, you know, we started and I did the research on it. I'm like, damn, it's the money in it. It's, you know what I mean? It's also a way to show your personality, you know, and rap is, you know, you kind of like you're an artist. 00:53:18 Speaker 3: So you kind of, your personality is in that. I just think for us, it was more a way of preserving the culture. Cause you know, Everybody out here presenting false narratives. You know, I seen a Latinos in hip hop documentary and they started with Pitbull. 00:53:34 Speaker 4: They forgot Fat Joe, Big Pond, Cypress Hills, everywhere. I seen that shit. 00:53:38 Speaker 2: I said, oh, man. And I love Pitbull. I said, oh, this shit getting out of hand. 00:53:43 Speaker 4: So say Steve Stout put out a documentary, it's going to be all about how he invented hip hop and some shit like that. So he was doing all that. So I was like, you know what? We gotta preserve the culture. People gotta hear from the artists themselves. So when that kid is 30 years old and he wanna look back at the videotape, be like, nah, Fab said it like this. Snoop Dogg said it like this because shit was getting. 00:54:08 Speaker 2: Like, Yeah. Other people can tell your story as well. 00:54:13 Speaker 1: We all, and even down to that, like hip hop has a lot of stories, like even the stuff that we've been through. So we get to even share them stories with the public that they might've never known. Like that's a whole nother discovery for like a fan or just a fan of hip hop, you know what I mean? 00:54:29 Speaker 2: Fly on the wall. where people are like, word, that happened like that? They in the room. 00:54:34 Speaker 4: So you telling the story and your fan loves Reservoir Dogs and he tells the story how it came out. 00:54:42 Speaker 2: Niggas like, word? Ove was there when he spit this shit? Yo, this? 00:54:46 Speaker 4: They get that knowledge that they always wondered, you know, about. You know, the podcast shit to

me is really, really dope. What about the, let's rap about it, the intro? 00:54:59 Speaker 2: The intro. Yo, who thought of that? 00:55:02 Speaker 1: We, uh, we was trying to think of the, the, the perfect, like hip hop beat. And, and I feel like shook ones is just, I think it might've even been voted as the number one. 00:55:16 Speaker 2: Yeah. Uh, arguably. 00:55:18 Speaker 3: Yeah. 00:55:18 Speaker 2: You know what I'm saying? 00:55:19 Speaker 1: So that's the, before they even voted that we was trying to pick a, a beat that one is like, you hear it, you know exactly. 00:55:26 Speaker 2: What it is. 00:55:28 Speaker 1: Just because all four of us was rappers and we wanted to, you know, represent the culture and hip hop. 00:55:34 Speaker 2: What are some of your favorite beats that producers have made? 00:55:37 Speaker 4: I'm not saying yours, just like other artists beats that you think is crazy. 00:55:42 Speaker 2: All time. What you mean? Definitely strict ones. Definitely strict ones. Uh, it's a lot, man. 00:55:51 Speaker 1: Like it's, it's so many hip hop beats that, that you hear, like you even wish they was yours. 00:55:56 Speaker 2: Like, you know what I'm saying? 00:55:57 Speaker 1: You wish when you hear them, you'd be like, not even a song, just the beat itself. 00:56:02 Speaker 2: You'd be like, man, this, this beat was crazy. 00:56:05 Speaker 1: Like even in me, some certain songs have crazy intros. 00:56:10 Speaker 2: Like, you know what I mean? 00:56:10 Speaker 1: Like even like lean back has the, like certain shit, like it's just, You know what I mean? Like, so it's so many beats, man, that I love. And I love hip hop for that. 00:56:22 Speaker 2: You know what I mean? 00:56:22 Speaker 1: I love that it, it connects with you on a musical level before sometimes somebody even say anything. 00:56:29 Speaker 2: So, you know what I mean? 00:56:30 Speaker 1: It's so, it's too many to name for me, but Shook Ones was our number one because it was just like a beat that I felt like anybody who's been a fan of hip hop, you know, that, that beat soon as it come home. 00:56:43 Speaker 2: What was that like, the Benjamins when you first heard it? We didn't like the Benjamins. You didn't like the beat? 00:56:48 Speaker 1: A lot of beats like that I heard. Like, the people that actually did the big songs, they be like, I wasn't feeling that beat at first. 