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In conversation with Terry Shepard, award-winning broadcaster, narrator, and author, a deep dive into the writer's craft with the artists and support systems who create the stories we love.
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Some friendships survive distance, others survive betrayal.
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But what happens when the truth has been buried for 18 years and suddenly the whole world is watching?
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Tina Holmes has built a remarkable career exploring the secrets people keep and the consequences that follow when those secrets refuse to stay hidden.
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A New York Times and USA Today best-selling author, she has sold more than three million books worldwide and written more than 55 psychological thrillers and suspense novels.
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Good Housekeeping named her one of its top 20 woman authors to read.
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And her stories have earned a loyal audience drawn from her gift for twists, tension, and deeply human characters.
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Her newest novel, When You Tell, takes us into the volatile intersection of friendship, fame, cancel culture, and buried trauma.
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Brie Wagner has spent most of her life behind the scenes, working as a ghostwriter and caring fiercely for her orphaned nephew.
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When a former best friend reappears after 18 years of silence, Miranda, now a wildly successful lifestyle influencer known to millions as Randy F.
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Alexander, needs Bree's help to write her next book.
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Sounds fascinating.
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Stina Holmes, welcome to the conversation.
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Great to be with you.
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No, thank you for having me.
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The publishing process takes such a long time from creation to actually getting the book out there.
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How do you remember anything about these stories by the time they actually come out?
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I keep little notes to myself about what a story is, who the characters are.
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But I'm like in my I am working on my like 61st and 66nd novel.
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So I had to go through my notes to find this one.
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I love your protagonist.
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Bree is a ghostwriter, someone whose job is literally to disappear behind another person's voice.
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Why was that the right profession for her?
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Because all she wanted to do was stay hidden.
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She didn't want to be in the public eye at all.
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She wanted no one to know anything about her.
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Her whole goal after she went through something very traumatic was
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to disappear.
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And this was the easiest way for her.
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And Miranda has reinvented herself as this enormously successful influencer, Randy F.
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Alexander.
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What interested you about the difference between a public persona and the person living behind it?
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So when I started writing this, there were a lot of influencers on social media and people were starting to really notice them.
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And I was, I used to be, my husband and I used to be ministers.
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So working in churches, being in the public eye, you always know that there's something behind what's being shown.
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And I influencers uh really fascinate me because what they what they're showing online, their perfect lives or imperfect lives, it's very created.
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And who are they behind, behind the view, right?
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Behind the screen.
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That really fascinates secrets in general fascinate me.
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And I believe everyone keeps them, everyone has them.
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And just the idea of these big successful influencers.
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And the novel.
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They're really not who they say they are, I don't think.
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None of us are.
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No.
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Right?
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No.
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We get up every morning and we put on this superhero afternoon.
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That's right.
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Hope that nobody figures out who we really are.
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Your story deals with cancel culture and how quickly a public reputation can collapse.
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Were you interested more in the power of social media or in what that pressure reveals about people?
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What it reveals about people and how they respond to it.
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Yeah.
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And then, you know, considering I wrote this more than five years ago and what we see happen now in cancel culture, right?
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I think it's so fascinating and how much it's changed, how quick it is.
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What made you decide to become a writer?
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I'm a storyteller.
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Um, I get that honestly from my father.
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My dad tells amazing stories.
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And it's, you know, you know, like when you grow up and there's always something that you want to do and be.
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I Stephen King, Nora Roberts, all those big authors telling a story, that was something I didn't think I could do.
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Like I wanted to, but I didn't think I was good enough for it.
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I I didn't have the skills, I wasn't able to.
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And so, you know, we went into ministry and then we we left and I became an executive assistant.
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And I hated, I can't, I I was good at my job, but there was no creativity.
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I didn't grow, I didn't feel challenged.
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And my husband was the one who was like, Well, why don't you write a book?
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And I'm like, I I I prefer reading them, I can't write them.
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And he's like, I dare you.
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And he knows me and don't dare me to do something.
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So I did it.
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I wrote my first book.
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It took me six months.
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It was uh a romance, a really sweet romance about chocolate and Christmas.
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And I did it in six months, submitted it to a contest, and I won a publishing contract.
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And then I realized I can tell a story.
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I just didn't know, I didn't know my craft.
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So I spent five years learning my craft on how to actually write it out.
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How do you learn to tell a story?
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You write a lot of stories, but you read.
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If you are a reader, you know the dynamics of of how to tell a story, you know that's and falls the climax, you know how to tell the plot, like you, you in the inherently, I believe, know how the story is supposed to go.
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So then as an author, as a writer, it's I just needed to put that into practice.
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What I knew worked when I read a story, I needed to work for me when I wrote a story.