00:56:57 Speaker 2: We didn't like it. 00:56:58 Speaker 4: I love how they flipped that beat for big. 00:57:02 Speaker 2: I've been there skills, and that feels, and that feels, and that feel, hard to figure me. You know, I don't know the words, man. Stop fucking... Don't play with me. You know who has the mean beats? It's Buckshot Shorty. Anything step off me, cling to me, guns. That's true. 00:57:22 Speaker 1: I got your open remix beat. I love that. It was like a jazz, but... It was like a hip hop jazz. That was when I used to listen to. 00:57:35 Speaker 1: I used to go to school with a Walkman and I used to listen to like hip hop and then you'll be in this like trance, you jump on the train or the bus and hip hop used to be like your soundtrack to, you know what I'm saying? 00:57:49 Speaker 3: Yeah. 00:57:49 Speaker 2: I just told that story. I used to hop the train with the Walkman and that was when I'm, you know, well, I don't want nobody to kill me because all my Queens guys, that bridge is over. That beat That's one of the ones KRS joint? 00:58:11 Speaker 1: Yes I just ran into KRS In a crazy place But I hadn't seen It was the first time We talked about hip hop In Europe In Latvia Latvia? Latvia I had never even Heard of this place before That sounds like a coffee Yeah So I ran into KRS there and we was just talking how, like, I don't, I've never really connected with him. Like, and we live in New York, but we here, I was like, hip hop brought us to the same place and we were able to connect here and just talk and kick it. 00:58:46 Speaker 2: But like, I see him in passing. I might say, yo, what's up? You know what I mean? But we never really got to, you know what I mean, kick it. That's my fucking don. That's my king. KRS-One, That man taught me just the other day. 00:59:00 Speaker 4: The sound fucked up in Baltimore for like a good 10, 15 minutes. Most people would have left and most artists would have folded. 00:59:10 Speaker 2: I had to go into that KRS-One warlord. You seen that performance? You seen that shit? You saw I was ripping that shit down. Legend like, boom, number one point. I had to get in that straight KRS-One band. Cause KRS, he from a different era. 00:59:29 Speaker 3: Yeah. 00:59:29 Speaker 2: He'll go freestyle. 00:59:30 Speaker 1: He'll do whatever he got to do to make, to, to, to make sure the performance is what it's supposed to be. I also like he had his daughter with him. His daughter was like his photographer camera. So I, I like seeing that in hip hop too, where, you know, when we at the age where our kids can work with us and you know what I mean? 00:59:50 Speaker 2: And Bill went to the rookie joint. 00:59:52 Speaker 4: I remember your sons used to be in the rookie joint. 00:59:54 Speaker 2: Yeah, yeah. 00:59:55 Speaker 1: They got to a point where they was too old. They say, oh, yeah, yeah, I ain't walking in there joining. 01:00:00 Speaker 2: Oh, no. They get to a certain age, they like it. They got, it's true. 01:00:05 Speaker 3: At a certain time, if I see some big kids in there, too, at a certain time, parents, don't torture your kids. 01:00:12 Speaker 2: Be 15, 16. 01:00:13 Speaker 1: Yeah, once they hit the teens, they be like, nah, I'm cool. 01:00:17 Speaker 2: Your son should walk it. They the right age. 01:00:20 Speaker 4: But, J-Wong can't come up in that shit They do it to him No they do it to him Yeah I see some big kids It's like yo look man The man don't really want to be there Yeah Y'all gonna force that kid 16 17 To walk that shit They you know. 01:00:37 Speaker 2: But it's a

beautiful event. Yeah, for sure. It's so dope. 01:00:41 Speaker 4: I seen my nephews was there, Callis' sons, and Edgar Balanga's son, Chosen. It was a fun time, man. But I got to take this guy, Rizzy Blake. I got to go to the bathroom. 01:00:53 Speaker 2: I'm fired. 01:00:54 Speaker 3: Got to use that bathroom right quick. 01:00:58 Speaker 1: I'm about to use the bathroom, too, so we get a bathroom break. 01:01:03 Speaker 2: Bathroom break. 01:01:08 Speaker 3: JoeAndJayTheShow.com. We got new merch fresh off the presses. Go get it. 01:01:15 Speaker 2: Big. Out of big. 01:01:18 Speaker 3: Boom. 01:01:18 Speaker 2: JoeAndJayTheShow.com. You can get these. A little cold for a t-shirt with a hoodie. 01:01:24 Speaker 4: It's my favorite right there. I need an extra large. JoeAndJayTheShow.com. 01:01:29 Speaker 2: Go there. Get it. 01:01:38 Speaker 4: To me, your biggest song is the one with Tamir. Every day of my life, I hear that song. I don't care where I'm at, what radio station, what, you know. 01:01:48 Speaker 3: It's one of my favorite songs. That's my second favorite song. And that is Biggie, One More Chance. Biggie, One More Chance. I'm so into you. 01:01:58 Speaker 2: Bad. To me. One of your favorites. 01:02:00 Speaker 3: Yeah. 01:02:00 Speaker 2: Of all time. Yeah, that's what I want to hear. 01:02:02 Speaker 4: My favorite Fab song is the joint Timbo did for you, the I'ma move, man, by myself. 01:02:08 Speaker 2: Make me better. And Breathe, of course. 01:02:11 Speaker 3: Breathe is, but that's in a different, I got, Breathe is like my baby. So I come out and do the ad-libs when we do shows on Breathe. Yeah. 01:02:21 Speaker 2: No pause. I do the ad-libs, man. Nah, but it's your baby though. I love Breathe, man. You can't throw the flag at me. Breathe is my shit. 01:02:31 Speaker 1: Them two records, people have asked me like, I don't do it, but people ask me to perform that at their weddings. 01:02:38 Speaker 3: Breathe? No. 01:02:39 Speaker 2: So until you say it'll make me better. That's a serious one. That'll make you better. He don't do it. You won't do it at a wedding? 01:02:47 Speaker 1: Nah, because it's like, one, I don't want to be the wedding singer, but, like, if it's my guy, like, I don't want to, like, we in different times. I'm about to perform at Donovan McNabb. Yeah, like, somebody that's your guy. I did do it at Kevin Hart's wedding thing, but that's, like, if it's your guy, but you can't, like. 01:03:08 Speaker 2: Be known for rocking niggas' weddings. 01:03:10 Speaker 3: Yeah, yeah. 01:03:11 Speaker 2: That might get crazy on the internet. The wedding singer. I do it for my guys. Not the bro would be the wedding singer if you're going to pay me. My thing is this. 01:03:20 Speaker 3: I know, yeah. Take that back. I got a friend of mine that's just so fierce. that's all he do he's caked up he's a wedding singer but he ain't a rapper he just known for being a wedding singer so it ain't he can't get no God bless to that he

get cool though I'm not saying that what I'm saying is I'm performing you want what's the love you want another round I'm doing them shits at a wedding I'm here to get it bagged I'm like the Pac-Man nigga just eating this shit whoa that's a flat you see it's a game gotta pause When we try to help you out, you come back. 01:03:58 Speaker 2: Yo, that's the Pac-Man. After further review. That's the Pac-Man. 01:04:06 Speaker 3: Let him throw a flag. You want to throw one here. I'm starting to want to hit you. Man, you want your son to throw the fucking flag. 01:04:11 Speaker 2: Yeah. That's my man, too. You did me dirty. You did me dirty. You did me dirty. I would do it. There may be a time I would do it. 01:04:24 Speaker 1: I'm just not ready to be the wedding singer right now. 01:04:27 Speaker 2: I'd do it. Barmistas, weddings, everything. Whatever. Whoever got a check, the biggest check. 01:04:33 Speaker 4: Now, what happens to me a lot is the richest guys, billionaires, billionaires, not even like speaking of billionaires, That's a fact. 01:04:45 Speaker 2: Don't call me. 01:04:47 Speaker 3: Speaking to billionaires. Make you an offer you can't refuse. No, they want you to perform. Charge that, please. They want you to perform. But they don't really want to pay. 01:05:01 Speaker 2: Oh, the billionaires don't? 01:05:02 Speaker 3: The billionaires are like, hey, could you give me a play? 01:05:06 Speaker 2: That's like, what do you mean? You're a billionaire. 