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And I took classes and maybe Margie Lawson.
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I don't know if you're familiar with her, I took a lot of her courses on learning how to like to really tell the best story that I could tell.
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Um, and she I I believe learning that changed my career trajectory.
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What do you think made you successful?
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Oh, I told my heart story and I hit other people's hearts at the same time.
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I told I told the story that fear I feared the most as a young mum.
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And when I put my heart into it and I put everything about me into it, readers loved it.
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And I I think because the story I told was the same fear that they had in their hearts of you know, that one second when you look away and your child disappears.
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And that was finding Emma.
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And just I wrote several books before that.
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But finding Emma was my first foray into the secrets, and it was a woman's fiction, and it just skyrocketed.
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I tried to sell it for years and it was women's fiction.
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So at the time when I started, it was really hard, a hard sell.
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People, agents loved it, but unless I was a Diane Chamberlain or someone in that genre who already had their readership, it was a really hard sell to publishers.
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So I decided to self-publish it and I found over 10,000 readers in that first month, and it just kept going from there.
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The latest book is When You Tell, the website Stina S-T-E-E-N-A, Stinaholmes.com, and our special guest is the author, a hugely successful We Wanna Grow Up to Be Like Her.
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You're so sweet.
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USA Today and New York Times bestselling author.
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Why did you pick the two protagonists that you picked for this one?
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Because they're so different.
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So different.
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I wanted a vivacious, in-your-face type Instagram influencer, someone who you saw everywhere.
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Um, like a Rachel Hollis, right?
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Someone who was dynamic, but you felt like you knew her.
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I sat beside her actually at a table assigning books once years ago.
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And she always stuck with me.
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And this was before she became really big.
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And she just always stuck with me.
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And so I knew I wanted that.
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I wanted her, who she was inside, and just that vivaciousness and the but the realness.
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And I wanted to twist it with my character and make her a little bit more cynical and whatnot.
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And then Brie is just, I think Brie is that broken woman who doesn't want to be broken, but she doesn't know how to get beyond herself.
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What's the early feedback about the book?
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I don't know.
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Honestly, I don't know.
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I hope people like it.
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I've sent it like I sent it to some of my author friends for blurbs and they enjoyed it.
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But you know, we're authors are we're so nice to each other, right?
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So I don't know.
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I hope they really liked it.
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I hope readers love it.
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It comes out in a couple weeks, and I I have not
gone on Goodreads.
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Like I have not looked at reviews.
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I'm so because I wrote it so long ago, and my writing has changed since then.
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To be honest, I am really nervous to look up my reviews.
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Like part of me thinks that people are gonna hate it, that they're gonna be like, who is this person?
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This isn't the Stina that we know from today from her latest books.
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So I'm a little that's that's me being a little open and raw.
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I think that's what we all feel, right?
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We all think that our the book we finished most recently is the last one we'll ever do, and that people are gonna hate whatever we come up with next.
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We keep you know, I think every book everyone's gonna hate.
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They're gonna call me a fraud.
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Like that's that's my fear.
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Yeah.
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Why is that so common for people like us?
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Imposter syndrome.
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Maybe because we we create these characters that aren't real and we forget that we're not our characters, like we are real, but just because we make up stories and characters, that doesn't mean that we are.
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But maybe it's easier for us to lose ourselves in our characters, in our storytelling.
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When are you happy as a writer?
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When I have a like a twist that happens in my head when I'm writing something and I'm I know I could be doing better and something's wrong with it, and I'm not sure what it is.
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And then it just clicks, and I get so excited.
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I just, if I like it, I know readers are gonna love it, and I just can't wait to write it.
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And you're so good at twist, you've done 55 of these psychological thrillers.
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How do you keep coming up with interesting stories to tell?
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Well, I have I'm told I have a pretty twisted brain.
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So they just come naturally to me.
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And usually my editors are the ones who are like, back off a little.
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We can't do that.
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Yeah.
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Yeah.
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Really?
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The editors are the ones that are trying to calm you down.
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Usually it's a little bit more.
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Yeah, a little bit.
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Yeah.
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I tend to make things really complicated and uh go too far.
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So
sometimes I have to.
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Yeah.
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Yeah.
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That's okay.
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That's all right.
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Maybe the next one I can do a little bit darker.
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We'll see.
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When you be given a novel, you already know the major revelations, or do some of the secrets reveal themselves while you're writing?
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So my process today is very different from my process when I wrote when you tell.
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When you tell, I was a canster and I knew nothing.
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And the book just came as I was writing it.
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And I had to go back and rewrite many, many times.
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Um, I did a lot of edits with that book because I was I wrote, I was in a place of I wasn't sure where I was going as an author and a writer.
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I didn't know the direction I want to go.