01:05:10 Speaker 1: That's part of the blessing of having a billion. 01:05:12 Speaker 2: You have to share. Billionaires. Yes, part of the blessing. Billionaires. Hey, you think you could come out to the Hamptons for the low? Like, yo, my man, ain't you a billionaire, man? Like, what the fuck? Like, what are you like? 01:05:25 Speaker 4: You know, because you got to understand, I don't know how y'all looked at it, but you saying you're about to do Donovan McNabb. You said Kevin Hart, that's your brother. That's different. 01:05:34 Speaker 2: Right. 01:05:35 Speaker 4: If I'm at a private show, right, if somebody is going to say, hey, I got Fat Joe and his friends are going to be like, really, you got Fat Joe and he's performing tonight. That's a different type of talk. You talking like I got Fat Joe. 01:05:53 Speaker 2: What about that guy we did 4th of July? That nigga's can't talk. I don't know who. He's a good guy, Anthony. Anthony, I love you. I love your whole family. 01:06:04 Speaker 3: Fat Joe, Jimmy, Kiss, Pat, 50, 50. You're in the backyard. Me, crack, Cal, and came by the show. 01:06:13 Speaker 2: It's 50. In the backyard on the 4th of July. Yo, he gave me a great birthday present. He gave me an iced out bracelet. I love Anthony. I love you. Anthony's my guy. But this is what I mean. If you want me to brag, it's not like you're a promoter throwing a show. 01:06:31 Speaker 4: You like, yo, I got 50 cents. Fat Joe J, that motherfucker. Then you got to pay. 01:06:38 Speaker 2: Yeah, man. You got to pay extra fee. I don't respect the cheap billionaire, man. You got to... They all like that. Nah, nah, nah. Nah, they got to... That's why they're billionaires. They don't like to spend that. I'm telling you. Yeah? 01:06:51 Speaker 3: I know a dude with a house a mile long. A mile long. 01:06:56 Speaker 2: Right? 01:06:56 Speaker 3: Yeah. 01:06:57 Speaker 4: When you in your yacht in Miami, you look at the house like, oh my God, I know him. He want to give you $ 20, 000 to do his birthday party. 01:07:05 Speaker 2: You be like, yo, my man. fuck is wrong with you? Those are club fever numbers. 01:07:10 Speaker 1: He spends $ 20, 000 cleaning his windows. But that's why I don't respect it. This shit a mile long. I'm like, yo, I mean, what? 01:07:18 Speaker 2: I said, you sure that's what he said? That's what he said. Well, tell them all, can't do it. Like, what do you want me to do? We can't play with the craft. You know what I mean? This is art. 01:07:30 Speaker 4: Nah, because it's different. It ain't like just doing the show. It's like this guy's in my backyard, El Molino. 01:07:37 Speaker 2: Can't do. That Bronzino, you just told you that. Here's the thing, though. 01:07:42 Speaker 1: When you perform at them weddings, it's not you just performing a song. You're making a moment for their life. They're going to remember this moment. 01:07:50 Speaker 2: These are moments. 01:07:51 Speaker 1: You can't be cheap in that. I knew I shouldn't have booked fat for you. No, I booked fat. That's going to be part of it. I booked fat Joe kiss 50 in the backyard. And you go act like this. That's part of that. Like you got to, that can't come. That can't be cheap, bro. You got to, you got to. 01:08:09 Speaker 2: Bar mitzvah. any of that. Where they got you there private, where they telling their friends, yo. These is moments. Like, it's the extra charge. 01:08:20 Speaker 1: Or else go to the show. You want to be, go to the show and just pay ticket price then. If you don't want to, you want a personal experience for you and your family and friends, like, you have to, that's just, I don't know. 01:08:34 Speaker 4: Yeah, that's what I'm trying to say. But I'll do the songs though, fam. And then, even like, And then I go PG-13. 01:08:41 Speaker 2: We did what? Worldwide Western Celebration? Yeah, yeah. Worldwide Western. 01:08:46 Speaker 1: I've done that too. I curved the curses for the bag. I ain't got a curse. 01:08:50 Speaker 2: You gotta learn how to do the clean version. 01:08:52 Speaker 1: You gotta do that for BET when you're doing it for free. So, like, why wouldn't I the current occurs is for the bad. 01:08:59 Speaker 3: Yeah. 01:08:59 Speaker 2: Yeah. 01:08:59 Speaker 3: Yeah. 01:09:00 Speaker 4: We did worldwide West Leon Rose, uh, Congratulations, party, whatever that shit was. All I know, they had a lot of sponsors up there. You seen that shit? The whole Wall Street. The whole store. 01:09:13 Speaker 2: Oh, my God. The whole store