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I I was going this way in one path, the woman's fiction, and then I wanted to go into something a little bit darker.
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And this was my in-between, this was me learning where I wanted to go as a writer.
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So I believe I did like five different initial drafts of this before I really figured out where this book was going.
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Today I'm I had to learn how to plot it for my publisher.
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And so now I I learn all that and I figure all that out before I actually start writing the book.
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But when you tell was was a hard one for me to write because it's the story that is coming out on the sixth is not the story that I intended to write in the beginning.
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Stina Holmes is our special guest.
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We're talking about when you tell stinaholmes.com is the website.
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What is your process like today?
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I spend a lot more time figuring out the plot.
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So I I know what the twists are.
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I still give myself room to add more twists to them.
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But I I write out I'm a plotter now.
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I started as a pantster and now I'm a plotter, and I love the process.
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I I was really surprised.
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I didn't think I could ever enjoy it and I didn't think I would like it.
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But my editor that I work with kind of made me learn how to plot.
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And she worked with me and gave me suggestions and and how-tos and stuff.
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And so now I take the time and I really figure out that story.
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I always leave room for
surprises to happen.
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But I got to the point, I think it was after book 50.
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And I wrote the whole thing and I had to go back and rewrite half of it, and I got tired of it.
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And I there has to be an easier way to tell stories.
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There has to be an easier way to write these stories.
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And so for me, right now, plotting is what's working.
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You write the kind of books that keep readers up past their bedtime.
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What does a chapter need to do to make someone say, just one more?
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You always end on a cliffhanger.
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You end with a question.
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You never answer a question at the end of a chapter.
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You always, you always give them a new question to be asked.
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You got a family and a life going on around your writing.
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What does your actual routine look like?
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Well, now writing is my this is my career.
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And so I treat it like that.
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I used to work in corporate, so I understood deadlines, having your eight to five, you know, that was my life.
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So that's what I do now.
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I sit at my desk from 10 to 5, 10 to 4, maybe, but that is my solid writing time.
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I will wake up, have my coffee, let my brain wake up.
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I'll break down notes on my phone or whatever.
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And then when I get to my office and I turn on my computer, it's it's all work.
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What made you select Amsterdam as the location for your story?
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So I love to do, I host reader tours.
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So I bring readers with me on trips and we go to Europe.
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We go to Paris, uh, we do Christmas market, we've done Italy, and my very first one was in Amsterdam.
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And when I was there, I uh was walking the town, the city, and I was on a chocolate hunt.
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I wanted to find all the best chocolate shops there.
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But as I was walking in, you know, the canals and the old brown cafes and brown bars and stuff, I knew it would be the perfect place to set a thriller.
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And I knew it would be the perfect place for secrets to happen and and whatnot.
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Um, and Amsterdam just feeds into that very easily.
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What have you learned about your own books from talking with readers face to face?
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That's a really good question.
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The more of me I put into a book, the more people can connect with it and they see themselves in it.
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It doesn't matter how many twists happen, and it doesn't matter how crazy the book can be.
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If there's real emotions, real feelings, readers connect with that.
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And the realer I can be in my stories, uh, the better.
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You've been doing this a long time after writing so many novels.
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What still surprises you about being a storyteller?
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That people like to read them.
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When when when someone says I read your book, I like you really like did you really or did you just read the book or read the reviews?
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Like you really read it?
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Did you like it?
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You liked it?
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You're just saying that, right?
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Like you're not, you didn't you're just trying to be nice.
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Like believing someone actually likes what I read or what I wrote is just surprising, and it's the greatest gift.
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What's next?
00:17:19.569 --> 00:17:20.130
More books.
00:17:20.369 --> 00:17:21.410
More meter tours.
00:17:21.650 --> 00:17:22.049
Yeah.
00:17:23.089 --> 00:17:24.690
What's in the pipeline right now?
00:17:25.089 --> 00:17:25.650
So many.
00:17:25.890 --> 00:17:29.569
So I am always working on at least three novels at at once.
00:17:29.809 --> 00:17:45.730
I write, I work in the morning, another book in the afternoon, and then on the weekends, sorry during some downtime, you know, when when everyone is busy doing something, I will buy my notebook, sit in my office, and I have a lounge chair, and I will start working on the next book.
00:17:45.809 --> 00:17:50.049
And I'll write my notes, the characters, the plot, the ideas, the twist.
00:17:50.450 --> 00:17:58.769
And then um when book one is done, book two moves up to the morning, book three, the weekend book, moves up to the afternoon, and then I start a new weekend project.
00:17:59.009 --> 00:18:02.210
How do you keep all those balls in the air and remember which one's which?
00:18:02.850 --> 00:18:04.049
Because they're all different.