was in that motherfucker. Everything was there. 01:09:18 Speaker 4: I look at that shit, I said, man, did I charge them enough? 01:09:21 Speaker 2: When I start looking at all these fans. I've asked myself that question many times. 01:09:27 Speaker 4: It's happened a million times, right? When you tell somebody something, they be like, I ain't no problem. 01:09:33 Speaker 1: One time a guy even was like, congratulations, thanks for doing this, man. 01:09:38 Speaker 2: I should have paid you more. I'm like, man. 01:09:42 Speaker 4: I did a show for the girl. It was in Dubai. They locked down the whole one of them. When I tell you they had Indian food, Chinese food, Jamaican food, Spanish food, white people food. 01:09:59 Speaker 3: They thought Fat Joe was eating the whole, the food was a mile long. 01:10:05 Speaker 2: They had six people in the crowd. 01:10:08 Speaker 4: Six feet that was one of those what's love my favorite song can you do it again you start feeling like a whore with a fucking in a shoe with the fucking heel missing like you're walking down Collins Avenue like when they tell you again and again right so they gave me the bag but I was like boom so I go like this and I go out there after hey happy birthday this and that I tell you at the time I charged him $ 250 I thought it was like a lot favorite song, but I. 01:10:40 Speaker 2: Already gave you a million dollars. Shit! I said like this. Wait, what? They didn't send you the million dollar invoice? You got to switch up right here on the spot. What? 01:10:49 Speaker 3: They didn't send you the million? Yo, bro, she made me do it three, four times. I'm like, for the 250, I was like, all right. And she was like, I would have gave you a million dollars. That's how much I love that song. I said, one time that shit happened to me here. Hey, every time they gave me the right bag, I'm not going to matter. We did the, whatever that building is, the building they built for 9-11. The new one on the top. Somebody's birthday. He owns insurance. 01:11:19 Speaker 2: This, this, that. They paid us a great bag. We would have been like, all right, when I get, when I get on stage. So when I get there, fucking pit bull perform, 50 Cent perform. I'm like, no, no, listen, listen, no, no, Rich got it. Rich got a big trouble right there. No, no. They fucking tell me these things. Rich got in big trouble that day and it was a great bag. Don't get it fucked up. He said, yo, 50 Cent just perform and pit bull perform. I'm like, why am I performing after these guys, right? And they performing, we already knew. I get up there and all the way up comes on and the birthday guy dives on stage like the wrestler. 01:12:07 Speaker 4: You know how they going through the, I'm all the way up. I'm all, he grabbed a mic, started hyping me up. My favorite song ever. I'm like, Oh, my God, yo, witch. We ain't got to fucking talk, witch. Yo, we ain't got to. The man was my song. I'm like, all right, I'm doing the math. 50 Cent performed. Pitbull performed. 01:12:33 Speaker 2: I'm closing it. He dives on stage to do all the way up with me. I'm like, oh, no. Easy M. This was it. I want to. 01:12:42 Speaker 1: Say, like, we do shows. We've done radio shows. We've done club shows. We've done whatever. I think the best bags you get are those kind of private events. 01:12:54 Speaker 2: Technically, yes. 01:12:56 Speaker 1: I will say that. I feel like that's, when you look over, you know what I mean? Unless you're doing, like, touring and that kind of stuff. 01:13:04 Speaker 2: That shit, we just had one. What we did? Somebody, that shit in Florida. 