00:18:04.289 --> 00:18:14.289
So one will be a psychological thriller, will be that I'm gonna be doing, and it's uh destination settings and uh secrets, families.
00:18:15.330 --> 00:18:22.289
So that one is very different than my psychological thrillers, and then I have uh, you know, just writing down the notes and whatnot.
00:18:22.370 --> 00:18:24.690
So that one's easy to keep separate.
00:18:25.170 --> 00:18:29.330
What do you hope that readers will take away from their encounter with When You Tell?
00:18:29.570 --> 00:18:39.730
I would love it if while someone is reading When You Tell, if they text
a friend or talk to a friend and be like, this is a book you need to read.
00:18:39.970 --> 00:18:40.930
Let's talk about it.
00:18:41.090 --> 00:18:43.170
Like, I would I would love that.
00:18:43.410 --> 00:18:44.610
This sounds familiar.
00:18:44.769 --> 00:18:47.009
Didn't we didn't we read something like this before?
00:18:47.250 --> 00:18:48.289
Hasn't this happened?
00:18:48.450 --> 00:18:50.930
Like I would just like conversations to happen around.
00:18:51.490 --> 00:18:54.049
Do you have a favorite book that you wrote?
00:18:54.370 --> 00:18:55.009
I do.
00:18:55.330 --> 00:18:58.690
Actually, I have a few, and it's never the one I just finished.
00:18:58.850 --> 00:19:04.450
I have one called uh The Sister Under the Stairs, and that is a really personal one.
00:19:04.610 --> 00:19:10.210
It's about it's about a horror that happens in our backyard, um, and we don't even know about it.
00:19:10.370 --> 00:19:13.730
And um it's really personal and it happened to my family.
00:19:14.049 --> 00:19:22.769
And my my aunt works with an organization to rescue sex trafficked people, and she asked me to write a story about it.
00:19:22.850 --> 00:19:35.330
Um, and that's it's called Sister on the Stairs, and readers are loving that book, but it's probably one of my favorites just because of the emotional intensity that I was able to put in that story.
00:19:35.570 --> 00:19:40.930
How can you write something like that and stay close to it without it affecting you?
00:19:41.170 --> 00:19:41.970
I couldn't.
00:19:42.130 --> 00:19:50.210
I went into some very dark places when I wrote that story, and I thought about how I would feel if if something like that had happened to my daughter.
00:19:50.370 --> 00:19:51.250
I have three daughters.
00:19:51.330 --> 00:19:52.450
They're all in their 20s.
00:19:52.610 --> 00:19:54.130
Like, what if something happened to them?
00:19:54.289 --> 00:19:58.690
Um, but then I realized as a mother, this was something I needed to know as a parent.
00:19:58.850 --> 00:20:08.370
I needed to know how do I protect my children, but how do I also give them the skills to protect themselves or to know what to look for when they're living their lives?
00:20:08.450 --> 00:20:10.930
Um, so it became really important to me.
00:20:11.490 --> 00:20:14.049
Is writing a therapeutic exercise for you?
00:20:14.289 --> 00:20:14.769
Yep.
00:20:15.009 --> 00:20:20.130
I still go see a therapist when I need to, but um I always am dealing with something in my books.
00:20:20.289 --> 00:20:22.289
There's always something that I'm struggling with.
00:20:22.450 --> 00:20:29.570
It could be a faith-based question, you know, of whatever's happening in the world and how do I, how do I handle that as a person?
00:20:29.650 --> 00:20:34.289
Or it could be something happening in my own family or something happening with me personally that I'm dealing with.
00:20:34.450 --> 00:20:41.330
It's always something always, I'm always able to discuss it and deal with it and find a resolution when I'm writing my book.
00:20:41.570 --> 00:20:43.090
The book is When You Tell.
00:20:43.570 --> 00:20:51.570
It is one of many still of the pipeline, coming from our best-selling author and special guest, the author Stina Holmes.
00:20:51.730 --> 00:20:56.289
Stina S-T-E-E-N-A Holmes.com is the website.
00:20:56.529 --> 00:20:57.730
This has been wonderful, Stina.
00:20:57.809 --> 00:20:59.009
Thanks for the conversation.
00:20:59.330 --> 00:21:01.009
Well, I'm really glad to have been here.
00:21:01.170 --> 00:21:02.370
Thanks for having me.
00:21:02.690 --> 00:21:07.009
In Conversation with Terry Shepard is a copyrighted presentation.
00:21:07.250 --> 00:21:08.690
All rights reserved.
00:21:08.769 --> 00:21:10.130
I'm Lisa Davis.
00:21:10.289 --> 00:21:13.570
Join Terry Shepherd next time in conversation.