01:13:08 Speaker 3: Yeah. 01:13:09 Speaker 2: Jeez, some shit. 01:13:10 Speaker 4: You know, it ain't got no gang members waiting for you outside, nothing. 01:13:14 Speaker 3: You know what I'm saying? Yeah, no, that shit went clean, easy money. You get up in there, you in the wrong place at the wrong time. And you like, all right, we got to get out of here. That was somebody's birthday? 01:13:23 Speaker 2: Yeah, it was a birthday. Or something, man. It shows us, like... I did see, I think, I got a thought flag on this. Yo, Fab, you know what? You be saying, you said something on the show that I be... I said, I'm going to go to it right now. I said, you the elf in the shelf. Let me tell you something. He said, I always late the shows, all kind of... Hold on, hold on. You know what I mean? It's time to go there. I've seen a couple clips where, in fact, I was waiting to come up here. Fab, let me hear this. Fab. You have. Let's get it. You've had, your name has been before mind on shows. Yeah. 01:13:57 Speaker 4: More than enough. And you came late. One time I pulled up, you was in the car, seen you do the R. Kelly, when the nigga duck cut his thing. I never did the R. 01:14:07 Speaker 2: Kelly. You got a problem. I never did the R. Kelly. That's a wild metaphor right there. When R. Kelly did the duck. You don't like performing before Fat Joe. That's it. That's not true. 01:14:20 Speaker 1: What? 01:14:21 Speaker 2: That's not true. First of all, Fat Joe is my brother. 01:14:27 Speaker 1: I've supported Fat Joe since I became a rapper, right? 01:14:32 Speaker 2: Yes! 01:14:32 Speaker 1: If I'm on a show... and I'm running late, we will reach out and be like, you know, you don't want to hold this show up. You don't want to lose your, if I was, if Joe was running late and he could call you, he could do the same favor. It's just as courtesy as the same thing would be with kids. 01:14:54 Speaker 2: I've never, I've never purposely. 01:14:57 Speaker 1: I will swear on my kids. 01:14:59 Speaker 2: I've never purposely said, came, showed up late to be behind Fat Joe. I've never did that in my life. I want to let you know that to your face. 01:15:08 Speaker 3: Only one time in my life and I was so mad. 01:15:12 Speaker 2: We've all been late. 01:15:13 Speaker 3: I wanted to scratch. I wanted to catch up. I wanted to crash out. We had a

show with State Property at Delaware State University. I would never forget because I was crying. This how much I wanted. I wanted it to look like Sparta. 01:15:35 Speaker 2: I wanted it to pop. You know what I mean? You know what I mean, niggas? 01:15:41 Speaker 3: I wanted that on steroids. It's the golden era. We got Del State. They said it's locked. Stay proper. Don't you know Hov came? With the whole everybody. And they went before us. And he knows not to pull. They sucked the air out of the hole. I went to pee and luge and everybody. If y'all love me. If y'all my brothers. 01:16:10 Speaker 2: Let's go in that dressing room right there. And turn the lights off. And let's fucking go great. Let's go. Let's go London soccer game. Let's go. This is it, dog. 01:16:24 Speaker 3: First, they was with it. Then they was like, and then they sent Ty. They sent Ty to him. The best meeting, Ty came. Nah, I love y'all niggas, man. Come on, man. But he didn't know because we, I only, I called it audible. Let's fucking go Let's say fuck this show and go. 01:16:42 Speaker 2: In there and go crazy. Whoever makes it out makes it. I wanted one of those eyeballs. I wanted eyeballs. I wanted limbs. You wanted blood. I wanted to go like Irish. I wanted to go dark. If I never, it's only like a few times in life I would say fuck it. Let's fuck it. You lost it. I lost it. Because they know what he did. I got to talk to him about it. 01:17:09 Speaker 3: But Jada, you've been in more than enough of my stories that they stay capped. 01:17:16 Speaker 2: Let's talk about that. 01:17:17 Speaker 1: There's some stories that I got capped off of your story. That Whack 100. A connected cap is a crazy Whack 100. No, he caught a transformer cap. Yeah, I caught like a cap straight. 01:17:27 Speaker 2: That was capped. I caught a cap straight. No, that was capped. You caught a cap not from me. Yeah, not from him. Usually catch a straight bullet with a straight cap. A straight cap. I'm like. 01:17:37 Speaker 3: You saw Young Buck get punched in his face. You was standing there. Oh, don't put my man in the 211. 01:17:41 Speaker 2: I don't say it. Don't put him in the... No, you was there. You was standing right there. They put him in the 211. Behind the stage. The concert. They put him in the 211. You was there. Jeezy was there. Y'all was there. Yeah, they put him in the... Ooh, Astro Boy, give him some cold ease. Don't do it. 01:17:58 Speaker 1: I didn't see the actual punch. I saw the commotion of something. 01:18:02 Speaker 2: You didn't see the actual punch? I didn't see the actual punch. He didn't see... I didn't see the actual punch. Do you believe he got punched? Do you believe he got punched? Something happened. I don't know. I don't know. Something happened. He was dead. There's a little, there's a commotion. He's been at a lot of rock and roll. Yo, Fab is always dead. Crying like this. I'm very observant. I see a lot. He's always dead. 01:18:24 Speaker 3: I turn around when something happened to somebody else. The most recent one. 01:18:29 Speaker 2: Yeah. I turn around and I see him. No, no, no. We can't do that. We need a new louder. It's somebody we know. We can't keep doing it. He was dead. Our show hasn't ended. Bro, you're not listening. Yo, what's wrong with you? We can't be the biggest. Yeah, how can we be the biggest? Without the who? You see me... I've always you see me. 01:18:53 Speaker 1: I always peep I don't always speak what I peep but I always be peeping shit period that's just how I am when people now how you say that I'm not much of a talker, that's not because I'm really being observant and watching the surroundings. 01:19:10 Speaker 2: So I see a lot. 01:19:11 Speaker 1: I've seen, I got a lot of stories too, but not in Fat Joe's level of stories, but I got a lot of stories just from seeing shit. 01:19:19 Speaker 2: You know what I'm saying? Nobody has his level. 01:19:24 Speaker 3: Stephen King don't got your level of story. 01:19:27 Speaker 2: Yo, my shit real though. You got people thinking I'm cat. I don't got people thinking anything. 01:19:35 Speaker 3: And I never, we can go back, we on about a seven million episode. I never said tap at none, not near one of these episodes. 01:19:44 Speaker 2: Never. 01:19:45 Speaker 3: You could pull I never said it. If you translating that to cap, you making up your own. If you want to call that cap, then you got me. But if you don't got no audio or video of me saying cap. 01:20:00 Speaker 2: We do the live show in Baltimore. I say the truth. I went to Baltimore in the 80s. 01:20:05 Speaker 3: I love that footage. I didn't say cap. Went down there with my man Rich. The police threw me up on the wall 100 times in one day. I was the only Puerto Rican in the whole board. 01:20:16 Speaker 2: They was like, yo, buddy, what are you doing? They just kept searching me. 01:20:20 Speaker 4: I tell my man, Rich, it wasn't a lot, but I was like, yo, just keep it because I'm going to go to jail. 01:20:26 Speaker 2: I got to go. I couldn't live in Baltimore. He said, but where? What hood? What block? I said, I don't know. 01:20:34 Speaker 3: Baltimore, the whole crowd going, Cap, Cap, this guy, yo, you a funny dude. 01:20:39 Speaker 2: You're doing a live show. You got to entertain the people. Entertain the people? Dang. What do you have to say? Was it east side, west side? No. I didn't know where. Just make up something. Nah. Fuck out of here. 01:20:52 Speaker 4: Meanwhile, all my guys is there. They did 31 years there. 01:20:57 Speaker 3: My guys who've been running Baltimore for 40 years, they all sitting with me in the fucking. 01:21:02 Speaker 2: Yo, listen, this ain't that. That ain't this. It's crack and kiss. Make some noise for Fab. Oh, yeah. 01:21:11 Speaker 3: I almost called him his nickname, but that's not for. 01:21:14 Speaker 2: The world to know. If you know, you know.